PXW-FS7 II shoots 4K HDR inside worlds largest cave posted: 05/08/2020
Our objective was to faithfully reproduce what we experienced the wide dynamic range and S-log of the FS7 II were exactly what we needed
Vietnam's S n o ng Cave is the world's largest at over 5km long, 150m wide and, at its tallest, over 200m high - able to accommodate the Statue of Liberty twice over. Estimated to be 2-5 million years old with a fast flowing subterranean river, it only became internationally known in 2009. It's the perfect subject for WOWOW Inc's 4K documentary series with an experimental 8K broadcast. For the documentary, Sony's FS7 II Super 35 camcorder was the production's first choice. Able to shoot high quality 4K at a cinematic 23.98P, the FS7 II is also robust enough to withstand the harshest conditions and has an ergonomic design ideal for shooting on uneven terrain. Alongside the FS7 II, an 7S II was used for shooting in ultra-low light conditions. We talked to production director Sota Koshino and camera operator Masahiro Hariu about their impressions of the FS7 II.
An opportunity realized after 7 long years
Koshino: The locations selected for this collaboration with WOWOW are mainly those never before captured on film. Our aim is to portray these places using state-of-the-art equipment and each episode actually features the filming crew as protagonists. Our first documentary was to reproduce the famous Earth is blue quote. To do this we visited NASA in Florida and flew jet fighters into the stratosphere. And since we went up last time, it made sense to go down and shoot a cave. I first found out about S n o ng Cave in 2010. I was amazed and began talking with our writer about shooting there. It took 7 years, but we were finally able to realize this dream with a crew of 70 in March 2017.
I felt that a camera like the FS7 II, that is capable of filming both cinema and documentaries due to its exceptional flexibility, is the best choice.
Harsh shooting conditions
Koshino: The entrance of the S n o ng Cave is a large vertical cavity that resembles a giant chimney approximately 70m deep and a large amount of vapour is spewed from the cave along with cold wind. The crew had to descend this chimney in pitch black and then faced a hike of about 10km - to reach the end of the cave system and return. Filming took a total of 10 days including preparations and we camped within the cave for four days to film enough material for the documentary.
Koshino: We also had to be very careful where we stood - due to wildlife conservation there were many restricted areas. Fortunately, the local Vietnamese staff we hired were familiar with this and carrying equipment in these kinds of environments. Transportation of the equipment was split across four people; one person each for equipment including tripods, lens, cameras, and batteries.
Choosing a camera for challenging conditions
Koshino: Humidity and temperature difference was a major issue inside the cave. Humidity within the cave was 90 to 100% at all times.
Hariu: We had prepared various methods to keep the equipment dry before departing, but after being in the cave for 4 days, everything became damp. We even took handmade battery powered fans that we thought would keep our lenses and cameras dry, but that didn't work as we expected. In the end, we just decided to keep everything open and allow the lenses to become accustomed to the environment. If the air outside and pressure are changed abruptly, each lens would become subject to condensation. If this happens, we would need to heat the lenses up for about 20 minutes, so we decided to allow them to be exposed to the outside air.
Koshino: Our choice of equipment was based on whether they could withstand this kind of harsh environment. The location had horrible footing and there was barely any spot that was level, so the ergonomics and robustness of the camera was as important as the image quality. In the end, the FS7 II was the ideal choice.
Toughness and reliability
Koshino: When filming projects like this that require 4K or 8K, cinematography cameras are usually the ideal choice, but when filming documentaries, lightweight cameras with high manoeuvrability are what we need. With this in mind, our immediate choice was the FS7 II. The reason is that we had taken the PXW-FS7 with us as our handheld camera when we went to the stratosphere for our previous project. When entering the stratosphere on a fighter jet, you receive a G-force of about 5 to 6G. Under these circumstances, sensors on consumer cameras malfunctioned, but there were no problems with the FS7. Its toughness and stability in harsh conditions made it extremely reliable. I was actually on the jet filming from my point of view with the FS7 and filmed in RAW format using a wide lens by fixing the PMW-F55 to the dashboard. As the actual time available for filming was limited to 5 to 10 minutes in the stratosphere, we selected a camera with flawless performance that fulfils the quality filming requirement within the limited time. That camera was the FS7. So when we faced another challenging shoot, FS7 II was the obvious choice.
A mix of high mobility and cinematic feel
Koshino: Compared to other cameras, FS7 II is well balanced and easy to handle when used handheld or with its telescoping arm. I believe the camera was really well designed to fit different applications, different users. This was really obvious to me on this shoot when the footing was so often bad, when we needed to react so swiftly to get a fleeting shot. If we'd used a cinematography camera, we may have missed some great moments since most of our time would have been spent in preparation. Using the FS7 II, we were able to film a large quantity of excellent material that gave us lots of good choices in editing. I can honestly sa
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
06/05/2026
Gravity Media Chief RF Communications Engineer Glenn Willems uses Wisycom RF over Fiber and wireless solutions across major cycling events and international mar...
06/05/2026
A Sennheiser Spectera module is now available in Bitfocus Companion and Buttons, enabling direct integration of Spectera with the two software platforms. The mo...
