
Reporting in secret under the oppressive shadow of Taliban rule in Afghanistan, Thomson's Young Journalist of the Year for 2024 is a woman whose fearless journalism for The Afghan Times-an outlet founded by Afghan women journalists and now run in exile-has brought to light critical stories, from the closure of women-only restaurants to the struggles of women impacted by natural disasters.
In this exclusive interview, she shares her journey as a journalist in one of the world's most dangerous environments, the challenges of working under constant threat and the unwavering mission that drives her.
When and why did you decide to become a journalist? I decided to become a journalist because I wanted to be a voice for the voiceless, especially Afghan women who have been marginalised for decades. Growing up, I saw the struggles of women in my country and felt a responsibility to share their stories with the world. Journalism felt like a powerful way to bring attention to the injustices they face and to advocate for change.
When I started working with The Afghan Times in 2022, I felt a renewed sense of purpose and responsibility. It became an important part of my life, shaping how I approach my work and allowing me to tell stories that truly matter. Every day, I feel proud of the work I do with The Afghan Times. The stories I've worked on have reached audiences in a meaningful way, and I am encouraged by the impact they have had. Through The Afghan Times, I feel like I can contribute in a good style and format that resonates with readers.
What are the particular problems you face working as a woman journalist in Afghanistan, and can you describe what a working day for you is like? The main challenges include severe restrictions on my movement and constant fear of being targeted by the Taliban. As a woman, I am not allowed to work publicly or openly. A typical working day involves operating in secrecy, using encrypted tools to communicate with sources, and planning every step carefully to avoid detection.
I also face significant difficulties in accessing information, as government sources and official channels are largely unavailable to women journalists. The Taliban's policies mean I cannot freely meet with sources or conduct interviews in public. Many sources, especially women, fear retaliation for speaking out, making it even harder to gather firsthand accounts.
The stigma attached to women journalists is another obstacle. In addition to the Talibans restrictions, societal attitudes influenced by their ideology often result in harassment or hostility from civilians. Technical challenges, such as limited internet access or surveillance risks, further complicate the reporting process.
As a young team in Afghanistan, we also lack the proper equipment needed for professional journalism. We often rely on basic tools that are inadequate for the scale and sensitivity of the work we do. This limitation makes it harder to produce high-quality reports and maintain the security needed in such a risky environment.
Every day is filled with a constant balance of caution and commitment. While these challenges are overwhelming at times, they fuel my determination to continue shedding light on the stories that need to be told.
Without putting yourself at risk, can you reveal the sort of security measures you have to take and your biggest challenges when gathering stories and working with sources? I rely on encrypted communication methods and a trusted network of sources who understand the risks we all face. I avoid leaving any digital or physical trail that could lead to me or my work. The biggest challenge is accessing firsthand accounts while ensuring the safety of both my sources and myself. The risk of surveillance or retaliation is always present. Our editor-in-chief, Salma Niazi, is instrumental in guiding us through these challenges, providing training and instructions at every step to ensure our safety and the accuracy of our work.
What do you fear the most about doing your job? My biggest fear is endangering the lives of those who share their stories with me. The Talibans strict control and their willingness to punish dissent make every interaction potentially life-threatening for both my sources and myself.
The restrictions on women are constantly changing and being updated. How do you adapt? Adapting requires staying informed about the latest decrees and understanding the risks they pose. I adjust my reporting methods, avoid high-risk areas, and lean on my network for support. Flexibility and vigilance are critical to surviving in such an unpredictable environment.
Our editorial team also plays a vital role in ensuring our safety. They carefully monitor the changing restrictions and frequently update our working methods to keep us protected. Every detail is considered meticulously, allowing us to continue our work as safely as possible in such a dangerous context.
Are there any particular stories you've reported on that have stayed with you or had a significant impact? One story that deeply moved me was about women-only restaurants being shut down. These spaces symbolised a small but meaningful freedom for Afghan women, and their closure marked another devastating loss under Taliban rule. Reporting on the child labour crisis also stays with me-it revealed the harsh reality faced by children in Afghanistan, forced into labour due to poverty and restrictions on womens employment.
How do you decide which stories to pursue in such a restrictive environment? I prioritise stories that shed light on the struggles of marginalized groups, especially women and children. Each story is chosen based on its potential to amplify their voices and bring international attention to their plight, while also weighing the risks involved in pursuing it.
With so many challenges and increa
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
22/08/2026
O'Shea Jackson Jr., Dave Franco, and Mason Thames appear in Idiots by Macon Blair, an official selection of the 2026 Sundance Film Festival. (Courtesy of ...
