
Steve Reynolds, CEO of Imagine Communications, offers a view on the trends he believes will significantly impact the way the media and entertainment industry creates, delivers, and monetises content over the next 12 months and beyond
By Contributor
Published: January 13, 2025 Updated: January 14, 2025
Steve Reynolds, CEO of Imagine Communications, offers a view on the trends he believes will significantly impact the way the media and entertainment industry creates, delivers, and monetises content over the next 12 months and beyond
target=_blank title=Share on LinkedIn class=share-linkedin> Steve Reynolds, CEO of Imagine Communications, offers a view on the trends he believes will significantly impact the way the media and entertainment industry creates, delivers, and monetises content over the next 12 months and beyond
https://www.tvbeurope.com/business/2025-me-trends-whats-old-is-sometimes-new-again title=Share via Email class=share-email>
As the media and entertainment (M&E) industry continues to sound the death knell for traditional TV, I'll make a bold prediction for 2025: Linear will experience a resurgence - of sorts.
I'm not suggesting that the pendulum swing toward streaming viewership will suddenly reverse course, but over the past year, a surprising trend surfaced as media companies - even digital natives - rediscovered linear as a way to drive ROI and TCO.
One high-profile U.S. example was Amazon's live streaming of NFL Thursday Night Football, which they paired with linear ad sales. While Amazon certainly has the capability to sell the streaming inventory as DAI or addressable impressions, they opted to sell the entire audience. Why? Simple economics. Amazon gets a higher ad price for the massive TNF audience than is possible by selling this inventory on an impression basis. This strategy demonstrates the enduring value of linear TV in reaching broad audiences and driving monetisation.
Steve Reynolds, CEO of Imagine Communications With emerging ad tech innovations, it's possible for big brands to purchase ads that guarantee category exclusivity during a commercial break in the digital environment - something that was previously limited to linear TV. Enabling digital to be sold like linear, with broadcast-quality rules and brand protection, strengthens media companies' ability to sell inventory in a direct but automated way, which is the key to maximising streaming revenue. The future of advertising lies in integrating the best of each platform, optimising the user experience while maximising returns for advertisers.
In 2025, the market's focus on the revenue-driving advantages of linear will continue to develop, especially when the goal is to reach large audiences simultaneously. Integrating digital streaming with linear ads is a win-win for broadcasters who can tap into a hybrid model that enables them to engage diverse viewers while leveraging well-established revenue streams. Successful media companies have realised that linear vs. digital is the wrong answer. Linear + digital is the path to profitability.
Is the smart money still on-prem? For over a decade, cloud solutions have been heralded as the future of broadcasting. On the surface, the choice between on-prem and cloud seems a simple one: on-prem systems require significant investments in physical infrastructure and time, while cloud solutions offer rapid deployment without the maintenance headaches. But the choice isn't so clear-cut.
With no Olympics or elections driving advertising revenue in 2025, reducing costs will be a top priority across the media industry. One of the ways broadcasters will navigate the challenge is to do the maths to determine whether it's more cost-effective to run their operations on-prem or in the cloud.
For example, if you're deploying a disaster recovery solution or operating FAST channels that are never going to touch an antenna, it's probably cheaper to do it in the cloud. But if you're running 24/7/365 workflows or have significant investments in studios, IT teams, HVAC systems, and backup generators, on-prem solutions may make better economic sense.
A hybrid strategy may turn out to be the optimal approach, with high-value channels and time-consuming resources run on-prem and the cloud used wherever it makes economic sense, including as a testbed for new ideas and to quickly launch new services. The balance between on-prem and the cloud will change based on percentage of usage, the kind of workflows and solutions needed over time, and the fluctuating cost of the cloud.
A one-and-done calculation won't cut it in a rapidly changing industry. So as we head into 2025 and beyond, broadcasters may need to regularly revisit the TCO maths to determine whether on-prem, cloud, or a hybrid of both will best meet their unique needs and budgets.
Where cloud makes sense (and an on-ramp to get there) While keeping things on-prem makes operational and economic sense for many broadcast workflows, one area where the balance has skewed in favour of the cloud is remote production. Paris 2024 stood out in what was a banner year for sports, which helped accelerate the move toward remote and cloud-based production thanks to SMPTE ST 2110 and the native IP protocols used for contribution to cloud.
One example is the synthesis between 2110 and JPEG XS - basically native IP speaking to native IP via VSF TR-07 and TR-08 technical recommendations - which was proven on the world stage at the Paris Games. We've also seen extensive use of H.264 via SRT in cases where the cost vs. bandwidth trade-off favours higher compression. These advancements not only exceeded expectations, but also established valuable proof points and case studies, which will help drive broader industry adoption.
