Editor's Note: In honor of his 86th birthday, we're looking back at a profound interview with our founder Robert Redford. In 2007, Redford spoke with us about the power and future of documentary filmmaking and his words are as important today as they were 15 years ago.by Cara Mertes
The Sundance Film Festival's longstanding commitment to documentary has been driven by the personal connection founder and president Robert Redford feels for the form. Leading up to the premiere of Chicago 10, the second doc to ever open the Festival, we talked to Redford about the past, present, and possible future of documentaries.
You made an early commitment to documentary. Why was that?
A lot of what Sundance is today has to do with my early impressions as a kid. I grew up in a working-class neighborhood in Los Angeles, and our main entertainment was going to the movie theater on Saturday night. I remember being impressed by the Pathe newsreels, which were really an early form of documentaries.
They brought you information, including images of the Second World War that was going on, and if you had relatives in the war there was a personal connection that probably hooked me. There was also something about the grainy sense of reality that really stood out against the feature presentations of narrative films and animation. So the early genesis of this goes back to being very impressed with those newsreels.
When did you start to think of documentary as something other than straight journalism?
In the 1950s, I remember the McCarthy hearings on television, and it was all extremely dramatic and it really struck me. Then, in the '60s I saw Emile DeAnontio's films on the same hearings, and it was suddenly clear how a filmmaker could work with real events and also tell you more of the whole story. And I realized that documentaries could carry a weight that fiction films didn't seem to have, and I started to get hooked on them.
But at that time, almost all documentaries were in the talking-head style and were primarily academic. And then they started to take a new turn with the work of people like Drew Associates, Lee Pennebaker, the Maysles. Suddenly, the camera was moving, and they were covering live things that were so dramatic that I began to think, This drama of reality is as strong, if not stronger, than the narrative theatrical films in the marketplace.
And this was the impetus for you to become involved in the making of documentaries?
That's right. In the late '60s and early '70s, as a sidebar to my own career, I began to think that I wanted to get into documentaries in some way. I started by supporting documentarians by either narrating or producing or co-producing or arranging money for them.
It started out with smaller films about the threats to the environment or Native American issues on Indian lands where developers were coming in trying to wipe them out. My interest continued to build until finally in the mid-'70s, I began to feel that there would be a future for documentaries as they evolved and that someday they would evolve to a place where they would be equivalent to mainstream, narrative filmmaking. I just really had that belief.
You started the Sundance Film Festival in 1984. How did documentaries fit into the idea for the Festival?
From the very first Festival, we've screened documentaries. And by the early '90s, the Festival had formed enough of a visible platform that we could start leveraging it more aggressively to promote nonfiction work. So we started pushing documentaries by positioning them more highly, giving them more screenings, showing more of them.
In 2001, the Institute began giving grants to documentarians when the Soros Documentary Fund became the Sundance Documentary Fund. How did this come to fruition?
By that time we had a solid platform to show documentaries at the Festival, we could see the potential for audiences to grow, and we wanted to provide resources to get more of these films made. By providing both funding and a strong platform for exhibition, we hoped we could raise awareness about international issues of human rights.
We went to Diane Weyermann, who had been instrumental in starting up the Soros Documentary Fund at the Open Society Institute, and we worked out how the fund could come over to Sundance. A lot of the pieces came together at the right time. And now, we also provide labs for documentarians to support the creative side of their work.
Are you surprised at the level of success that documentaries are now achieving?
I've always believed in these films and have always been committed to them. I'm very surprised by many other things, but not that documentaries are catching on.
Do you consider documentary as a way to directly approach deeply political and urgent questions?
Definitely. I want Sundance to be a forum for cultural exchange and for political dialogue. We're not hearing the truth about a lot of issues and I'm worried that people are giving up and getting numb and not even bothering to look for the truth. It's often in documentaries-when the focus is on personal stories-that we learn the truth of current situations and events. They're not just a cultural force for storytelling; they're also political truth. If you look at Born into Brothels and Hoop Dreams and Super Size Me, these kinds of films really are a huge channel to get back to the truth. So, yeah, it is political.
Do you think that documentaries can inspire change?
I do think it's possible for a film to inform, to wake people up to the real truth of our situation. Al Gore's film [An Inconvenient Truth, directed by Davis Guggenheim] is a great example of a documentary that creates real impact-it just happens to fortunately coincide with facts about the state of our environment being publi
North America Stories
16/05/2026
Boris FX Continuum Pairs AI Precision and Advanced Creative Controls
Jessie Electa Petrov May 16, 2026
0 Comments
The 2026.5 release adds automatic de...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Seattle Sounders FC and Seattle Reign FC, in partnership with RAVE Foundation an...
15/05/2026
Dan Brumm has served as sound designer on Bluey, the Australian children's t...
15/05/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated are accepting applications for the 6th annual Mark Brunner Professional Audio Schola...
15/05/2026
Netflix has announced an expanded NFL schedule for 2026 and beyond under a four-year partnership extension with the NFL through the 2029-30 season. Each season,...
