
NBA Returns: ESPN, Turner, NBA Team Up for Sprawling, COVID-Safe Production at Wide World of Sports Broadcasts will include national telecasts and world feeds for RSNs By Jason Dachman, Chief Editor
Thursday, July 30, 2020 - 2:36 pm
Print This Story | Subscribe
Story Highlights
The long wait is over, and the NBA returns to the hardcourt tonight with a Jazz-Pelicans and Clippers-Lakers doubleheader from the league's bubble at Disney's Wide World of Sports (WWoS) complex in Orlando. The pair of telecasts on TNT will tip off one of the largest undertakings in NBA broadcast history with the NBA, ESPN, and Turner Sports teaming up to produce not only national telecasts but also world feeds for hundreds of regional-sports-network broadcasts across the country.
An aerial view of the NBA production compound at ESPN Wide World of Sports. (Photo courtesy of Chris Calcinari/ESPN)
A nearly 200,000-sq.-ft. broadcast compound has been built and follows strict health and safety guidelines, and the three WWoS arenas have been transformed into one-of-a-kind venues chock-full of LED screens, robotic cameras, embedded microphones, and other state-of-the-art tech.
This is a high-level overview of plans for production operations in Orlando. Stay tuned for more in-depth SVG coverage of NBA, ESPN, and Turner Sports operations at the Wide World of Sports in the coming days.
Inside the Compound: A Baker's Dozen Trucks, Plenty of Safety Measures The 194,920-sq.-ft. broadcast compound is equal to roughly three football fields and serves as home to 13 production trucks and 31 trailers.
ESPN is using NEP's EN3 and EN2 mobile units and Game Creek Video's Victory (all with A and B units). Turner Sports has rolled in NEP's Supershooter 8, TS2, and M14 (all with A and B units). In addition to the trucks and trailers, the compound features six mobile-unit cover tents, two catering tents, two field-shop tents, and multiple cooling stations.
Three sides of the court have 17-ft. LED videoboards.
Powering the compound are 20 generators provided by CAT Entertainment Services: 12 500-kVA units, two 300-kVA units, two 400-kVA tow plants, and four 175-kVA tow plants. Also on hand are 32 HVAC units.
ESPN and Turner have laid more than 436 miles of fiber to tie together the compound, the three arenas, and various areas throughout the WWoS complex.
On the transmission side, there are 65 outbound paths and 14 inbound paths for ESPN, which is relying on The Switch and its ESPNet company-wide infrastructure.
Positions within the trucks have been reorganized to ensure social distancing, with most A units housing just six crew members. Many of the replay operators and robotic-camera shaders have been outboarded to the B unit or other locations in the compound. In addition, ESPN is using its GREMI model for all its telecasts, with three or four replay operators and graphics and scorebug positions operating out of its Bristol, CT, headquarters.
The Arena will serve as Court 1, hosting the Conference Finals and NBA Finals.
The crew has been divided into functional groups, with the majority of the production and operations staff in the yellow zone and commuting solely between their hotel on Disney property and WWoS. Individuals are also limited to specific trucks and trailers to minimize cross-contamination among the crew. Crew members are required to wear face masks and maintain social distancing at all times. All onsite staff are tested regularly for COVID-19 and have daily temperature tests upon arrival at the facility.
NBA Entertainment EVP, Media Operations and Technology, Steve Hellmuth is leading the charge for the league's broadcast plans. The ESPN operations team onsite is led by SVP, Remote Production Operations, Chris Calcinari; Senior Operations Manager Patty Mattero; and Senior Remote Operations Specialist Eddie Okuno. Turner Sports ops are headed by VP, Operations and Technology, Chris Brown.
Inside the Venues: RailCam and Robos Galore HP Field House will serve as Court 2 from the regular season through Round 2 of the NBA Playoffs.
NBA games will be played across three venues at the WWoS: The Arena (Court 1, the main national-telecast court and site of Conference Finals and NBA Finals), HP Fieldhouse (Court 2 for the regular season to Second Round), and the Visa Athletic Center (Court 3, primarily for games broadcast exclusively by RSNs).
RSNs will receive a world feed produced by either ESPN or Turner, along with a dedicated iso camera (with full comms to the camera operator) and access to several other camera feeds. The final telecast will be integrated at the RSN's home control room/truck.
The mobile units are assigned to one venue apiece: The Arena is covered by EN3 (ESPN) and Supershooter 8 (Turner); HP Fieldhouse, Victory and TS2; and Visa Athletic Center, EN2 and TS2. In addition, ESPN is producing a large chunk of the RSN games from Visa as REMI (remote-integration) shows, sending camera/audio feeds to control rooms in Bristol to be integrated for the final production.
At least 258 cameras have been deployed across the WWoS complex, including more than 60 robos. Each venue is equipped with 30+ cameras for game coverage, with The Arena and HP having roughly the same camera complement and Visa a slightly smaller one.
Chief among the new production elements is the RailCam system at both The Arena and HP Fieldhouse, which will glide along the court at floor level to create a valuable new shot for ESPN and TNT coverage.
Visa Athletic Center will host the majority of the RSN-exclusive games.
