
Pixel Power Thought Leadership
James Gilbert, CEO, Pixel Power
Read the full article in TVB Europe Magazine HERE
As consumers demand the same high-value experiences across every screen and instant access online, on social media or their big screen in the living room, the broadcast industry has, for some time, recognised the need for greater agility, flexibility and scale.
The shift towards IP and the transition to pure software-based playout has opened the doors to greater flexibility. The drive to deliver more content across more screens as cost-efficiently as possible has taken the needs of broadcasters one step further, pointing towards virtualized environments and the adoption of software-defined integrated playout solutions that can be deployed in private datacenters or the public cloud.
Cloud isn't the panacea
Cloud - like IP before it - was one of the hot topics at trade shows (remember those!) before the global pandemic and there's no doubt it offers a highly flexible, highly scalable, pay-as-you-use environment.
For live event-based applications, such as sports or concerts, it makes sense to only deploy - and pay for - capability as and when you need it, and this is where cloud really comes into its own. It lends itself strongly to use cases where there's a need to quickly spin-up and take down temporary channels and services.
While on the surface Cloud is the panacea that answers many of the business and operational needs of our customers, when you have the deeper conversation, it's not right for everyone - or at least, not yet.
Cloud is certainly a conversation starter, but in the here and now it's often more secure and more cost-efficient to deploy on-premise. Cloud is certainly cheaper when it comes to uploads, but it's at the download end that you get hit by a massive bill. Working completely in a cloud environment, from ingest to playout, is coming. It's also not easy to switch cloud infrastructure provider and any cloud-based solution must be able to work within the constraints of each specific cloud providers' offering or restrictions.
Virtualizable and on-premise
Whether something is all-cloud or fully SMPTE ST-2110 compliant isn't the big focus for our customers; they know as vendors we comply with industry standards and make our solutions work to meet customers' requirements.
What broadcasters need are the right functionality and flexible services that are capable of supporting a steady progression towards that all-cloud future. Moving to virtualized software-defined workflows, on-premise brings all the agility that broadcasters are looking for, opening the way to flexible applications such as full remote connectivity, and providing the future-proofing that every broadcaster requires.
On the downside, an on-premise approach is less deterministic than dedicated hardware when it comes to performance and requires a switch from traditional broadcast engineering know-how to an IT-centric skillset. The underlying off-the-shelf computing hardware performance also needs to be aligned to the needs of a broadcast environment and unlike public cloud, it will need upgrading as new functionality is added.
Giving the customer what they need
When we sit down with our customers, they tell us they want truly virtualized playout services that can run in the machine room, the corporate datacenter or the cloud and be able to easily handle 4K across playout, monitoring, multiviewers, graphics and storage. Branding also has to be applied to ALL of a broadcaster's channels and services, not just the flagship ones.
Functionality and flexibility are at the heart of what we do and for this reason, Pixel Power (a Rohde & Schwarz company) started by building an immediately virtualizable software platform from the get-go. That continues to be our ethos under the Rohde & Schwarz umbrella.
Based on over three decades of graphics experience and knowledge of 24/7 transmission operations, we've developed products such as Gallium and StreamMaster for automation and playout, and operate a licensing philosophy that allows each aspect of the functionality to remain the same, regardless of where that functionality is implemented.
Having the same software, with the same license, whether deployed on-premise, in a datacenter or in the cloud, opens up the ability for a broadcaster to implement services faster to meet their unique business strategy. The benefit to customers is the flexibility to start on-premise and move to a hybrid cloud or cloud environment as needed. A broadcaster can begin implementing a certain level of functionality then build on it to create a fully virtualized, IP-connected playout system as their business and operational needs evolve.
We are the only integrated playout provider that can give them truly virtualized capability with graphics and branding at the heart of a software-defined, virtualized and/or cloud playout solution.
Seamless and virtualized playout
Our recent project with a Swiss online news portal is a perfect example, delivering an integrated playout solution where each element is a virtualized software application running on commercial-off-the-shelf hardware, ensuring seamless operation.
The customer needed a comprehensive production, editing and playout system that provided the maximum automation and operational flexibility - allowing its team to concentrate resources on delivering excellent content - as well as the speed needed to get news on-air first.
The tight synergy and integration between ingest, live playout, content management, graphics and archiving - managed during installation and deployment by a single team made up of technical experts from Rohde & Schwarz and Pixel Power - was a key factor contributing to the success of this project. This customer is now strongly positioned to transiti
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
02/05/2025
WASHINGTON The National Association of Broadcasters has filed a wide-ranging rebuttal to proposals by the pay TV industry that the Federal Communications Commis...
02/05/2025
WASHINGTON As part of an ongoing push to strengthen local reporting, the Corporation for Public Broadcasting (CPB) has awarded a $649,703 grant to the Appalachi...
02/05/2025
With more than 60 members, the Wireless Microphone Spectrum Alliance said it is actively advocating for its RF spectrum through meetings and filings in the Fede...
