
By Ivan Verbesselt, senior VP marketing, NAGRA
Contributor 12 mins ago
By Ivan Verbesselt, senior VP marketing, NAGRA
target=_blank title=Share on LinkedIn class=share-linkedin> By Ivan Verbesselt, senior VP marketing, NAGRA
https://www.tvbeurope.com/features/the-three-landscapes-of-digitalisation-pay-tv-operators-must-navigate title=Share via Email class=share-email>
The new wave of digitalisation will usher in a profound transformation. If we look closer at that transformation, we can see it take place across three landscapes, all of which pay-TV operators will have to successfully navigate.
The first landscape is technology. And under that tech umbrella, some underlying trends can be observed. The first is one of increasingly horizontal consumer devices.
Essentially, the CE and IT industries have fundamentally transformed the video business and native IP devices are becoming the norm. And video devices must behave as good citizens in this brave new IP ecosystem. As a result, we see an entirely new level playing field no longer driven by STB middleware; rather, it's governed by consumer devices including smart TVs and casting devices that marry large-screen viewing to smartphone-driven content discovery.
Now, there's a similar simplification taking place at the headend side of the equation, which brings us to the second trend - service virtualisation.
The most daunting TV use cases dramatically simplify if aforementioned native IP devices directly hit a native Cloud service. And Cloud technology clearly prevails across the board, even in on-premise deployed software infrastructures. This allows technology bundles to be modularised enabling XYZaaS models that drive an accelerated shift of value to the business headend.
The most transformative technology trend is, however, data.
Mainstream TV operators have long been sitting on a wealth of under-utilised consumer and behavioural data, but most of them are all set to catch up soon. Data analytics and AI/ML technology meanwhile have also become significantly more useable and affordable for operators.
It's safe to assume that, with data at the heart of the business, systems without these capabilities are going to be given a serious run for their money.
But away from technology, the next landscape operators must navigate is content.
We're now in the post-OTT era , where OTT is a mainstream constituent of any modern pay-TV operation. And we're now going to see two competing trends that will keep each other in check for the foreseeable future: content fragmentation and content aggregation.
D2C offers keep mushrooming as more big players enter the space - Disney+ is just one recent entrant making its way into the playground. The new norm is some form of skinny bundle topped up with a raft of OTT add-ons, whether on-demand or linear, and this list of add-ons keeps on growing.
This begs the question: how many of these content bouquets (and their apps) can a consumer realistically deal with? The reality is that no one really knows. But sooner or later there must be some sort of tipping point. And that's when the legitimate concern about too much fragmentation leads to super-aggregation endeavours, mostly undertaken by incumbent pay-TV operators.
The ones that will emerge from this transformation are going to be the ones that enable their subscribers to switch between multiple content sources and services effortlessly with a simple, uncluttered and engaging interface that harnesses the respective OTT apps as appropriate.
The driver to some form of super-aggregation may be clear. But the implementation remains, however, far from evident All will depend on how shrewd the operator is in bridging content silos through a low-touch onboarding of OTT content, making itself the central gateway to all content that consumers have access to, across all screens while still providing a coherent user experience.
This leads us to the third landscape - the commercial landscape.
The crux of the matter will be to achieve a convenient single sign-on into an over-arching UEX that delivers unified search and deep linking into a modular collection of OTT bouquets and their respective apps.
Ultimately, long-term success will depend on the ability to smartly and elegantly blend content line-up with the inevitable OTT services required to complete the offer. And the result is that large content-centric operators are paradoxically well positioned to become global OTT players themselves.
But for all the innovation we've seen in the digital media space, the content monetisation model has remained static. It's still highly inspired by the historical bundling between content and the distribution conduit.
Content type still largely determines the monetisation and distribution model - a combination of [advertising, subscription, transaction] x [VoD, linear]. But this can become much smarter and indeed dynamically optimised provided there is an adequate data-driven toolchain and methodology behind the business operations of content.
And as the monetisation models will become more fluid and dynamic, the days of TV being all about acquiring the rights and simply putting the content out there for consumption are over. We're entering the era of active content monetisation; operators will have to rely on a smart combination of data analytics and curation to not just constantly monitor and tune the catalogue but also to actively monitor and promote content.
The digital media and entertainment space is undergoing a transformation it has never seen before. The winners will be the ones that master all three of these landscapes.
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
You've seen the headlines, now it's time to go Behind the Story
RT News has today (Wednesday) launched a brand-new news podcast, Behind the Story, h...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...