Sony Pixel Power calrec Sony

Enter the Wu-Tang

16/03/2023

For three seasons, the Hulu original series Wu-Tang: An American Saga has chronicled the life and times of seminal '90s-era rap group the Wu-Tang Clan. Cinematographer Gavin Kelly has been with the series since the pilot episode and was behind the camera for the finale; along the way, he was joined by alternating cinematographers Niels Alpert for Season 1 and David Tuttman for Seasons 2 and 3. In this Q&A, Kelly reflects on his multitude of entry points for the project and the ways in which the look has evolved over the story's three seasons, all of which were supported through Panavision New York.

Panavision: How would you describe the look of the series?

Gavin Kelly: The look stems all the way back to the pilot, which introduced our heroes, pre Wu-Tang Clan, struggling to survive and thrive on the streets of Staten Island in New York during the crack epidemic of the 90s. The first season was very ambitious and layered part hero origin story, part crime saga, part family drama, part music biopic, following many characters and their intersecting stories.

The Wu-Tang Clan in the series are characters whose personalities, energies and visions are larger than life but still grounded in some stark realities. Their day-to-day world is complex, raw, dangerous, but also full of light and hope in family, friendship, brotherhood and music. So the look is one of extremes: rich, high contrast, and bold swings with lighting, color, lensing with characters navigating back and forth between the razor edges of bright highlights and deep shadows, through murky, bleeding color temperatures, into moments of overwhelming light and flare.

The goal was an elevated look for the show, emphasizing stature and respect for the complexity of our characters in the midst of their tough, often stark circumstances. This often meant an eye for creating portrait moments, strong graphic shots that implied the icons they would become while still in the midst of difficult environments. They have big dreams that will take them from deep shadows into the bright lights. This layered visual approach was what pilot director Chris Robinson and I talked about as conveying the beautiful struggle, inspired by the powerful memoir by Ta-Nehisi Coates.

How has the look evolved over the course of the show's three seasons?

Kelly: Each new season sees the characters stories evolve and their worlds expand, as does the shows visual language. Season 2 tracks the metamorphosis of the characters forming into the actual Wu-Tang Clan and their creative processes and growth in the making of their first iconic album, Enter the Wu-Tang (36 Chambers). When appropriate, we introduced more saturated colors into the lighting palette in this season and more stylized and subjective, playful camerawork when the story prompted. In the third and final season, the storylines intimately trace the challenges, tensions and triumphs of rising to the very top of hip-hop culture, and ultimately mainstream culture, as Wu-Tang Clans impact becomes Wu-Tang Forever.

Several of the most ambitious episodes in terms of story and execution come in Season 3, as we have several episodes that branch off from the main storylines into alternate or fantasy realities based on specific Wu-Tang members' personas, visions and solo albums. As the Wu-Tang universe expands, so do our visual approaches. We had the opportunity to push the look further in various directions on these episodes, including shooting anamorphic primarily with C Series lenses, supplemented by a few E Series as well as building episode-specific lighting approaches and color palettes in sync with production designer Nick Francone and the excellent art-department team. With RZA himself directing the last two episodes I shot, we wrapped up the series big and bold, always embracing the witty unpredictable in the process.

The Wu-Tang Clan themselves drew from a rich tapestry of cultural and artistic inspirations. Were there any specific references you and your collaborators looked to for inspiration in crafting the show's visual style?

Kelly: We similarly drew upon a wide variety visual references in developing the look. Everything from the work of iconic Black photographers like Gordon Parks, Roy DeCarava and Carrie Mae Weems, to period imagery and style from '90s hip hop and music culture from photographers like Chi Modu, Danny Hastings and Sue Kwon. Film influences included everything from Shaw Brothers films classic kung-fu films that are a big part of Wu-Tang Clan culture to American gangster and crime films like The Godfather, American Gangster and Mean Streets, to recent, intimate indie films like Moonlight, Pariah and Fruitvale Station. And one of my personal constant inspirations is the work of Wong Kar-wai, for his use of bold, dynamic color palettes, strong compositions and intimate camerawork. The series is a tapestry of the Clans lives and stories, so the look had room to be rich, complex and dynamic as we moved through the Wu-universe.

What brought you to Panavision for this series?

Kelly: Ive worked with Panavision for years, and theyve always been great and supportive. Theyre always a willing partner in indulging my desires for extensive camera and lens tests to find the right package for the look of a particular project. On Wu-Tang, I pushed to shoot large format so that the scope of our medium shots and close-ups could have a larger-than-life stature, when desired, to imply the hero within.

For Season 1, we shot on DXL2 with Panavision Primos along with sets of Primo Artiste and H Series lenses when we wanted to push the look even further with expressive flares and textures. In Seasons 2 and 3, as the look slightly evolved, we shifted to the Sony Venice and Zeiss Supreme Primes along with the Artistes. On two episodes in Season 3, to push the look fu
LINK: https://www.panavision.com/highlights/highlights-detail/enter-the-wu-t...
See more stories from panavision

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

09/10/2026

Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026

September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026 New Sports Intelligence helps providers better unders...