06/05/2026
Ted Turner, the visionary media entrepreneur whose appetite for disruption helpe...
06/05/2026
Peacock is going all-in on the beautiful game - streaming all 104 FIFA World Cup...
06/05/2026
New pricing tiers for vocal/dialogue restoration tool
NoiseWorks Audio's AI-powered vocal and dialogue processing plug-in is now available in three diff...
06/05/2026
Popular mixing & routing software overhauled
Following a recent public beta test, RME have launched the final release version of the powerful mixing and rou...
06/05/2026
New SOS Video Feature
Focusrites ISA C8X is a milestone product that brings together the companys analogue heritage and their expertise in digital audio. Yo...
06/05/2026
Polands Miecznik-class frigates are part of the largest contract in Polish shipbuilding history. (Image Credit: PGZ Stocznia Wojenna)...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Riedel Communications today announced the expansion of its leadership structure as part of a strategic initiative to strengthen both its operational management ...
06/05/2026
For nearly three decades, Veteran Production Sound Mixer and Five-time Emmy Award Winner Dirk Sciarrotta has helped define the sonic identity of the long-runnin...
06/05/2026
ZEISS CinCraft LensCore: Cinema Lens Looks for Compositing
Brie Clayton May 6, 2026
0 Comments
ZEISS announces the launch of CinCraft LensCore, a nove...
06/05/2026
Wisycom Solves Extreme RF Challenges Across Miles of Live Action for Gravity Med...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Narrative Entertainment has partnered with Encompass to deliver high-quality subtitling of its Great! network content using the Altitude Intelligence AI assiste...
06/05/2026
SipRadius, widely recognized for making content processing and connectivity secure and seamless, is proud to launch a dramatic new approach to AI content creati...
06/05/2026
When the broadband and media industry gathers at ANGA COM in Cologne from May 19 to 21, Big Blue Marble will be at the forefront. The international broadcast an...
06/05/2026
Cinegy GmbH, a leading developer of software-defined television technology, is proud to exhibit at MPTS for the first time. Visitors to the stand will discover ...
06/05/2026
Val Jeanty Receives 2026 Doris Duke Artist Award Jeanty, a composer, percussionist, and turntablist, is the fourth Berklee recipient of the prestigious award ...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/05/2026
When live cycling races and international marathons stretch for miles across cities and countryside, there is no margin for RF failure in live broadcast. As Chi...
06/05/2026
Oberkochen/Germany, May 5, 2026
ZEISS announces the launch of CinCraft LensCore, a novel solution for creating physically based cinematic lens looks for visual...
06/05/2026
06 May 2026
VEON's Kyivstar Authorized to Resell Starlink for Businesses & ...
06/05/2026
UKTV has secured the exclusive rights to the early back catalogue of iconic Australian drama series Neighbours, following a landmark content deal with Fremantle...
06/05/2026
Wednesday 6 May 2026
Sky commissions feature documentary to mark 10th anniversa...
06/05/2026
Wednesday 6 May 2026
Sky and Formula 1 agree long-term partnership across UK, Ireland and Italy
Sky in the UK & Ireland to remain the home of Formula 1 until ...
06/05/2026
Sky Zero Footprint Fund-backed TV campaign launches nationwide, supported by new...
06/05/2026
Wuppertal May 6, 2026
Riedel Expands Leadership Structure, Appoints Marc Engro...
06/05/2026
SAN JOSE, Calif. - May 6, 2026 - Harmonic (NASDAQ: HLIT) today announced its latest broadband innovations for ANGA COM 2026, highlighting its vision for a new e...
06/05/2026
Statement from Rupert Murdoch, Chairman Emeritus, Fox Corporation on Ted Turner&...
06/05/2026
Friday 8 May on RT One and RT Player
Meet the NSPCA team caring for and protecting animals in need in this six-part series
Fly on the wall, six-part series...
06/05/2026
The race to build the world's most powerful AI factories demands networking ...
06/05/2026
How changes to proteins can alter drug interactions for new precision therapies Scripps Research team maps how chemical modifications to proteins affect drug bi...
05/05/2026
Experts from the world of academia, tech, business, politics and media convened for a Thomson Talks at the Cambridge Disinformation Summit in April. It's th...
05/05/2026
Three phones were hardwired for power and transmission to the truck; camera feat...
05/05/2026
The creative studio behind campaigns for the NBA, Fanatics Sportsbook & Casino, ...
05/05/2026
Nielsen has announced results from a co-viewing pilot program covering February&...
05/05/2026
viztrick AiDi, an on-device AI solution developed by Nippon TV, delivered global...
05/05/2026
ARRI has announced Omnibar, a battery-powered, IP65-rated multi-color LED linear...
05/05/2026
Imagine Communications has announced that France T l visions is the first broadc...
05/05/2026
The Women's National Basketball Association (WNBA) and Bell Media today announced a multiyear agreement to broadcast and stream WNBA games in Canada beginni...
PXW-FS7 II shoots 4K HDR inside worlds largest cave posted: 05/08/2020 
