
Anna Lockwood, head of global sales, Telstra, on the rise of IP, the Cloud and remote production
Contributor 3 hours ago
Anna Lockwood, head of global sales, Telstra, on the rise of IP, the Cloud and remote production
target=_blank title=Share on LinkedIn class=share-linkedin> Anna Lockwood, head of global sales, Telstra, on the rise of IP, the Cloud and remote production
https://www.tvbeurope.com/features/helping-make-broadcasters-more-competitive title=Share via Email class=share-email>
Are broadcasters spending too much money on legacy systems? The short answer is probably yes. There have been several recent major changes in the way that broadcast workflows can be structured, in particular the move towards IP-based production and the introduction of the Cloud, that mean that legacy systems are increasingly outdated and inefficient by comparison. This is true in all global markets, where increasing competition for viewership, rising content costs (especially in sports), rapidly evolving consumer expectations and the demand for new services, and the shift towards 4K are all putting pressure on costs.
The markets are, of course, increasingly interconnected too. Content producers, whether in Europe, APAC or beyond, want to reach international audiences beyond their own individual markets. This is coupled with a rising demand in national markets for global content, especially with sports and live events, but also including drama and episodics if localisation factors are taken into account. What is being seen at both ends of these increasing and deepening content flows is an upsurge in interest in using a single media service delivery partner capable of providing an end-to-end solution on both a national and international basis.
Globally spanning hybrid networks can pass on impressive economies of scale to their users as well as providing best fit solutions for a widening range of use cases and crucial signal diversity for individual projects. They are capable of providing a genuinely global business process. Rather than a fragmented system of booking broadcast services, a client can book their required services, no matter how complex, with a single point of contact and a single bill at the end of the event or service. They can be impressive in their reach too, connecting sports venues on one side of the world to teleports and control rooms on the other and all points in between to ensure the most reliable, low-latency services possible.
Another area witnessing a surge of interest is remote production which is becoming steadily more widespread. Broadcasters are finding they can save significant amounts of money - we estimate between 10 to 20 per cent per event - by using remote production techniques, wherein camera paths and audio are fed via IP to centralised production hubs for switching live and editing.
That means that many of the personnel and equipment that were previously required to work onsite for live events can now remain at base. This realises greater efficiencies in terms of personal transport and accommodation, but is only the start of the benefits that remote production accrues. Moving production to a centralised hub dramatically optimises resource use, the same team and equipment being able to produce several events per day rather than the single one from a location. Additionally by using the same set-up it allows broadcasters to be consistent across their output, and with decreased set-up times be more agile in the way that they respond to changing events.
There are not just regional options either. Telstra, for example, has also worked on international projects such as the World Relay Championships in Japan, which featured a 20,000km roundtrip between Yokohama and Sydney and mere 224ms combined delay between sites, proving that remote production is now a reliably international proposition for productions seeking to move to remote production workflows.
The pressures on broadcasters are more intense in 2019 than ever. And while rising numbers of them are looking to outsource whole sections of their workflow as the benefits of the Cloud or hybrid Cloud over on-premise solutions - scalability, responsiveness, decreased costs and more - become increasingly apparent, there are still greater efficiencies that can be achieved. New techniques such as remote production and changing business focus to using a single international media service delivery partner, are both initiatives that can further unlock the huge potential of global markets and increase the promise of monetisation at the same time in a cost-effective manner.
SubscribeFor more stories like this, and to keep up to date with all our market leading news, features and analysis, sign up to our newsletter here.
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...
30/04/2025
Rohde & Schwarz pioneers the future of automotive Ethernet using Analog Devices&...
30/04/2025
Wuppertal April 30, 2025
Riedel Communications Expands Asia-Pacific Presence with New Office in Hong KongRiedel Communications, a global leader in real-time v...
30/04/2025
Back to All News
Mad Unicorn' Trailer Reveals a Riveting Rags-to-Riches Sa...
30/04/2025
Back to All News
Get Ready to Get Wild: Netflix Announces Mating Season, a New ...
30/04/2025
SAN JOSE, Calif. - April 30, 2025 - Harmonic (NASDAQ: HLIT) today announced that...