Sony Pixel Power calrec Sony

IABM Member Blog - Object Matrix - Introducing Digital Content Governance

15/03/2017

This blog was written by Nicholas Pearce, Sales Director / Co-Founder Object Matrix & Co-Founder at Object Matrix. The blog was published on March 13 2017 and the original can be viewed here.

Organisations creating, curating and distributing content need to know the following:

Riding the Deluge of Unstructured Content Given the deluge of content, yup, deluge. Was going to use tsunami but then everyone uses that. A veritable deluge I tell you. And guess what:

This data is big. Thanks to the 0.005% of people being able to watch 4K content all content MUST be 4k! Storage industry folks are cool with that. Why stop there? Please sign my petition to raise funds and awareness of the importance of 16K content production: www.iWant16KButWatchMostlySD.com. Of course, people are not producing 4K content for fun of it as the process of doing so is pretty expensive. They are doing it because of demand (Netflix etc.) and also to ensure their content is ready for future distribution channels.

BIG DATA. I did that in shouty letters so you get the idea that it's big. Clever eh? Anyway, BIG DATA needs big storage.

Even medium sized post companies now deal in petabytes. Time to stop thinking a petabyte is big. It was. It isn't. You're in the multiple petabyte media business now.

Using the public cloud? Sometimes I cannot download a 36kb email from my public cloud account. Not so much the cloud provider not being available, but more the tiny, unreliable pipe. Try shoe-horning a million times that down the same connection.

Not all cloud storage solutions provide the same levels of reliability. If the platform is not well architected then simple changes, or minor administrative errors, can have major consequences. Public cloud is great when it is one part of a strategy, not when it is your only strategy

Most media companies sadly don't have the skills to manage that deluginous (new word) influx of content never mind the storage required. In fairness to the engineers, just 5 years ago they were managing physical tapes. Now it's a world of petabytes and whilst the storage has increased 5x, skilled in-house resources are on the wane.

Companies are creating silos of content that is easily disconnected from the metadata that describes it. Lose the metadata, lose the content. It's that simple and it's happening day in day out.

There is still very little integration and automation to enable businesses to benefit from workflow efficiencies. There is still a lot of treating disk like tape with manual processes causing bottlenecks and introducing errors into the workflow. Valuable resources (people) are wasting time managing storage instead of working on functions that might actually benefit the organisation.

The value in a company that creates or has created video content lies in that very content. If they cannot find it, if they do not have two or more copies they are screwed.

Any company working in media is effectively a data and talent management company. Lose either, lose revenue.

Revenue generating activities tend to slow down when you either lose your clients' data or content gets leaked early. What are they doing to cope? Simply put, many are struggling and that is not surprising given that content, until very recent adoption of IT based technology, was once distributed through largely manual processes. Organisations are simply doing the best they can with the skills and resources at their disposal. The amount of content spewing into their facilities directly correlates to the amount of un-managed storage silos made up of everything from high end scalable NAS to USB Drives.

Security through obscurity is no way to protect content. Just because you can't find it does not make it secure Handing off this problem to another organisation is a very attractive proposition. Let Amazon deal with it. With this option available many are turning to the cloud fabric solutions only to find out that the sensible options are limited to the big public cloud providers where price is pretty much the only benefit they advertise. Whilst the race to the bottom continues to protect content the cost of getting data back can end up costing, well, a lot.

Many of these purchasing decisions were / are made in a tactical panic without taking into account the strategic vision of other stake holders in the business. The emergence of more focused, service based, offerings that satisfy the requirements of the whole business is encouraging. Niche services focused on what the media industry needs. How refreshing.

Niche services do not come risk free of course, whack a MAM and some cloud storage together and you have an offering for the media industry? Not sure it is that easy when taking care of an organisations assets. A question you should ask of any service, niche or public cloud: What are my exit options?

OK get to the point Pearce. What is DCG and how does it help? Digital Content Governance provides the technology platform that underpins the entire creative process. Whilst there are many API driven and integrated applications (rights management, workflow and metadata management etc.) that form a vital part of the ecosystem, DCG platforms are specifically focused on how to protect, curate, share, distribute and audit digital content:

Secure, scalable and future proof digital preservation platforms. Typically object storage platforms are best suited to provide the automation and integration, via APIs, to implement a Digital Content Governance platform

Find and share capability

Providing an audit trail during the lifetime of a piece of content

If organisations wish to profit from their content, build a successful community or better understand the costs of producing content they need their hands on their data, and metadata, 24/7 in order to interrogate, analyse, re-use, re-shape and sh
LINK: http://www.theiabm.org/news/member-news/blogart4619...
See more stories from iabm

Most recent headlines

04/09/2025

Monumental Sports & Entertainment and Dalet Win Prestigious 2025 NAB Show Project of the Year Award

Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...

09/05/2025

Wooden Camera Launches Accessories for the Blackmagic URS...

Wooden Camera, a leading innovator in camera accessories, is proud to announce the launch of a new line of products for the Blackmagic URSA Cine Cameras. These ...

09/05/2025

LYNX Technik Expands Series 5000 Platform with New 12G-SD...

