
Reporting in secret under the oppressive shadow of Taliban rule in Afghanistan, Thomson's Young Journalist of the Year for 2024 is a woman whose fearless journalism for The Afghan Times-an outlet founded by Afghan women journalists and now run in exile-has brought to light critical stories, from the closure of women-only restaurants to the struggles of women impacted by natural disasters.
In this exclusive interview, she shares her journey as a journalist in one of the world's most dangerous environments, the challenges of working under constant threat and the unwavering mission that drives her.
When and why did you decide to become a journalist? I decided to become a journalist because I wanted to be a voice for the voiceless, especially Afghan women who have been marginalised for decades. Growing up, I saw the struggles of women in my country and felt a responsibility to share their stories with the world. Journalism felt like a powerful way to bring attention to the injustices they face and to advocate for change.
When I started working with The Afghan Times in 2022, I felt a renewed sense of purpose and responsibility. It became an important part of my life, shaping how I approach my work and allowing me to tell stories that truly matter. Every day, I feel proud of the work I do with The Afghan Times. The stories I've worked on have reached audiences in a meaningful way, and I am encouraged by the impact they have had. Through The Afghan Times, I feel like I can contribute in a good style and format that resonates with readers.
What are the particular problems you face working as a woman journalist in Afghanistan, and can you describe what a working day for you is like? The main challenges include severe restrictions on my movement and constant fear of being targeted by the Taliban. As a woman, I am not allowed to work publicly or openly. A typical working day involves operating in secrecy, using encrypted tools to communicate with sources, and planning every step carefully to avoid detection.
I also face significant difficulties in accessing information, as government sources and official channels are largely unavailable to women journalists. The Taliban's policies mean I cannot freely meet with sources or conduct interviews in public. Many sources, especially women, fear retaliation for speaking out, making it even harder to gather firsthand accounts.
The stigma attached to women journalists is another obstacle. In addition to the Talibans restrictions, societal attitudes influenced by their ideology often result in harassment or hostility from civilians. Technical challenges, such as limited internet access or surveillance risks, further complicate the reporting process.
As a young team in Afghanistan, we also lack the proper equipment needed for professional journalism. We often rely on basic tools that are inadequate for the scale and sensitivity of the work we do. This limitation makes it harder to produce high-quality reports and maintain the security needed in such a risky environment.
Every day is filled with a constant balance of caution and commitment. While these challenges are overwhelming at times, they fuel my determination to continue shedding light on the stories that need to be told.
Without putting yourself at risk, can you reveal the sort of security measures you have to take and your biggest challenges when gathering stories and working with sources? I rely on encrypted communication methods and a trusted network of sources who understand the risks we all face. I avoid leaving any digital or physical trail that could lead to me or my work. The biggest challenge is accessing firsthand accounts while ensuring the safety of both my sources and myself. The risk of surveillance or retaliation is always present. Our editor-in-chief, Salma Niazi, is instrumental in guiding us through these challenges, providing training and instructions at every step to ensure our safety and the accuracy of our work.
What do you fear the most about doing your job? My biggest fear is endangering the lives of those who share their stories with me. The Talibans strict control and their willingness to punish dissent make every interaction potentially life-threatening for both my sources and myself.
The restrictions on women are constantly changing and being updated. How do you adapt? Adapting requires staying informed about the latest decrees and understanding the risks they pose. I adjust my reporting methods, avoid high-risk areas, and lean on my network for support. Flexibility and vigilance are critical to surviving in such an unpredictable environment.
Our editorial team also plays a vital role in ensuring our safety. They carefully monitor the changing restrictions and frequently update our working methods to keep us protected. Every detail is considered meticulously, allowing us to continue our work as safely as possible in such a dangerous context.
Are there any particular stories you've reported on that have stayed with you or had a significant impact? One story that deeply moved me was about women-only restaurants being shut down. These spaces symbolised a small but meaningful freedom for Afghan women, and their closure marked another devastating loss under Taliban rule. Reporting on the child labour crisis also stays with me-it revealed the harsh reality faced by children in Afghanistan, forced into labour due to poverty and restrictions on womens employment.
How do you decide which stories to pursue in such a restrictive environment? I prioritise stories that shed light on the struggles of marginalized groups, especially women and children. Each story is chosen based on its potential to amplify their voices and bring international attention to their plight, while also weighing the risks involved in pursuing it.
With so many challenges and increa
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
15/05/2026
Join Calrec at MPTS 2026 | May 13-14 | Stand A40 | Olympia, London We're looking forward to meeting up with customers and partners at this year's Media ...
15/05/2026
86% of media planners would move more linear TV budget to CTV if they had show-level targeting and reporting - and 65% would also shift dollars from programmati...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Clear-Com will showcase new communications solutions and major platform updates at InfoComm 2026 (Booth N7005), June 17-19, in the North and Central Halls of t...
15/05/2026
Following an outstanding inaugural year in 2025, Rise AV is proud to announce the return of its flagship leadership initiative, Elevate. The programme continues...
15/05/2026
Berklee Announces Lineup for Inaugural AI Music Summit The three-day event puts musicians at the center of the future of music creation, ethics, and the indus...
