
NBA Returns: ESPN, Turner, NBA Team Up for Sprawling, COVID-Safe Production at Wide World of Sports Broadcasts will include national telecasts and world feeds for RSNs By Jason Dachman, Chief Editor
Thursday, July 30, 2020 - 2:36 pm
Print This Story | Subscribe
Story Highlights
The long wait is over, and the NBA returns to the hardcourt tonight with a Jazz-Pelicans and Clippers-Lakers doubleheader from the league's bubble at Disney's Wide World of Sports (WWoS) complex in Orlando. The pair of telecasts on TNT will tip off one of the largest undertakings in NBA broadcast history with the NBA, ESPN, and Turner Sports teaming up to produce not only national telecasts but also world feeds for hundreds of regional-sports-network broadcasts across the country.
An aerial view of the NBA production compound at ESPN Wide World of Sports. (Photo courtesy of Chris Calcinari/ESPN)
A nearly 200,000-sq.-ft. broadcast compound has been built and follows strict health and safety guidelines, and the three WWoS arenas have been transformed into one-of-a-kind venues chock-full of LED screens, robotic cameras, embedded microphones, and other state-of-the-art tech.
This is a high-level overview of plans for production operations in Orlando. Stay tuned for more in-depth SVG coverage of NBA, ESPN, and Turner Sports operations at the Wide World of Sports in the coming days.
Inside the Compound: A Baker's Dozen Trucks, Plenty of Safety Measures The 194,920-sq.-ft. broadcast compound is equal to roughly three football fields and serves as home to 13 production trucks and 31 trailers.
ESPN is using NEP's EN3 and EN2 mobile units and Game Creek Video's Victory (all with A and B units). Turner Sports has rolled in NEP's Supershooter 8, TS2, and M14 (all with A and B units). In addition to the trucks and trailers, the compound features six mobile-unit cover tents, two catering tents, two field-shop tents, and multiple cooling stations.
Three sides of the court have 17-ft. LED videoboards.
Powering the compound are 20 generators provided by CAT Entertainment Services: 12 500-kVA units, two 300-kVA units, two 400-kVA tow plants, and four 175-kVA tow plants. Also on hand are 32 HVAC units.
ESPN and Turner have laid more than 436 miles of fiber to tie together the compound, the three arenas, and various areas throughout the WWoS complex.
On the transmission side, there are 65 outbound paths and 14 inbound paths for ESPN, which is relying on The Switch and its ESPNet company-wide infrastructure.
Positions within the trucks have been reorganized to ensure social distancing, with most A units housing just six crew members. Many of the replay operators and robotic-camera shaders have been outboarded to the B unit or other locations in the compound. In addition, ESPN is using its GREMI model for all its telecasts, with three or four replay operators and graphics and scorebug positions operating out of its Bristol, CT, headquarters.
The Arena will serve as Court 1, hosting the Conference Finals and NBA Finals.
The crew has been divided into functional groups, with the majority of the production and operations staff in the yellow zone and commuting solely between their hotel on Disney property and WWoS. Individuals are also limited to specific trucks and trailers to minimize cross-contamination among the crew. Crew members are required to wear face masks and maintain social distancing at all times. All onsite staff are tested regularly for COVID-19 and have daily temperature tests upon arrival at the facility.
NBA Entertainment EVP, Media Operations and Technology, Steve Hellmuth is leading the charge for the league's broadcast plans. The ESPN operations team onsite is led by SVP, Remote Production Operations, Chris Calcinari; Senior Operations Manager Patty Mattero; and Senior Remote Operations Specialist Eddie Okuno. Turner Sports ops are headed by VP, Operations and Technology, Chris Brown.
Inside the Venues: RailCam and Robos Galore HP Field House will serve as Court 2 from the regular season through Round 2 of the NBA Playoffs.