07/10/2026

Dalet Flex LTS Delivers Smarter Media Operations from Ingest to Distribution

Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...

24/09/2026

NABA To Convene Cyber University 2.0 To Address Cybersecurity Strategies

Share Copy link Facebook X Linkedin Bluesky Email...

24/09/2026

Big Blue Marble Makes the Origin of Austrian Parliament V...

Viewers watching videos from the Austrian Parliament online will soon find it easier to verify the authenticity of the content. Big Blue Marble, an internationa...

24/09/2026

nsign and Sony collaborate to simplify digital signage de...

nsign, the digital signage SaaS platform built around its Simplify Complexity principle, is now officially certified for BRAVIA Professional Displays from Son...

24/09/2026

Viaplay Selects Encompass Altitude Scheduling to Transfor...

Encompass Digital Media today announced the successful migration of multiple Viaplay free-to-air channels, including TV3, TV6, TV8 and TV10, to its Altitude Sch...

24/09/2026

Standalone Streaming Services Continue to Decline in the U.S.

Share Copy link Facebook X Linkedin Bluesky Email...

24/09/2026

Hollyland Unveils LARK M3 Wireless Audio System

Share Copy link Facebook X Linkedin Bluesky Email...

24/09/2026

Adobe Completes Purchase Of Topaz Labs

Share Copy link Facebook X Linkedin Bluesky Email...

24/09/2026

FCC to Vote on Satellite Spectrum, Unlicensed Ultra-Wideband Devices

Share Copy link Facebook X Linkedin Bluesky Email...

24/09/2026

LYNX Technik Launches New Series 5000 Card

Share Copy link Facebook X Linkedin Bluesky Email...

24/09/2026

KRK V SERIES MONITORS HELP INDUSTRY VETERAN SANTIAGO URI...

Music Supervisor, Composer, and Mixing Engineer Santiago Uribe has built a career around producing music for film and television, contributing to more than 40 p...

24/09/2026

NABA Cyber University to Convene Broadcast Industry Leade...

The North American Broadcasters Association (NABA) will hold a full-day cybersecurity summit focused on defending against growing cyber threats facing the broad...

24/09/2026

RT Radio 1 Folk Awards Tickets on Sale | Dolores Keane inducted into Hall of Fame

RT Radio 1 Folk Awards Tickets on Sale Dolores Keane to be inducted into the...

24/09/2026

Contain the Chaos: CONTROL Resonant' Launches on GeForce NOW

A warped Manhattan is waiting in the cloud this week. Remedy Entertainment's CONTROL Resonant brings Dylan Faden's extraordinary abilities and a paranat...

23/09/2026

University of Washington's New Sundodger Studios Leverages ST 2110 to Bring Broadcast, Videoboard, and Creative Under One Roof

Four control rooms support B1G+ streams, videoboard shows, creative content, and...

23/09/2026

Mountain West Conference Moves Replay Operations West, Cutting Late-Night Hours

By Andrew Cohen, SVG Coorespondant The Mountain West debuted its new Replay Operations Center at the start of this football season, bringing real-time collabor...

23/09/2026

SVG Students to Watch: Brian Short, Ball State University

The Taylorville, IL, native is pushing creative boundaries at Ball State, gaining reps across directing, technical directing, tape, and more than 100 ESPN+ broa...

23/09/2026

The Musical and the Power of Spiteful Thinking

Alexander Heller, Nevada Jose, Will Brill, and Giselle Bonilla pose with cast members at The Musical premiere during the 2026 Sundance Film Festival at Eccles...

23/09/2026

The Crow Hill Company release Children's Choir

Includes natural and processed patches The Crow Hill Company's latest sample library captures a children's choir comprising a troupe of boys perform...

23/09/2026

Kreuzberg Audio reveal Oberton

Plug-in offers six bands of saturation Kreuzberg Audio's product range includes a selection of plug-ins and virtual instruments aimed primarily at hard-...

23/09/2026

SoundBridge 3.2.0 arrives

Latest DAW update now live SoundBridge have announced that the latest update for the remote-collaboration-focused DAW is now available. The release of Sound...

23/09/2026

Koori Knockout returns home exclusively to NITV and SBS On Demand in 2026

Koori Knockout returns home exclusively to NITV and SBS On Demand in 2026 11 September, 2026 Media releases Fans can catch all the live action exclusively ...

23/09/2026

Rohde & Schwarz acquires NEOSAT and PHYTRONIC and strengthens its competencies in sovereign satellite communications

Rohde & Schwarz acquires NEOSAT and PHYTRONIC and strengthens its competencies i...

23/09/2026

NFVF SEDIBA CREATIVE ENTERPRISE PROGRAMME CALL FOR APPLICATIONS

1. ABOUT THE PROGRAMME The National Film and Video Foundation (NFVF) invites applications from experienced producers who own or manage a South African product...

