Rolf Lassg rd in A Man Called Ove. Record-breaking box office Swedish film A Man Called Ove screened at the fall KCET Cinema Series on Tuesday, September 20. Based on the best-selling novel of the same name, the film is about a grouchy man who strikes up an unexpected friendship with his new neighbors. Following the movie, director Hannes Holm participated in a Q&A session with KCET Cinema Series host Pete Hammond. The film has been selected by the Swedish Film Institute to compete for a foreign language Oscar nomination
The KCET Cinema Series continues its fall season weekly through October 10 at the historic Aero Theatre in Santa Monica. It is generously sponsored by the James and Paula Coburn Foundation.
Below is an edited portion of the Q&A session with Holm.
On adapting Fredrik Backmans novel.
Hannes Holm: If I knew that this film would get in here, I would have said, yes, the first time when I got the offer. But, really, when I got the offer to do it, I really didnt want to do it.
I just decided that I didnt want to make comedies anymore... It was a best-selling novel. I heard that the author was very like Ove himself... Fredrik Backman. So I didnt want to do this. I was scared. But I did. Now, youre going to say, why?
In the meeting, the producer, she gave me the book and I dont have so many books in my home, I read the book the same night. When the morning came, I was reading the last pages, my pillow was all wet.
Then I realized that this we could shoot because it was all there - humor, drama, depth, destiny, everything - so then I called her and said, yes, I really want to do this film.
I write my own stories. This was kind of a new thing for me, to write a screenplay of some other persons story. I really didnt want to do it, but I read the book. Its a good thing to do, if you want to make a film.
Pete Hammond: How many times did you read the book?
HH: That night and 99 times more. I read it so much.
Has anybody read this book? Because Im quite afraid of you. Book lovers are so aggressive when it comes to filmmakers making films on what they love and they often think theyre their own books and they go to the cinema to watch the massacre of the book.
When I did the script, I really wanted to reach for the book lovers as well. But Im not an author, Im a filmmaker, so I read the book so many times that it got into my veins. I felt like a thief, stealing the story out of the book and made a film out of it. I had one thing that the author didnt have. What was that?
I had a camera.
I can spare so many words with the camera... This camera is so good when it comes to making films of the books because so many millions of words in just these pictures.
Pete Hammond and A Man Called Ove director Hannes Holm. | Photo: Photo: Michele Garza
On working with cats.
HH: Its like I said, Im from Sweden, we dont have so much money. This thing about cats, its not the cat thing. Its more the problem of the owner of the cat because I dont know why they lie so much. Can the cat follow my actor like this? Yes. Can the actors say meow when I sing? Yes. OK. Can the cat take my car and buy some beer for me? Yes. OK. OK. Thank you very much. That was the situation.
Here in California, in Los Angeles, you have digital cats because you have seen these problems before and thats why your digital industry is so big. In Sweden, we cant afford that, but we could afford two cats. So, we had two cats in the film.
PH: Coen Brothers, when they did that movie [Inside Llewyn Davis] when he has the cat, Oscar Isaac, they used six cats.
HH: Six cats! We couldnt afford six cats in Sweden.
We have Magic and Orlando. Magic was... the aggressive cat and then Orlando was the sleepy cat. So, we used them. Theres an all Swedish crew member. These cats were so similar. Sometimes, we took the wrong cat. We took the aggressive cat to the bed scene. We could afford new sheets instead of the bloody ones.
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On lead actor Rolf Lassg rd.
Rolf Lassg rd is one of the best actors in Sweden.
I worked with a lot of comedy in Sweden before and hes not a comedy guy and the production company didnt want Rolf in the main character because he wasnt so funny. When I started to talk with him, he said, Im not that funny. I didnt want to have a funny guy. I wanted to have a really good actor. So, we started to watch other films, for example About Schmidt, a film about stubborn people. After we finished them and started to release the film, Alexander Payne called him and gave him a big role.
As soon as I started to write the script, Rolf Lassg rd came into my head. The thing is that Rolf Lassg rd isnt looking like [Ove]. He has a lot of hair.
On why Ove looks older than 59.
You know the Swedish climate with winter, its windy. Its hard to live in Sweden. You look old when youre 59. In the book, its 59 and we have the line saying its 59 in the film as well, but, in a way, grumpy old man could also be a 20-year-old woman. Or, I dont know, everybody can be grumpy. We didnt want to do it like the age was so important.
Bahar Pars and Rolf Lassg rd in A Man Called Ove.
On the budget for the film.
We have a very nice little system in Sweden with state funding. Lots of films are being done. Also, it is hard in another kind of way, but if you really want to make a film, you can do a film in Sweden.
This film was a best-selling film so the production company... its a very cheap film in this semi-attached area. They thought it didnt cost so much and it had a very poor budget. I jumped off the project for sometime because I didnt think the people, the production company, had the same thoughts that I had. Then they came up with a little bit more money so that we could come up with his bald hair, for example. They didnt even want to have a cat in the film. I fought for the cat. The budget was very ordinary. It
