
MLB Postseason: ESPN Modifies REMI Model To Produce Up to 21 Wild Card Games in Four Days ESPN to present Squeeze Play, the first live MLB whiparound show By Jason Dachman, Chief Editor
Tuesday, September 29, 2020 - 3:36 pm
Print This Story | Subscribe
Story Highlights
Today, ESPN and ABC kick off an unprecedented run of MLB postseason games, with exclusive rights to seven of the eight Wild Card series and as many as 21 games in four days. It's a tall order and one that would not have been possible if it weren't for the modified REMI production model ESPN cultivated during this year's shortened regular season.
Karl Ravech, Eduardo Perez and Tim Kurkjian call an MLB regular-season game remotely. (Photo: Kelly Backus/ESPN Images)
Over the past two months, ESPN has been taking clean feeds from the home team's RSN for all weekday MLB games and producing the final telecast out of control rooms at its Bristol, CT, or Charlotte, NC, facilities - a model it will continue to deploy for this week's Wild Card Series.
When ESPN secured the rights to seven of the eight [Wild Card series], says Paul Horrell, remote operations manager, ESPN, it was a bit of a head scratcher in terms of how we were going to do all these games. But I think the work we did this season has really paid off. Given the logistics required for travel and the sheer volume of games, it was a no-brainer to use the same weekday-game model that we've been using all season. We tweaked the model, but that was definitely the only way we were going to be able to manage [potentially] 21 games over four days.
At the Ballparks: Leveraging RSN Crew, Trucks Onsite Alex Rodriguez and Matt Vasgersian handle play-by-play for MLB Opening Day game from a studio in Bristol. (Photo: Kelly Backus/ESPN Images)
To pull off series in Minneapolis, Oakland, Cleveland, Atlanta, Chicago, San Diego, and Los Angeles, ESPN has enlisted the same producer/director teams, largely similar production crews, and the same mobile units used by the RSNs in the respective markets. The fleet of mobile units consists of Mobile TV Group's HDX35, HDX36, 43Flex, and HDX26; NEP's M11 and M12; and Lyon Video's MU6.
During non-exclusive weekday games this season, the home team's RSN provided ESPN with a clean world feed and supplied two unilateral cameras that ESPN could integrate into its final telecast (exclusive Sunday Night Baseball broadcasts were full REMI operations this year, with all camera feeds going to Bristol). However, since ESPN is the exclusive broadcaster of these Wild Card Series, the production crews are tailoring their coverage specifically for ESPN. Production teams inside the truck will receive net return, control-room return, and commentary from the home control room and will be in direct communication with ESPN's producer/director in Bristol or Charlotte.
Remote control room during the MLB regular season (Photo: Kelly Backus/ESPN Images)
In the regular season, explains Phil Orlins, senior coordinating producer, Major League Baseball, ESPN, we would take a world feed and enhance it with two of our own cameras. But here they will be [creating the world feed] just for us. They get our commentary, our network return, and our control-room return feeds back to site so they can see what we're doing and hear our commentators. They will also be [in communication] directly with our producer and director in Bristol so they are synced up and working together.
ESPN has authorized a modest increase in the production capacity for each of the local clean feeds, boosting camera counts from typically seven or eight cameras (plus the visiting RSN/national-broadcast unilaterals) to a standard of 10 hard cameras plus robos, including four super-slo-mos.
Back Home in Bristol and Charlotte ESPN is deploying two production-control rooms apiece in Bristol and Charlotte, each receiving five feeds from onsite: the clean feed, a backup feed, a multiview for commentators, the centerfield K-Zone camera (to produce highlight packages back home), and a roaming ad hoc camera.
Five play-by-play talent will be calling games remotely from Bristol, while all analysts will be providing commentary remotely from their respective homes using ESPN's Live From Home kits (with the exception of one, who will be in Bristol). Two production crews are scheduled to double up on games on Wednesday and Thursday, when ESPN is scheduled to televise up to seven games per day. In addition to the producer and director, graphics, scorebug, K-Zone 3D and home-tracker animations, and highlight packages will be located at the broadcast center.
Employees work in a control room during a Major League Baseball regular-season game. (Photo: Kelly Backus/ESPN Images)
With very few exceptions, we're not traveling any ESPN people to site other than the reporters, who mostly live within a few hours [of the game site], says Orlins. It's a remarkably nimble, efficient, and low-travel plan. Typically, on the final Sunday of the season, to prepare for the tiebreaker game and one playoff game, the number of people working, traveling, and dealing with logistics is just crazy. But, Sunday night, we had the games set around 9:00, and, by 10:30, the plan was done.
Since ESPN holds exclusive rights to the Wild Card series, all games will also feature virtual-ad insertion with two systems in Bristol and two at ESPN's Seaport Studios in NYC.