LYNX Technik, provider of modular signal processing solutions is expanding its popular Series 5000 platform with three new 12G-SDI cards. The new cards provide ...

09/05/2025

Pebble migrates ON TV to new technology platform

Pebble, the leading automation, content management and integrated channel specialist, has completed a project to migrate ON TV, the major independent broadcaste...

09/05/2025

NUGEN Audio Unveils DialogCheck Speech Intelligibility So...

NUGEN Audio launches its new speech intelligibility plug-in, DialogCheck. A mono, stereo and multichannel dialog clarity meter, the software provides an objecti...

09/05/2025

Disguise to Showcase Turnkey Solutions at Middle Easts To...

Disguise the technology platform and solutions provider that powered MDL Beast Soundstorm 2024, Dubai Expo's Al Wasl Dome and visual displays at the Burj ...

09/05/2025

CVP Brings Cutting-Edge Broadcast Live Production and Stu...

CVP has announced it will demonstrate its cutting-edge broadcast, live production and studio solutions at MPTS 2025. Taking place at Olympia London from 14th - ...

09/05/2025

Mediagenix and White Peaks Solutions Team Up to Power Sha...

Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, and White Peaks Solutions, the prominent e...

09/05/2025

SportsEngine Play Extends Award-Winning Collaboration Wit...

SportsEngine Play, the first-of-its-kind streaming service for youth sports, has agreed to a multi-year extension with AI-automated sports content leader, Pixel...

09/05/2025

TOD by beIN goes live with Friend MTS to tackle piracy in...

Friend MTS, a leading global provider of content protection services, today announced that TOD, the premier sports and entertainment OTT subscription service fo...

09/05/2025

ZEISS Demos One-Click Virtual Lens Tech for VFX and Compo...

ZEISS announces that it is in development on a new virtual lens technology that will allow visual effects and compositing artists to apply an authentic lens loo...

09/05/2025

Cerberus Tech at MPTS Unifying Cloud and On-Premises Cont...

At the 2025 Media Production & Technology Show (MPTS), Cerberus Tech will showcase the latest major enhancement to its Livelink IP video delivery platform the...

09/05/2025

Warren Thomas Named Vice President and General Counsel of Capitol Broadcasting Company

Capitol Broadcasting Company welcomed Warren Thomas as the new Vice President an...

09/05/2025

Harvard Taps Studio Technologies for Sports Telecasts

CAMBRIDGE, Mass. Studio Technologies said the Harvard University athletics department has integrated Dante-enabled equipment from the vendor into its broadcast ...

09/05/2025

ITN, Magnite Launch Programmatic Solution for Local Linear TV

NEW YORK ITN, a provider of a local linear supply side platform, and Magnite, a independent sell-side advertising company, have announced that they working toge...

09/05/2025

Nugen Audio Unveils DialogCheck Speech Intelligibility Software

LEEDS, U.K. Nugen Audio has launched a new speech intelligibility plug-in, DialogCheck and offered up quotes from technologists working at places like Netflix p...

09/05/2025

AJA I/O Gear: The Heart of Broadcast Solutions' VEGO Mobile Editing Solution

AJA I/O Gear: The Heart of Broadcast Solutions' VEGO Mobile Editing Solution Brie Clayton May 8, 2025 0 Comments When working remotely on broadcas...

09/05/2025

What do they teach in an Advanced Adobe After Effects Course?

What do they teach in an Advanced Adobe After Effects Course? Roland Kahlenberg May 8, 2025 0 Comments There aren't many advanced After Effects co...

09/05/2025

Larry Jordan Sits with Trevor Morgan of OpenDrives at NAB 2025

Larry Jordan Sits with Trevor Morgan of OpenDrives at NAB 2025 Brie Clayton May 8, 2025 0 Comments Trevor Morgan, COO of OpenDrives, shares how the co...

09/05/2025

Berklee Popular Music Institute Announces UK Festival Debut and Tour Dates

Berklee Popular Music Institute Announces UK Festival Debut and Tour Dates For the first time, BPMI will bring Berklee-affiliated artists and students to the ...

09/05/2025

Tom Brady, Nadine Coyle, Joe Duffy and EMMY among guests on this week's Late Late Show season finale

Here is your host, Patrick Kielty! In the season finale of The Late Late Show, ...

09/05/2025

My Eurovision Party 2025 - join in on the fun with RT Kids and Marty Whelan avatar!

My Eurovision Party 2025 - join in on the fun with RT Kids! Eurovision launche...

08/05/2025

What to Watch: 6 Sundance Institute-Supported Films by Filipino Directors

A sinister fairy infiltrates a desperate family in Kenneth Dagatan's In My Mother's Skin, which premiered at the 2023 Sundance Film Festival. Photo co...

08/05/2025

Expected weak market dynamics weigh on business development in the first three months 2025

As expected, continued weak demand from key sales markets and declining economic...

08/05/2025

BBC announces Agatha Christie's Endless Night, adapted by Sarah Phelps

A new three-part series is coming to BBC iPlayer and BBC One (Image: The Christie Archive Trust) The BBC has announced Agatha Christie's Endless Night, a...

