
By Ivan Verbesselt, senior VP marketing, NAGRA
Contributor 12 mins ago
By Ivan Verbesselt, senior VP marketing, NAGRA
target=_blank title=Share on LinkedIn class=share-linkedin> By Ivan Verbesselt, senior VP marketing, NAGRA
https://www.tvbeurope.com/features/the-three-landscapes-of-digitalisation-pay-tv-operators-must-navigate title=Share via Email class=share-email>
The new wave of digitalisation will usher in a profound transformation. If we look closer at that transformation, we can see it take place across three landscapes, all of which pay-TV operators will have to successfully navigate.
The first landscape is technology. And under that tech umbrella, some underlying trends can be observed. The first is one of increasingly horizontal consumer devices.
Essentially, the CE and IT industries have fundamentally transformed the video business and native IP devices are becoming the norm. And video devices must behave as good citizens in this brave new IP ecosystem. As a result, we see an entirely new level playing field no longer driven by STB middleware; rather, it's governed by consumer devices including smart TVs and casting devices that marry large-screen viewing to smartphone-driven content discovery.
Now, there's a similar simplification taking place at the headend side of the equation, which brings us to the second trend - service virtualisation.
The most daunting TV use cases dramatically simplify if aforementioned native IP devices directly hit a native Cloud service. And Cloud technology clearly prevails across the board, even in on-premise deployed software infrastructures. This allows technology bundles to be modularised enabling XYZaaS models that drive an accelerated shift of value to the business headend.
The most transformative technology trend is, however, data.
Mainstream TV operators have long been sitting on a wealth of under-utilised consumer and behavioural data, but most of them are all set to catch up soon. Data analytics and AI/ML technology meanwhile have also become significantly more useable and affordable for operators.
It's safe to assume that, with data at the heart of the business, systems without these capabilities are going to be given a serious run for their money.
But away from technology, the next landscape operators must navigate is content.
We're now in the post-OTT era , where OTT is a mainstream constituent of any modern pay-TV operation. And we're now going to see two competing trends that will keep each other in check for the foreseeable future: content fragmentation and content aggregation.
D2C offers keep mushrooming as more big players enter the space - Disney+ is just one recent entrant making its way into the playground. The new norm is some form of skinny bundle topped up with a raft of OTT add-ons, whether on-demand or linear, and this list of add-ons keeps on growing.
This begs the question: how many of these content bouquets (and their apps) can a consumer realistically deal with? The reality is that no one really knows. But sooner or later there must be some sort of tipping point. And that's when the legitimate concern about too much fragmentation leads to super-aggregation endeavours, mostly undertaken by incumbent pay-TV operators.
The ones that will emerge from this transformation are going to be the ones that enable their subscribers to switch between multiple content sources and services effortlessly with a simple, uncluttered and engaging interface that harnesses the respective OTT apps as appropriate.
The driver to some form of super-aggregation may be clear. But the implementation remains, however, far from evident All will depend on how shrewd the operator is in bridging content silos through a low-touch onboarding of OTT content, making itself the central gateway to all content that consumers have access to, across all screens while still providing a coherent user experience.
This leads us to the third landscape - the commercial landscape.
The crux of the matter will be to achieve a convenient single sign-on into an over-arching UEX that delivers unified search and deep linking into a modular collection of OTT bouquets and their respective apps.
Ultimately, long-term success will depend on the ability to smartly and elegantly blend content line-up with the inevitable OTT services required to complete the offer. And the result is that large content-centric operators are paradoxically well positioned to become global OTT players themselves.
But for all the innovation we've seen in the digital media space, the content monetisation model has remained static. It's still highly inspired by the historical bundling between content and the distribution conduit.
Content type still largely determines the monetisation and distribution model - a combination of [advertising, subscription, transaction] x [VoD, linear]. But this can become much smarter and indeed dynamically optimised provided there is an adequate data-driven toolchain and methodology behind the business operations of content.
And as the monetisation models will become more fluid and dynamic, the days of TV being all about acquiring the rights and simply putting the content out there for consumption are over. We're entering the era of active content monetisation; operators will have to rely on a smart combination of data analytics and curation to not just constantly monitor and tune the catalogue but also to actively monitor and promote content.
The digital media and entertainment space is undergoing a transformation it has never seen before. The winners will be the ones that master all three of these landscapes.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
24/03/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({...
24/03/2026
Rick Bernier reflects on a career that has taken him to the very top of live broadcast audio. As a Senior Broadcast Audio A1 Engineer and Music Director, he has...
24/03/2026
Grass Valley has strengthened its long-standing relationship with ImSoPROD, the TV production entity of the FDJ United, with the deployment of Grass Valley LDX ...
24/03/2026
At the 2026 NAB Show in Las Vegas, Utah Scientific will spotlight its expanding portfolio of hybrid SDI/IP routing, conversion, control, and signal management s...
