
Reporting in secret under the oppressive shadow of Taliban rule in Afghanistan, Thomson's Young Journalist of the Year for 2024 is a woman whose fearless journalism for The Afghan Times-an outlet founded by Afghan women journalists and now run in exile-has brought to light critical stories, from the closure of women-only restaurants to the struggles of women impacted by natural disasters.
In this exclusive interview, she shares her journey as a journalist in one of the world's most dangerous environments, the challenges of working under constant threat and the unwavering mission that drives her.
When and why did you decide to become a journalist? I decided to become a journalist because I wanted to be a voice for the voiceless, especially Afghan women who have been marginalised for decades. Growing up, I saw the struggles of women in my country and felt a responsibility to share their stories with the world. Journalism felt like a powerful way to bring attention to the injustices they face and to advocate for change.
When I started working with The Afghan Times in 2022, I felt a renewed sense of purpose and responsibility. It became an important part of my life, shaping how I approach my work and allowing me to tell stories that truly matter. Every day, I feel proud of the work I do with The Afghan Times. The stories I've worked on have reached audiences in a meaningful way, and I am encouraged by the impact they have had. Through The Afghan Times, I feel like I can contribute in a good style and format that resonates with readers.
What are the particular problems you face working as a woman journalist in Afghanistan, and can you describe what a working day for you is like? The main challenges include severe restrictions on my movement and constant fear of being targeted by the Taliban. As a woman, I am not allowed to work publicly or openly. A typical working day involves operating in secrecy, using encrypted tools to communicate with sources, and planning every step carefully to avoid detection.
I also face significant difficulties in accessing information, as government sources and official channels are largely unavailable to women journalists. The Taliban's policies mean I cannot freely meet with sources or conduct interviews in public. Many sources, especially women, fear retaliation for speaking out, making it even harder to gather firsthand accounts.
The stigma attached to women journalists is another obstacle. In addition to the Talibans restrictions, societal attitudes influenced by their ideology often result in harassment or hostility from civilians. Technical challenges, such as limited internet access or surveillance risks, further complicate the reporting process.
As a young team in Afghanistan, we also lack the proper equipment needed for professional journalism. We often rely on basic tools that are inadequate for the scale and sensitivity of the work we do. This limitation makes it harder to produce high-quality reports and maintain the security needed in such a risky environment.
Every day is filled with a constant balance of caution and commitment. While these challenges are overwhelming at times, they fuel my determination to continue shedding light on the stories that need to be told.
Without putting yourself at risk, can you reveal the sort of security measures you have to take and your biggest challenges when gathering stories and working with sources? I rely on encrypted communication methods and a trusted network of sources who understand the risks we all face. I avoid leaving any digital or physical trail that could lead to me or my work. The biggest challenge is accessing firsthand accounts while ensuring the safety of both my sources and myself. The risk of surveillance or retaliation is always present. Our editor-in-chief, Salma Niazi, is instrumental in guiding us through these challenges, providing training and instructions at every step to ensure our safety and the accuracy of our work.
What do you fear the most about doing your job? My biggest fear is endangering the lives of those who share their stories with me. The Talibans strict control and their willingness to punish dissent make every interaction potentially life-threatening for both my sources and myself.
The restrictions on women are constantly changing and being updated. How do you adapt? Adapting requires staying informed about the latest decrees and understanding the risks they pose. I adjust my reporting methods, avoid high-risk areas, and lean on my network for support. Flexibility and vigilance are critical to surviving in such an unpredictable environment.
Our editorial team also plays a vital role in ensuring our safety. They carefully monitor the changing restrictions and frequently update our working methods to keep us protected. Every detail is considered meticulously, allowing us to continue our work as safely as possible in such a dangerous context.
Are there any particular stories you've reported on that have stayed with you or had a significant impact? One story that deeply moved me was about women-only restaurants being shut down. These spaces symbolised a small but meaningful freedom for Afghan women, and their closure marked another devastating loss under Taliban rule. Reporting on the child labour crisis also stays with me-it revealed the harsh reality faced by children in Afghanistan, forced into labour due to poverty and restrictions on womens employment.
How do you decide which stories to pursue in such a restrictive environment? I prioritise stories that shed light on the struggles of marginalized groups, especially women and children. Each story is chosen based on its potential to amplify their voices and bring international attention to their plight, while also weighing the risks involved in pursuing it.
