
WASHINGTON-Phase 10 of the FCC's TV spectrum repack that saw nearly 1,000 full-power and Class A television stations changing channel assignments ended July 3, bringing to a close the 39-month project-sort of.
Some stations, such as WFOX-TV, the Cox Television station licensed to Jacksonville, Fla., received an extension from the FCC to delay completion of their moves. Many others, especially stations in Phases 9 and 10 completed their move using interim facilities and side-mount antennas.
A review of the FCC's Licensing and Management Systems reveals more than 40 requests for technical-related Special Temporary Authority (STA) by or on behalf of Full-Service Television licensees to operate from interim facilities, with reduced or alternate parameters (i.e. lower power), or with some other variance to enable stations to stay on air while awaiting installation and commissioning of their final facilities.
Some distributed Transmission Service broadcasters and Class A stations filed similar requests for STAs but in fewer numbers, according to the FCC's LMS records.
STAs were an effective tool in enabling the repack to stay on schedule, says Brett Jenkins, CTO of Nexstar, the nation's largest commercial broadcaster. Jenkins estimates that as many as 90% of the more than 100 TV stations the group repacked relied on interim facilities to stay on air while permanent antennas, waveguide and transmitters were installed.
Were we happy about operating at lower heights and lower powers? Probably not, says Jenkins. But I think in most cases we were able to find adequate designs that would come reasonably close to replicating coverage. We tried not to disenfranchise the over-the-air viewer as much as possible.
Joe Davis, a consulting engineer and president of Chesapeake RF Consultants, says most of the 120 stations he worked with on the repack relied on STAs to operate from interim facilities at some point-often to sidestep a shortage of tower crews to remove old antennas and transmission lines and install new ones.
We were short on tower crews and that has aggravated the situation with the final operations, says Davis, who co-authored the 2013 Widelity Report looking at the anticipated challenges and costs of the repack. I have clients who were able to get their tower crew and install their interim antenna, and they were able to affect the cut-over with that, but then they had to wait for that crew or another crew to come back and do the final antenna.
While viewers in the fringe of coverage may have suffered, broadcasters and consultants interviewed for this article report that operations from interim facilities effectively covered viewers in their stations' DMAs or those of their clients.
Further, the repack gave broadcasters an opportunity to maximize coverage from their permanent facilities, meaning that in the long run viewers will be better off than they were prior to the repack.
In all cases, we tried to maximize our clients' coverage area because their pre-transition facility may have been boxed in on an existing frequency, says Ryan Wilhour, consulting engineer at Kessler and Gehman Engineering Associates.
But the whole world got shook up. Everything got shuffled, so there were new opportunities. I would say that is a gain in the market for everybody, especially in rural areas.
Longer-term, the most important effect of the repack may be how it positions stations to launch ATSC 3.0 service at some point in the future. While qualifying repack expense reimbursement requests were limited to like technology, many stations chose to pay up-charges to add capabilities, such as vertical or elliptical polarization to their new antennas, that better position them for NextGen TV service. Many also replaced tube transmitters with modern solid state models with software upgradeable exciters that can easily be converted to 3.0.
Gray Television is among the broadcasters that used the repack as an opportunity to get ready for 3.0, says Robert Folliard III, senior vice president, Government Relations & Distribution at the station group. Absolutely [the repack was a chance to prepare for 3.0]. That was part of the strategy, he says.
As soon as we were given our repack assignments and told which stations had to do what and when, the very next question was how can we make this better? How do we future-proof this? What else can we do with this? he says.
While the scope and demanding schedule of the repack caused many in the broadcast industry to be skeptical of the undertaking, overall the effort has been a success, says Jenkins.
My hat's off and thanks to the FCC Media Bureau because I think this really could have been a disaster had they not had some ability to be flexible, extend certain deadlines [and] move stations from one phase to another, says Jenkins. I think the flexibility, the liberal use of granting STAs, all of those tools I think made this happen.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
18/03/2026
SMPTE Unveils 2026 NAB Show Educational Presentations
Brie Clayton March 18, 2026
0 Comments
SMPTE , the home of media professionals, technologists, a...
