Sony Pixel Power calrec Sony

Creative Signature

03/05/2023

Created by Tony Basgallop and executive-produced by M. Night Shyamalan, the horror series Servant has delivered 40 episodes of psychological torment across four seasons as it tells the story of a young couple coping with the loss of their 13-week-old son. The series consistently takes viewers to unexpected places both narratively and visually; in the fourth and final season, those destinations were reached with the help of cinematographers Lowell A. Meyer; Gabriel Lobos; Marshall Adams, ASC; Greta Zozula; Pete Konczal, ASC; and Michael Gioulakis, ASC. Meyer, who also photographed three episodes of Season 3, recently shared his perspective on maintaining the series' signature style of camerawork.

Cinematographer Lowell A. Meyer (right).

Panavision: How would you describe the look of the series?

Lowell A. Meyer: This show is all about tension. Why are people doing what they're doing? Why aren't they doing another thing that could save them? What is outside the frame? What is that person eating?! It's about the parceling of information at the exact right time and withholding whenever you can.

This translates to the photography by way of holding shots as long as possible and letting the suspense, drama and even comedy play out in real time. It also usually means a lack of coverage, so we're not giving ourselves or the audience a way out of that tension. It means seeing far down hallways and keeping the lighting moody, with lots of shadows and corners to hide in. Our camera is almost a character in and of itself, in every nook and cranny of the house, peering and moving to keep pace with the action. But it's also a matter of contrast the camera can seamlessly go anywhere it wants until it suddenly can't and is locked off.

Everything was meticulously storyboarded in advance, so there was very little improvisation on the day. Our shots could be incredibly complex and sometimes required the camera to go in a very odd space in the house under a door, in a garbage disposal, etc. Having the resources and team at Panavision New York so readily and closely available was a necessity to ensure the creative success of the season. We knew their cameras, lenses, and gear could handle the crazy shots and tasks that we were asking of the equipment and our crew every day.

Were there any particular visual references you looked at for inspiration?

Meyer: Being Season 4, the show's look was so established that there was little more needed than the source material itself. The directors and I were always mining earlier episodes and shots to see how we could one-up them or do something unique in sets we'd seen so many times before, all while staying grounded and keeping every creative decision in the perspective of the characters and the emotions of the scenes.

That being said, Fincher, Hitchcock, Bong and Shyamalan were all names that the directors and I looked to for additional inspiration when stuck or presented with something unique for the show. Rosemary's Baby and Parasite were big references for me since they deal with status and relationship dynamics within the confines of elevated and subterranean spaces.

What optical characteristics did you see in the Primo 70 lenses that made them the right match for Servant?

Meyer: The Primo 70s were an established lens set on the show, and for good reason: They're fast, lightweight, relatively small, and they come in a wide variety of focal lengths. These practical advantages allowed them to be employed with our Mini LF on a Ronin 2, which we used for nearly every shot on the show, even with the Primo 70 zooms.

They're really gorgeous lenses, with a sharpness across the frame yet a softness to the focus roll-off. Paired with a subtle softening filter, these lenses shine as full-frame beauties and give the show its melancholy and modern look.

More than anything, we used very wide focal lengths on the show. The 27mm and 29mm were the hero lenses by far, but it was important to have the wiggle room of a variety of wide focal lengths that held up in their sharpness and lack of distortion. Even though we were on a set where we could remove walls and built-ins to get any achievable angle, we tried to stay true to what would be possible in the physical confinements of a real house. Having smaller lenses and a variety of focal lengths helped us not break that creative limitation we imposed upon ourselves.

How does this project differ from others in your career?

Meyer: Servant was wholly a beast of its own, constantly reinventing what's possible to do with a camera and how complicated a shot can get. I can't count how many oners we did that were long takes, full of compound movements, pans and tilts that were tack sharp and needed to hit a critical mark with a critically tight depth of field. The crew was always chomping at the bit to tackle these big shots. It's a powerful sight to behold when you see an entire crew working in sync to get a complicated idea on its feet and then accomplished on time and on budget that's an art in and of itself! There's truly no better feeling to me than to be on a set that is running smoothly and producing scenes that make the whole crew proud to contribute their pieces of the puzzle.

We were nearly always single-camera filming, with the second camera preparing for the next scene. That helped us get ahead of these complicated setups. Working on a TV schedule, we often didn't have a lot of prep time, so instead we would leap-frog the camera teams, going from Steadicam on A to dolly on B, then to Ronin on A, then a rigged mount on B, etc. We were always trying to stay one step ahead to make our days full of these bespoke rigs and shots.

