
For three seasons, the Hulu original series Wu-Tang: An American Saga has chronicled the life and times of seminal '90s-era rap group the Wu-Tang Clan. Cinematographer Gavin Kelly has been with the series since the pilot episode and was behind the camera for the finale; along the way, he was joined by alternating cinematographers Niels Alpert for Season 1 and David Tuttman for Seasons 2 and 3. In this Q&A, Kelly reflects on his multitude of entry points for the project and the ways in which the look has evolved over the story's three seasons, all of which were supported through Panavision New York.
Panavision: How would you describe the look of the series?
Gavin Kelly: The look stems all the way back to the pilot, which introduced our heroes, pre Wu-Tang Clan, struggling to survive and thrive on the streets of Staten Island in New York during the crack epidemic of the 90s. The first season was very ambitious and layered part hero origin story, part crime saga, part family drama, part music biopic, following many characters and their intersecting stories.
The Wu-Tang Clan in the series are characters whose personalities, energies and visions are larger than life but still grounded in some stark realities. Their day-to-day world is complex, raw, dangerous, but also full of light and hope in family, friendship, brotherhood and music. So the look is one of extremes: rich, high contrast, and bold swings with lighting, color, lensing with characters navigating back and forth between the razor edges of bright highlights and deep shadows, through murky, bleeding color temperatures, into moments of overwhelming light and flare.
The goal was an elevated look for the show, emphasizing stature and respect for the complexity of our characters in the midst of their tough, often stark circumstances. This often meant an eye for creating portrait moments, strong graphic shots that implied the icons they would become while still in the midst of difficult environments. They have big dreams that will take them from deep shadows into the bright lights. This layered visual approach was what pilot director Chris Robinson and I talked about as conveying the beautiful struggle, inspired by the powerful memoir by Ta-Nehisi Coates.
How has the look evolved over the course of the show's three seasons?
Kelly: Each new season sees the characters stories evolve and their worlds expand, as does the shows visual language. Season 2 tracks the metamorphosis of the characters forming into the actual Wu-Tang Clan and their creative processes and growth in the making of their first iconic album, Enter the Wu-Tang (36 Chambers). When appropriate, we introduced more saturated colors into the lighting palette in this season and more stylized and subjective, playful camerawork when the story prompted. In the third and final season, the storylines intimately trace the challenges, tensions and triumphs of rising to the very top of hip-hop culture, and ultimately mainstream culture, as Wu-Tang Clans impact becomes Wu-Tang Forever.
Several of the most ambitious episodes in terms of story and execution come in Season 3, as we have several episodes that branch off from the main storylines into alternate or fantasy realities based on specific Wu-Tang members' personas, visions and solo albums. As the Wu-Tang universe expands, so do our visual approaches. We had the opportunity to push the look further in various directions on these episodes, including shooting anamorphic primarily with C Series lenses, supplemented by a few E Series as well as building episode-specific lighting approaches and color palettes in sync with production designer Nick Francone and the excellent art-department team. With RZA himself directing the last two episodes I shot, we wrapped up the series big and bold, always embracing the witty unpredictable in the process.
The Wu-Tang Clan themselves drew from a rich tapestry of cultural and artistic inspirations. Were there any specific references you and your collaborators looked to for inspiration in crafting the show's visual style?
Kelly: We similarly drew upon a wide variety visual references in developing the look. Everything from the work of iconic Black photographers like Gordon Parks, Roy DeCarava and Carrie Mae Weems, to period imagery and style from '90s hip hop and music culture from photographers like Chi Modu, Danny Hastings and Sue Kwon. Film influences included everything from Shaw Brothers films classic kung-fu films that are a big part of Wu-Tang Clan culture to American gangster and crime films like The Godfather, American Gangster and Mean Streets, to recent, intimate indie films like Moonlight, Pariah and Fruitvale Station. And one of my personal constant inspirations is the work of Wong Kar-wai, for his use of bold, dynamic color palettes, strong compositions and intimate camerawork. The series is a tapestry of the Clans lives and stories, so the look had room to be rich, complex and dynamic as we moved through the Wu-universe.
What brought you to Panavision for this series?
Kelly: Ive worked with Panavision for years, and theyve always been great and supportive. Theyre always a willing partner in indulging my desires for extensive camera and lens tests to find the right package for the look of a particular project. On Wu-Tang, I pushed to shoot large format so that the scope of our medium shots and close-ups could have a larger-than-life stature, when desired, to imply the hero within.
For Season 1, we shot on DXL2 with Panavision Primos along with sets of Primo Artiste and H Series lenses when we wanted to push the look even further with expressive flares and textures. In Seasons 2 and 3, as the look slightly evolved, we shifted to the Sony Venice and Zeiss Supreme Primes along with the Artistes. On two episodes in Season 3, to push the look fu
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
13/08/2026
New Agreement Aims to Leverage Gracenote Infrastructure to Create More Relevant ...
13/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/08/2026
IBC today announced that its most prestigious honour, the International Honour for Excellence (IHFE), will be presented to Olympic Broadcasting Services (OBS), ...
13/08/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced its participation in the IBC2026 Accelerator Media Innovation Pro...
13/08/2026
dzjinius, the all-in-one production management platform for the media and entertainment industry, will showcase its new application, dzjinius on-set , at IBC20...
