
NBA Returns: ESPN, Turner, NBA Team Up for Sprawling, COVID-Safe Production at Wide World of Sports Broadcasts will include national telecasts and world feeds for RSNs By Jason Dachman, Chief Editor
Thursday, July 30, 2020 - 2:36 pm
Print This Story | Subscribe
Story Highlights
The long wait is over, and the NBA returns to the hardcourt tonight with a Jazz-Pelicans and Clippers-Lakers doubleheader from the league's bubble at Disney's Wide World of Sports (WWoS) complex in Orlando. The pair of telecasts on TNT will tip off one of the largest undertakings in NBA broadcast history with the NBA, ESPN, and Turner Sports teaming up to produce not only national telecasts but also world feeds for hundreds of regional-sports-network broadcasts across the country.
An aerial view of the NBA production compound at ESPN Wide World of Sports. (Photo courtesy of Chris Calcinari/ESPN)
A nearly 200,000-sq.-ft. broadcast compound has been built and follows strict health and safety guidelines, and the three WWoS arenas have been transformed into one-of-a-kind venues chock-full of LED screens, robotic cameras, embedded microphones, and other state-of-the-art tech.
This is a high-level overview of plans for production operations in Orlando. Stay tuned for more in-depth SVG coverage of NBA, ESPN, and Turner Sports operations at the Wide World of Sports in the coming days.
Inside the Compound: A Baker's Dozen Trucks, Plenty of Safety Measures The 194,920-sq.-ft. broadcast compound is equal to roughly three football fields and serves as home to 13 production trucks and 31 trailers.
ESPN is using NEP's EN3 and EN2 mobile units and Game Creek Video's Victory (all with A and B units). Turner Sports has rolled in NEP's Supershooter 8, TS2, and M14 (all with A and B units). In addition to the trucks and trailers, the compound features six mobile-unit cover tents, two catering tents, two field-shop tents, and multiple cooling stations.
Three sides of the court have 17-ft. LED videoboards.
Powering the compound are 20 generators provided by CAT Entertainment Services: 12 500-kVA units, two 300-kVA units, two 400-kVA tow plants, and four 175-kVA tow plants. Also on hand are 32 HVAC units.
ESPN and Turner have laid more than 436 miles of fiber to tie together the compound, the three arenas, and various areas throughout the WWoS complex.
On the transmission side, there are 65 outbound paths and 14 inbound paths for ESPN, which is relying on The Switch and its ESPNet company-wide infrastructure.
Positions within the trucks have been reorganized to ensure social distancing, with most A units housing just six crew members. Many of the replay operators and robotic-camera shaders have been outboarded to the B unit or other locations in the compound. In addition, ESPN is using its GREMI model for all its telecasts, with three or four replay operators and graphics and scorebug positions operating out of its Bristol, CT, headquarters.
The Arena will serve as Court 1, hosting the Conference Finals and NBA Finals.
The crew has been divided into functional groups, with the majority of the production and operations staff in the yellow zone and commuting solely between their hotel on Disney property and WWoS. Individuals are also limited to specific trucks and trailers to minimize cross-contamination among the crew. Crew members are required to wear face masks and maintain social distancing at all times. All onsite staff are tested regularly for COVID-19 and have daily temperature tests upon arrival at the facility.
NBA Entertainment EVP, Media Operations and Technology, Steve Hellmuth is leading the charge for the league's broadcast plans. The ESPN operations team onsite is led by SVP, Remote Production Operations, Chris Calcinari; Senior Operations Manager Patty Mattero; and Senior Remote Operations Specialist Eddie Okuno. Turner Sports ops are headed by VP, Operations and Technology, Chris Brown.
Inside the Venues: RailCam and Robos Galore HP Field House will serve as Court 2 from the regular season through Round 2 of the NBA Playoffs.
NBA games will be played across three venues at the WWoS: The Arena (Court 1, the main national-telecast court and site of Conference Finals and NBA Finals), HP Fieldhouse (Court 2 for the regular season to Second Round), and the Visa Athletic Center (Court 3, primarily for games broadcast exclusively by RSNs).
RSNs will receive a world feed produced by either ESPN or Turner, along with a dedicated iso camera (with full comms to the camera operator) and access to several other camera feeds. The final telecast will be integrated at the RSN's home control room/truck.
The mobile units are assigned to one venue apiece: The Arena is covered by EN3 (ESPN) and Supershooter 8 (Turner); HP Fieldhouse, Victory and TS2; and Visa Athletic Center, EN2 and TS2. In addition, ESPN is producing a large chunk of the RSN games from Visa as REMI (remote-integration) shows, sending camera/audio feeds to control rooms in Bristol to be integrated for the final production.
At least 258 cameras have been deployed across the WWoS complex, including more than 60 robos. Each venue is equipped with 30+ cameras for game coverage, with The Arena and HP having roughly the same camera complement and Visa a slightly smaller one.