With so many challenges and increa
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
21/02/2026
With Software Defined Broadcasting more established in Milan Cortina look for Los Angeles 2028 to have less hardware and more cloud-based software systems...
21/02/2026
The SVP of Olympic Operations on turning CAD drawings into reality, building tru...
21/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/02/2026
Back to All News
Netflix Unveils the Trailer of Accused', A Psychological ...
20/02/2026
Gravity Media and Los Angeles-based Green Couch Entertainment announce a strateg...
20/02/2026
IMAX announces it is working with Apple TV to bring the 2026 FIA Formula One Wor...
20/02/2026
Daktronics has partnered with the Philadelphia Phillies to design, manufacture, ...
20/02/2026
ESPN announces the upcoming launch of Women's Sports Sundays - a first-of-it...
20/02/2026
As the Seattle Seahawks and New England Patriots faced off in the NFL's biggest sporting event of the season on Sun., Feb. 8, Sennheiser wireless solutions ...
20/02/2026
ESPN announces its 2026 Major League Baseball spring training schedule, which includes four national games on ESPN, six games on ESPN Unlimited, and more than 2...
20/02/2026
Open Broadcast Systems, which specializes in software-based professional video transport, has added support for 200 Gigabit Ethernet to its range of encoders an...
20/02/2026
Chyron announces the release of PAINT 10.3, which is designed to help analysts and operators turn live action into clearer, faster on-air storytelling.
PAINT 1...
20/02/2026
With full squad workouts underway, MLB Network's live Spring Training game s...
20/02/2026
Tech enhancements, marquee productions are expected to take advantage of a summe...
20/02/2026
In-venue and creative video staffers at the professional and collegiate level ha...
20/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
20/02/2026
Speaking with SVG Europe after one of Team GB's greatest days at a Winter Olympics, BBC Sport's head of major events, Ron Chakraborty, explains the broa...
20/02/2026
Making Winter Games Olympic magic is the goal for every broadcaster in Italy cov...
20/02/2026
Curling, one of the least-dangerous Winter Olympic sports, is dominating the Mil...
20/02/2026
BBC Sport's presence at the 2026 Winter Games is centred around a significan...
20/02/2026
BBC Sport is bringing together its linear TV and streaming digital arms in a str...
20/02/2026
To broaden the appeal of winter sports at Milano Cortina, the BBC has integrated...
20/02/2026
Just in time for the start of Apple TV's inaugural season as the exclusive U...
20/02/2026
One big challenge was to depict the character of each of very different and wide...
20/02/2026
(L-R) Writer-director Amanda Kramer photographs the photographers at the premiere of her film By Design at the Library Center Theatre in Park City. (Photo by ...
20/02/2026
In our latest blog, Tim Pearson explores the impact that increased memory prices are having on the consumer electronics market, and particularly the set-top box...
20/02/2026
Calrec Type R: Shaping the Future of Radio from the Heart of Flirt FM
Love may have filled the airwaves last week for Valentine's Day, and we've just c...
20/02/2026
NEW YORK - February 10, 2026 - An estimated 125.6* million viewers watched Super Bowl LX on Sunday, February 8, according to Nielsen's Big Data Panel meas...
20/02/2026
NEW YORK - February 19, 2026 - Nielsen today shared updated and final Super Bowl...
20/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/02/2026
A leading global investment bank, with offices at Two International Finance Centre in Hong Kong, partnered with systems integrators Global Vision Engineering (G...
20/02/2026
Rise AV and Rise Broadcast, the global not-for-profit organisations dedicated to improving gender diversity across technical industries, have today announced a ...
20/02/2026
Open Broadcast Systems, the leader in software-based professional video transport, has added support for 200 Gigabit Ethernet to its range of encoders and decod...
20/02/2026
Signiant today announced the formation of its Customer Advisory Board (CAB), bringing together a select group of customers to collaborate on product strategy, r...
20/02/2026
PTZOptics today announced the launch of its Visual Reasoning initiative that makes video more actionable by combining robotic PTZ camera systems, AI, and open i...
20/02/2026
Amino, a global media technology provider delivering devices, software and cloud services that simplify and elevate video delivery, today announced the successf...
20/02/2026
SMPTE , the home of media professionals, technologists, and engineers, today announced its call for technical papers for the SMPTE 2026 Media Technology Summit....
20/02/2026
Wowza Media Systems today announced that Granicus, a leading provider of digital engagement solutions for governments, continues to rely on Wowza to power its h...
20/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...