TVBEurope meets the team behind RE:TV, a cross-platform channel, to discover how they keep both their production and streaming carbon footprints down by using remote production, local crews and working with third parties to release their content
By Jenny Priestley
Published: January 17, 2025 Updated: January 20, 2025
TVBEurope meets the team behind RE:TV, a cross-platform channel, to discover how they keep both their production and streaming carbon footprints down by using remote production, local crews and working with third parties to release their content
target=_blank title=Share on LinkedIn class=share-linkedin>
Founded in 2020 by the then Prince of Wales, RE:TV is an online platform that showcases short films and interviews about the natural world and sustainability.
Managed by London-based production company, Atomized Studios on behalf of the platform's owners, Sustainable Markets Initiative, RE:TV has produced more than 100 short documentaries featuring entrepreneurs, technologists, scientists, academics and campaigners.
Produced remotely with local crews, the films cover a vast range of climate solutions; from mangrove restoration in Costa Rica, to sustainable aviation fuel in Illinois, as well as producing quick turnaround social content at COPs 26-28 and other climate events.
TVBEurope caught up with channel editor Dan Watt-Smith and line producer James Browning to find out more.
Who is RE:TV aimed at? Dan Watt-Smith: In the short term, our objective is to build audiences on our O&O platforms, from web to social which is a lot of work in its own right. Alongside weekly films on the RE:TV platform and YouTube channel, we publish daily content on our social channels - and we have generated more than 20 million views across our platforms since launch.
On location in Norway for Reharvesting the Sun We have also launched an Amazon Prime channel and distributed content through partnerships with environmentally focused streamers like Waterbear and Ecoflix. But any distribution deals have to make economic sense in terms of covering the costs of reversioning and have some commitment to promotion.
You've produced more than 100 films since 2020. How have you made those projects do you use remote production, or locally sourced crews for example? James Browning: We work closely with SMI and their taskforces to identify interesting climate solutions. Once we have a list of appropriate individuals, we narrow that down to three or four contributors per tentpole. We then do an interview with them talking about their area of expertise and how it relates to our topic, ideally at the contributor's business premises so we can also capture additional footage in their working environment. We produce a hero' film which covers the broader conversation around the topic and includes all the contributors. We also create three or four stand-alone solo' films featuring the individual contributors speaking about their work and area of expertise.
From a technical perspective, many of us in production have benefited from the integration of remote production workflows, which came to the fore during the pandemic. We can easily connect with local crews and contributors when filming abroad through Teams. Crucially the crew can connect the camera to a laptop so we can dial into the interview from the UK. This means we can see what the cameraperson is looking at and talk to the contributor across continents. We often hire an experienced producer/director in country who can manage the whole process. Working with local crews gives us access to a wide range of talent and we benefit from their knowledge and experience.
Do you ever send crews to an international shoot, and if so, how do they get there given your aim to be as sustainable as possible? JB: We film all over the world using local crews and we never send UK crews overseas. Having shot over 100 films in many different locations we've built strong local networks, which is important. Our team has a wealth of creative knowledge and we've had the benefit of being able to connect with talented people we've worked with previously, which is a wonderfully integrated sharing of resources.
In the past we have been BAFTA albert certified, and we continue to incorporate their protocols into our workflow, and most importantly we use them to calculate and offset our - very small - carbon footprint. Our UK team manages every production to ensure we're fulfilling albert requirements; we have a Green Memo, which sets out our sustainability terms so everyone we work with understands what's expected.
Working on the forthcoming tentpole film around fusion How conscious are you of the carbon footprint of a camera or microphone when producing content? JB: We keep our technology carbon footprint as light as possible. Our crews are lean, usually only two or three people and we always shoot during daylight hours using a small number of lights. We film in 4K using a single camera and store footage on Dropbox, as well as creating a hard back up copy.
DWS: RE:TV has three pillars: reducing emissions, restoring ecosystems and reusing resources. As well as informing the stories we choose to tell, we always try to apply these pillars to the way we work.
In terms of reusing resources, we're constantly sourcing older content to repurpose for other productions. When we shoot, we always look at the long term and try to get as much coverage as possible. We must be economical and tightly focused on the outcome whilst covering broader themes that we might want to come back to in the next two or three years. This means we're building for the future and recycling where we can.
JB: We can produce four films from a four-day shoot, which is an extremely economical and resourceful way of working.
You've taken the de
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
02/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/07/2026
Standalone processors acknowledged for the innovation and value they bring to Pro AV
Cobalt Digital, a leading designer and manufacturer of signal processing ...
02/07/2026
Synamedia announced today the appointment of Dr Tzvi Gerstl as Chief Executive Officer. Paul Segre, who has served as CEO for the past six years, will transitio...
