
The Pay-TV Innovation Forum is a global research programme for senior pay-TV and content executives, developed by NAGRA and MTM, and designed to catalyse growth and innovation across the global TV industry, at a time of tremendous change and disruption.
As part of the programme, we are publishing a series of interviews with leading TV industry executives from around the world to explore their views, perspectives and experiences of innovation. In this interview, Russell Stopford, Chief Digital Officer for Paris Saint Germain FC, shares his views about how football clubs are evolving their video and digital strategies.
How do you think the nature of providing sports content is evolving?
Pay-TV broadcasters have traditionally taken a singular approach to live match rights. However, what we're discovering is that there are other formats around that live match window that are gaining traction with fans. Sports broadcasting is increasingly about how we can package up the whole pre-match, in-match, halftime and post-match experiences - as well as how we engage fans during the four, five, or even six days a week when football is not being played.
How do you distribute video content and what is your distribution strategy for your premium service, PSG
Premium?
We are still experimenting and optimising what works best for different fans on different channels around the world. The key objective for any video channel is to work out what type of content can drive growth and fan engagement. In terms of engagement, time spent is the key metric for us, be that on our own site, YouTube or Facebook.
In terms of distributing PSG Premium, we prioritise investment in platforms where we expect to see the highest returns. It also makes sense to deliver mobile experiences, and we are exploring how we can develop augmented reality and 360 experiences on mobile apps. In addition to that, we are looking at streaming devices like Chromecast, Roku and Apple TV, but we have to determine when the timing is right for us as we have many new innovations in our product roadmap. We use market research data to understand which platforms we should be on and will prioritise them by conducting high-level ROI analyses. Ultimately, its data on potential customer demand that will inform our distribution strategy.
PSG offers both free and paid video services - what is your rationale behind this strategy?
The club's overall ambition is to reach as wide a global audience as possible, and some decisions are dictated by our rights agreements - for example, for some competitions, we have to offer video content behind a paywall. We are not only focused on direct monetisation of our video rights so I'd say we have a blended model - with a free and paid video offering - marrying syndication and broad distribution with the fan and sponsor experience. Video content is the primary asset that sponsors are looking for from clubs in the digital space. Brands are looking for more entertaining content and are trying to find branded content and brand storytelling opportunities. We have fantastic assets that enable them to bring their brands closer to PSG brand and create brilliant stories that resonate with fans.
How are you leveraging the data that comes from so many touchpoints with fans?
We are investing in data platforms to generate deep insights about our fans and to ultimately serve them better. For example, we collect data about how our content is consumed and how transactions are made on our platforms, which, in turn, helps us to get better insights into our customer behaviour and to improve the overall customer experience. By creating more value for our fans, by extension, we can also drive more value for our commercial partners. The challenge is knowing which data to collect and then having the right tools to derive insights and act on them.
Would you say developing the data platform is your current digital transformation priority?
Absolutely, but content creativity, product excellence, data protection, privacy and security are key as well. There are many important elements to providing the best possible customer experience, but the customer data element is crucial for PSG. It's certainly not as visible as creating brilliant content that resonates around the world, like our Jordan X PSG launch with Nike, but, our customer data strategy is equally important from a commercial perspective.
What are the developments or innovations that you are most excited about?
I think Artificial Intelligence (AI) is going to be the single biggest transformative technology that is going to impact the media industry over the next decade. I think the next big thing will be the use of AI to power mass fan data aggregation and using it to drive new content experiences in football. On top of that, I think voice control is going to change how we interact with devices content and services. We were probably one of the first big clubs to launch a Google Assistant app ahead of the 2018 World Cup and we are looking to further develop that initiative with Google.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...
13/02/2026
Partnering with Worldwide Olympic Partner TCL, OBS deploys connected Athlete Mom...
13/02/2026
The men's figure skating long-form program is tonight, and it promises to be an exciting night for fans in the stands, fans at home, and even the production...
13/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
13/02/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
13/02/2026
Teradek announces the launch of RF-X Auto Switcher, a revolutionary appliance designed to deliver flawless, uncompromised signal integrity for the world's m...