NBA games will be played across three venues at the WWoS: The Arena (Court 1, the main national-telecast court and site of Conference Finals and NBA Finals), HP Fieldhouse (Court 2 for the regular season to Second Round), and the Visa Athletic Center (Court 3, primarily for games broadcast exclusively by RSNs).
RSNs will receive a world feed produced by either ESPN or Turner, along with a dedicated iso camera (with full comms to the camera operator) and access to several other camera feeds. The final telecast will be integrated at the RSN's home control room/truck.
The mobile units are assigned to one venue apiece: The Arena is covered by EN3 (ESPN) and Supershooter 8 (Turner); HP Fieldhouse, Victory and TS2; and Visa Athletic Center, EN2 and TS2. In addition, ESPN is producing a large chunk of the RSN games from Visa as REMI (remote-integration) shows, sending camera/audio feeds to control rooms in Bristol to be integrated for the final production.
At least 258 cameras have been deployed across the WWoS complex, including more than 60 robos. Each venue is equipped with 30+ cameras for game coverage, with The Arena and HP having roughly the same camera complement and Visa a slightly smaller one.
Chief among the new production elements is the RailCam system at both The Arena and HP Fieldhouse, which will glide along the court at floor level to create a valuable new shot for ESPN and TNT coverage.
Visa Athletic Center will host the majority of the RSN-exclusive games.
Nearly all court-level cameras, normally manned positions, have been converted to robos. Seven cameras (depending on the venue and the game) continue to be manned: one center-court handheld (the only court-level unit), three up cameras (game, tight, and second tight), left
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
08/06/2026
The two execs discuss the goals and the challenges of building a huge multi-cult...
08/06/2026
This industry legend has been a road warrior since the early '90s and is, today, a lynchpin on College GameDay
The sports-production industry continues to ...
08/06/2026
DAZN has agreed a multi-year rights partnership with Extreme Fighting Championship (EFC), expanding its global combat sports portfolio.
DAZN will broadcast EFC...
08/06/2026
As fans move across broadcast, streaming, social, mobile and creator-led platforms, and they expect every angle, in real time, TVU Networks has released a new e...
08/06/2026
Infront has further strengthened the 2026 Diamond League's international bro...
08/06/2026
Grass Valley has announced the appointment of Sam Craig as Vice President, Global Pre-Sales. Based in the United States, Craig will lead Grass Valley's glob...
08/06/2026
SMPTE has announced its summer 2026 education lineup covering IP networking and SMPTE ST 2110, including two standalone courses, a 13-week boot camp, and a hand...
08/06/2026
Sportradar Group AG has announced a multi-year global agreement with Kalshi, a p...
08/06/2026
FIFA and Gamefam have announced the launch of a FIFA World Cup 2026 event on Roblox, running June 5 through July 31, 2026. The event centers on FIFA Super Socce...
08/06/2026
A collaboration of NHL Productions, Monumental Sports, and Michael Levitt Produc...
08/06/2026
CBS Sports production staffer Bryce Adair has died at the age of 31 after sustaining injuries during a car accident on Wednesday while in Ohio working the the P...
08/06/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
08/06/2026
WMT Digital today announced the launch of WMT Fan Intelligence, designed to unif...
08/06/2026
The Heat are the seventh NBA team to air their games over-the-air next season...
08/06/2026
Paramount and UFC have announced an expansion of their media rights partnership making Paramount the exclusive home of UFC Numbered Event main cards in Canada ...
08/06/2026
The Qatar Football Association (QFA), in cooperation with Sponix and broadcaster...
08/06/2026
Project B has announced the appointment of Host Broadcast Services (HBS) as Offi...
08/06/2026
The Buckeyes now produce and stream upwards of 200 sports events annually with a...
08/06/2026
At Spotify, our commitment to the LGBTQIA community is year-round. Through GLOW, our global music program, we celebrate and amplify the contributions of queer ...
