TVBEurope meets the team behind RE:TV, a cross-platform channel, to discover how they keep both their production and streaming carbon footprints down by using remote production, local crews and working with third parties to release their content
By Jenny Priestley
Published: January 17, 2025 Updated: January 20, 2025
TVBEurope meets the team behind RE:TV, a cross-platform channel, to discover how they keep both their production and streaming carbon footprints down by using remote production, local crews and working with third parties to release their content
target=_blank title=Share on LinkedIn class=share-linkedin>
Founded in 2020 by the then Prince of Wales, RE:TV is an online platform that showcases short films and interviews about the natural world and sustainability.
Managed by London-based production company, Atomized Studios on behalf of the platform's owners, Sustainable Markets Initiative, RE:TV has produced more than 100 short documentaries featuring entrepreneurs, technologists, scientists, academics and campaigners.
Produced remotely with local crews, the films cover a vast range of climate solutions; from mangrove restoration in Costa Rica, to sustainable aviation fuel in Illinois, as well as producing quick turnaround social content at COPs 26-28 and other climate events.
TVBEurope caught up with channel editor Dan Watt-Smith and line producer James Browning to find out more.
Who is RE:TV aimed at? Dan Watt-Smith: In the short term, our objective is to build audiences on our O&O platforms, from web to social which is a lot of work in its own right. Alongside weekly films on the RE:TV platform and YouTube channel, we publish daily content on our social channels - and we have generated more than 20 million views across our platforms since launch.
On location in Norway for Reharvesting the Sun We have also launched an Amazon Prime channel and distributed content through partnerships with environmentally focused streamers like Waterbear and Ecoflix. But any distribution deals have to make economic sense in terms of covering the costs of reversioning and have some commitment to promotion.
You've produced more than 100 films since 2020. How have you made those projects do you use remote production, or locally sourced crews for example? James Browning: We work closely with SMI and their taskforces to identify interesting climate solutions. Once we have a list of appropriate individuals, we narrow that down to three or four contributors per tentpole. We then do an interview with them talking about their area of expertise and how it relates to our topic, ideally at the contributor's business premises so we can also capture additional footage in their working environment. We produce a hero' film which covers the broader conversation around the topic and includes all the contributors. We also create three or four stand-alone solo' films featuring the individual contributors speaking about their work and area of expertise.
From a technical perspective, many of us in production have benefited from the integration of remote production workflows, which came to the fore during the pandemic. We can easily connect with local crews and contributors when filming abroad through Teams. Crucially the crew can connect the camera to a laptop so we can dial into the interview from the UK. This means we can see what the cameraperson is looking at and talk to the contributor across continents. We often hire an experienced producer/director in country who can manage the whole process. Working with local crews gives us access to a wide range of talent and we benefit from their knowledge and experience.
Do you ever send crews to an international shoot, and if so, how do they get there given your aim to be as sustainable as possible? JB: We film all over the world using local crews and we never send UK crews overseas. Having shot over 100 films in many different locations we've built strong local networks, which is important. Our team has a wealth of creative knowledge and we've had the benefit of being able to connect with talented people we've worked with previously, which is a wonderfully integrated sharing of resources.
In the past we have been BAFTA albert certified, and we continue to incorporate their protocols into our workflow, and most importantly we use them to calculate and offset our - very small - carbon footprint. Our UK team manages every production to ensure we're fulfilling albert requirements; we have a Green Memo, which sets out our sustainability terms so everyone we work with understands what's expected.
Working on the forthcoming tentpole film around fusion How conscious are you of the carbon footprint of a camera or microphone when producing content? JB: We keep our technology carbon footprint as light as possible. Our crews are lean, usually only two or three people and we always shoot during daylight hours using a small number of lights. We film in 4K using a single camera and store footage on Dropbox, as well as creating a hard back up copy.
DWS: RE:TV has three pillars: reducing emissions, restoring ecosystems and reusing resources. As well as informing the stories we choose to tell, we always try to apply these pillars to the way we work.
In terms of reusing resources, we're constantly sourcing older content to repurpose for other productions. When we shoot, we always look at the long term and try to get as much coverage as possible. We must be economical and tightly focused on the outcome whilst covering broader themes that we might want to come back to in the next two or three years. This means we're building for the future and recycling where we can.
JB: We can produce four films from a four-day shoot, which is an extremely economical and resourceful way of working.
You've taken the de
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
29/05/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
29/05/2026
Ratings Roundup is a rundown of recent ratings news and is derived from press re...
29/05/2026
The days are getting longer, the temperatures are rising, and playlists are filling up for the season. With summer around the corner, Spotify's global edito...
29/05/2026
New retro-inspired MPC announced
There are few devices that have gained the status held by Akai Pro's MPC range, and in recent years, the company have s...
29/05/2026
Save up to 30 on acclaimed titles
Following a successful launch at Superbooth 2026, Bjooks have revealed that they will be continuing the Kickstarter campa...
29/05/2026
Binaural monitoring application improved
Genelec have just released an update that brings some powerful new features to their HRTF-based binaural headphone ...
29/05/2026
6 June 2026 at SAE Institute, London, UK
IMSTA FESTA 2026 is almost upon us, with some of the biggest names in pro-audio set to descend upon SAE Institute i...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, died April 12, 2026, at his home in...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Comparing 5 AI Video Enhancers for Restoring Old Video Quality
Kate Luvis May 29, 2026
0 Comments
Digitizing VHS, MiniDV, and other legacy formats doe...
29/05/2026
Studio Hamburg Builds New Post Pipeline with DaVinci Resolve Studio
Brie Clayton May 29, 2026
0 Comments
Workflow replaces a patchwork of legacy tools...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
At the Intersection of Music and Dance, an Epic Collaboration Boston Conservatory musicians and dancers found creative parallels in their recent performance o...
29/05/2026
Something fundamental has shifted in how people consume media. Audiences aren't abandoning television or radio content; they're just expanding how, wher...
29/05/2026
Youtube exclusive special drops today
Watch now
UKTV today announces another e...
29/05/2026
Back to All News
The Official Trailer of Physical 100 Italy, on Netflix From Se...
29/05/2026
At just 20 years old, Sean Melia from Summerhill Co. Meath has been revealed as the winner of Super Garden 2026. Sean is the youngest ever contestant and winner...
29/05/2026
Experimental HIV vaccine achieves a long-sought goal In a first for the field, all non-human primates given a new series of vaccines generated antibodies capabl...
28/05/2026
Thomsons Climate Crisis Toolkit is already being put to work, helping journalist...
28/05/2026
FOX Sports' MLB coverage dominated the night at the 47th Annual Sports Emmy ...
28/05/2026
One of the most memorable postseasons in baseball history would have had no memo...
28/05/2026
NBC's Sunday Night Football is among the most-decorated and most-watched pro...
28/05/2026
The 2026 Sports Emmys marked a watershed moment for Prime Video Sports. After bu...
TVBEurope meets the team behind RE:TV, a cross-platform channel, to discover how they keep both their production and streaming carbon footprints down by using remote production, local crews and working with third parties to release their content