15/05/2026
Ateme is supporting TVRI (Televisi Republik Indonesia) with a contribution and d...
15/05/2026
Concacaf has announced the launch of a new website and mobile app built on Deltatre's FORGE platform. Concacaf.com and the mobile app, available on iOS and ...
15/05/2026
Eutelsat has announced the launch of QBC Business Economic Channel by Qatar Media Corporation, broadcasting in 4K/UHD via Eutelsat's 7/8 West video neighbo...
15/05/2026
Major League Soccer has announced four original content series timed to the 2026...
15/05/2026
The Alliance for IP Media Solutions (AIMS) has announced it will exhibit and present at InfoComm 2026, taking place June 13-19 at the Las Vegas Convention Cente...
15/05/2026
InfoComm 2026 will take place June 13-19 (exhibits June 17-19) at the Las Vegas Convention Center. The show will include sessions and exhibits covering broadcas...
15/05/2026
Tracy McGrady's Ones Basketball League (OBL) and FuboTV Inc. have announced ...
15/05/2026
Disguise has partnered with Creative Technology (CT) to deliver visual playback ...
15/05/2026
Sony Electronics has announced two new products for professional imaging: the Alpha 7R VI full-frame mirrorless camera and the FE 100-400mm F4.5 GM OSS super-te...
15/05/2026
In-venue and creative video staffers at the professional and collegiate level ha...
15/05/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
15/05/2026
For sports organizations, the most valuable assets are often the most sensitive:...
15/05/2026
The NFL's broadcast partners released their 2026 regular season schedules ye...
15/05/2026
When MMA icons Ronda Rousey and Gina Carano meet inside the Hexagon at Intuit Do...
15/05/2026
Daniel Roher attends the Tuner Premiere during the 2026 Sundance Film Festival at Eccles Theatre on January 22, 2026 in Park City, Utah. (Photo by Neilson Bar...
15/05/2026
86% of media planners would move more linear TV budget to CTV if they had show-level targeting and reporting - and 65% would also shift dollars from programmati...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Clear-Com will showcase new communications solutions and major platform updates at InfoComm 2026 (Booth N7005), June 17-19, in the North and Central Halls of t...
15/05/2026
Following an outstanding inaugural year in 2025, Rise AV is proud to announce the return of its flagship leadership initiative, Elevate. The programme continues...
15/05/2026
Berklee Announces Lineup for Inaugural AI Music Summit The three-day event puts musicians at the center of the future of music creation, ethics, and the indus...
15/05/2026
Lightware returns to InfoComm 2026 with a focused showcase of scalable USB-C connectivity, next-generation AV-over-IP solutions, and technologies that help over...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Delivering a live, arena-scale production of a massively popular band is no small feat. Between expansive in-arena LED walls and a global live stream fed to onl...
15/05/2026
Connection is the heartbeat of any strong community, and with live streaming becoming more accessible in the modern era, it's much easier for faith-based or...
15/05/2026
Powered by GX 3 media servers, optimised IP-VFC workflows and on-site engineering expertise, the production delivers high-performance visuals for one of the wor...
15/05/2026
Back to All News
A Mother, Two Daughters and One Big Scandal: Netflixs Crime-Co...
14/05/2026
Sweetwater and Airstream have announced a custom-built Dolby Atmos mobile recording studio inside an Airstream trailer, set to tour music festivals, schools, tr...
14/05/2026
The American Association of Professional Baseball (AAPB) has announced a new par...
14/05/2026
ESPN has announced plans to transform Santa Monica Beach into a broadcast hub du...
14/05/2026
Amagi has announced a significant update to Amagi CLOUDPORT, its cloud-based broadcast playout platform. The update includes 250-plus features shipped in FY25-2...
14/05/2026
Clear-Com will exhibit at InfoComm 2026 (Booth N7005, June 17-19, Las Vegas Convention Center), introducing a new product that builds on Arcadia Central Station...
14/05/2026
Ikegami will exhibit at BroadcastAsia 2026 (Stand 5D3-1, Singapore Expo, May 20-22), introducing two new viewfinders alongside its existing camera, control, and...
14/05/2026
Grass Valley has announced that dB Broadcast has delivered new IP-based outside ...
14/05/2026
NAGRAVISION, a Kudelski Group company, has announced a partnership with the World Professional Billiards and Snooker Association (WPBSA) to launch Play Snooker,...
14/05/2026
Belden Inc. has announced a definitive agreement to acquire RUCKUS Networks from Vistance Networks for approximately $1.85 billion. The transaction has been app...
14/05/2026
NVIDIA has released the Content Localization Blueprint, a modular reference arch...
Editor's Note: In honor of his 86th birthday, we're looking back at a profound interview with our founder Robert Redford. In 2007, Redford spoke with us about the power and future of documentary filmmaking and his words are as important today as they were 15 years ago.by Cara Mertes
