Screen & Entertainment Industry Unites

Australia's screen and entertainment industry has responded in a united front against calls made by commercial television broadcasters to abolish Australian children's television quotas.

In Sydney yesterday, at the parliamentary inquiry into the sustainability of the Australian film and television industry, the CEOs of free to air broadcasters Seven, Nine and Ten all made submissions to abolish Australian children's television quotas.

What the broadcasters are essentially arguing for is a reward for failure: failing Australian children, failing Australian parents, failing Australian industry. It is a cruel irony that in an inquiry into the growth and sustainability of the Australian film and television industry, the commercial broadcasters have argued for the destruction of the Australian children's content industry, said Kingston Anderson CEO, Australian Directors Guild.

According to Screen Australia's Drama Report, in 2014-15 there were 47 children's productions in Australia with a total spend of $299 million. If the broadcaster's recommendations are accepted by the Australian Government, this economic activity is in jeopardy.

What is lost in the current focus on the broadcaster's position, is the success of the Australian children's television both here and abroad. Children's television is one of the most lucrative international exports in the entire industry, contributing to a significant portion of $100 million in annualised international content revenue; its reach extends to over 150 countries across film, TV, digital, animation, gaming, live performance and merchandising. Local broadcasters are the trigger for this broader economic activity. We can't lose sight of the bigger picture, said Matthew Deaner CEO, Screen Producers Australia.

According to the ACMA's Broadcast Financial Results, in 2014-15, the commercial broadcasters spent approximately $30 million on children's content, out of a total content budget of nearly $2 billion. Under these new proposals, the broadcasters would be under no obligation to commit to this level of spending in future.

President of the Australian Guild of Screen Composers, Guy Gross explained: Australian tax payers want and deserve Blinky Bill and the myriad of wonderful Australian characters that only a quota protects. Otherwise we become a dumping ground for exclusively American culture.

Ten's CEO, Paul Anderson told the hearings that the broadcaster would invest the budget attributed to children's content into prime-time programming, should it be freed of its responsibilities.

When the UK Government took away quotas on their broadcasters in 2003, it led to a 93 per cent fall in spend on children's content by those broadcasters. The UK Government admitted it made a mistake and brought back children's quotas. A recent Australian study by PwC concluded that the removal of content requirements in Australia would result in a 100 per cent reduction in children's drama and other children's content production. Under no circumstances can we take the risk of removing existing children's content quotas unless a water tight alternative is in place said Paul Murphy, CEO, Media, Entertainment and Arts Alliance.

Screen Australia's 2013 report Child's Play, found that Australian children prefer content specifically made for them and are highly engaged with drama on a number of levels.

This is about more than money. It's about who we are as Australians. An intrinsic value of Australian children's drama is that it reflects the diversity of the Australian experience back to our children. No one else is going to make Australian stories for us. If we lose the children's industry, we will lose a sense of self, our cultural heritage. The next generation will grow up on a diet of foreign programming and without Australian accents. More importantly, Australian children deserve better. They deserve Australian stories. They deserve to dream Australian dreams, Jan Sardi, President of the Australian Writers' Guild added.

Seven's Tim Worner told the parliamentary inquiry that his organisation's spend on children's content is not proportionate to the audience. He stated: Were spending millions of dollars on childrens content for just a few thousand viewers. Some of the audiences are down to an average of 6000.

In response to that claim, Mr Deaner explained, There has been a selective use of figures. The primary broadcaster audience reflects where the children's content has been programmed, usually on multichannels. But we know that the numbers increase across platforms. This is why we need a multiplicity of children's content offerings, not a monopoly. It takes a village to raise a child.

Download the statement here.

Inquiries:

James Cheatley:

james.cheatley@screenproducers.org.au

0419 482 680

LINK:	https://screenproducers.org.au/news/screen-and-entertainment-industry-...
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