
The APA held their annual afternoon on the Future Of Advertising with a diverse line-up of speakers involved in advertising, lending their perspective to enthral and stimulate the discussion.
The debate on The Future of Advertising continues to arouse interesting theories as to whether digital platforms are working and how technology is changing the way advertisers reach their audience.
Our Senior Colourist Duncan Russell went along to Bafta for the afternoon to see what they say the future holds. Filling us all in on the talks, Duncan summarises his experience
Ian Leslie, brand expert and journalist from the Financial Times, was the first speaker and based his talk on an article he had written late last year.
His main point was to convince us that the basic principles of effective advertising had not changed half as much as we thought they had. He suggested that the ad industry had, inspired by an urge to appear forward looking and youthful, thrown the baby out with the bath water and focused too heavily on ways of reaching consumers via new digital platforms. The theory being that the arrival of these allowed for truly targeted' advertising, eliminating the dreaded wastage' that comes with deciding between which TV shows to wedge your commercials.
The real life experience, Leslie points out, is somewhat different. To be stalked around the internet by banner ads is the polar opposite of focused advertising and is the main experience for most of us. Crucially, he also pointed to research that suggested that if you really want to grow a brand into the mainstream, your target audience is not your target audience. The people you really need to reach are the ones that don't care about you and that's pretty much everybody.
The truth is that nobody cares about brands and they don't want to interact with branded content or discuss it on social media. We want to be passively entertained and to be made to laugh, cry and feel anger. Advertisers who do this will be remembered. Being present to people will make your brand more likely to be purchased over another with no resonance, no history and no soul.
Leslie reminded us that while all the new platforms offer up many different conduits through which to bury our messages inside peoples heads, we have to do it with an acknowledgement that nobody gives a monkeys. Therefore it is incumbent upon us to find another way in. To do that is just as hard as it always was, not that much has changed.
Responsibility in Advertising came next from the ASA. It seems that we are at a low ebb. Most people who work in this industry apologise for doing so. We don't half think we are a bunch of rotters, peddling fast food to fat kids, encouraging the poor the fritter away their dole money on in game betting'. The chap from the ASA, said that we should do more to convince people that there are many safeguards in place to protect fat kids and poor people from getting fatter and poorer. We have lots of rules about it. That was pretty much it.
Then the Giff Gaff people got up and told us how they were rethinking procurement . I don't know what procurement is, but if it means making ads and content for the internet then I think I got the right end of the stick. They are all about collaborating, succeeding together and failing together. They like to go straight to directors, to freelance creative teams and to keep themselves as the fulcrum of the creative process. Which is all very well for young gunslingers like Giff Gaff, but I'm not sure it would work at The Yorkshire Building Society. They have no beef with agencies but they didn't want to have long contracts that tied them up to a commitment that they felt may go sour if held on to for too long. Which interestingly is exactly what they offer to their customers. It's all very brazen and modern, no strings, no loyalty.
MPC talked about something, I just can't remember what it was. It was mostly about MPC. Oh, with a bit of VR, which involves standing still and strapping a mobile phone to your head. Apparently, people want to be advertised to in this way. I tried it in the foyer. You are at present, a passive ghost in a 3D environment. While free to look anywhere, you are trapped in space, with no body to look down at, helpless, weightless and untethered while something happens around you. It's an unsettling experience. Speaking as a technician, the focal point of the screens is too small, most of the image is soft and there are red and blue lens aberrations all over the place. Novel? Yes. Room for improvement, yes.
Ed Boehm from Nexus then expanded on this with more examples of interactive technology. Boehm gave us a vision of the future where we have all changed our mind about Google Glass and volunteered to have every flat surface in our field of vision plastered with banner ads. This will be delivered to us either via a swanky contact lens or goggles of some kind. He also showed us how we could influence content by interacting with it. Like the Honda Civic Type R thing by Wieden and Kennedy.
I think Ian Leslie was right, some of this new tech will stick at some point, but no matter how clever it is technically we still have to be happy to have it around, it still has to earn it's time in our day by being good.'
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
16/03/2026
Dr. Robert H. Goddard and a liquid oxygen-gasoline rocket in the frame from which it was fired on March 16, 1926, at Auburn, Massachusetts. Credit: NASA....
16/03/2026
Precision-guided munitions shown in production illustrate one of many operational systems benefiting from modernized M-Code GPS, supporting assured positioning,...
16/03/2026
NEW YORK - March 16, 2026 - A E Global Media and Nielsen today announced a new,...
16/03/2026
aconnic AG (ISIN: DE000A0LBKW6), Munich, is delivering the first commercial 100-Gigabit systems following successful validation and certification for customer n...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
Shotoku USA, Shotoku Broadcast Systems' North American operation, will unveil significant additions to its platform at NAB 2026. Topping the list is the wor...
