Behind the Scenes of ESPN's Graphics-Laden Marvel's Arena of Heroes' Alternative NBA Broadcast Unlike past ESPN efforts, this was a standalone production with dedicated truck and crew By Jason Dachman, Chief Editor
Tuesday, May 4, 2021 - 3:34 pm
Print This Story | Subscribe
Story Highlights
Last night, in an effort to bring new audiences to its NBA broadcasts, ESPN debuted its first-ever Marvel-themed alternative presentation during the Golden State Warriors-New Orleans Pelicans game. The broadcast featured Marvel-themed 3D virtual characters, custom graphics and animation packages, and a custom-designed Avengers-esque studio set at its Bristol, CT, headquarters, where a dedicated team of announcers called the Marvel's Arena of Heroes presentation.
ESPN's Creative Studio group produced the Marvel Arena of Heroes graphics package.
The Marvel-centric broadcast - carried on ESPN2, ESPN+, and ESPN Deportes alongside the traditional broadcast on ESPN - follows ESPN's MegaCast efforts and marks its latest attempt to appeal to demos outside the traditional sports fanbase. However, unlike most of the past efforts, the Marvel's Arena of Heroes NBA show was a full side-by-side production alongside the main broadcast production, with its own truck and crew onsite at Smoothie King Center in New Orleans.
ESPN transformed Studio Z into a Marvel-themed set for the broadcast.
This is a bit of a departure from [ESPN's MegaCast and other alternative presentations]: as big a show as the main telecast vs. what we normally would do with MegaCast and other [alternative presentations], which is to add to the existing resources and present it in a different way, ESPN Senior Coordinating Producer Ed Placey said before last night's game. This is a true side-by-side production, so it's a very different undertaking and required a very different mindset.
The Narrative: Avengers Seek New Members Via Marvel Hero Points' System At the top of the broadcast, ESPN's pregame show set the scene from the Marvel-themed set in Bristol: the Avengers are looking to recruit a new member for their team from the NBA elite and are observing the battle between the Warriors and the Pelicans, focusing on three star players from each team (the Warriors' Stephen Curry, Draymond Green, and Andrew Wiggins and the Pelicans' Zion Williamson, Grandon Ingram, and Lonzo Ball).
Each of these players gained Marvel Hero points during the game (based on points, rebounds, assists, steals, and blocks, as well as missed field goals, free throws, or turnovers plus 10 points for the winning team), and the player with the most Marvel Hero points - which ended up being Draymond Green - was crowned Marvel's first Champion.
ESPN's Creative Studio group created the look and feel of the broadcast, working alongside the Marvel Creative Team and technology providers SMT, Second Spectrum, and Girraphic. Among the highlights were comic-book-style insert graphics and scorebug; player- and shot-tracking graphics; Marvel-themed animations overlaid on the basket at each made field goal; and other augmented-reality elements, including a viewing deck above the floor where the Avengers (as 3D virtual renderings) monitored the action on the court.
All insert graphics were given a new comic-book-style look for the alternative presentation.
Our amazing ESPN Creative Studio group built everything, says Placey, and the Marvel Creative Team worked side by side with us, providing the assets, giving feedback, and guiding us every step of the way. It has been a wonderful collaboration between ESPN and Marvel, and we couldn't be happier with it. It has taken our previous projects and stepped [them] up to a new level.
Marvel Broadcast Is a Full-Fledged Standalone Production ESPN rolled out NEP EN3 mobile production unit and a dedicated crew in New Orleans (graphics operators were located in Bristol) to produce the Marvel broadcast. The production controlled its own complement of nine cameras (including the Above the Rim robos), shared eight other camera feeds from main telecast and the six cameras provided to both shows by the arena.
The production team set up a low corner camera to serve this angle featuring 3D virtual animations of Marvel characters like Black Panther.
This is a true side-by-side, so we're down in New Orleans with our own truck separate from the game truck, says Placey. We're sharing a few of the main game cameras for a replays. But we control all the cameras that we're cutting for the Marvel telecast. The other cameras are just to make sure we have additional replay angles so nothing gets missed on either show.
AR elements were featured heavily in the Marvel-centric broadcast.
