10/02/2025
Article courtesy of Televisual| LINK: | https://www.filmlight.ltd.uk/store/inthepress/disclaimer_peter_doyle/... |
| See more stories from filmlight |
Article courtesy of Cinematography World Read the article FilmLight has finalised the prestigious 2025 FilmLight Colour Awards jury and welcomed award-winning...
Article courtesy of Prensario Read the article La serie fue dirigida por Juli n de Tavira, Rodrigo Santos, y David Leche Ruiz, con direcci n de fotograf a a...
Article courtesy of The Hollywood Reporter Read the article The awards, celebr...
Article courtesy of Televisual Read the article Already live in Los Angeles and rolling out in New York and London, Nara gives producers, colourists, conform ...
Article courtesy of Digital Media World Read the article ARTONE post-house in Tokyo is the first facility in Japan to integrate Baselight M, choosing its prec...
Article courtesy of The Hollywood Reporter Read the article Once hidden in post-production suites, the artists who make movies and TV shows look the way they ...
Article courtesy of Deadline Read the article The Brutalist' & Bad Bunny's Nuevayol' Music Video Among 2025 FilmLight Colour Award Winners - Cam...
From the recent SMPTE Media Technology Summit in Pasadena, with FilmLight Image Engineer, Daniele Siragusano, and Research Engineer, Julius Tschannerl. Matchin...
Nara takes centre stage at the RAI with Baselight demos and presentations available nearby 20 August 2025 FilmLight is bringing a suite of innovative new Nar...
Visit us at IBC 2025, with Baselight demonstrations at the Hotel nhow Amsterdam RAI and Nara on the show floor. Baselight 13-14 September Location Meet us ...
The Importance of Workflow Efficiencies in Post-Production Wednesday, 14 May 14:40 FilmLight sits down with Sam Lempp, head of business development for Nara, ...
Article courtesy of Digital Production Germany Read the article Digital Production Germany magazine editor, Bela Beier, recently talked to Nara's Steve Br...
Article courtesy of Digital Media World Read the article Light Iron uses Nara to handle file navigation, content streaming and information sharing workflow ef...
Article courtesy of British Cinematographer Read the article DoP Don Burgess, VFX supervisor Kevin Baillie and colourist Maxine Gervais pulled their talents t...
Sunday April 6, from 6pm Easy's Cocktail Lounge / ARIA Resort & Casino FULLY SUBSCRIBED Join us between 6-9pm to meet up with the FilmLight team and your...
Article courtesy of postPerspective Read the article FimLight has introduced Baselight S and Baselight M, affordable and accessible software-only subscription...
Article courtesy of Digital Media World Read the article Ross Baker, senior colourist and head of grading at Molinare in London, talks about building his care...
Article courtesy of Digital Cinema Report Read the article Light Iron has selected Nara for its New York and Los Angeles facilities - streamlining its workflo...
Article courtesy of postPerspective Read the article If you've seen the show, you've likely noticed its distinctive look, part of which could be attri...
Article courtesy of Televisual Read the article The series was shot by cinematographers Emmanuel Lubezki, ASC, AMC ( Chivo') and Bruno Delbonnel, ASC, AFC...
Article courtesy of Post Read the article The feature brought together a familiar team that included Guadagnino, DP Sayombhu Mukdeeprom and colorist Claudio D...
Article courtesy of Digital Media World Read the article Colourist Daniel Pardy talks about building a working LUT for this film with a distinctive 16mm film ...
Article courtesy of TV Technology Read the article FilmLight has officially launched FilmLight REMOTE, a remote colour grading solution that allows post house...
Thursday January 23 Cinema Palace / 85 Boulevard Anspach, 1000 Brussels Brought to you by FilmLight & Sondr 6:00pm / Doors open 6:30pm / Presentations follo...
Friday February 7, 11am Parc Floral de Paris Register for Micro Salon Rencontre cr ative : Dans les coulisses de Saint-Ex FilmLight sera au Micro Salon Pa...
Article courtesy of Broadcast Pro Middle East Read the article Fady Melek, a senior colourist with more than 20 years of experience in the film industry, has ...
Thank you to everyone who joined us recently for our product event in our new look London HQ. Alongside the presentations on Baselight 7 and Nara, we provided ...
Article courtesy of Variety Read the article Colour grading system developer FilmLight has revealed the nominees for its 4th annual Colour Awards, which are o...
Article courtesy of Shots Read the article The changing face of cinematography is ready for its close-up - from the growth of volume stages to the impact of m...
Article courtesy of Variety Read the article The winners of colour grading system developer FilmLight s 4th annual Colour Awards were presented Sunday at the ...
Article courtesy of American Cinematographer Read the article The cinematographer and FLCA juror shares the insights he's gleaned over years while working...
Article courtesy of The Hollywood Reporter Read the article The annual awards ...
Article courtesy of MonitoR Read the article Claudio Del Bravo Senior Colorist e responsabile dei lungometraggi presso lo studio di post produzione Frame by...
Six colourists crowned 2024 winners as the art of colour grading is celebrated at EnergaCAMERIMAGE 2024...
17-18 November Toru , Poland 2024 FilmLight Colour Awards Winners Ceremony On Sunday 17th November at 4pm, FilmLight is hosting the 2024 Colour Awards Ceremon...
13-15 November HALL 7. Booth No.7310 Restar Corporation Visit us in Tokyo at Inter BEE 2024, where you will find us with our partner Restar Corporation. Meet...
The FilmLight Colour Awards 2024 jury recently gathered ahead of casting their final votes for this year's nominees. During the discussion, George Miller, 2...
FilmLight 103 Bermondsey Street, London, SE1 3XB Wednesday 27th November, from...
Join our free training Baselight course For color assistants, conform artists and online editors. Tuesday 15 October, 9am-3pm Dolby Screening Room NYC 1350 ...
Latest version of Nara boasts new features designed to further streamline media workflows and enhance collaboration for creative teams...
Eric Whipp, colourist on the Mad Max saga, breaks down his grading journey An exclusive evening for cinematographers, colourists and the colour community. Brou...
INNSiDE by Meli , Amsterdam 13-16 September 2024 Location See Baselight and Nara in action Meet us at the INNSiDE by Meli Hotel, close to the Convention ...
Stand 8B36 21-24 August 2024 Meet our team on stand #8B36. Exclusive colour workshops supplement comprehensive demonstrations of all of the latest platforms...
Article courtesy of Creative Cow Read the article The movie, which was release...
Article courtesy of Definition Read the article The colour for the series was completed on Baselight by Company 3 colourists Jean-Cl ment Soret (episodes 1-3)...
Article courtesy of Digital Media World Read the article Colourist Eric Whipp talks about working remotely with his team between LA, Toronto and Sydney to bui...
Article courtesy of Creative Cow Read the article Chris has been a colourist for the last 20+ years, based out of the San Francisco Bay Area. He has balanced ...
Article courtesy of Digital Media World Read the article TV series Sh gun' was graded remotely at The Mill by colourist Elodie Ichter. With creative free...
Article courtesy of Definition Read the article Cinematographer Mandy Walker talks to Definition about all things colour, as she prepares to judge the FilmLig...
Article courtesy of Variety Read the article The FilmLight Colour Awards have named Mad Max saga director, writer and producer George Miller as jury guest o...