Nearly all court-level cameras, normally manned positions, have been converted to robos. Seven cameras (depending on the venue and the game) continue to be manned: one center-court handheld (the only court-level unit), three up cameras (game, tight, and second tight), left
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
First Rush Brings SDI Multicam ProRes Recording to Apple Silicon Macs
Brie Clayton June 23, 2026
0 Comments
First Rush is a native macOS application d...
24/06/2026
Vertical Drama Beneath Crimson Sails Created with Blackmagic Design
Brie Clayton June 23, 2026
0 Comments
Thunder Child Productions relies on cameras&...
23/06/2026
When we began planning our transition from an SDI-based infrastructure to a new ...
23/06/2026
Imagine Communications has announced the appointment of Greg Garmon as Senior Vice President, Americas Video Sales. Garmon will oversee account growth and busin...
23/06/2026
Snap has promoted Emma Wakely to Head of Sports and Media Partnerships, Americas, succeeding Anmol Malhotra, who has been elevated to Global Head of Content and...
23/06/2026
YES Network and The Gotham Sports App will air MI New York's Major League Cr...
23/06/2026
The Universal Talent Identifier (HAND) has issued HAND IDs to 34 top projected prospects in the 2026 NBA Draft class, including AJ Dybantsa, Cameron Boozer, and...
23/06/2026
World Boxing has announced the launch of World Boxing TV, a subscription-based streaming platform built on the Joymo platform, offering live events, on-demand c...
23/06/2026
FloSports will stream 32 off-road motorcycle racing events on FloRacing, includi...
23/06/2026
SES has announced the expansion of its ASTRA TV platform in Spain with the addition of 14 regional channels in HD and UHD quality and the launch of new hybrid s...
23/06/2026
Appear ASA has announced its role in Rede Legislativa de R dio e TV's contri...
23/06/2026
LTN has announced that PBS has selected it as its IP video partner to modernize content distribution and contribution across more than 330 public television sta...
23/06/2026
Ease Live has announced that its graphics overlay platform is powering an interactive fan experience on Rally.TV, the official streaming platform of the FIA Wor...
23/06/2026
Chyron has announced updates to Chyron LIVE, its cloud-native live production pl...
23/06/2026
ESPN has announced ESPN Fan House, a fan engagement hub powered by Flowcode, launching in August ahead of the 2026 college football season. Publicis Sports will...
23/06/2026
The city's solid position in broadcast, entertainment, and sports attracted the major microphone manufacturer
Sennheiser Group is moving its Americas Regio...
23/06/2026
128 channels of signal routing & DSP
Announced just before the NAMM Show 2026, Violet Audio's latest digital audio matrix offers 128 channels of signal ...
23/06/2026
Latest Current expansion created by EPROM
Minimal Audio have just launched the latest Current Expansion, Memory Rites. Designed in collaboration with renown...
23/06/2026
Popular hardware EQ gets official plug-in emulation
Undertone Audio have just launched a new plug-in that brings one of their most popular hardware designs ...
23/06/2026
December 7, 2022
Colorfront (colorfront.com) - the multi-award-winning develope...
23/06/2026
April 23, 2026
NAB 2026, Las Vegas - the Academy and Emmy Award-winning develop...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
PlayBox Neo appoints Besco as Channel Reseller to establish a firm foothold in Asia Pacific's thriving high-tech export-driven economic boom
PlayBox Neo, t...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
LTN, a global leader in IP-based video transport and network services, today announced that PBS has selected LTN as its IP video partner to modernize and future...
23/06/2026
LiveU will introduce its Q Era to Australia and New Zealand for the first time at ABE2026 on Stand No. 25, (July 30 31). Leading the showcase is the LU900Q, a n...
23/06/2026
Miri Technologies Inc. has begun shipping its highly anticipated V410 live 4K video encoder/decoder for streaming, IP-based production workflows and AV-over-IP ...
23/06/2026
DHD audio reports the completion of an upgrade to the audio production facilities at the Galilee headquarters of Radio Tzafon. The station broadcasts two progra...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/06/2026
Multifaceted Growth Executive Brings 20+ Years of Experience Leading Organizations Across Tech and M&E
Imagine Communications today announced the appointment ...
23/06/2026
Australians in Film and Screen Australia's talent development initiative UNT...
23/06/2026
Visual Productions Unveils RdmRelay2 Four-channel Relay Control at InfoComm 2026
Brie Clayton June 22, 2026
0 Comments
New Relay Solution Combines DMX, ...
23/06/2026
SMPTE Makes Its Standards Freely Accessible, Opening Standards Library to the Gl...
23/06/2026
Building AI systems at scale is demanding, requiring low-latency inference, fast vector search, strong GPU price-performance and infrastructure that can grow wi...
23/06/2026
23rd June 2026, London: UKTV and BBC Entertainment have unveiled a joint co-comm...
23/06/2026
Also starring Jonny Lee Miller, Sheldon Shepherd and Bel Powley, the ambitious f...
23/06/2026
The priority now is a clear and credible plan
June 23, 2026, Winchester, UK - Arqiva, the UK's leading communications infrastructure provider, welcomes tod...
23/06/2026
The RT Toy Show Appeal has raised over 31 million since its inception in 2020 ...
23/06/2026
News Highlights:
NVIDIA technology runs 81% of the TOP500 and 90% of the systems new to the list.
26 systems on the TOP500 adopted the NVIDIA Grace CPU, up ei...