
Reporting in secret under the oppressive shadow of Taliban rule in Afghanistan, Thomson's Young Journalist of the Year for 2024 is a woman whose fearless journalism for The Afghan Times-an outlet founded by Afghan women journalists and now run in exile-has brought to light critical stories, from the closure of women-only restaurants to the struggles of women impacted by natural disasters.
In this exclusive interview, she shares her journey as a journalist in one of the world's most dangerous environments, the challenges of working under constant threat and the unwavering mission that drives her.
When and why did you decide to become a journalist? I decided to become a journalist because I wanted to be a voice for the voiceless, especially Afghan women who have been marginalised for decades. Growing up, I saw the struggles of women in my country and felt a responsibility to share their stories with the world. Journalism felt like a powerful way to bring attention to the injustices they face and to advocate for change.
When I started working with The Afghan Times in 2022, I felt a renewed sense of purpose and responsibility. It became an important part of my life, shaping how I approach my work and allowing me to tell stories that truly matter. Every day, I feel proud of the work I do with The Afghan Times. The stories I've worked on have reached audiences in a meaningful way, and I am encouraged by the impact they have had. Through The Afghan Times, I feel like I can contribute in a good style and format that resonates with readers.
What are the particular problems you face working as a woman journalist in Afghanistan, and can you describe what a working day for you is like? The main challenges include severe restrictions on my movement and constant fear of being targeted by the Taliban. As a woman, I am not allowed to work publicly or openly. A typical working day involves operating in secrecy, using encrypted tools to communicate with sources, and planning every step carefully to avoid detection.
I also face significant difficulties in accessing information, as government sources and official channels are largely unavailable to women journalists. The Taliban's policies mean I cannot freely meet with sources or conduct interviews in public. Many sources, especially women, fear retaliation for speaking out, making it even harder to gather firsthand accounts.
The stigma attached to women journalists is another obstacle. In addition to the Talibans restrictions, societal attitudes influenced by their ideology often result in harassment or hostility from civilians. Technical challenges, such as limited internet access or surveillance risks, further complicate the reporting process.
As a young team in Afghanistan, we also lack the proper equipment needed for professional journalism. We often rely on basic tools that are inadequate for the scale and sensitivity of the work we do. This limitation makes it harder to produce high-quality reports and maintain the security needed in such a risky environment.
Every day is filled with a constant balance of caution and commitment. While these challenges are overwhelming at times, they fuel my determination to continue shedding light on the stories that need to be told.
Without putting yourself at risk, can you reveal the sort of security measures you have to take and your biggest challenges when gathering stories and working with sources? I rely on encrypted communication methods and a trusted network of sources who understand the risks we all face. I avoid leaving any digital or physical trail that could lead to me or my work. The biggest challenge is accessing firsthand accounts while ensuring the safety of both my sources and myself. The risk of surveillance or retaliation is always present. Our editor-in-chief, Salma Niazi, is instrumental in guiding us through these challenges, providing training and instructions at every step to ensure our safety and the accuracy of our work.
What do you fear the most about doing your job? My biggest fear is endangering the lives of those who share their stories with me. The Talibans strict control and their willingness to punish dissent make every interaction potentially life-threatening for both my sources and myself.
The restrictions on women are constantly changing and being updated. How do you adapt? Adapting requires staying informed about the latest decrees and understanding the risks they pose. I adjust my reporting methods, avoid high-risk areas, and lean on my network for support. Flexibility and vigilance are critical to surviving in such an unpredictable environment.
Our editorial team also plays a vital role in ensuring our safety. They carefully monitor the changing restrictions and frequently update our working methods to keep us protected. Every detail is considered meticulously, allowing us to continue our work as safely as possible in such a dangerous context.
Are there any particular stories you've reported on that have stayed with you or had a significant impact? One story that deeply moved me was about women-only restaurants being shut down. These spaces symbolised a small but meaningful freedom for Afghan women, and their closure marked another devastating loss under Taliban rule. Reporting on the child labour crisis also stays with me-it revealed the harsh reality faced by children in Afghanistan, forced into labour due to poverty and restrictions on womens employment.
