
Behind the Scenes of ESPN's Graphics-Laden Marvel's Arena of Heroes' Alternative NBA Broadcast Unlike past ESPN efforts, this was a standalone production with dedicated truck and crew By Jason Dachman, Chief Editor
Tuesday, May 4, 2021 - 3:34 pm
Print This Story | Subscribe
Story Highlights
Last night, in an effort to bring new audiences to its NBA broadcasts, ESPN debuted its first-ever Marvel-themed alternative presentation during the Golden State Warriors-New Orleans Pelicans game. The broadcast featured Marvel-themed 3D virtual characters, custom graphics and animation packages, and a custom-designed Avengers-esque studio set at its Bristol, CT, headquarters, where a dedicated team of announcers called the Marvel's Arena of Heroes presentation.
ESPN's Creative Studio group produced the Marvel Arena of Heroes graphics package.
The Marvel-centric broadcast - carried on ESPN2, ESPN+, and ESPN Deportes alongside the traditional broadcast on ESPN - follows ESPN's MegaCast efforts and marks its latest attempt to appeal to demos outside the traditional sports fanbase. However, unlike most of the past efforts, the Marvel's Arena of Heroes NBA show was a full side-by-side production alongside the main broadcast production, with its own truck and crew onsite at Smoothie King Center in New Orleans.
ESPN transformed Studio Z into a Marvel-themed set for the broadcast.
This is a bit of a departure from [ESPN's MegaCast and other alternative presentations]: as big a show as the main telecast vs. what we normally would do with MegaCast and other [alternative presentations], which is to add to the existing resources and present it in a different way, ESPN Senior Coordinating Producer Ed Placey said before last night's game. This is a true side-by-side production, so it's a very different undertaking and required a very different mindset.
The Narrative: Avengers Seek New Members Via Marvel Hero Points' System At the top of the broadcast, ESPN's pregame show set the scene from the Marvel-themed set in Bristol: the Avengers are looking to recruit a new member for their team from the NBA elite and are observing the battle between the Warriors and the Pelicans, focusing on three star players from each team (the Warriors' Stephen Curry, Draymond Green, and Andrew Wiggins and the Pelicans' Zion Williamson, Grandon Ingram, and Lonzo Ball).
Each of these players gained Marvel Hero points during the game (based on points, rebounds, assists, steals, and blocks, as well as missed field goals, free throws, or turnovers plus 10 points for the winning team), and the player with the most Marvel Hero points - which ended up being Draymond Green - was crowned Marvel's first Champion.
ESPN's Creative Studio group created the look and feel of the broadcast, working alongside the Marvel Creative Team and technology providers SMT, Second Spectrum, and Girraphic. Among the highlights were comic-book-style insert graphics and scorebug; player- and shot-tracking graphics; Marvel-themed animations overlaid on the basket at each made field goal; and other augmented-reality elements, including a viewing deck above the floor where the Avengers (as 3D virtual renderings) monitored the action on the court.
All insert graphics were given a new comic-book-style look for the alternative presentation.
Our amazing ESPN Creative Studio group built everything, says Placey, and the Marvel Creative Team worked side by side with us, providing the assets, giving feedback, and guiding us every step of the way. It has been a wonderful collaboration between ESPN and Marvel, and we couldn't be happier with it. It has taken our previous projects and stepped [them] up to a new level.
Marvel Broadcast Is a Full-Fledged Standalone Production ESPN rolled out NEP EN3 mobile production unit and a dedicated crew in New Orleans (graphics operators were located in Bristol) to produce the Marvel broadcast. The production controlled its own complement of nine cameras (including the Above the Rim robos), shared eight other camera feeds from main telecast and the six cameras provided to both shows by the arena.
The production team set up a low corner camera to serve this angle featuring 3D virtual animations of Marvel characters like Black Panther.
This is a true side-by-side, so we're down in New Orleans with our own truck separate from the game truck, says Placey. We're sharing a few of the main game cameras for a replays. But we control all the cameras that we're cutting for the Marvel telecast. The other cameras are just to make sure we have additional replay angles so nothing gets missed on either show.
AR elements were featured heavily in the Marvel-centric broadcast.
On Sunday, ESPN brought a local team into the Smoothie King Center to conduct a thorough rehearsal for the Arena of Heroes broadcast. After months of development, this was the first time hundreds of Marvel-centric elements were integrated into a live game. ESPN Monday Night Football director Phil Dean and Sunday Night Baseball director Doug Holmes were at the front bench.
A 3D virtual rendering of Iron Man looks on from the watch deck above the floor.
Placey notes that this was significantly different from ESPN's previous alternative-presentation productions - such as MegaCasts for the CFP National Championship Game and last season's NFL Wild Card Game or the recent NBA Daily Wager Special - which used primarily a clean feed from the main show.