ESPN Goes Full RedZone With Squeeze Play Wednesday, Thursday ESPN MLB reporter Buster Olney is among the few crew members onsite for games this season. (Photo: Phil Ellsworth/ESPN Images)
This week will also see ESPN 's first live MLB whiparound show, Squeeze Play, on both Sept. 30 and Oct. 1. Commentators Jason Benetti, Kyle Peterson, and Mike Petriello (who will also call MLB Statcast-dri
North America Stories
17/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/07/2026
Lightware has published its second voluntary Sustainability Report, showing how energy efficiency, product longevity and responsible material use are increasing...
17/07/2026
Creative software developer Foundry today announced Griptape Enterprise, a new tier of the Griptape AI workflow orchestration platform, extended to meet the str...
17/07/2026
Creative software developer Foundry today announced the availability of SmartRoto, a new AI-powered plugin upgrade for Nuke, NukeX, Nuke Studio, and Nuke Indie ...
17/07/2026
The Final Release of Blackmagic Fairlight Live is Now Available!
Brie Clayton July 16, 2026
0 Comments
Fairlight Live is a new audio mixer designed fo...
17/07/2026
Leveraging All of Entertainment's IP
Andy Marken July 16, 2026
0 Comments
Nobody ever wins the games. Period. There are survivors. There\s no win...
16/07/2026
This recent graduate and Georgia native has turned an early fascination with live production into a growing passion for camera work
In the live-sports-video in...
16/07/2026
TNDV is marking the first anniversary of Aspiration 35, a mobile production truck built around ARRI Alexa 35 Live camera systems. Over its first year, the truck...
16/07/2026
ATSC has completed a major revision to its A/85 Recommended Practice: Techniques...
16/07/2026
FloSports has announced an exclusive global media partnership with CrossFit for the 2026 CrossFit Games, presented by Air National Guard, beginning July 21 in S...
16/07/2026
Sennheiser has released firmware version 1.4 for its Spectera wireless system and announced the Spectera Command Button (Cat. No. 701014). The update adds comma...
16/07/2026
ESPN and the Southwestern Athletic Conference (SWAC) have announced a multi-year...
16/07/2026
Audio-Technica has announced the 20 Series Control Application, a Stream Deck plug-in for compatible Audio-Technica USB microphones. The application is compatib...
16/07/2026
The fifteenth season of The Voice - La plus belle voix on TF1 used four Solid St...
16/07/2026
Gray Media and the Atlanta Hawks have announced a broadcast partnership that wil...
16/07/2026
Season 3 of Netflix's docuseries, which dropped this week, follows Jayden Da...
16/07/2026
The Texas Rangers and Rangers Sports Network presented by Progressive (RSN) have announced BZZR as the new direct-to-consumer distributor for Rangers game broad...
16/07/2026
With England's FIFA World Cup 2026 team getting ready to fly home after losi...
16/07/2026
In a return to Royal Birkdale, the team enjoys partnering with ETP and Gravity M...
16/07/2026
Along with a new studio at Ball Arena, the Colorado-based RSN is working with XR...
16/07/2026
Austria was back at the World Cup for the first time in 28 years, and the team d...
16/07/2026
With 42 RF cameras and high-power radio mics deployed, the spectrum environment ...
16/07/2026
June brought stabilization to the television market. Poles spent an average of 3 hours and 36 minutes a day in front of their TV screens exactly the same as i...
16/07/2026
Glensound returns to IBC with a major new addition to its intelligent loudspeaker range, the Greater Divine Supernal studio monitor, alongside recent developmen...
16/07/2026
33 leading exhibitors are taking part in the GREAT Britain and Northern Ireland Pavilions and linked locations across IBC2026 (Amsterdam RAI, 11 14 September)...
16/07/2026
Hitomi Broadcast will introduce Spectra, a new HDR colour verification solution measured in picture, not using VPID, at IBC2026 (Hall 10, Stand A40). Expanding ...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Zixi, a leader in live video delivery and workflow orchestration, and Comcast Technology Solutions (CTS) today announced a strategic new integration to deliver ...
16/07/2026
Blackmagic Design Cameras Capture Immersive Flight for New Cirrus App
Brie Clayton July 15, 2026
0 Comments
Leader in Personal Aviation taps URSA Cin...
16/07/2026
XenData Announces LTO Archive Appliances with both File and S3 Object Storage In...
16/07/2026
Onimusha: Way of the Sword is coming to GeForce NOW at launch, with the playable...
15/07/2026
The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...
15/07/2026
As sports-media organizations manage rapidly growing content libraries and incre...
15/07/2026
HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...
15/07/2026
IBC has unveiled the conference program for IBC2026, with this year's event ...
15/07/2026
Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...
15/07/2026
New AI-powered module enables broadcasters and content owners to extract dialogu...
15/07/2026
Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...
15/07/2026
Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...
15/07/2026
USA Sports has announced an exclusive English-language agreement with the Bundes...
15/07/2026
ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...
15/07/2026
Program will provide professional camera kits, training, and technical support to participating local newsrooms...
15/07/2026
San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...
15/07/2026
Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...
15/07/2026
The Houston-based RSN is the live-game home of the Astros and Rockets...