23/09/2026

CALL FOR THE SEVENTH PRESIDENTIAL EMPLOYMENT STIMULUS PROGRAMME(PESP 7) FOCUSED ON THE AUDIO-VISUAL INDUSTRY IS OPEN

The National Film and Video Foundation (NFVF) is pleased to announce the opening...

23/09/2026

NHK Technologies Inc. Chooses Calrec for Sports Production

Download Now! To receive a short case study showcasing NHK Technologies, Inc. (NT) s audio setup, please enter the following details: -- First Name* Fir...

23/09/2026

McDonald's takes top spot as New Zealand's fast-food tastes evolve, according to Nielsen

Nielsen CMI data reveals a changing fast-food landscape, with value, convenience...

23/09/2026

AFP, Dalet To Collaborate On News Video Provenance, Authenticity

Share Copy link Facebook X Linkedin Bluesky Email...

23/09/2026

Spectrum News NECN Launches Across New England

Share Copy link Facebook X Linkedin Bluesky Email...

23/09/2026

COW Jobs: Blender on Windows - Generalist - Remote

COW Jobs: Blender on Windows - Generalist - Remote Brie Clayton September 23, 2026 0 Comments Application Users - Blender on Windows - Generalist Se...

23/09/2026

Bitfocus wins IBC2026 Best of Show Award for latest Butto...

Version 1.8 recognised for new workflow tools, boosted control panel flexibility and ease of integration into IP networks...

23/09/2026

Hiltron Reports a Successful IBC2026

Hiltron Communications reports a successful 2026 International Broadcasting Convention, held at the RAI Amsterdam. Exhibiting on stand A37 in Hall 1, Hiltron ex...

23/09/2026

LiveU Showcases AI Driven Production Alongside Resilient...

Reinforcing its long-term commitment to the Middle East and North Africa (MENA) broadcast market, LiveU is presenting the Q Era at CABSAT 2026, on Stand H1-D35 ...

23/09/2026

AFP and Dalet Partner to Strengthen the Provenance and Au...

Agence France-Presse (AFP), a global news agency, and Dalet, a leading technology and service provider for media-rich organizations, today announced a partnersh...

23/09/2026

Berklee Connect Unlocks the Power of a Global Network

Berklee Connect Unlocks the Power of a Global Network Katie Vitolins BM '04 knows firsthand what Berklee's alumni community can make possible. Now she...

23/09/2026

Study: Renewals for Streaming Shows Continue to Decline

Share Copy link Facebook X Linkedin Bluesky Email...

23/09/2026

Study: More Than 4 in 10 U.S. Adults Own or Are Interested in Smart Glasses

Share Copy link Facebook X Linkedin Bluesky Email...

23/09/2026

Television Critics Association Revises Bylaws to Address AI

Share Copy link Facebook X Linkedin Bluesky Email...

23/09/2026

eX Celebrates Completion of Holland Mich. FTTP Network

Share Copy link Facebook X Linkedin Bluesky Email...

23/09/2026

Gray Media Renews Ohio Valley Conference Deal

Share Copy link Facebook X Linkedin Bluesky Email...

23/09/2026

QuickLink StudioPro Powers Next Generation Student Media...

Westminster Schools, a K through 12 school in Atlanta, Georgia with approximately 2,000 students, has transformed its student broadcast and digital storytelling...

23/09/2026

UK Pavilion Brings Leading British Technology to CABSAT a...

The 2026 edition of CABSAT and SATExpo may have a new home and dates in the diary, but it still retains a strong presence from UK companies in the GREAT Britain...

23/09/2026

Glensound marks 60 years with new audio developments at C...

Glensound will return to CABSAT with new developments in professional monitoring and Dante interfacing, alongside its established commentary, esports and parlia...

23/09/2026

Dolby and Meta Expand Dolby Atmos and Dolby Vision Across Metas Ecosystem

September 23 2026, 17:00 (PDT) Dolby and Meta Expand Dolby Atmos and Dolby Vision Across Metas Ecosystem Across Meta AI glasses, Instagram, and VR devices, ...

23/09/2026

Guy Martin's Proper Jobs returns for third series

A great watch - Radio Times TV's most likeable proper bloke - Daily Telegraph 23rd September 2026, London: Guy Martin returns to free streaming service...

23/09/2026

Sky Sports to show England Mens tour of South Africa as part of Cricket South Africa rights deal

Wednesday 23 September 2026 Sky Sports to show England Men's tour of South ...

23/09/2026

Comscore Partners with datafuelX to Bring Seamless Currency Adoption Into a Comprehensive Planning and Stewardship Workflow

Comscore Partners with datafuelX to Bring Seamless Currency Adoption Into a Comp...

23/09/2026

SES Appoints Michel Scholer to Board of Directors

Luxembourg, 23 September 2026 - SES today announced the appointment of Mr. Michel Scholer, Secretary General of the Luxembourg Government and Chief of Staff to ...