In 2025, sports broadcasting will cont
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Marshall Electronics, a globally recognized provider of high-performance video solutions for broadcast, streaming, AV and professional production, will exhibit ...
07/10/2026
New all-in-one scoring package incoming
EastWest's latest release brings together an eclectic mix of sampled instruments in an attempt to provide compos...
07/10/2026
Granular process features graph-based sequencer
The latest addition to Baby Audio's ever-expanding collection of plug-ins is a new time-bending effect b...
07/10/2026
Iconic inventor & designer passes away
Mike Beigel, the inventor and designer who co-founded Musitronics, has sadly passed away aged 79. Mike was responsibl...
07/10/2026
Combines filtering & wavefolding
Kreuzberg Audio have recently introduced a plug-in that combines filtering and wavefolding in a way that allows the two pro...
07/10/2026
Recreates the ultra-rare Gleeman Pentaphonic
Cherry Audio's latest soft synth faithfully recreates the Gleeman Pentaphonic, a vintage synth that was kno...
07/10/2026
Statement on the passing of Richard Morecroft
7 October, 2026
Media releases
Statement by SBS Managing Director, Jane Palfreyman
SBS is deeply saddened...
07/10/2026
The National Film and Video Foundation (NFVF) is pleased to announce the extensi...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Sacramento Production Services has completed a major wireless audio overhaul at Sutter Health Park, current home of the Athletics (A's) professional basebal...
07/10/2026
Cobalt Digital to Bring End-to-End ST 2110/IPMX Solutions and Practical Tools to...
07/10/2026
Sanbila Lets Video Editors Import Rushes From a WeTransfer Link and Edit Them Fr...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
UK-based broadcast engineer Andrew Kemp has chosen a dhd.audio SX2 and XS3 as the basis of a transportable media-training resource. With a quarter-century of ex...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/10/2026
Cobalt Digital to Bring End-to-End ST 2110/IPMX Solutions and Practical Tools to NAB Show New York
Highlights include complete path from SDI to IP, C-band tran...
07/10/2026
Deerstalker Pictures The Exorcism of Nixie Shot With Blackmagic Cameras
Brie Clayton October 6, 2026
0 Comments
Fantasy series relied on Blackmagic ca...
07/10/2026
Nevion announces Providius NVRT integration with eMerge switches for expanded br...
07/10/2026
DriveShelf - A Filmmaker's Mac App for Finding Footage on Unplugged Drives
Brie Clayton October 6, 2026
0 Comments
DriveShelf for Mac catalogs eve...
07/10/2026
COW Jobs: Cinematographer, Video Editor - Baltimore, MD
Brie Clayton October 7, 2026
0 Comments
Cinematographer / Video Editor
September 23, 2026 ...
07/10/2026
Behind the Scenes at Berklee Homecoming 2026 Follow Marley Striem BM '25 behind the scenes as she manages a team of students and liaises with artists duri...
07/10/2026
Berklee College of Music and Berklee Valencia Named to Billboards 2026 List of T...
07/10/2026
At a Microsoft event in San Francisco on Wednesday, Jensen Huang and Satya Nadel...
07/10/2026
The six-part series will launch on free-streaming service U in 2027.
A set of first look images have been released for The Cadburys (6x60'), the upcoming s...
07/10/2026
Wednesday 7 October 2026
Sky Sports to broadcast England's ODI tri-series a...
07/10/2026
When the EBU and AMWA launched the Joint Task Force on the Dynamic Media Facility (JT-DMF) at IBC2025, the DMF was largely a concept. Twelve months on, the conv...
07/10/2026
Even the Digital Government Needs a Plan B
AFCEA study National Security Ecosystem 2030 presented at the Bonn IT Dialogue. Arvato Systems / AFCEA Bonn e. ...
07/10/2026
This development extends certification beyond individual Retail Media Networks a...
07/10/2026
RT has been informed that, as stated in Budget 2027, the Government has made the decision to cut the agreed public funding of RT by 20 million for 2027.
In ...
07/10/2026
Undercover filming shows add-on treatments with potential safety concerns on sal...
07/10/2026
Join Emma Doran, Justine Stafford, Killian Sundermann, Se n Burke and Michael Fry on RT 2 and RT Player tomorrow at 10.30pm
A host of guest stars include Siob...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/10/2026
A response to Mark Turner and the SVG AI Innovation Lab
SVG AI Innovation Lab Program Director Mark Turner's How Broadcast Sports Can Apply the Newsroom S...
06/10/2026
Cobalt Digital will exhibit at NAB Show New York 2026 (Booth 226, Javits Center, October 21-22), demonstrating its ST 2110/IPMX product line alongside solutions...