16/03/2026
Ikegami USA will demonstrate the latest additions to its wide range of broadcast-quality cameras, controllers and monitors on Central Hall booth C3819 during th...
16/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/03/2026
ELEMENTS launches GRID at NAB Show 2026
Brie Clayton March 15, 2026
0 Comments
North Hall, Booth N1717
ELEMENTS returns to NAB Show 2026, with an exp...
16/03/2026
Blackmagic Design Cameras Capture Artist Salavat Fidai's Micro Sculptures
Brie Clayton March 15, 2026
0 Comments
6K sensor and open gate capabilit...
16/03/2026
DHD to Introduce Latest Generation Broadcast Audio Mixers at NAB 2026, Las Vegas
Brie Clayton March 15, 2026
0 Comments
Hero image: Front of DHD RM1 P...
16/03/2026
Back to All News
Netflix Has Released the Trailer for Love at Last, Starring Ed...
16/03/2026
The reporting option was introduced following extensive consultation with publis...
16/03/2026
After a nail-biting Grand Finale, Rose of Tralee Katelyn Cummins has been announced as the winner of Dancing with the Stars 2026.
The four finalists each dance...
16/03/2026
Welcome to Moore Street will begin on RT One and RT Player on Thursday 19 Marc...
15/03/2026
Visit ToolsOnAir at NAB Las Vegas 2026
More Details:From April 19-22, join us at NAB Show Las Vegas in the North Hall, Booth N1258, for an exclusive preview of...
15/03/2026
Latest dark drama, thrillers & tension library announced
The Very Loud Indeed Co.'s latest Kontakt library has just arrived, delivering a third instalme...
15/03/2026
Johannesburg, 14 March 2026 - On 13 and 14 March 2026, the 19th Annual South Afr...
15/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/03/2026
Combines mic, USB interface & wireless IEMs
Following a successful Kickstarter campaign, HISONG have announced that their innovative AirStudio S1 device is ...
14/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/03/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 5.4 billion one-to-one addressable OTT advertisements across the 17 days of Milano Cortina 2...
14/03/2026
Telestream Advances Production-Ready AI Across Its Product Portfolio
Brie Clayton March 13, 2026
0 Comments
New AI capabilities drive smarter automati...
14/03/2026
Kraken Graded in DaVinci Resolve Studio
Brie Clayton March 13, 2026
0 Comments
Senior Colorist Dylan Hopkin delivers the first Scandinavian feature in...
14/03/2026
Tedial Powers the Future of Media Operations at NAB Show 2026
Brie Clayton March 13, 2026
0 Comments
Transforming Media Through Intelligence, Flexibil...
13/03/2026
Recently named CEO Andreas Eriksson has taken the helm at Net Insight at a pivot...
13/03/2026
Scripps Sports and Ally Financial are partnering with the Professional Women's Hockey League (PWHL) to broadcast its first game on national linear televisio...
13/03/2026
Disney+ has launched Verts, a vertical video feed on its U.S. mobile app, markin...
13/03/2026
LTN, a managed IP video transport company, and Appear, a live production technol...
13/03/2026
The Professional Fighters League (PFL) has announced an agreement with Sportradar for global betting data and streaming rights. Under the deal, Sportradar becom...
13/03/2026
In-venue and creative video staffers at the professional and collegiate level ha...
13/03/2026
The streamer will be the first entertainment platform to offer AI-enabled vertical video for live games, starting with the NBA...
13/03/2026
Ease Live, an Evertz company specializing in interactive graphical overlays, has deployed its platform on Red Bull TV for Premier Padel coverage. The deployment...
13/03/2026
Monday Night Football, ESPN's premiere NFL property, has continued to be improved and upgraded from a production perspective. Alternative broadcasts are aug...
13/03/2026
At NAB Show 2026, Net Insight (booth W1653) is introducing the Nimbra 520, a high-density media processing node for live contribution and distribution across ma...
13/03/2026
Harmonic (booth W2831) has announced Spectrum X Plus, the newest generation of its Spectrum X media server, offering double the channel density of previous gene...
13/03/2026
Riedel Communications has announced the expansion of its Managed Technology Divi...
13/03/2026
Telestream (booth W1503) has announced the expansion of Telestream Cloud Services with the introduction of UP, a cloud-native solution for ingest, orchestration...
13/03/2026
From awards ceremonies and sports honors shows to festivals and fan conventions,...
13/03/2026
Overtime has announced a partnership with Metro by T-Mobile, naming Metro the Of...
13/03/2026
At NAB 2026, Calrec (booth C6907) will IP Ecosystem powered by True Control 2.0, integrating the company's IP-native Argo consoles - including the U.S. debu...
13/03/2026
Ratings Roundup is a rundown of recent ratings news derived from press releases ...