15/05/2026
Lightware returns to InfoComm 2026 with a focused showcase of scalable USB-C connectivity, next-generation AV-over-IP solutions, and technologies that help over...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Delivering a live, arena-scale production of a massively popular band is no small feat. Between expansive in-arena LED walls and a global live stream fed to onl...
15/05/2026
Connection is the heartbeat of any strong community, and with live streaming becoming more accessible in the modern era, it's much easier for faith-based or...
15/05/2026
Powered by GX 3 media servers, optimised IP-VFC workflows and on-site engineering expertise, the production delivers high-performance visuals for one of the wor...
15/05/2026
Against that backdrop, IAB UK has added retail media to its Gold Standard. Jan Pitt, Commercial Director at ABC, spoke with Liv McCullagh, Retail Media Lead at ...
15/05/2026
Further to RT 's statement released yesterday and in the interest of full transparency, with the full permission of Derek Mooney, we are now publishing the ...
14/05/2026
Sweetwater and Airstream have announced a custom-built Dolby Atmos mobile recording studio inside an Airstream trailer, set to tour music festivals, schools, tr...
14/05/2026
The American Association of Professional Baseball (AAPB) has announced a new par...
14/05/2026
ESPN has announced plans to transform Santa Monica Beach into a broadcast hub du...
14/05/2026
Amagi has announced a significant update to Amagi CLOUDPORT, its cloud-based broadcast playout platform. The update includes 250-plus features shipped in FY25-2...
14/05/2026
Clear-Com will exhibit at InfoComm 2026 (Booth N7005, June 17-19, Las Vegas Convention Center), introducing a new product that builds on Arcadia Central Station...
14/05/2026
Ikegami will exhibit at BroadcastAsia 2026 (Stand 5D3-1, Singapore Expo, May 20-22), introducing two new viewfinders alongside its existing camera, control, and...
14/05/2026
Grass Valley has announced that dB Broadcast has delivered new IP-based outside ...
14/05/2026
NAGRAVISION, a Kudelski Group company, has announced a partnership with the World Professional Billiards and Snooker Association (WPBSA) to launch Play Snooker,...
14/05/2026
Belden Inc. has announced a definitive agreement to acquire RUCKUS Networks from Vistance Networks for approximately $1.85 billion. The transaction has been app...
14/05/2026
NVIDIA has released the Content Localization Blueprint, a modular reference arch...
14/05/2026
Disney has announced that Disney will be the exclusive U.S. streaming home of the Banana Bowl, the Banana Ball league season championship, streaming live this ...
14/05/2026
Arkona technologies and technology partner manifold will demonstrate their production solutions on the Magna Systems and Engineering stand (Booth 5D1-1) at Broa...
14/05/2026
Haivision will host a webinar on Thursday, May 21 at 10 a.m. ET / 4 p.m. CET cov...
14/05/2026
The CW Network and ESPN have announced a sublicense broadcast agreement for The CW to televise ACC football and men's and women's college basketball gam...
14/05/2026
The agreement marks Scripps Sports' first NBA local rights deal...
14/05/2026
A new report from education-technology company Wiingy testing post-ChatGPT predictions against three years of real-world data has identified broadcasting as one...
14/05/2026
Global Citizen and FIFA have announced that Madonna, Shakira, and BTS will headl...
14/05/2026
LOS ANGELES, CA, May 14, 2026 - The nonprofit Sundance Institute announced today the cohort selected for the 2026 Episodic Lab program, taking place at Dunaway ...
14/05/2026
At Spotify, we're focused on making every listening experience feel intentio...
14/05/2026
Spotify recently welcomed songwriters, artists, executives, and music students t...
14/05/2026
New articulations, ostinatos, Motion Scoring Articulation Sets & more
Sonuscore's flagship cinematic string library has just been treated to a significa...
14/05/2026
World-class studio opens on T rkiye's Aegean coast
P r Recording & Residence have announced their official opening, introducing a new world-class reside...
14/05/2026
Now supports channel layouts up to 9.1.6
Nugen Audio have just released an update for their AI-powered dialogue intelligibility and compliance tool. Set to ...
14/05/2026
New recordings & one-key chord tool
UVI have just announced the release of Orchestral Suite 2, a ground-up redesign of their all-in-one symphonic orchestra ...
14/05/2026
Two new arrivals & expanded factory content
Rob Papen's all-encompassing plug-in and virtual instrument collection has just been treated to another upda...
14/05/2026
Embed QR codes into DAW sessions
FSK Audio's latest plug-in doesn't process audio, but serves as an organisational tool that allows QR codes to be e...
14/05/2026
SBS Board appoints Jane Palfreyman Managing Director
13 May, 2026
Media releases
The Special Broadcasting Service (SBS) Board of Directors is pleased to an...
14/05/2026
Transforming bold ideas into market-ready productions: Digital Originals returns
14 May, 2026
Media releases
SBS, NITV and Screen Australia have announced ...
14/05/2026
Australia Uncovered Returns to SBS with Bold New Season Featuring John Safran on...