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3 Problemas de Almacenamiento Que Sufren las Empresas de Broadcasting

22/07/2020

Una Cadena. M ltiples Proveedores.

Durante nuestros 17 a os trabajando con cadenas como BBC, ITN, NBC, TV Globo y France T l visions, hemos identificado 3 problemas clave de almacenamiento que todos experimentan a medida que nos adentramos en un per odo en el que el acceso al contenido desde cualquier lugar en cualquier momento es primordial para las empresas para sobrevivir y, sobre todo, para prosperar.

1. C rceles de contenido y metadatos

A lo largo de los a os, los organismos de radiodifusi n de todo el mundo han creado una impresionante variedad de flujos de trabajo con tecnolog a de una gran cantidad de proveedores para resolver infinidad de desaf os comerciales.

Casi todos esos flujos de trabajo requieren acceso a alguna forma de almacenamiento, ya sea port til, de producci n, nearline o de archivo profundo.

Hasta la fecha, muchos de esos flujos de trabajo son islas desiertas con su propio almacenamiento, lo que hace que compartir contenido entre equipos o flujos de trabajo sea muy dif cil. La mayor a de las cadenas de radiodifusi n usan alg n tipo de tecnolog a Avid y muchos de ellos tienen MediaCentral PAM o MAM para administrar su contenido, basado principalmente en Avid. Sin embargo, es muy probable que esas compa as conf en en otras plataformas l deres en la industria, como Vizrt, Adobe, Grass Valley, etc. para lograr sus objetivos estrat gicos.

Hist ricamente, el contenido archivado en discos magn ticos utilizando cualquiera de estas plataformas no es port til o f cilmente indexable y, por lo tanto, no es f cilmente accesible para los dem s, lo que hace que explotar realmente el valor del contenido del archivo sea un desaf o. Los metadatos tampoco se comparten libremente en toda la cadena de suministro, lo que hace que compartir y encontrar contenido sea a n m s desafiante.

Claro que hay algunas soluciones intermedias para conectar contenido entre plataformas, pero a menudo es ineficiente y costoso, ya que se requieren m s servicios y soluciones a medida para lograr lo que deber a ser un objetivo razonablemente sencillo.

Tener muchos silos de almacenamiento tambi n es costoso de administrar y no es un uso ideal de los recursos operativos.

La implementaci n de una plataforma de almacenamiento en la nube h brida que garantice el acceso a los ficheros desde todos los grupos de trabajo, desde cualquier lugar y en cualquier momento, reduce el costo operativo, potencia la creatividad y hace que los productores de contenido sean mucho m s eficientes a la hora de encontrar y usar contenido de archivo.

2. El almacenamiento en cinta magn tica no provee continuidad de negocio y no es adecuado para archivos on demand .

La cruda realidad es que muchas productoras no est n lo suficientemente preparadas para interrupciones locales, regionales o globales, ya que dependen de las cintas LTO para implementar sus estrategias de continuidad comercial. Pero como la gente est descubriendo r pidamente, el almacenamiento en cinta est bien para la recuperaci n de desastres, pero no es la plataforma correcta para garantizar que las empresas puedan continuar operando r pidamente y proporcionar acceso instant neo al contenido en caso de que ocurra lo peor.

Enviar personal operativo, con equipo de protecci n individual, a ciudades, pueblos o edificios que tienen cerrado el acceso, solo para poner una cinta en una biblioteca para que los productores puedan acceder al contenido? Eso no es continuidad de negocio.

La necesidad de que los organismos de radiodifusi n modernicen su provisi n de Planes de continuidad de negocio ha subido en la lista de prioridades recientemente, a medida que aumenta el esfuerzo para garantizar que el personal pueda acceder al contenido del archivo documental desde cualquier lugar. La migraci n de cintas LTO a almacenamiento en nube privada, h brida o p blica est comenzando y para eso hay que trabajar con compa as de almacenamiento de objetos que entiendan sus flujos de trabajo y problemas.

No se puede dar Inteligencia Artificial a una cinta!

Est demostrado que si necesitas acceder al contenido de un archivo con frecuencia o realizar un an lisis de los datos que ya posee, el almacenamiento en cinta no es la soluci n ptima. En la industria televisiva, donde los productores de noticias y deportes necesitan acceso instant neo a d cadas de contenido de archivo, la nica plataforma que ofrece acceso completo sin restricciones con poco o ning n recurso operativo debe basarse en una plataforma de almacenamiento de objetos centrada en medios audiovisuales.

3. La nube s lo es parte de la soluci n

Que los Broadcasters suban contenido del archivo a la nube p blica como una copia por si acaso est bien. Buena pr ctica, incluso si las regulaciones locales no hacen cumplir las regulaciones de soberan a de datos, lo cual deber an. Usarlo como la nica fuente para un archivo activo no es una gran idea. A medida que la nube-man a empiece a pegar fuerte, es importante recordar que la nube no es s lo una nube p blica.

Varias organizaciones l deres de medios y deportes, reconocidas a nivel mundial, est n implementando plataformas de almacenamiento en nube local, privada o h brida que aseguren que se benefician de la tecnolog a que sustenta la nube p blica de una manera que se adapte a sus necesidades presupuestarias, de administraci n de contenido digital y de acceso a datos.

No podemos negar que el almacenamiento en nube p blica puede ser fant stico para satisfacer algunos objetivos estrat gicos de archivo profundo, pero hay cosas a tener en cuenta, como se deduce de los comentarios de los clientes que est n a punto de comenzar el viaje de migraci n a la nube p blica.

Costos impredecibles y rendimiento, incluso cuando los costos predecibles sean desafiantes

Busque formatos propietarios o pague en exceso para recuperar sus propios datos a la velocidad que su emp
LINK: https://object-matrix.com/3-problemas-de-almacenamiento-que-sufren/...
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