On Sunday, ESPN brought a local team into the Smoothie King Center to conduct a thorough rehearsal for the Arena of Heroes broadcast. After months of development, this was the first time hundreds of Marvel-centric elements were integrated into a live game. ESPN Monday Night Football director Phil Dean and Sunday Night Baseball director Doug Holmes were at the front bench.
A 3D virtual rendering of Iron Man looks on from the watch deck above the floor.
Placey notes that this was significantly different from ESPN's previous alternative-presentation productions - such as MegaCasts for the CFP National Championship Game and last season's NFL Wild Card Game or the recent NBA Daily Wager Special - which used primarily a clean feed from the main show.
On the other broadcasts, he says, including the NFL Wild Card and the National Championship MegaCast, we made it a point to make sure that nothing was taking away the primary focus on the main ESPN telecast; everything was supplementary. But this strikes more of that equal balance and gives us a great opportunity to s
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
15/07/2026
The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...
15/07/2026
As sports-media organizations manage rapidly growing content libraries and incre...
15/07/2026
HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...
15/07/2026
IBC has unveiled the conference program for IBC2026, with this year's event ...
15/07/2026
Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...
15/07/2026
New AI-powered module enables broadcasters and content owners to extract dialogu...
15/07/2026
Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...
15/07/2026
Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...
15/07/2026
USA Sports has announced an exclusive English-language agreement with the Bundes...
15/07/2026
ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...
15/07/2026
Program will provide professional camera kits, training, and technical support to participating local newsrooms...
15/07/2026
San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...
15/07/2026
Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...
15/07/2026
The Houston-based RSN is the live-game home of the Astros and Rockets...
15/07/2026
Launched alongside new FreqSoft installer
Designed to bridge the gap between hardware and software, Freqport's FreqInOut FO1 unit provides a simple way ...
15/07/2026
Save up to 55% on software until 23 July 2026
Expressive E have just launched their Summer Offer sale, with discounts of up to 55% now applied across their ...
15/07/2026
Real-time stem-separation tool updated
zplane have recently released a new and improved version of their real-time stem-separation plug-in which they say ma...
15/07/2026
A new benchmark in bass enhancement
Described as a new benchmark in bass enhancement , Baby Audio's latest release has been designed to augment the lo...
15/07/2026
DMC Production's AR 1 and AR 2 units reverse the conventional OB workflow, keeping all production-critical processing at the venue while operators work remo...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
GigaCloud, a leading Ukrainian cloud service provider, and Cubbit, the first geo-distributed cloud storage enabler, today announced a new Business Alliance Part...
15/07/2026
SMPTE, the global society for media professionals, technologists, and engineers, has announced the launch of the SMPTE 110th Anniversary Campaign, a fundraising...
15/07/2026
Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, unveils the new StudioComm Model 762 Stereo Level Control, ...
15/07/2026
COW Jobs: Producer, Virtual Events - Hybrid, Full Time, Salaried
Brie Clayton July 15, 2026
0 Comments
Producer, Virtual Events (Hybrid | Full-time | ...
15/07/2026
Brazilian media organization builds nationwide CDN with Broadpeak's high-performance software for low-latency streaming and new content distribution service...
15/07/2026
DHD announces a new utility designed to increase the efficiency of its audio mixing systems during initial installation and subsequent configuration.
Anyone w...
15/07/2026
BCNEXXT Brings Next-Generation Vipe to IBC2026, Breaking the 1:1 Channel-to-Server Ratio New innovations liberate broadcasters from legacy playout infrastructur...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Wednesday 15 July 2026
Screeners and press pack now available: Gomorrah: The Or...
15/07/2026
Trinity's Treasures features Ruth Negga, Eleanor McEvoy, and David Norris, a...
15/07/2026
Join geographer Dr Susan Hegarty, Engineer Tim Joyce and Architect Orla Murphy a...
15/07/2026
Home to leading manufacturers, robotics pioneers, infrastructure builders and gaming, of course, Japan is one of the world's centers of AI - building across...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
Behind the Scenes of ESPN's Graphics-Laden Marvel's Arena of Heroes' Alternative NBA Broadcast Unlike past ESPN efforts, this was a standalone production with dedicated truck and crew By Jason Dachman, Chief Editor 
