Sony Pixel Power calrec Sony

Reporting in Silence: Young Journalist of the Year on working in secret under Taliban rule

13/12/2024

Reporting in secret under the oppressive shadow of Taliban rule in Afghanistan, Thomson's Young Journalist of the Year for 2024 is a woman whose fearless journalism for The Afghan Times-an outlet founded by Afghan women journalists and now run in exile-has brought to light critical stories, from the closure of women-only restaurants to the struggles of women impacted by natural disasters.

In this exclusive interview, she shares her journey as a journalist in one of the world's most dangerous environments, the challenges of working under constant threat and the unwavering mission that drives her.

When and why did you decide to become a journalist? I decided to become a journalist because I wanted to be a voice for the voiceless, especially Afghan women who have been marginalised for decades. Growing up, I saw the struggles of women in my country and felt a responsibility to share their stories with the world. Journalism felt like a powerful way to bring attention to the injustices they face and to advocate for change.

When I started working with The Afghan Times in 2022, I felt a renewed sense of purpose and responsibility. It became an important part of my life, shaping how I approach my work and allowing me to tell stories that truly matter. Every day, I feel proud of the work I do with The Afghan Times. The stories I've worked on have reached audiences in a meaningful way, and I am encouraged by the impact they have had. Through The Afghan Times, I feel like I can contribute in a good style and format that resonates with readers.

What are the particular problems you face working as a woman journalist in Afghanistan, and can you describe what a working day for you is like? The main challenges include severe restrictions on my movement and constant fear of being targeted by the Taliban. As a woman, I am not allowed to work publicly or openly. A typical working day involves operating in secrecy, using encrypted tools to communicate with sources, and planning every step carefully to avoid detection.

I also face significant difficulties in accessing information, as government sources and official channels are largely unavailable to women journalists. The Taliban's policies mean I cannot freely meet with sources or conduct interviews in public. Many sources, especially women, fear retaliation for speaking out, making it even harder to gather firsthand accounts.

The stigma attached to women journalists is another obstacle. In addition to the Talibans restrictions, societal attitudes influenced by their ideology often result in harassment or hostility from civilians. Technical challenges, such as limited internet access or surveillance risks, further complicate the reporting process.

As a young team in Afghanistan, we also lack the proper equipment needed for professional journalism. We often rely on basic tools that are inadequate for the scale and sensitivity of the work we do. This limitation makes it harder to produce high-quality reports and maintain the security needed in such a risky environment.

Every day is filled with a constant balance of caution and commitment. While these challenges are overwhelming at times, they fuel my determination to continue shedding light on the stories that need to be told.

Without putting yourself at risk, can you reveal the sort of security measures you have to take and your biggest challenges when gathering stories and working with sources? I rely on encrypted communication methods and a trusted network of sources who understand the risks we all face. I avoid leaving any digital or physical trail that could lead to me or my work. The biggest challenge is accessing firsthand accounts while ensuring the safety of both my sources and myself. The risk of surveillance or retaliation is always present. Our editor-in-chief, Salma Niazi, is instrumental in guiding us through these challenges, providing training and instructions at every step to ensure our safety and the accuracy of our work.

What do you fear the most about doing your job? My biggest fear is endangering the lives of those who share their stories with me. The Talibans strict control and their willingness to punish dissent make every interaction potentially life-threatening for both my sources and myself.

The restrictions on women are constantly changing and being updated. How do you adapt? Adapting requires staying informed about the latest decrees and understanding the risks they pose. I adjust my reporting methods, avoid high-risk areas, and lean on my network for support. Flexibility and vigilance are critical to surviving in such an unpredictable environment.

Our editorial team also plays a vital role in ensuring our safety. They carefully monitor the changing restrictions and frequently update our working methods to keep us protected. Every detail is considered meticulously, allowing us to continue our work as safely as possible in such a dangerous context.

Are there any particular stories you've reported on that have stayed with you or had a significant impact? One story that deeply moved me was about women-only restaurants being shut down. These spaces symbolised a small but meaningful freedom for Afghan women, and their closure marked another devastating loss under Taliban rule. Reporting on the child labour crisis also stays with me-it revealed the harsh reality faced by children in Afghanistan, forced into labour due to poverty and restrictions on womens employment.

How do you decide which stories to pursue in such a restrictive environment? I prioritise stories that shed light on the struggles of marginalized groups, especially women and children. Each story is chosen based on its potential to amplify their voices and bring international attention to their plight, while also weighing the risks involved in pursuing it.

With so many challenges and increa
LINK: http://www.thomsonfoundation.org/latest/reporting-in-silence-young-jou...
See more stories from thompsonfoundation

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

02/05/2026

Dalet Flex LTS Delivers Smarter Search, Faster Editing, and an AI-Ready Foundation for Modern Media

Dalet, a leading technology and service provider for media-rich organizations, t...

01/05/2026

NBCUniversal's Peacock to Be First Streamer to Integrate Dolby's Full Suite of Premium Picture and Sound Innovations

January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...

20/04/2026

NAB 2026: Ikegami introduces VFE-P07D OLED viewfinder with integrated LCD monitor

Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...

20/04/2026

NAB 2026: IABM rebrands as IAMT and launches AI discovery platform and global alliance

International Association of MediaTech (IAMT), formerly known as IABM, announced...