Chief among the new production elements is the RailCam system at both The Arena and HP Fieldhouse, which will glide along the court at floor level to create a valuable new shot for ESPN and TNT coverage.
Visa Athletic Center will host the majority of the RSN-exclusive games.
Nearly all court-level cameras, normally manned positions, have been converted to robos. Seven cameras (depending on the venue and the game) continue to be manned: one center-court handheld (the only court-level unit), three up cameras (game, tight, and second tight), left
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
02/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/10/2026
Cinematographer Andres Arochi was on his way back from filming in Spain when he got the call that Tim Burton would be directing a music video for Lady Gaga and ...
02/10/2026
Cobalt Digital's Pacific Line Wins Two Future Best of Show Awards at IBC
Manufacturer receives honors from both TV Tech and TVB Europe for advancements in...
02/10/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects and visualization, today ann...
02/10/2026
The strengthened TriCaster portfolio increases accessibility to leading media technology, drives more creative experiences, and scales with every production wit...
02/10/2026
LA JOLLA, CA-To sense their environment and respond accordingly, cells enlist me...
01/10/2026
Big Blue Marble has announced the addition of live multiview channels to its Clo...
01/10/2026
The company CEO sees AI as a tool in speeding and enhancing product development
...
01/10/2026
Production, tech, crewing, and logistics teams draw on experience of a busy inau...
01/10/2026
The Partnership Will Support Filmmakers Worldwide Through Original Short Films I...
01/10/2026
Third collaboration with celebrated composer
Spitfire Audio have once again teamed up with Grammy-nominated composer, producer and technologist BT, creating...
01/10/2026
FL Studio gets dedicated grid controller
Novation have teamed up with FL Studio developers Image-Line to create another dedicated controller for the popular...
01/10/2026
Six new USB interfaces introduced
Universal Audio's USB audio interface line-up has just been refreshed, gaining six new models aimed at musicians, prod...
01/10/2026
Siretta's SNYPER-5G cellular network analyser has been shortlisted for the IoT Global Awards 2026.
The IoT Global Awards recognise products, services and o...
01/10/2026
Johannesburg, South Africa, 30 September 2026 - The National Film and Video Foun...
01/10/2026
Mesh Broadcast Services Fits Big-Truck Audio Power into Compact Eclipse Unit with Calrec Argo M Canadian OB company Mesh Broadcast Services has fitted its Eclip...
01/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/10/2026
For more than two decades, Disguise has powered some of the most ambitious live events and experiences in the world from Bad Bunny and Coachella to the Burj K...
01/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/10/2026
The Australian football team can turn match footage into tactical insights to improve performance and maximize fan engagement
Vizrt, the AI platform for visual...
01/10/2026
When Mesh Broadcast Services set out to fit the pro audio capability of a large TV truck into a small audio room for high-profile sports events, Calrecs Argo M ...
01/10/2026
Emergent, the browser-native broadcast graphics platform, today announced the appointment of Tom Shelburne as Head of Business Development, North America, effec...
01/10/2026
Melbourne, Australia 1 October 2026: Mediaproxy, the global standard for software-based IP compliance monitoring and multiviewing solutions, will showcase maj...
01/10/2026
Clear-Com is supporting the education and development of future audiovisual industry professionals in Poland through the deployment of its Arcadia Central Sta...
01/10/2026
Telef nica Servicios Audiovisuales (TSA), the audiovisual services arm of global telecommunications group Telef nica, has supplied and commissioned an LED wall ...
01/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/10/2026
Eleven minutes between headliners. The sponsor loop needs to be on screen now, and the only operator on hand is the one running lights. With the Green Hippo Est...
01/10/2026
DigiBox has announced a new partnership with FOR-A to represent the innovative MixBoard product range in the UK market, further expanding its portfolio of broa...
01/10/2026
Screen Australia-funded documentaries bring Australian experiences and new persp...
01/10/2026
Mavis Camera 8.2 adds iPhone 18 Pro support with variable aperture control
Brie Clayton September 30, 2026
0 Comments
Latest release also introduces P...
01/10/2026
Ghosts of the Gold Rush Shot with PYXIS 6K
Brie Clayton September 30, 2026
0 Comments
Blackmagic Design cameras expertly capture documentary while del...
01/10/2026
RE:Vision Effects - RSMB V7 is here!
Lori Freitag September 30, 2026
0 Comments
ReelSmart Motion Blur 7 is here, the RSMB V7 cycle is open. ReelSmart ...
01/10/2026
VideoGen raises $3.3M seed as its AI video platform passes 5 million users
Brie Clayton September 30, 2026
0 Comments
VideoGen co-founders Anton Koeni...
01/10/2026
New taproom, restaurant, lounge and theater in the historic Power Plant add to ATC's growing social hub
Fullsteam Brewery and CBC Real Estate celebrate th...
01/10/2026
Berklee and APM Music Launch Global Catalog Bringing Student-Created Music to Fi...