08/06/2026
Get Hands-on With Keyboard & Synth Brands
GearExpo UK wouldn't be complete without some synth action, and we've got some of the industry's most ...
08/06/2026
50 popular in-ear monitoring system profiles added
The latest update for IK Multimedia's headphone-correction system has just arrived, and introduces ca...
08/06/2026
Manny Marroquin signature cans upgraded with SLAM Technology
The flagship model in Audeze's Manny Marroquin Signature Series has just been treated to an...
08/06/2026
Air domain supremacy redefined - New counter UAS, space solutions and directiona...
08/06/2026
he BBC and BritBox have announced that Edward Bluemel (We Might Regret This, My ...
08/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/06/2026
Dante interfaces, intercom and control systems for modern AV environments
Glensound will showcase a focused range of networked audio and intercom solutions fo...
08/06/2026
Bminty is proud to celebrate the first anniversary of T18, the new free national French DTT channel launched on June 6, 2025. This symbolic milestone also marks...
08/06/2026
DaVinci Resolve Used For Global Collaboration on Tony Foster Documentary
Brie Clayton June 8, 2026
0 Comments
DaVinci Resolve Studio and Blackmagic Cl...
08/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/06/2026
Plus, 20% off TVs ahead of kick-offMonday 8 June 2026
Sky introduces Real Time...
08/06/2026
FOX Secures Live NFL Game Package in Mexico Starting in Fall 2026 Agreement Features Thursday Night Football, Sunday Games Package, Thanksgiving Day Games, al...
08/06/2026
FOX One, FOX Sports and Indeed Name Austin Franklin and Kevin Akoto as FOX One C...
08/06/2026
Meet us on the show floor
Stand #286310 Discover Nara, the media management tool used by major facilities including Harbor and Molinare.
Nara v2 introduces re...
08/06/2026
L'art de l'Image dans Reflet dans un diamant mort' Une conversation avec le directeur de la photographie Manuel Dacosse, SBC et l' talonneur Pe...
08/06/2026
Embracing today's modern media workflows: FilmLight presents Nara 2.0, with FilmLight API Designed to support the growing demands of today's production ...
08/06/2026
Moderated by Andy Minuth, FilmLight's Colour Workflow Specialist
Wednesday 18 February
6:00pm / Doors open
7:00pm / Presentation in German
8:00pm / Drin...
08/06/2026
Join us on April 14 at 10:00am for a technical roundtable with the Filmlight dev...
08/06/2026
You're invited to FLAPI Classroom The fundamentals of coding and machine-assisted development
These sessions will help you build the skills needed to cre...
08/06/2026
With Sylvain Canaux (St Louis, Paris) and J r me Cloutier (MELS, Montreal)
Wednesday 6 May
Pick your time: 1:00PM / 5:00PM
Note: The presentation will be hel...
08/06/2026
FilmLight, 1107 N El Centro Ave, Los Angeles
Doors open at 3:30pm
Join the FilmLight team on June 9th at 4pm to learn how FilmLight products and APIs can stre...
08/06/2026
The Creators List launched to Help Brands Connect With Top Creators In CannesThe curated directory launched by Tubefilter, Comscore, Whalar Group and Gospel Sta...
08/06/2026
Irish YouTube star DavidMC joins Aisling O'Reilly to tackle all things socce...
07/06/2026
Company introduce 21 new protective covers
Decksaver have just announced their Sping 2026 Drop, which sees a total of 21 new models added to their ever-grow...
07/06/2026
How to Recreate the Star Trek TNG jump to warp in After Effects
Graham Quince June 7, 2026
0 Comments
In 1987, John Knoll at ILM had to use labor-inte...
07/06/2026
Filming Coffee Communities with Blackmagic PYXIS
Brie Clayton June 7, 2026
0 Comments
Remote travel, fast setups and hard sun shaped this documentary ...
07/06/2026
NVIDIA and Doosan Group are expanding their collaboration to advance new opportu...