02/07/2026
Screen Australia backs audience-led filmmaking with new insight-driven initiativ...
02/07/2026
Screen Australia refines guidelines for Narrative Content Development and Docume...
02/07/2026
Maxon Autograph: Introduction to working with Tables
Simon Ubsdell July 1, 2026
0 Comments
An overview of Autograph's ridiculously powerful tables...
02/07/2026
Boston Conservatory's Soir e Breaks Records to Fund Student Scholarships The event achieved 127 percent of its fundraising goal in an evening celebrating ...
02/07/2026
How Adam Rosenwach Pivoted from Music to Med Tech Without Missing a Beat What do the rehearsal room and the boardroom have in common? More than you might thin...
01/07/2026
Broadcast Management Group (BMG) has announced the appointment of Kathy Samuels ...
01/07/2026
Shade has announced Custom Objects and Automations, a platform expansion releasing June 29, 2026, that adds database and workflow automation capabilities direct...
01/07/2026
FOR-A America has announced the addition of Jaz Wray and Fernando Cruz to its U.S. sales team. Both report to Ernie Leon, Senior VP and Head of Sales and Strate...
01/07/2026
NBC Sports will air all 15 MLB games nationally on Sunday, July 5, across NBC, P...
01/07/2026
Clear-Com has announced a wireless communications upgrade for Jeopardy! and Wheel of Fortune, deploying FreeSpeak II and FreeSpeak Icon systems across both prod...
01/07/2026
England's performance team will use Sony's STATSports APEX GPS tracking system to monitor player physical data in real time during FIFA World Cup 2026 m...
01/07/2026
Adder Technology has announced the appointment of Neil Hillier as Chief Executive Officer, effective July 1, 2026. Hillier succeeds Adrian Dickens, who transiti...
01/07/2026
Bitcentral, Inc. has announced a strategic transaction creating two separate companies. The Production and Playout business will continue as Bitcentral, now own...
01/07/2026
DAZN has announced results from DAZN48, its creator initiative for the FIFA World Cup 2026. Launched in April 2026, the program received thousands of applicatio...
01/07/2026
Sarah Rose, VP, global services, Daktronics (NASDAQ: DAKT), will be inducted into the Information Display and Entertainment Association (IDEA) Hall of Fame at t...
01/07/2026
Gravity Media and the World Economic Forum's production team provided broadc...
01/07/2026
Insight Productions has announced the launch of Insight Storm, a 53-foot mobile broadcast unit built for esports production. The truck is built around a Ross Vi...
01/07/2026
ESPN has announced several content initiatives marking America's 250th anniversary, as part of The Walt Disney Company's Disney Celebrates America pro...
01/07/2026
Eleven production kits, REMI workflows, and cloud distribution bring 40 World Cu...
01/07/2026
The conference also discussed the opportunities offered an industry that is endu...
01/07/2026
The Mountain West Conference has announced the launch of MW , a direct-to-consumer streaming platform powered by Kiswe. The platform will carry live Mountain We...
01/07/2026
New AI Assistant, Multi-channel Audio, ARA2 improvements & more
Tracktion's DAW software has just received its latest major update, gaining a selection ...
01/07/2026
Stammering, stuttering, strangulated tones
The Crow Hill Company's latest creation promises to be the most original sound set they've produced to d...
01/07/2026
Exclusive run of limited-edition modelling pedals
Sweetwater and Andertons M...
01/07/2026
The National Film and Video Foundation (NFVF) is pleased to announce that the ca...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Manfrotto Introduces UNCOVER, the new premium camera bag collection for modern h...
01/07/2026
Blackmagic Design Powers Houston Tamil Sangam Literacy Competition
Brie Clayton July 1, 2026
0 Comments
Volunteers use ATEM Mini Pro, Blackmagic Desig...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
PlayBox Technology has published State of Broadcast Infrastructure 2026, an in-depth industry research report examining the technologies, operational challenges...
01/07/2026
LONDON, UK, 1 JULY Jigsaw24 has appointed Alan Henry as Head of Sales for Media and Entertainment, reinforcing its continued investment in helping broadcaster...
01/07/2026
Content Vault, the patent-pending secure content distribution platform protecting high-value media from disclosures, theft and unauthorised access, today announ...
01/07/2026
Bitcentral, Inc. a leading provider of enterprise software and digital media solutions for news, sports and entertainment broadcasters, as well as streaming pla...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Groundbreaking First Nations Screen Business Accelerator launched through nation...
TVBEurope meets the team behind RE:TV, a cross-platform channel, to discover how they keep both their production and streaming carbon footprints down by using remote production, local crews and working with third parties to release their content