13/02/2026
Globecast and Synamedia announces that Pitch International (Pitch), the leading London-based sports marketing agency, has gone live with cloud-based distributi...
13/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
13/02/2026
Far from the action in the snow and on the ice, the team controls the production...
13/02/2026
The Daytona 500 is called The Super Bowl of Racing for a reason. Whether it's the culmination to five days of action on the track, the sheer size and scop...
13/02/2026
For the Milano Cortina Games, Olympic Broadcasting Services (OBS) is delivering more than 6,500 hours of content, with more than 900 hours of live action, sprea...
13/02/2026
After a 24-year absence, NBC Sports returns to NBA All-Star Weekend with a full ...
13/02/2026
By Jessica Herndon
We may have just wrapped an unforgettable 2026 Sundance Film...
13/02/2026
By Jessica Herndon
One of the most exciting things about the Sundance Film Fest...
13/02/2026
This Wednesday in Los Angeles, Spotify brought together a group of podcast creat...
13/02/2026
Yesterday, Spotify and LoveShackFancy hosted a Galentine's and Gents Lunch a...
13/02/2026
The upgrade to a Project 25 network provides state agencies communicating on the Statewide Law Enforcement Radio System flexibility to tailor the network to the...
13/02/2026
Riedel Communications has officially opened a new office in Kuala Lumpur, Malaysia, marking a strategic expansion of its global Customer Success and IT software...
13/02/2026
Two of ES Broadcast Hire's longest-serving employees recently celebrated a decade working for the company.
Annie Breislin, Operations Manager, and Charles ...
13/02/2026
Disguise, the award-winning technology company powering global experiences, today unveils a new 8,000-square-foot office and Experience Center in Atlanta, creat...
13/02/2026
At BSC Expo 2026, Mavis announced full support for the Accsoon SeeMo series of iOS camera adapters across Mavis Camera and Mavis Monitor apps. This new integrat...
13/02/2026
Executing technically ambitious live streams, virtual productions, and immersive media today requires talent, creativity, and the right supporting technology. L...
13/02/2026
Michal Miskin-Amir, Jonathan Stanton and Bobby Bond to lead technical advances amid surge in demand for LTN's IP video transport services as satellite capac...
13/02/2026
Grass Valley, the pioneering media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO'...
13/02/2026
Wireless IP intercom underpins agile, multi-location live production workflows
Digital Azul, the independent production powerhouse specialising in complex liv...
13/02/2026
Actus Digital, a LiveU company, will unveil major new enhancements to its Actus X Intelligent Monitoring Platform at NAB Show (LiveU booth N1740), reinforcing i...
13/02/2026
Globecast, a worldwide leader in broadcast services, and leading video software provider, Synamedia, today announced that Pitch International (Pitch), the leadi...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
What can I watch on UKTV this week?What can I stream on U this week?
This guide highlights romantic dramas for Valentine's Day, alternative relationship t...
13/02/2026
New RT series tells stranger-than-fiction stories of Irish con artists
Swindlers airs Wednesday 18 February, 9.35pm on RT One and RT Player
Swindlers, a...
12/02/2026
Chyron unveils PRIME 5.3, the latest software release of the company's powerful engine for live production graphics. PRIME 5.3 delivers the first official i...
12/02/2026
The vendor's VP of Product Management explains how quality assurance, monito...
12/02/2026
LTN announces the appointment of three experienced executives to lead its new Technology organization: Michal Miskin-Amir as EVP and Head of Technology, Jonatha...
12/02/2026
Riedel Communications has officially opened a new office in Kuala Lumpur, Malays...
12/02/2026
Grass Valley has won a competitive NATO-wide tender to provide the new camera system for NATO's main broadcast studio at its Brussels headquarters. The proj...
12/02/2026
Canon U.S.A announces that the vast majority of broadcast lenses utilized on the NBC live broadcast for the Big Game between New England and Seattle on Sunday w...
12/02/2026
The National Basketball Association (NBA) and NBC Sports announce the entertainm...
12/02/2026
The International Olympic Committee (IOC) announces that beIN MEDIA GROUP ( beIN ), the leading global sports, entertainment and media organisation, has secured...