On the other broadcasts, he says, including the NFL Wild Card and the National Championship MegaCast, we made it a point to make sure that nothing was taking away the primary focus on the main ESPN telecast; everything was supplementary. But this strikes more of that equal balance and gives us a great opportunity to s
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Blendkit Expands Beyond Blender
Brie Clayton August 4, 2026
0 Comments
Popular 3D Asset Library Launches Alpha Plugins for Maya, Godot, and Rhino
Blend...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Ikegami has chosen the 11-14 September 2026 International Broadcasting Convention in Amsterdam as the European market launch venue for additions to its UNICAM p...
04/08/2026
Appear (IBC2026 booth 1.C61) will showcase new X & VX Platform capabilities that extend broadcast-grade performance from venue to cloud
Appear ASA (OSE: APR), ...
04/08/2026
LiveU, the global leader in live IP-video solutions, today highlighted the crucial role its EcoSystem played in Broadcast Management Group's (BMG) successfu...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/08/2026
Homecoming Artist Spotlight: Dreion The singer, songwriter, and producer talks about finding his village at Berklee ahead of his Homecoming performance on Sep...
04/08/2026
Surging AI demands are driving the need for massive datasets and context windows that burst past the confines of system memory.
But rising needs aren't me...
04/08/2026
For robotaxis and other autonomous vehicles (AVs), the hardest problems aren'...
04/08/2026
Members of the Open Secure AI Alliance - now more than 120 organizations strong - are developing new guidelines to strengthen agentic AI cybersecurity as the an...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
03/08/2026
SVG's annual TranSPORT conference returns to New York City for a full day of sessions focused on the current state of live-sports-transmission technology. S...
03/08/2026
A five-time Emmy winner, this esports vet has built a production career on live storytelling, audience connection, and meeting viewers wherever they are
The sp...
03/08/2026
Live production in the cloud is a growing trend across the industry and Major Le...
03/08/2026
(L-R) Nyah B., Nala B., Shannon Elizabeth S., Celia K., Olive G., and Nikki B. attend the Q&A for Cookie Queens by Alysa Nahmias, an official selection of the...
03/08/2026
Recreates a 1977 Hohner Clavinet D6
After launching a software recreation of their own electric piano, Rhodes set about capturing another classic instrument...
03/08/2026
A modern solution for an old technique
Peak Tamer is a new standalone application that automatically applies gain automation to keep rogue peaks under cont...
03/08/2026
Plug-in gains object metadata automation export
Sound Particles have just released an update that adds a new Metadata Automation function to their their rec...
03/08/2026
SGL Carbon and X-energy today announced a binding agreement to double SGL's production capacity for medium-grain isotropic graphite ( NBG-18 ), a specialize...
03/08/2026
Glensound will launch the Greater Divine Supernal at PLASA Show 2026, extending its intelligent loudspeaker range for professional studio monitoring and live au...
03/08/2026
How Agua Tinta's Class Project Launched Her Songwriting Career Two years after graduating from Berklee, the songwriter has a Latin Grammy nomination, a So...
03/08/2026
Leiden University's new Campus Spui, located in the heart of The Hague, the diplomatic and administrative centre of the Netherlands, opened in February 2026...
03/08/2026
Bitfocus, the specialist in media control and monitoring, has received a further boost to its plans for continuing growth, particularly in Europe and North Amer...
03/08/2026
Jason Flemyng, Tessa Peake-Jones, Lee Ingleby and Georgia Tennant join the cast ...
03/08/2026
Building on the momentum of a landmark year for soccer in North America, Leagues...
02/08/2026
Classic EQ design goes virtual
Following on from the launch of the 500-series version of their BAX EQ unit, Dangerous Music have now teamed up with modellin...
02/08/2026
The Government's Missing Dimension
This article was originally published on the National Preparedness Commission website on 25 June 2026.
----------------...
01/08/2026
Latest free Vaults instrument released
The Crow Hill Company's Vaults collection offers a continually rotating selection of virtual instruments and samp...
01/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/08/2026
COW Jobs: Lead Generation Representative - Animation Services
Brie Clayton July 31, 2026
0 Comments
Lead Generation Representative - Animation Service...
01/08/2026
Emilie Lowe Shoots Award Winning Short Film Where Dead Things Grow with Blackmag...
01/08/2026
Early Registration Opens for the 2026 SMPTE Media Technology Summit
Brie Clayton July 31, 2026
0 Comments
Initial Program Announced Alongside New Medi...
31/07/2026
With an emphasis on local, the league is looking beyond the initial four teams t...
31/07/2026
The 2026 Sundance Institute Directors Lab fellows in Estes Park, Colorado (Photo by Gabe Rovick)
Dear Friends,
This has been an extraordinary year for our ar...
31/07/2026
Offers 360-degree sound placement in any DAW
Audiocube have just announced the launch of a new plug-in that embeds a complete 3D acoustic environment inside...