18/03/2026
Auditel Ad Campaign Shot on Blackmagic PYXIS 12K
Brie Clayton March 18, 2026
0 Comments
LED wall virtual production blends 12K open gate acquisition w...
18/03/2026
Brainstorm transforms productivity and sustainability with Suite 7 at NAB Show 2...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...
18/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...
18/03/2026
Digital Alert Systems
Preview
2026 NAB Show
April 19 - 22
Booth C3452
At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...
18/03/2026
Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...
18/03/2026
THIS ANNOUNCEMENT RELATES TO THE DISCLOSURE OF INFORMATION THAT QUALIFIED OR MAY HAVE QUALIFIED AS INSIDE INFORMATION WITHIN THE MEANING OF ARTICLE 7(1) OF THE ...
18/03/2026
COW Jobs: Seeking DP for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Director of Photography for Low Budget Dramedy Fe...
18/03/2026
COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Gaffer for Low Budget Dramedy Feature Film- I...
18/03/2026
COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Location/Sound for Low Budget Dramed...
18/03/2026
COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Child Wrangler for Low Budget Dramedy Fe...
18/03/2026
Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...
18/03/2026
Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio
Brie Clayton March 17, 2026
0 Comments
DaVinci Resolve Studio handle...
18/03/2026
Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...
18/03/2026
Charlie Puth Joins Switched On Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...
17/03/2026
NASA+'s Rebecca Sirmons and Brittany Brown offer unique look at live streami...
17/03/2026
The transition to IP has fundamentally reshaped professional media infrastructures. Video, audio, and increasingly metadata now circulate as independent, precis...
17/03/2026
Live sports streaming can push every element in your video delivery chain to its limit, exposing every potential weakness in seconds. When the Super Bowl, the O...
17/03/2026
Texas Athletics sought to modernize its media production, enhance fan experience...
17/03/2026
Ikegami USA will demonstrate the latest additions to its wide range of broadcast...
17/03/2026
TNA Wrestling and iHeartMedia announces a new multi-platform collaboration that will integrate iHeartMedia across TNA's premium live events, weekly televisi...
17/03/2026
The goal was to transform Hard Rock Stadium into a global leader in sports and e...
17/03/2026
Spectrum has announced the launch of its new Multiview feature in the Spectrum TV App, giving customers the ability to watch up to four NCAA men's or women&...
17/03/2026
Genius Sports deal also covers data technology, AI, fan engagement, and performance analysis....
17/03/2026
Net Insight is supporting the rollout of a new state-wide centralized operation with Rede Massa, which is an SBT affiliate, the Brazilian regional television ne...
17/03/2026
Featuring audio from practice sessions, qualifying races, and Grand Prix races, the film represents Apple's sports-media ambitions
At Sunday night's Ac...
17/03/2026
Live broadcast has always been one of the most demanding environments in media a...
17/03/2026
DirecTV is introducing several new viewing features, including a multi-screen March Madness Mix channel and an updated Sports Central mobile app hub, ahead of...
17/03/2026
Deltatre has announced a multi-year partnership with ATP Media, the media arm of the ATP Tour, covering broadcast graphics, data, and production across the 2026...
17/03/2026
The Detroit Pistons have announced a third consecutive season partnering with Sc...
17/03/2026
Fresh Finds Africa spotlights emerging artists and movements across the continent and its global diaspora, with listeners tuning in to discover new Afro-forward...
17/03/2026
Last month, more than 60,000 fans piled into Bangkok's Rajamangala National ...
17/03/2026
Vintage-inspired channel strip joins line-up
Black Rooster Audio's latest plug-in provides an all-in-one mixing tool inspired by classic analogue consol...
17/03/2026
Level and EQ voice, reverb and noise independently
The latest plug-in to join Accentize's collection is said to take a new approach to dialogue processi...
17/03/2026
UHF radio mic & IEM bandwidth at risk
Once again, the UHF bandwidth that is currently allocated to RF audio gear is at risk of being reassigned to high-spee...
17/03/2026
Last Friday, the first Plant Fire Department Training Week in Bavaria successf...
17/03/2026
New campaign from NAATI and SBS CulturalConnnect highlights how we all deserve ...