
MLB Postseason: ESPN Modifies REMI Model To Produce Up to 21 Wild Card Games in Four Days ESPN to present Squeeze Play, the first live MLB whiparound show By Jason Dachman, Chief Editor
Tuesday, September 29, 2020 - 3:36 pm
Print This Story | Subscribe
Story Highlights
Today, ESPN and ABC kick off an unprecedented run of MLB postseason games, with exclusive rights to seven of the eight Wild Card series and as many as 21 games in four days. It's a tall order and one that would not have been possible if it weren't for the modified REMI production model ESPN cultivated during this year's shortened regular season.
Karl Ravech, Eduardo Perez and Tim Kurkjian call an MLB regular-season game remotely. (Photo: Kelly Backus/ESPN Images)
Over the past two months, ESPN has been taking clean feeds from the home team's RSN for all weekday MLB games and producing the final telecast out of control rooms at its Bristol, CT, or Charlotte, NC, facilities - a model it will continue to deploy for this week's Wild Card Series.
When ESPN secured the rights to seven of the eight [Wild Card series], says Paul Horrell, remote operations manager, ESPN, it was a bit of a head scratcher in terms of how we were going to do all these games. But I think the work we did this season has really paid off. Given the logistics required for travel and the sheer volume of games, it was a no-brainer to use the same weekday-game model that we've been using all season. We tweaked the model, but that was definitely the only way we were going to be able to manage [potentially] 21 games over four days.
At the Ballparks: Leveraging RSN Crew, Trucks Onsite Alex Rodriguez and Matt Vasgersian handle play-by-play for MLB Opening Day game from a studio in Bristol. (Photo: Kelly Backus/ESPN Images)
To pull off series in Minneapolis, Oakland, Cleveland, Atlanta, Chicago, San Diego, and Los Angeles, ESPN has enlisted the same producer/director teams, largely similar production crews, and the same mobile units used by the RSNs in the respective markets. The fleet of mobile units consists of Mobile TV Group's HDX35, HDX36, 43Flex, and HDX26; NEP's M11 and M12; and Lyon Video's MU6.
During non-exclusive weekday games this season, the home team's RSN provided ESPN with a clean world feed and supplied two unilateral cameras that ESPN could integrate into its final telecast (exclusive Sunday Night Baseball broadcasts were full REMI operations this year, with all camera feeds going to Bristol). However, since ESPN is the exclusive broadcaster of these Wild Card Series, the production crews are tailoring their coverage specifically for ESPN. Production teams inside the truck will receive net return, control-room return, and commentary from the home control room and will be in direct communication with ESPN's producer/director in Bristol or Charlotte.
Remote control room during the MLB regular season (Photo: Kelly Backus/ESPN Images)
In the regular season, explains Phil Orlins, senior coordinating producer, Major League Baseball, ESPN, we would take a world feed and enhance it with two of our own cameras. But here they will be [creating the world feed] just for us. They get our commentary, our network return, and our control-room return feeds back to site so they can see what we're doing and hear our commentators. They will also be [in communication] directly with our producer and director in Bristol so they are synced up and working together.
ESPN has authorized a modest increase in the production capacity for each of the local clean feeds, boosting camera counts from typically seven or eight cameras (plus the visiting RSN/national-broadcast unilaterals) to a standard of 10 hard cameras plus robos, including four super-slo-mos.
Back Home in Bristol and Charlotte ESPN is deploying two production-control rooms apiece in Bristol and Charlotte, each receiving five feeds from onsite: the clean feed, a backup feed, a multiview for commentators, the centerfield K-Zone camera (to produce highlight packages back home), and a roaming ad hoc camera.
Five play-by-play talent will be calling games remotely from Bristol, while all analysts will be providing commentary remotely from their respective homes using ESPN's Live From Home kits (with the exception of one, who will be in Bristol). Two production crews are scheduled to double up on games on Wednesday and Thursday, when ESPN is scheduled to televise up to seven games per day. In addition to the producer and director, graphics, scorebug, K-Zone 3D and home-tracker animations, and highlight packages will be located at the broadcast center.
Employees work in a control room during a Major League Baseball regular-season game. (Photo: Kelly Backus/ESPN Images)
With very few exceptions, we're not traveling any ESPN people to site other than the reporters, who mostly live within a few hours [of the game site], says Orlins. It's a remarkably nimble, efficient, and low-travel plan. Typically, on the final Sunday of the season, to prepare for the tiebreaker game and one playoff game, the number of people working, traveling, and dealing with logistics is just crazy. But, Sunday night, we had the games set around 9:00, and, by 10:30, the plan was done.
Since ESPN holds exclusive rights to the Wild Card series, all games will also feature virtual-ad insertion with two systems in Bristol and two at ESPN's Seaport Studios in NYC.
ESPN Goes Full RedZone With Squeeze Play Wednesday, Thursday ESPN MLB reporter Buster Olney is among the few crew members onsite for games this season. (Photo: Phil Ellsworth/ESPN Images)
This week will also see ESPN 's first live MLB whiparound show, Squeeze Play, on both Sept. 30 and Oct. 1. Commentators Jason Benetti, Kyle Peterson, and Mike Petriello (who will also call MLB Statcast-dri
North America Stories
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
3D streaming infrastructure provider Miris today announced the launch of a public beta for its new 3D asset streaming platform. Miris is building the infrastruc...