22/08/2026
By the time Hacks reached its fifth and final season, Adam Bricker ASC had spent six years shaping one of television's most distinctive visual identities. T...
22/08/2026
Polsat reclaims second place, ByteDance climbs to eighth, and live football miti...
22/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/08/2026
Avid brings agentic media production to IBC2026
Brie Clayton August 21, 2026
0 Comments
After launching Avid Content Core at NAB 2026, Avid expands it...
22/08/2026
Making of Lord of the Flies Shot with Pocket Cinema Camera 6K Pro
Brie Clayton August 21, 2026
0 Comments
Filmmaker Lisa Marie Russo shoots on the bea...
22/08/2026
Homecoming Artist Spotlight: Dogs In A Pile The rising jam band talks about where it all started on the Berklee campus ahead of their Homecoming performance o...
22/08/2026
Berklee Alumna Lexi Vollero MA '22 Receives Fulbright Award to Brazil Vollero, a Berklee NYC graduate, has been selected for a Fulbright Open Research Awa...
21/08/2026
A massive deployment of specialty cameras, graphics, and AR will showcase the na...
21/08/2026
The West Coast Conference unveiled its new 30-second public service announcement, the latest expression of the Conference's We Rise in the West brand iden...
21/08/2026
New look will serve as the foundation for ESPN's upcoming NFL season and Sup...
21/08/2026
ESPN will air the ninth annual MLB Little League Classic presented by New York Life on Sunday, August 23, at 7 p.m. ET from Historic Bowman Field in Williamspor...
21/08/2026
In an emotional acceptance speech in Canton, Grossman celebrated the pioneering ...
21/08/2026
Hardware-style timing shifts for software instruments
Following on from the release of Omniclock, Rapid Flow have launched a new sequencer plug-in that can ...
21/08/2026
Highly anticipated synthesizer ships in October 2026
Iceland-based Love Synthesizers have announced that their highly anticipated synthesizer is now availab...
21/08/2026
Masterpiece PBS The Forsytes has expanded its cast as its begins production in ...
21/08/2026
The BBC has unveiled first-look pictures from The Witch Farm, a new ghost story and mystery set in the Welsh countryside, coming soon to BBC iPlayer and BBC One...
21/08/2026
The BBC and BritBox have revealed the first look of Edward Bluemel as Hercule Poirot in the forthcoming six-part series Hercule from Mammoth Screen and Agatha C...
21/08/2026
Our priority was making the best, most powerful, most meaningful story possible,...
21/08/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Avid will unveil how it is transforming production to help media organizations unite content, agentic workflows, and business insights at IBC2026 (RAI Amsterda...
21/08/2026
New routing, modular processing, orchestration and monitoring capabilities bridge dedicated hardware and software-based processing as part of the Dynamic Media ...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/08/2026
When hundreds of thousands of people gather to hear a single voice, there is no room for compromise. Every word must be delivered clearly, every wireless transm...
21/08/2026
Telestream, a global leader in media workflow technologies, today announced a strategic partnership with ScorePlay, the AI-powered media infrastructure that spo...
21/08/2026
NUGEN Audio announces the launch of its new Post Plan and Producer Plan, two flexible subscription offerings designed to give audio professionals short term acc...
21/08/2026
Join the Screen Currency 2026 Ask Me Anything (AMA) Online 20 August 2026
(L-R): Adrian Coates, Grainne Brunsdon, Deirdre Brennan, Rachael Perkins
Got questio...
21/08/2026
** MEDIA ALERT **
VIZ Media Takes Over Anime NYC with BLEACH, BLACK TORCH, M...
21/08/2026
Tell us a little bit about your job I'm a Marketing Manager and work across a mix of clients and projects. No two days are ever quite the same, which defini...
21/08/2026
Beat The Lotto dives into the plot behind the 1980s National Lottery scandal
24 August 2026 at 9:35pm on RT One and RT Player
Beat The Lotto is the story o...
21/08/2026
The countdown to the most wonderful night of the year has officially begun!
Host Patrick Kielty is gearing up for another unforgettable Late Late Toy Show nig...
21/08/2026
Meet puppet duo Bellie and Whizz, who are about to explore all the big feelings ...
20/08/2026
From host-broadcaster and rightsholder support in June and July to MLS, NWSL, US...
20/08/2026
In-venue and creative video staffers at the professional and collegiate level ha...
20/08/2026
At IBC this year, Veritone (14.A56) is bringing two connected themes to the booth: architectural independence in enterprise AI, and the automation of the media ...
20/08/2026
Telestream and ScorePlay have announced a partnership combining Telestream's...