Servant is also unique in my career in that it's a TV show that really is director- and DP-driven. The directors
LINK: https://www.panavision.com/highlights/highlights-detail/creative-signa...
See more stories from panavision

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

06/05/2026

Wisycom RF Solutions Support Gravity Medias Live Cycling and Marathon Broadcasts

Gravity Media Chief RF Communications Engineer Glenn Willems uses Wisycom RF over Fiber and wireless solutions across major cycling events and international mar...

06/05/2026

Sennheiser Spectera Module Now Available in Bitfocus Companion and Buttons

A Sennheiser Spectera module is now available in Bitfocus Companion and Buttons, enabling direct integration of Spectera with the two software platforms. The mo...

06/05/2026

Ted Turner, Cable Television Pioneer, Sports Broadcasting Hall of Famer, Dead at 87

Ted Turner, the visionary media entrepreneur whose appetite for disruption helpe...

06/05/2026

FIFA World Cup 2026: Peacock Launches Visin de Campo (aka Pitchside Live), Will Stream All 104 Matches in Spanish

Peacock is going all-in on the beautiful game - streaming all 104 FIFA World Cup...

06/05/2026

NoiseWorks Audio launch VoiceAssist Basic, Standard & Advanced

New pricing tiers for vocal/dialogue restoration tool NoiseWorks Audio's AI-powered vocal and dialogue processing plug-in is now available in three diff...

06/05/2026

RME TotalMix FX 2 now available

Popular mixing & routing software overhauled Following a recent public beta test, RME have launched the final release version of the powerful mixing and rou...

06/05/2026

Focusrite: Designing The ISA C8X Audio Interface

New SOS Video Feature Focusrites ISA C8X is a milestone product that brings together the companys analogue heritage and their expertise in digital audio. Yo...

06/05/2026

L3Harris to Boost Polish Navy Combat Power with Advanced Ship System

Polands Miecznik-class frigates are part of the largest contract in Polish shipbuilding history. (Image Credit: PGZ Stocznia Wojenna)...

06/05/2026

FCC's Anna Gomez Urges Rigorous Review of Paramount-WBD Merger

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Riedel Ups Marc Engroff to CFO, Shifts Frank Eischet to Group COO

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Amagi Launches In-Content Ads' to Attract More CTV Advertisers

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Riedel Expands Leadership Structure Appoints Marc Engroff...

Riedel Communications today announced the expansion of its leadership structure as part of a strategic initiative to strengthen both its operational management ...

06/05/2026

Production Sound Mixer Dirk Sciarrotta Delivers Camera Re...

For nearly three decades, Veteran Production Sound Mixer and Five-time Emmy Award Winner Dirk Sciarrotta has helped define the sonic identity of the long-runnin...

06/05/2026

ZEISS CinCraft LensCore: Cinema Lens Looks for Compositing

ZEISS CinCraft LensCore: Cinema Lens Looks for Compositing Brie Clayton May 6, 2026 0 Comments ZEISS announces the launch of CinCraft LensCore, a nove...

06/05/2026

Wisycom Solves Extreme RF Challenges Across Miles of Live Action for Gravity Media

Wisycom Solves Extreme RF Challenges Across Miles of Live Action for Gravity Med...

06/05/2026

NAB Launches Weekly Podcast on Local Broadcast Policy

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Mavis Launches Mavis Studio iPad For Media Production

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Narrative Entertainment partners with Encompass to provid...

Narrative Entertainment has partnered with Encompass to deliver high-quality subtitling of its Great! network content using the Altitude Intelligence AI assiste...

06/05/2026

SipRadius extends its seamless creation and connectivity...

SipRadius, widely recognized for making content processing and connectivity secure and seamless, is proud to launch a dramatic new approach to AI content creati...

06/05/2026

Big Blue Marble at ANGA COM - TV as a Service in the spot...

When the broadband and media industry gathers at ANGA COM in Cologne from May 19 to 21, Big Blue Marble will be at the forefront. The international broadcast an...

06/05/2026

Cinegy makes its MPTS debut with software-defined televis...

Cinegy GmbH, a leading developer of software-defined television technology, is proud to exhibit at MPTS for the first time. Visitors to the stand will discover ...

06/05/2026

Val Jeanty Receives 2026 Doris Duke Artist Award

Val Jeanty Receives 2026 Doris Duke Artist Award Jeanty, a composer, percussionist, and turntablist, is the fourth Berklee recipient of the prestigious award ...

06/05/2026

Zeiss Launches CinCraft LensCore

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Gomez Urges Rigorous FCC Review of Paramount-WBD Merger

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Wisycom Solves Extreme RF Challenges Across Miles of Live...