02/05/2025
WASHINGTON The union representing broadcast technicians is pushing back against a major effort by the National Association of Broadcasters and station owners to...
02/05/2025
MENLO PARK, Calif. Streaming channel provider Future Today has launched its Future Today Marketplace, a new connected TV (CTV) advertising platform that offers ...
02/05/2025
LOS ANGELES The Africa Channel (TAC) said it has launched TAC Labs, a newly created technology unit to provide low-cost AI-powered solutions to help publishers ...
02/05/2025
SAN JOSE, Calif. Roku said it will acquire Frndly TV, a virtual multichannel video programming distributor (vMVPD) geared toward family friendly content that of...
02/05/2025
Riedel Communications, a global leader in real-time video, audio, data, and communications networks, is pleased to announce the opening of a new office in Hong ...
02/05/2025
Since 2012, VES Award-winning studio PFX has delivered visual effects for projects from Napoleon to Stranger Things, but a thriller set inside a car is a fi...
02/05/2025
TAG Video Systems will unveil its latest innovations at MPTS 2025 in Booth A31-32, alongside technology partner Techex. TAG's Realtime Media Platform will b...
02/05/2025
Glensound, a leader in high-quality audio systems, is bringing the latest additions to its portfolio of intercom, commentary and eSports audio solutions to MPTS...
02/05/2025
OpenDrives, Inc., a leading provider of software-defined data storage and data services solutions, is proud to announce that its Atlas software-defined storage ...
02/05/2025
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase its innovative broadcast solutions at BroadcastA...
02/05/2025
LucidLink, the storage collaboration platform for enterprise creative teams, will return to the Media Production & Technology Show (MPTS) on May 14 15, 2025, at...
02/05/2025
Pebble will be showcasing its proven playout solutions at CABSAT 2025 (Dubai World Trade Centre, 13-15 May). With 25 years of expertise in the broadcast industr...
02/05/2025
Encompass Digital Media is leading transformation of the BBC World Service's global distribution from satellite to IP-based delivery. The initiative, which ...
02/05/2025
Larry Jordan Meets With Sonnet at NAB 2025
Brie Clayton May 1, 2025
0 Comments
Greg LaPorte, VP of Sales & Marketing at Sonnet Technologies talks to L...
02/05/2025
Four Boston Conservatory Alumni Nominated for Tony Awards Fifteen alumni from Boston Conservatory at Berklee and Berklee College of Music contributed to nomin...
01/05/2025
As Tanzania approaches a pivotal election year marked by both promise and concern over the impact of artificial intelligence (AI) on media, more than 300 journa...
01/05/2025
Paul Reubens appears in Pee-wee as Himself, an official selection of the 2025 Sundance Film Festival. Courtesy of Sundance Institute | photo by Michael Ochs A...
01/05/2025
After four years of lectures, study sessions, exams, and parties, college senior...
01/05/2025
72.4% of overall TV viewing in Q1 2025 is of content that includes advertising
...
01/05/2025
NEW YORK LiveNow From Fox, Fox Television Stations' national news streaming service, has released viewing data showing the first quarter was the best quarte...
01/05/2025
The global installed base of Smart TVs and Connected TV (CTV) devices will reach 4.2 billion units by 2030, growing at a CAGR of 9.6% from 2.65 billion in 2025,...
01/05/2025
Samsung TV Plus has announced that it is expanding its existing lineup of more than 50 sports channels with five new free, ad-supported streaming television (FA...
01/05/2025
MELBOURNE, Fla. Carlo DiMarco has joined USSI Global as vice president of strategic marketing and growth, with responsibility for strategic business development...
01/05/2025
WASHINGTON The NAB has filed a wide-ranging rebuttal to proposals by the pay TV industry that the FCC delete and/or significantly change rules governing retrans...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
Munster and Connacht Football Finals onThe Sunday Game Live
Final two days of t...
01/05/2025
Telling the story: Extensive technical set-up delivers comprehensive Special Oly...
01/05/2025
Just Around the Bend: Olympic Broadcasting Services Readies for the Milano-Corti...
01/05/2025
Wireless Microphone Spectrum Alliance Gets Going With Lobbying To Ensure RF Acce...
01/05/2025
Voice actor and producer Mark Yoshimoto Nemcoff shares his first impressions of the DPA 2017 Shotgun Microphone, from real-world auditions to side-by-side compa...
01/05/2025
With my previous console, Freeman recalls, I always had to run a Waves server for EQ and compression, but when I switched to DiGiCo, I found it was such an op...
01/05/2025
Stream all episodes ofLook Who's Hangry from April 29
An RT Player Original in partnership with Heinz...
01/05/2025
Here is your host, Patrick Kielty!
T naiste, Minister for Foreign Affairs and T...
01/05/2025
Exclusive interviews and un-seen footage feature in new two-part series...
01/05/2025
May brings more than just rainbows and sunshine - it's also time for fresh adventures and epic battles. This GFN Thursday spotlights 20 can't-miss games...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...