20/04/2026

NAB 2026: Harmonic supports DIRECTV DTH platform upgrade with VOS Media Software

Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software. The deployment is...

20/04/2026

NAB 2026: Wasabi Technologies acquires Seagate Lyve Cloud business

Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...

20/04/2026

NAB 2026: EVS introduces Choreon robotics orchestration platform for unified production control

EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...

20/04/2026

SportsTechBuzz at NAB 2026, Day 2: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

20/04/2026

NAB 2026: Skyline Communications launches DataMiner packages on Grass Valley AMPP App Store

Skyline Communications announced the availability of its DataMiner xOps platform...

20/04/2026

NAB 2026: SNS launches Outpost, Trio and AI Suite for connected post-production workflows

Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...

20/04/2026

NAB 2026: Dell Technologies and NVIDIA present AI data platform for media workflows

Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...

20/04/2026

NAB 2026: Blackmagic Design Announces Fairlight Live Software Audio Mixer

Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...

20/04/2026

Live From NAB 2026: Imagine Comms Jimbo Haneklau Talks Prismon, Hybrid IP/SDI Workflows, and Cloud Playout

At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...

20/04/2026

Live From NAB 2026: LiveUs Phillip Broaddus on LU900Q Launch, Nexus Cloud Platform, and REMI Growth

At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...

20/04/2026

3 New Ways to Dive Deeper Into the Music You Love

A song that perfectly captures a moment is magic. But when you uncover the story behind it, who made it, what inspired it, and the meaning woven into the lyrics...

20/04/2026

Deity Microphones announce the PR-4

Ultra-compact 32-bit recorder set for launch Deity Microphones will soon be launching a new 32-bit six-track recorder that's been designed with producti...

20/04/2026

Lectrosonics preview the S1

Uncoming lightweight shotgun mic announced Production-sound experts Lectrosonics have recently announced the upcoming launch of a new lightweight shotgun mi...

20/04/2026

The story of Focusrite ISA

New 20-minute documentary explores iconic preamp In 2025, Focusrite commissioned a new short-form documentary with filmmaker Chris Mayes-Wright - the direct...

20/04/2026

Sampleson release Boomcha

Turn quick sketches into real drum grooves Sampleson have been experimenting with assitive production tools recently, and their latest creation aims to make...

20/04/2026

Rohde & Schwarz rolls out its full ARDRONIS counter UAS suite in a demonstration van at Counter UAS Technology Europe 2026

Rohde & Schwarz rolls out its full ARDRONIS counter UAS suite in a demonstration...

20/04/2026

Protecting America's Shores: L3Harris Keeps the Coast Guard Mission-Ready

L3Harris delivers integrated communications, navigation and C4ISR capabilities that empower the U.S. Coast Guard to protect Americas maritime interests and resp...

20/04/2026

Google Cloud Embraces the Rise of Agentic Production

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Creators Go All in on AI, Niche Content

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

NBC Sports' Jon Miller: Broadcast Is Having a Moment'

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Beyond the Lift and Shift': Cloud Migration's New Mandate

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Virtual Production Finds Its Footing

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Corporate Creators: All Companies Are Media Companies Now

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

IABM Rebrands as the International Association of MediaTech

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

CBS Detroit Debuts New AR/VR Technology-Driven Studio

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Fox Sports Taps Appear X Platform for Remote Production

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

CueScript and Lighting Design Group Expand Customer Oppor...

CueScript and Lighting Design Group Expand Customer Opportunities Through New Partnership Find both companies at 2026 NAB Show in CueScript Booth # C 4720 ...

20/04/2026

Layercake Deepens Bitmovin Integration to Power End-to-En...

[Sydney, NSW, 20 April 2026] - Layercake, the company behind the intelligent media orchestration platform Streamcake, today announced the formalisation of its i...

20/04/2026

FOX Sports selects Appear X Platform for next-generation...

Deployment spans FOX Sports' REMI infrastructure, IP production for a major global soccer event, and its Jewel Events production systems Appear, a global l...

20/04/2026

Pro Sound Effects Launches the Industry's First and Only Native Sound Effects Integration for Avid Media Composer at NAB 2026

Pro Sound Effects Launches the Industry's First and Only Native Sound Effect...

20/04/2026

SBE Elevates Fred Willard to SBE Fellow

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Blackmagic Design Announces Blackmagic Camera for iOS 3.3 Update

Blackmagic Design Announces Blackmagic Camera for iOS 3.3 Update Brie Clayton April 20, 2026 0 Comments New update adds camera control and monitoring ...

20/04/2026

Maxon Announces Free Tools and Mobile Expansion of ZBrush and Cinema 4D

Maxon Announces Free Tools and Mobile Expansion of ZBrush and Cinema 4D Brie Clayton April 20, 2026 0 Comments Cinema 4D brings professional 3D workfl...

20/04/2026

Vizrt AI Keyer kills the green screen and creates virtual scenes in any environment

Vizrt AI Keyer kills the green screen and creates virtual scenes in any environm...

20/04/2026

Register now - Market & Audience Department Ask Me Anything (AMA) Session

Register now - Market & Audience Department Ask Me Anything (AMA) Session 11 February 2026 Screen Australia Head of Market & Audience Rakel Tansley Talking to...