17/03/2026
As media organizations face mounting pressure to produce more content, faster, while maximizing value and operational efficiency, Tedial, a leading provider of ...
17/03/2026
Brainstorm, a leading manufacturer of real-time graphics, augmented and virtual production, is launching the newest version of its platform, Brainstorm Suite 7,...
17/03/2026
Limecraft today announces the release of Limecraft 2026.2, the second platform update in its 2026 release cycle. Limecraft is an AI-powered production platform ...
17/03/2026
Broadcast Solutions, a leading system integrator and provider of innovative solutions for the broadcast and media industry, showcased its latest broadcast and V...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
QuickLink's Latest StudioEdge Models to Make North American Debut at NAB 202
Brie Clayton March 16, 2026
0 Comments
The Multi-platform Remote Gues...
17/03/2026
Frankenstein Graded with DaVinci Resolve Studio
Brie Clayton March 16, 2026
0 Comments
Sonnenfeld enhances the controlled interplay between warm and c...
17/03/2026
New Voyavox from Link Electronics with Real-Time Speech-to-Text Captioning to be...
17/03/2026
Berklee City Music Stewards META Fellowship Supporting Massachusetts Music Educa...
17/03/2026
Back to All News
Fantasy Action Series Agent from Above' Puts Contemporary...
17/03/2026
Back to All News
Netflix Presents the Trailer for the Final Season of Turn of the Tide
Entertainment
17 March 2026
GlobalSpainPortugal
Link copied to clipb...
17/03/2026
The features on social media apps like Snapchat evolve nearly as fast as what...
17/03/2026
The paradigm of consumer computing has revolved around the concept of a personal...
16/03/2026
DAZN will allow fans in select international territories to watch the NCAA men...
16/03/2026
IDM and The Skate Board Association (SBA) have announced a partnership with Coop...
16/03/2026
Solid State Logic (SSL) will debut the Net I/O ST 2110 Bridge at NAB 2026 (booth C6907), a standalone unit that converts between ST 2110 and Dante audio formats...
16/03/2026
Marshall Electronics (Booth C8339) is introducing its first all-IP 4K POV camera, the CV574-WP, at NAB 2026. The camera carries an IP67 weatherproof rating for ...
16/03/2026
Sony Electronics' Camera Verify (beta), a feature of its Camera Authenticity Solution which enables news organizations to share content authenticity informa...
16/03/2026
FloSports has announced a partnership with Storied Sports, a content and IP studio founded by former espnW and The Players' Tribune executives, to develop s...
16/03/2026
Montreux Jazz Festival has announced a multi-year collaboration with Gravity Media, who will become the Festival's Audio Visual Production Provider followin...
16/03/2026
USSI Global, a provider of customized network, broadcast and digital signage systems and services, has announced Ralph Annunziata joined the company on Jan. 5 a...
16/03/2026
Boland Communications (booth C3519) will exhibit at NAB Show 2026 in Las Vegas, ...
16/03/2026
Built in partnership with Diversified, the system
As the sports broadcast indus...
16/03/2026
Global FAST (Free Ad-supported Streaming TV) viewership grew 21% year-over-year ...
16/03/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
16/03/2026
A still from Mr. Nobody Against Putin by David Borestein and Pavel Talankin, a...
16/03/2026
Dr. Robert H. Goddard and a liquid oxygen-gasoline rocket in the frame from which it was fired on March 16, 1926, at Auburn, Massachusetts. Credit: NASA....
16/03/2026
Precision-guided munitions shown in production illustrate one of many operational systems benefiting from modernized M-Code GPS, supporting assured positioning,...
16/03/2026
NEW YORK - March 16, 2026 - A E Global Media and Nielsen today announced a new,...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
Shotoku USA, Shotoku Broadcast Systems' North American operation, will unveil significant additions to its platform at NAB 2026. Topping the list is the wor...
16/03/2026
Ikegami USA will demonstrate the latest additions to its wide range of broadcast-quality cameras, controllers and monitors on Central Hall booth C3819 during th...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
ELEMENTS launches GRID at NAB Show 2026
Brie Clayton March 15, 2026
0 Comments
North Hall, Booth N1717
ELEMENTS returns to NAB Show 2026, with an exp...
16/03/2026
Blackmagic Design Cameras Capture Artist Salavat Fidai's Micro Sculptures
Brie Clayton March 15, 2026
0 Comments
6K sensor and open gate capabilit...
16/03/2026
DHD to Introduce Latest Generation Broadcast Audio Mixers at NAB 2026, Las Vegas
Brie Clayton March 15, 2026
0 Comments
Hero image: Front of DHD RM1 P...
16/03/2026
News Corp Hosts Dow Jones Investor Briefing
Leadership Outlines Strategic Pathway to Achieve $1 Billion in Annual Dow Jones Segment EBITDA Within Five Years-70...
16/03/2026
Back to All News
Netflix Has Released the Trailer for Love at Last, Starring Ed...
15/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/03/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 5.4 billion one-to-one addressable OTT advertisements across the 17 days of Milano Cortina 2...
14/03/2026
Telestream Advances Production-Ready AI Across Its Product Portfolio
Brie Clayton March 13, 2026
0 Comments
New AI capabilities drive smarter automati...
14/03/2026
Kraken Graded in DaVinci Resolve Studio
Brie Clayton March 13, 2026
0 Comments
Senior Colorist Dylan Hopkin delivers the first Scandinavian feature in...