
The Pay-TV Innovation Forum is a global research programme for senior pay-TV and content executives, developed by NAGRA and MTM, and designed to catalyse growth and innovation across the global TV industry, at a time of tremendous change and disruption.
As part of the programme, we are publishing a series of interviews with leading TV industry executives from around the world to explore their views, perspectives and experiences of innovation. In this interview, Russell Stopford, Chief Digital Officer for Paris Saint Germain FC, shares his views about how football clubs are evolving their video and digital strategies.
How do you think the nature of providing sports content is evolving?
Pay-TV broadcasters have traditionally taken a singular approach to live match rights. However, what we're discovering is that there are other formats around that live match window that are gaining traction with fans. Sports broadcasting is increasingly about how we can package up the whole pre-match, in-match, halftime and post-match experiences - as well as how we engage fans during the four, five, or even six days a week when football is not being played.
How do you distribute video content and what is your distribution strategy for your premium service, PSG
Premium?
We are still experimenting and optimising what works best for different fans on different channels around the world. The key objective for any video channel is to work out what type of content can drive growth and fan engagement. In terms of engagement, time spent is the key metric for us, be that on our own site, YouTube or Facebook.
In terms of distributing PSG Premium, we prioritise investment in platforms where we expect to see the highest returns. It also makes sense to deliver mobile experiences, and we are exploring how we can develop augmented reality and 360 experiences on mobile apps. In addition to that, we are looking at streaming devices like Chromecast, Roku and Apple TV, but we have to determine when the timing is right for us as we have many new innovations in our product roadmap. We use market research data to understand which platforms we should be on and will prioritise them by conducting high-level ROI analyses. Ultimately, its data on potential customer demand that will inform our distribution strategy.
PSG offers both free and paid video services - what is your rationale behind this strategy?
The club's overall ambition is to reach as wide a global audience as possible, and some decisions are dictated by our rights agreements - for example, for some competitions, we have to offer video content behind a paywall. We are not only focused on direct monetisation of our video rights so I'd say we have a blended model - with a free and paid video offering - marrying syndication and broad distribution with the fan and sponsor experience. Video content is the primary asset that sponsors are looking for from clubs in the digital space. Brands are looking for more entertaining content and are trying to find branded content and brand storytelling opportunities. We have fantastic assets that enable them to bring their brands closer to PSG brand and create brilliant stories that resonate with fans.
How are you leveraging the data that comes from so many touchpoints with fans?
We are investing in data platforms to generate deep insights about our fans and to ultimately serve them better. For example, we collect data about how our content is consumed and how transactions are made on our platforms, which, in turn, helps us to get better insights into our customer behaviour and to improve the overall customer experience. By creating more value for our fans, by extension, we can also drive more value for our commercial partners. The challenge is knowing which data to collect and then having the right tools to derive insights and act on them.
Would you say developing the data platform is your current digital transformation priority?
Absolutely, but content creativity, product excellence, data protection, privacy and security are key as well. There are many important elements to providing the best possible customer experience, but the customer data element is crucial for PSG. It's certainly not as visible as creating brilliant content that resonates around the world, like our Jordan X PSG launch with Nike, but, our customer data strategy is equally important from a commercial perspective.
What are the developments or innovations that you are most excited about?
I think Artificial Intelligence (AI) is going to be the single biggest transformative technology that is going to impact the media industry over the next decade. I think the next big thing will be the use of AI to power mass fan data aggregation and using it to drive new content experiences in football. On top of that, I think voice control is going to change how we interact with devices content and services. We were probably one of the first big clubs to launch a Google Assistant app ahead of the 2018 World Cup and we are looking to further develop that initiative with Google.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
21/03/2026
Presented to War Child UK's HELP(2) project
The MPG (Music Producers Guild) have announced the launch of the MPG Impact Award, a brand-new honour that w...
21/03/2026
Microtuning support for Arabic, Persian & Turkish scales
The latest release from Best Service brings together a selection of string, wind and percussion ins...