13/08/2026
Broadcasting Center Europe (BCE), a leading European provider of media services, system integration and product development, will demonstrate an end-to-end sove...
13/08/2026
Clear-Com is returning to IBC 2026, taking place September 11-14 in Amsterdam, Netherlands. At Stand 10.D29, Clear-Com will spotlight the award-winning FreeSpe...
13/08/2026
Test & measurement innovator, Leader Electronics of Europe, will showcase its comprehensive portfolio of Leader, PHABRIX and LeaderPhabrix test and measurement ...
13/08/2026
KRK Brings Advanced Wireless Control to Professional Monitoring With New V Serie...
13/08/2026
Anthony Noack Captures Artist's Journey in Estonia with Blackmagic Design
Brie Clayton August 12, 2026
0 Comments
Solo filmmaker documents concept...
13/08/2026
ARRI Image Science makes its mobile debut in the HONOR Robot Phone
Brie Clayton August 12, 2026
0 Comments
Hero image displays the HONOR Robot Phone, ...
13/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/08/2026
Suitest's Test Automation Platform Simplifies Video Quality Assurance, Monitoring, and Device Certification Across the OTT Ecosystem
At IBC2026, Suitest, a...
13/08/2026
Cinegy GmbH, the premier provider of software-defined television technology, will have its key software solutions ready to demonstrate at SET Expo 2026 (18 20...
13/08/2026
Scripps Research has established the Peter K. Vogt Endowed Chair, a new faculty ...
13/08/2026
LA JOLLA, CA-A vaccine's molecular structure plays a key role in determining how the immune system responds and prepares to protect the body from future exp...
13/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
13/08/2026
Wenvoe serves over 1 million people across South Wales
13 August 2026, Winchester, UK - Vale of Glamorgan MP, Kanishka Narayan, has praised the engineering exp...
13/08/2026
RT 's Miriam O'Callaghan welcomed a range of specially invited guests to the National Concert Hall last week for a unique event to mark a new season wit...
13/08/2026
August 13 2026, 06:00 (PDT) Seattle Seahawks Become First Team to Bring Dolby O...
13/08/2026
GeForce NOW is giving cloud gaming an extra-credit upgrade just in time for back-to-school season.
The native Linux app for GeForce NOW is officially out of be...
12/08/2026
Traditional live sports production has focused on creating the best possible pro...
12/08/2026
FOR-A will showcase a range of broadcast and production products at IBC2026 (Stand 2.B53, Amsterdam RAI, September 11-14), including software-based switching, A...
12/08/2026
The Advanced Media Workflow Association (AMWA) and EBU will host live demonstrations of NMOS BCP-008 Minimum Status Reporting at IBC2026 (September 11-14) on th...
12/08/2026
Dalet has announced Dalet Solution Suites, a portfolio of cloud-native solutions...
12/08/2026
Net Insight has announced that DMC Production Norway has selected its Open Live ...
12/08/2026
Zixi has appointed Alyson Stewart as Senior Director of Sales. Stewart will be responsible for direct sales and partnerships, with a focus on broadcasters, medi...
12/08/2026
LiveU's LU900Q intelligent production unit was deployed as part of the host broadcast operation for the Games in Glasgow (July 23-August 2, 2026). Host broa...
12/08/2026
Disney , ESPN, and Formula E have announced a multi-year deal bringing all Formula E races to Disney and ESPN in the U.S. and to Disney in most international...
12/08/2026
PSSI has launched X-LIVE, a managed service offering dedicated engineering resources and Appear encoding infrastructure for live event signal processing and tra...
12/08/2026
The inaugural MoonPay X Games League Summer Season reached 18.3 million unique live viewers across three stops on ABC and ESPN, a 78.5% increase compared to the...
12/08/2026
BBright will showcase an expanded IP-Gateway at IBC2026, adding support for all RIST profiles to its existing support for MPEG Transport Stream over IP with SMP...
12/08/2026
BBright will demonstrate EBU OGraf animated graphics support in its software-bas...
12/08/2026
Interra Systems will demonstrate its ORION, BATON, BATON Captions, and VEGA solutions at SET Expo 2026 (August 17-20, Distrito Anhembi, S o Paulo) at partner Li...
12/08/2026
DPA Microphones has appointed Raul Contreras as West Coast Regional Sales Manager. In the role, Contreras will oversee sales and customer relationships througho...
12/08/2026
Live spectacles ranging from the Super Bowl and FIFA World Cup to the Oscars and...
12/08/2026
Writer-Director Andrius Bla evi ius and crew attend the premiere of How to Divorce During the War at The Ray Theatre on January 26, 2026, in Park City, UT. (P...
12/08/2026
Enhanced DAW & plug-in control for the UC1, UF8 and UF1
The software that powers SSL's range of control surfaces has just received a major update that d...
12/08/2026
In-line preamp features one-knob EQ
In addition to their range of in-line preamps, Triton Audio recently managed to squeeze a compressor into an enclosure t...
12/08/2026
Captures system audio with or without a DAW
Depending on your setup, capturing system audio in a DAW can be a tedious process, so much so that Arvital Audio...
12/08/2026
2026 NATIONAL NAIDOC AWARDS TO BROADCAST ON NITV LIVE AND DIRECT FROM MPARNTWE
12 August, 2026
Media releases
First Nations excellence will be celebrated l...
12/08/2026
More than six million sports fans stay with SBS for Tour de France and Tour de F...