How do you decide which stories to pursue in such a restrictive environment? I prioritise stories that shed light on the struggles of marginalized groups, especially women and children. Each story is chosen based on its potential to amplify their voices and bring international attention to their plight, while also weighing the risks involved in pursuing it.
With so many challenges and increa
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
15/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
15/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
15/02/2026
New to NBA coverage, the viewer experience offers several angles in addition to ...
15/02/2026
Coverage features 4X-slo-mo Supracam and Steadicam, Nucleus 4K cameras, closer play-by-play angle, 10 player mics
NBC Sports is in the midst of its first NBA A...
14/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/02/2026
Boston Conservatory Orchestra Helps Peter and Leonardo Dugan Complete Their Dre...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...
13/02/2026
Partnering with Worldwide Olympic Partner TCL, OBS deploys connected Athlete Mom...
13/02/2026
The men's figure skating long-form program is tonight, and it promises to be an exciting night for fans in the stands, fans at home, and even the production...
13/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
13/02/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
13/02/2026
Teradek announces the launch of RF-X Auto Switcher, a revolutionary appliance designed to deliver flawless, uncompromised signal integrity for the world's m...
13/02/2026
Globecast and Synamedia announces that Pitch International (Pitch), the leading London-based sports marketing agency, has gone live with cloud-based distributi...
13/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
13/02/2026
Far from the action in the snow and on the ice, the team controls the production...
13/02/2026
The Daytona 500 is called The Super Bowl of Racing for a reason. Whether it's the culmination to five days of action on the track, the sheer size and scop...
13/02/2026
For the Milano Cortina Games, Olympic Broadcasting Services (OBS) is delivering more than 6,500 hours of content, with more than 900 hours of live action, sprea...
13/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
13/02/2026
By Jessica Herndon
We may have just wrapped an unforgettable 2026 Sundance Film...
13/02/2026
By Jessica Herndon
One of the most exciting things about the Sundance Film Fest...
13/02/2026
This Wednesday in Los Angeles, Spotify brought together a group of podcast creat...
13/02/2026
Yesterday, Spotify and LoveShackFancy hosted a Galentine's and Gents Lunch a...
13/02/2026
The upgrade to a Project 25 network provides state agencies communicating on the Statewide Law Enforcement Radio System flexibility to tailor the network to the...
13/02/2026
Riedel Communications has officially opened a new office in Kuala Lumpur, Malaysia, marking a strategic expansion of its global Customer Success and IT software...
13/02/2026
Two of ES Broadcast Hire's longest-serving employees recently celebrated a decade working for the company.
Annie Breislin, Operations Manager, and Charles ...
13/02/2026
Disguise, the award-winning technology company powering global experiences, today unveils a new 8,000-square-foot office and Experience Center in Atlanta, creat...
13/02/2026
At BSC Expo 2026, Mavis announced full support for the Accsoon SeeMo series of iOS camera adapters across Mavis Camera and Mavis Monitor apps. This new integrat...
13/02/2026
Executing technically ambitious live streams, virtual productions, and immersive media today requires talent, creativity, and the right supporting technology. L...
13/02/2026
Michal Miskin-Amir, Jonathan Stanton and Bobby Bond to lead technical advances amid surge in demand for LTN's IP video transport services as satellite capac...
13/02/2026
Grass Valley, the pioneering media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO'...
13/02/2026
Wireless IP intercom underpins agile, multi-location live production workflows
Digital Azul, the independent production powerhouse specialising in complex liv...
13/02/2026
Actus Digital, a LiveU company, will unveil major new enhancements to its Actus X Intelligent Monitoring Platform at NAB Show (LiveU booth N1740), reinforcing i...
13/02/2026
Globecast, a worldwide leader in broadcast services, and leading video software provider, Synamedia, today announced that Pitch International (Pitch), the leadi...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
What can I watch on UKTV this week?What can I stream on U this week?
This guide highlights romantic dramas for Valentine's Day, alternative relationship t...
13/02/2026
New RT series tells stranger-than-fiction stories of Irish con artists
Swindlers airs Wednesday 18 February, 9.35pm on RT One and RT Player
Swindlers, a...