
MLB Postseason: ESPN Modifies REMI Model To Produce Up to 21 Wild Card Games in Four Days ESPN to present Squeeze Play, the first live MLB whiparound show By Jason Dachman, Chief Editor
Tuesday, September 29, 2020 - 3:36 pm
Print This Story | Subscribe
Story Highlights
Today, ESPN and ABC kick off an unprecedented run of MLB postseason games, with exclusive rights to seven of the eight Wild Card series and as many as 21 games in four days. It's a tall order and one that would not have been possible if it weren't for the modified REMI production model ESPN cultivated during this year's shortened regular season.
Karl Ravech, Eduardo Perez and Tim Kurkjian call an MLB regular-season game remotely. (Photo: Kelly Backus/ESPN Images)
Over the past two months, ESPN has been taking clean feeds from the home team's RSN for all weekday MLB games and producing the final telecast out of control rooms at its Bristol, CT, or Charlotte, NC, facilities - a model it will continue to deploy for this week's Wild Card Series.
When ESPN secured the rights to seven of the eight [Wild Card series], says Paul Horrell, remote operations manager, ESPN, it was a bit of a head scratcher in terms of how we were going to do all these games. But I think the work we did this season has really paid off. Given the logistics required for travel and the sheer volume of games, it was a no-brainer to use the same weekday-game model that we've been using all season. We tweaked the model, but that was definitely the only way we were going to be able to manage [potentially] 21 games over four days.
At the Ballparks: Leveraging RSN Crew, Trucks Onsite Alex Rodriguez and Matt Vasgersian handle play-by-play for MLB Opening Day game from a studio in Bristol. (Photo: Kelly Backus/ESPN Images)
To pull off series in Minneapolis, Oakland, Cleveland, Atlanta, Chicago, San Diego, and Los Angeles, ESPN has enlisted the same producer/director teams, largely similar production crews, and the same mobile units used by the RSNs in the respective markets. The fleet of mobile units consists of Mobile TV Group's HDX35, HDX36, 43Flex, and HDX26; NEP's M11 and M12; and Lyon Video's MU6.
During non-exclusive weekday games this season, the home team's RSN provided ESPN with a clean world feed and supplied two unilateral cameras that ESPN could integrate into its final telecast (exclusive Sunday Night Baseball broadcasts were full REMI operations this year, with all camera feeds going to Bristol). However, since ESPN is the exclusive broadcaster of these Wild Card Series, the production crews are tailoring their coverage specifically for ESPN. Production teams inside the truck will receive net return, control-room return, and commentary from the home control room and will be in direct communication with ESPN's producer/director in Bristol or Charlotte.
Remote control room during the MLB regular season (Photo: Kelly Backus/ESPN Images)
In the regular season, explains Phil Orlins, senior coordinating producer, Major League Baseball, ESPN, we would take a world feed and enhance it with two of our own cameras. But here they will be [creating the world feed] just for us. They get our commentary, our network return, and our control-room return feeds back to site so they can see what we're doing and hear our commentators. They will also be [in communication] directly with our producer and director in Bristol so they are synced up and working together.
ESPN has authorized a modest increase in the production capacity for each of the local clean feeds, boosting camera counts from typically seven or eight cameras (plus the visiting RSN/national-broadcast unilaterals) to a standard of 10 hard cameras plus robos, including four super-slo-mos.
Back Home in Bristol and Charlotte ESPN is deploying two production-control rooms apiece in Bristol and Charlotte, each receiving five feeds from onsite: the clean feed, a backup feed, a multiview for commentators, the centerfield K-Zone camera (to produce highlight packages back home), and a roaming ad hoc camera.
Five play-by-play talent will be calling games remotely from Bristol, while all analysts will be providing commentary remotely from their respective homes using ESPN's Live From Home kits (with the exception of one, who will be in Bristol). Two production crews are scheduled to double up on games on Wednesday and Thursday, when ESPN is scheduled to televise up to seven games per day. In addition to the producer and director, graphics, scorebug, K-Zone 3D and home-tracker animations, and highlight packages will be located at the broadcast center.
Employees work in a control room during a Major League Baseball regular-season game. (Photo: Kelly Backus/ESPN Images)
With very few exceptions, we're not traveling any ESPN people to site other than the reporters, who mostly live within a few hours [of the game site], says Orlins. It's a remarkably nimble, efficient, and low-travel plan. Typically, on the final Sunday of the season, to prepare for the tiebreaker game and one playoff game, the number of people working, traveling, and dealing with logistics is just crazy. But, Sunday night, we had the games set around 9:00, and, by 10:30, the plan was done.
Since ESPN holds exclusive rights to the Wild Card series, all games will also feature virtual-ad insertion with two systems in Bristol and two at ESPN's Seaport Studios in NYC.
ESPN Goes Full RedZone With Squeeze Play Wednesday, Thursday ESPN MLB reporter Buster Olney is among the few crew members onsite for games this season. (Photo: Phil Ellsworth/ESPN Images)
This week will also see ESPN 's first live MLB whiparound show, Squeeze Play, on both Sept. 30 and Oct. 1. Commentators Jason Benetti, Kyle Peterson, and Mike Petriello (who will also call MLB Statcast-dri
North America Stories
02/06/2026
Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, announces its new Model 385 Mic/Intercom Beltpack. The Mode...
02/06/2026
The Riedel Group today announced the appointment of Gudrun Scharler as CEO of Riedel Networks. She succeeds Michael Martens, who has led Riedel Networks since 2...
02/06/2026
More signals, higher quality, and outstanding ingest and streaming flexibility deliver professional results in a small, all-in-one footprint...
02/06/2026
farmerswife will be featured on the Modena Media & Entertainment stand at this year's Mediatech Africa 2026, giving visitors an opportunity to explore the l...
02/06/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17 19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
01/06/2026
Designed to solve a common problem in broadcasting, the automated workflow detects, identifies, removes, and documents copyrighted music
AudioShake has introdu...
01/06/2026
The sports-analytics company combines its data with proprietary AI to help leagu...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Marshall Electronics is showcasing a comprehensive lineup of next-generation POV cameras, purpose-built to power today's connected AV environments, at InfoC...
01/06/2026
Adobe Announces Concept to Vector
Deepa Subramaniam June 1, 2026
0 Comments
One of the biggest frustrations we hear from designers is how difficult it...
01/06/2026
Vampire Feature Night Patrol Graded with DaVinci Resolve Studio
Brie Clayton June 1, 2026
0 Comments
Colorist shapes dark, gritty tone for horror thri...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Agentic AI is getting physical.
At COMPUTEX on Tuesday, NVIDIA announced NVIDIA JetPack 7.2 and NVIDIA NemoClaw support on NVIDIA Jetson.
JetPack 7.2 brings a...
01/06/2026
Financial institutions have spent years building AI: fraud models, credit models...
31/05/2026
Olivia P rez-Collellmir to Premiere Original Work at Gaud Centennial in Barcelona The Berklee graduate and faculty member will debut her choral symphony with...
31/05/2026
Back to All News
Netflix Wins 15 Awards at the Canadian Screen Awards - See Pho...
31/05/2026
Taiwan is home to more than 500 NVIDIA ecosystem partners. More than 1 million N...
31/05/2026
As factories move from isolated automation to plant-wide intelligence, manufacturers need AI systems that can connect live machine signals, quality systems, wor...
31/05/2026
The NVIDIA AI Cloud ecosystem is accelerating the global buildout of AI factory infrastructure. Partners are expanding capacity to meet growing demand from ente...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
29/05/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...