When live cycling races and international marathons stretch for miles across cities and countryside, there is no margin for RF failure in live broadcast. As Chi...

06/05/2026

ZEISS CinCraft LensCore - Cinema Lens Looks for Compositi...

Oberkochen/Germany, May 5, 2026 ZEISS announces the launch of CinCraft LensCore, a novel solution for creating physically based cinematic lens looks for visual...

06/05/2026

VEON's Kyivstar Authorized to Resell Starlink for Businesses & Enterprises in Ukraine

06 May 2026 VEON's Kyivstar Authorized to Resell Starlink for Businesses & ...

06/05/2026

UKTV Brings the Early Years of Neighbours to U in 420Episode Back Catalogue Deal

UKTV has secured the exclusive rights to the early back catalogue of iconic Australian drama series Neighbours, following a landmark content deal with Fremantle...

06/05/2026

Sky commissions feature documentary to mark 10th anniversary of Manchester Arena bomb

Wednesday 6 May 2026 Sky commissions feature documentary to mark 10th anniversa...

06/05/2026

Sky and Formula 1 agree long-term partnership across UK, Ireland and Italy

Wednesday 6 May 2026 Sky and Formula 1 agree long-term partnership across UK, Ireland and Italy Sky in the UK & Ireland to remain the home of Formula 1 until ...

06/05/2026

GUPPYFRIEND champions microplastic reduction in sport with The Real Bag For Life Sky TV campaign

Sky Zero Footprint Fund-backed TV campaign launches nationwide, supported by new...

06/05/2026

Riedel Expands Leadership Structure, Appoints Marc Engroff as CFO and Frank Eischet as Group COO

Wuppertal May 6, 2026 Riedel Expands Leadership Structure, Appoints Marc Engro...

06/05/2026

Harmonic Defines a New Era of Broadband Connectivity at ANGA COM 2026

SAN JOSE, Calif. - May 6, 2026 - Harmonic (NASDAQ: HLIT) today announced its latest broadband innovations for ANGA COM 2026, highlighting its vision for a new e...

06/05/2026

Statement from Rupert Murdoch, Chairman Emeritus, Fox Corporation on Ted Turner's Passing

Statement from Rupert Murdoch, Chairman Emeritus, Fox Corporation on Ted Turner&...

06/05/2026

Calling all animal lovers, The Shelter: Animal SOS returns for a sixth season

Friday 8 May on RT One and RT Player Meet the NSPCA team caring for and protecting animals in need in this six-part series Fly on the wall, six-part series...

06/05/2026

NVIDIA Spectrum-X - the Open, AI-Native Ethernet Fabric - Sets the Standard for Gigascale AI, Now With MRC

The race to build the world's most powerful AI factories demands networking ...

06/05/2026

May 05, 2026

How changes to proteins can alter drug interactions for new precision therapies Scripps Research team maps how chemical modifications to proteins affect drug bi...

05/05/2026

Lessons from fragile contexts on responding to disinformation

Experts from the world of academia, tech, business, politics and media convened for a Thomson Talks at the Cambridge Disinformation Summit in April. It's th...

05/05/2026

Samsung Galaxy S26 Ultra Phone Cameras Bring New Excitement to Street League Skateboarding

Three phones were hardwired for power and transmission to the truck; camera feat...

05/05/2026

Case Study: How Zaki Rose Rebuilt Its Production Infrastructure, and What It Means for Sports Content Creators

The creative studio behind campaigns for the NBA, Fanatics Sportsbook & Casino, ...

05/05/2026

Nielsen Co-Viewing Pilot Shows Average 4% Viewership Increase for February Live Events

Nielsen has announced results from a co-viewing pilot program covering February&...

05/05/2026

Nippon TV and FOR-A Win NAB Product of the Year and Future Best of Show Awards for viztrick AiDi

viztrick AiDi, an on-device AI solution developed by Nippon TV, delivered global...

05/05/2026

ARRI Introduces Omnibar LED Linear Fixture for Film, Live Entertainment, and Content Creation

ARRI has announced Omnibar, a battery-powered, IP65-rated multi-color LED linear...

05/05/2026

France Tlvisions Becomes First Broadcaster to Deploy Imagine Communications SNP-XS

Imagine Communications has announced that France T l visions is the first broadc...

05/05/2026

WNBA Announces Historic Canadian Media Rights Agreement with Bell Media

The Women's National Basketball Association (WNBA) and Bell Media today announced a multiyear agreement to broadcast and stream WNBA games in Canada beginni...