08/05/2025

Managing the Mission: Teaching Technique to C3ISR Operators

For skyward-bound operators, training focuses on the unique aspects of flying ISR missions, including the management of onboard surveillance equipment and the e...

08/05/2025

Cable Industry Backs Broadcasters' Move to Software-Based EAS

The cable industry has told the Federal Communications Commission it supports the National Association of Broadcasters' proposal to allow broadcasters to us...

08/05/2025

CTA Tells FCC: Dont Mandate ATSC 3.0 Tuners

WASHINGTON The Consumer Technology Association has continued its opposition to mandates requiring that NextGen TV/ATSC 3.0 tuners be included in new TV sets, sa...

08/05/2025

TAG Video Systems Appoints Paul Maroni as Vice President...

TAG Video Systems, the leader in software-based IP end-to-end workflow monitoring, deep probing, and real time visualization, has named Paul Maroni as Vice Pres...

08/05/2025

BroadcastAsia 2025 Showcases Best of British Innovation

This year's UK Pavilion in hall 5, once again managed by Tradefair, will provide visitors with the unique opportunity to discuss and be involved in cutting ...

08/05/2025

Rohde & Schwarz to highlight innovative broadcast technol...

Rohde & Schwarz will showcase its latest energy-efficient transmitters and 5G Broadcast technologies, designed to support network operators and content provider...

08/05/2025

Nexstar Appoints Bill Nardi VP of Station Operations

IRVING, Texas Nexstar Media Group has tapped Bill Nardi as vice president of station operations, responsible for overseeing the day-to-day broadcast operations ...

08/05/2025

LumaTouch Partners With CNN Academy on Training

SEATTLE LumaTouch is partnering with CNN Academy to improve mobile storytelling techniques and support training across all of CNN Academy's training simulat...

08/05/2025

SBE Backs NAB Proposals to Change EAS Rules

WASHINGTON The Society of Broadcast Engineers has filed comments with the Federal Communications Commission that support a proposal by the National Association ...

08/05/2025

OAN to Provide News to VOA, USAGM Networks

Senior adviser to the United States Agency for Global Media Kari Lake has announced that One America News Network (OAN) will provide newsfeed services for fre...

08/05/2025

EdMon Expands as AI-Driven Post Production Workflows Gains Traction in Sweden and Beyond

EdMon Expands as AI-Driven Post Production Workflows Gains Traction in Sweden an...

08/05/2025

Using Luma Mattes in Adobe Premiere Pro

Using Luma Mattes in Adobe Premiere Pro Graham Quince May 7, 2025 0 Comments This very quick tutorial shows you how to take an RGB clip and apply its ...

08/05/2025

OpenDrives Unveils Free Your Data' Initiative with New Astraeus Cloud-Native Data Services Platform

OpenDrives Unveils Free Your Data' Initiative with New Astraeus Cloud-Nativ...

08/05/2025

Student Spotlight: Grigori Balasanyan

Student Spotlight: Grigori Balasanyan The Armenian composer, who was named Boston Conservatory at Berklees 2025 student commencement speaker, talks about his ...

08/05/2025

VEON Shareholders Re-elect Board at 2025 AGM, Founder Augie Fabela to Serve as Chairman

08 May 2025 VEON Shareholders Re-elect Board at 2025 AGM, Founder Augie Fabela ...

08/05/2025

Will Mellor & Ralf Little return to U&Dave for more Will & Ralf Should Know Better

Comedy and entertainment channel U&Dave bring back their #1 ranked programme of ...

08/05/2025

Tribeca Festival 2025 Unveils New Premieres Spanning Film and Music

May 8th, 2025 Press Materials Available Here Tribeca Festival 2025 Unveils New Premieres Spanning Film and Music Slick Rick's Victory with Idris Elba a...

08/05/2025

Tribeca Festival 2025 Announces Lineup for Inaugural Storytelling Summit

May 8th, 2025 Press Materials Available Here Tribeca Festival 2025 Announces Lineup for Inaugural Storytelling Summit 11-Day Industry Event Launches with Tal...

08/05/2025

SVG Sit-Down: Vizrt's Nicholas Jameson on AI in Workflows, Pushing Boundaries With XR/AR

SVG Sit-Down: Vizrt's Nicholas Jameson on AI in Workflows, Pushing Boundarie...

08/05/2025

Creating Alternative Brand Experiences: Live Sports in the Age of Fortnite, Meta Horizon, and Beyond

Creating Alternative Brand Experiences: Live Sports in the Age of Fortnite, Meta...

08/05/2025

PGA TOUR's David Piccolo: Advanced Graphics and Virtual Production Tools are Elevating Live Golf Coverage

PGA TOUR's David Piccolo: Advanced Graphics and Virtual Production Tools are...

08/05/2025

Tech Focus: Advancing Immersion in Sports Broadcasting with AR and Virtual Production

Tech Focus: Advancing Immersion in Sports Broadcasting with AR and Virtual Produ...

08/05/2025

Now in Production: Comedy Action Film Husbands in Action' Puts Unlikely Allies on a Rescue Mission

Back to All News Now in Production: Comedy Action Film Husbands in Action'...