24/03/2026
Fresh off its global reveal at ISE 2026 in Barcelona, the new V410 live 4K encoder/decoder from Miri Technologies Inc. will make its North American debut at the...
24/03/2026
Cinegy GmbH, premier provider of software-defined television technology, will show how its solutions answer the real challenges facing content creators and broa...
24/03/2026
Canberra-based radio and online broadcast network ArtSound FM (https://artsound.fm/) has invested in DHD audio mixing consoles for two new studios at its headqu...
24/03/2026
IBC today announced the nine projects selected for its 2026 Accelerator Media Innovation Programme, bringing together organisations from across broadcast, strea...
24/03/2026
Mediaproxy, the global standard for software-based IP compliance monitoring and multiviewing solutions, will showcase the next generation of its industry-leadin...
24/03/2026
Underscoring its global reputation as one of Canada's most renowned colleges for television production, the C gep de Jonqui re public college in Qu bec has ...
24/03/2026
Leading video software provider Synamedia today announced the launch of the industry's first edge watermarking solution that enables faster disruption of pi...
24/03/2026
Experience Commerce, a leading full-service digital marketing agency and part of the Cheil SWA Group, has secured the annual social media mandate for Fiat Payme...
24/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/03/2026
Intinor introduces enhanced SRT monitoring, HDR transport and NDI Advanced suppo...
24/03/2026
Miri V410 Live 4K Encoder/Decoder to Make North American Debut at 2026 NAB Show
Brie Clayton March 23, 2026
0 Comments
Powerful new solution for strea...
24/03/2026
Arqiva shortlisted for Education Initiative of the Year'
We're excited to announce that we've been named a Finalist at the British Data Awards 202...
24/03/2026
Use of ABC data continues to grow, with 87% of buyers say they use it, compared ...
24/03/2026
All three presenters, Maura, D ith and Sinead, celebrate as afternoon chat show filmed in Cork hits milestone.
Ireland's longest running afternoon show, t...
24/03/2026
Artificial intelligence has rapidly emerged as one of the most critical workload...
24/03/2026
March 24 2026, 04:00 (PDT) Dolby Named to Fast Company's Annual List of the...
23/03/2026
The Professional Fighters League (PFL) has renewed its multi-year partnership wi...
23/03/2026
The Snow League has named Google Cloud as its Official Cloud and AI Partner. The...
23/03/2026
Chyron has appointed Eric Wolff as Director of Venues Sales, North America. Wolff previously served as Director of Broadcast Operations & Media Production for T...
23/03/2026
Chicago Sports Network (CHSN) and Weigel Broadcasting's WCIU (The U, ch. 26.1) will simulcast 10 Chicago White Sox games during the 2026 season, the compani...
23/03/2026
Cosm has appointed Jon Werbeck as Vice President, Head of Sponsorships. He will report to Corey Breton, Head of Venues, and will focus on corporate sponsorship ...
23/03/2026
CP Communications has announced a partnership with Mark Roberts Motion Control (...
23/03/2026
NAB Show 2026, taking place April 18-22 (exhibits April 19-22) at the Las Vegas ...
23/03/2026
Bay FC and free streaming platform Victory have announced a partnership through...
23/03/2026
Gemini AI models will surface hidden context around pitches, matchups, rare stat...
23/03/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
23/03/2026
Growing from broadcast engineer to strategic planner, this Ithaca College grad h...
23/03/2026
16 Science-Focused Nonfiction Projects Selected for Funding
LOS ANGELES, CA, March 23, 2026 - The nonprofit Sundance Institute and Sandbox Films announced toda...
23/03/2026
It's been 20 years since Miley Cyrus introduced the world to Hannah Montana,...
23/03/2026
Made entirely from real natural recordings
Aimed at sound designers and editors working in film, TV and game audio, the latest release from BOOM Library com...
23/03/2026
Transcribe sheets, tabs or MIDI from audio files
Klang.io have announced the launch of a new AI-powered software tool that's capable of detecting multip...
23/03/2026
An auxiliary target has been affixed to the Interim Cryogenic Propulsion Stage f...
23/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/03/2026
Pro8mm, the Super 8 experts, provided cameras, Super 8 movie film, and scanning services for Bruno Mars' Risk It All music video. The debut single from Br...
23/03/2026
Matthews, introduces their first aluminum grid clamp collection, engineered for the rigging needs of film, television and live production. Combining light weigh...
23/03/2026
Monday 23 March 2026
Hacks, the multi-Emmy -winning Sky Exclusive comedy, retur...
23/03/2026
Back to All News
Too Hot to Handle: Italy Reignites for a Second Season With th...
23/03/2026
Autonomous agents mark a new inflection point in AI. Systems are no longer limited to generating responses or reasoning through tasks. They can take action: Age...