21/03/2026
New campaign from NAATI and SBS CulturalConnect highlights how we all deserve t...
21/03/2026
Statement regarding Rhoda Roberts AO
21 March, 2026
Media releases
SBS is deeply saddened by the passing of Widjabul Wieybal woman from the Bundjalung Na...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/03/2026
Cine Gear Connect NY, presented by Universal Production Services, is filling in the slate for a full day of panels, peers, learning the latest, and mixing it up...
21/03/2026
Studio Technologies Debuts New StudioComm System at NAB 2026
Brie Clayton March 20, 2026
0 Comments
StudioComm Model 794 Central Controller and Model ...
21/03/2026
Restoration Christian Fellowship Captures Worship Music Videos with PYXIS 12K
Brie Clayton March 20, 2026
0 Comments
PYXIS' open gate provides cre...
20/03/2026
Net Insight will introduce a JPEG XS solution for full IP environments at NAB Sh...
20/03/2026
LTN has expanded its technology partnership with Harmonic ahead of the FCC's...
20/03/2026
Solid State Logic will preview SSL Live V6.2 at NAB Show, booth C6907. The softw...
20/03/2026
FUJIFILM North America Corporation's Optical Devices Division has announced ...
20/03/2026
FUJIFILM North America Corporation's Optical Devices Division has announced ...
20/03/2026
TrueVisions NOW, a streaming platform in Thailand and part of the TrueVisions Group, has selected Bitmovin's Observability product for real-time video analy...
20/03/2026
Marquee Sports Network has announced distribution agreements with Hulu + Live TV and Prime Video ahead of the 2026 MLB season.
Marquee Sports Network is now av...
20/03/2026
FOR-A will exhibit software-defined and AI-driven solutions at NAB Show 2026, bo...
20/03/2026
TNA Wrestling and Eurosport India have entered into a multi-year exclusive progr...
20/03/2026
When Athletes Unlimited brought its professional women's basketball season t...
20/03/2026
In this craft interview, Rick Bernier reflects on a career that has taken him to...
20/03/2026
Lawo will announce a new product ahead of NAB Show 2026 in Las Vegas, where it w...
20/03/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
20/03/2026
Major League Baseball (MLB) has named Polymarket as its Official Prediction Mark...
20/03/2026
With AI now the industry-wide priority, Big Tech companies are uniquely position...
20/03/2026
In-venue and creative video staffers at the professional and collegiate level ha...
20/03/2026
Abundant player mics and RF and other ground-level cameras will be used to captu...
20/03/2026
Regional sites also will receive big boost in production resources, including on...
20/03/2026
By Jessica Herndon
One of the most exciting things about the Sundance Film Fest...
20/03/2026
In 2021, we launched EQUAL, a program designed to address an industry reality that persists: Women artists, songwriters, and producers too often face fewer oppo...
20/03/2026
BTS' long-awaited fifth studio album, ARIRANG, is finally here. To celebrate...
20/03/2026
A new era for Kenia Os has arrived, and Spotify marked the moment by putting fan...
20/03/2026
Una nueva era para Kenia Os ha llegado, y Spotify marc el momento poniendo a lo...
20/03/2026
Combines sampling & physical modelling
Sound Magic have announced the launch of a comprehensive virtual drum instrument that's been designed to cater to...
20/03/2026
How much difference should mastering make?
In our latest Mix Rescue feature, SOS Editor in Chief Sam Inglis revisits a project from back in 2019, carrying o...
20/03/2026
Feast for cycling fans as SBS extends road cycling broadcasts to include all Gra...
20/03/2026
In this blog, Laura Rognoni reflects on key discussions from the Connected TV World Summit in London, where NAGRAVISION hosted a panel on content discovery and ...
20/03/2026
After a series of increases, February brought the first slowdown in time spent in front of TV sets in a long time. While traditional television was losing viewi...
20/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/03/2026
60 years of audio innovation, driven by the people who use it...