
VFX Graduates at Rising Sun Pictures Follow Different Paths to Success
data-src=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c562aaf4-bpthumb.jpg data-srcset=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c561c0e7-bpfull.jpg 2x class=lazyload avatar avatar-80 photo height=80 width=80 />
Brie Clayton April 20, 2021
0 Comments
The training programs at Rising Sun Pictures (RSP), operated in partnership with the University of South Australia (UniSA) provide prospective visual effects artists with the essential skills they need to work in industry. The Bachelor of Media Arts and Graduate Certificate programs both have an admirable record for success with its graduates regularly finding employment at visual effects studios throughout Australia and beyond-including at RSP itself.
Sash Elliott, Maddison Green, Ryan Woodcock, Olivia Mitchell and Monica Quan are excellent examples of the value of training at RSP. Each of the six Adelaide natives participated in one of RSP's training programs accredited through UniSA last year and were subsequently hired by the studio in junior roles.
Each of these young artists has a different story, but they share commonalities in their commitment to hard work, eagerness to become accomplished professionals and determination to achieve big things.
Here are their stories:
Sash Elliott completed the visual effects (VFX) specialisation of the Media Arts degree last October and was offered a position with the studio just a few weeks later. Initially hired as a front-line services wrangler, managing data and providing artist support, she moved to the layout department after two months and is currently a junior track and match-move artist. I love layout, she insists. It was challenging at first, but as long as you know the under-pinning principles, you can apply it to the software.
Sash's passion for visual effects ignited when she enrolled in an introductory computer animation course as a Media Arts student at UniSA. It blew me away, she recalls. I immediately saw it as a career opportunity. When I learned that I could specialise in visual effects and take third-year courses at Rising Sun Pictures, I signed up straight away.
The training was demanding, but Sash applied herself diligently and undertook tasks beyond what her instructors required. I did my assignments to the best of my ability, but I also pushed myself further and took on side projects to show my passion and interests, she recalls. At the end of the semester we gave presentations and I shared some of my extra work. It helped me stand out.
Securing her first job so quickly, Sash looks forward to a promising future. I'm focused on improving my skills in layout, she says. I hope to progress to senior artist, but that will take experience. I'm eager to see what happens.
Maddison Green came onboard RSP as a frontline services wrangler in February. Having been cautioned, following her graduation last October, that it could take six months or longer for a position to open, she was pleasantly surprised. The learning curve is steep, she says of her new role, but it's going very well and so much fun. The camaraderie is great. Everyone here loves movies, so it's easy to chat and have good conversations. Everyone's keen to help each other out.
Maddison trained onsite at RSP as a third-year Media Arts student at UniSA. She received intensive instruction in compositing, tracking and other skills, but what she found most rewarding was the opportunity to interact with working professionals. Talking with senior artists and learning how they progressed in their careers was super valuable, she recalls. The teaching assistants, who also trained at RSP, reinforced the principles covered in class. They understood what we were going through and knew how to slow it down and explain things.
Anxious to flex her creative muscles, Maddison is interested in becoming a compositor. However, her experience thus far has taught her that the most important quality for a young artist is adaptability. You need to take advantage of every opportunity, she insists. If you have a chance to talk with senior artists, go talk with them. If you're in class, you need to stay focused and engaged. You need to be a good artist, but you also need to network and cultivate connections.
Ryan Woodcock set his sights on a visual effects career in high school. His interest was piqued by a showcase presentation from the Academy of Interactive Entertainment (AIE). He completed AIE's two-year advanced diploma program, then went onto UniSA and undertook RSP's Graduate Certificate program. By year eleven, I knew I wanted to work in visual effects, but it was only when I got to study at RSP that I learnt how to get my foot in the door, he says. The program is amazing and offers a doorway to industry through its recruiters and connections to other studios.
Ryan is totally absorbed in his work as a junior paint and roto artist in RSP's layout department but he maintains a strong interest in compositing, which was a focus of his training. Compositors apply the final touch before the image goes to the screen, he observes. They put it together and make it look gorgeous. They deliver the shots that people see. I find that so appealing.
Hard work and persistence are obviously essential to success in visual effects but being lucky doesn't hurt. Ryan says that he landed his job, in part, by being in the right place at the right time. I phoned an RSP recruiter just to stay in contact and it happened that the studio's head of 2D had just informed her of an opening, he recalls. She said she'd get back to me on Thursday, but the next day I received an email with a job offer. One week later, I was starting. There's nothing like
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
DHD Introduces AI-Based Audio Noise Reduction to XD3 IP Core
Brie Clayton April 3, 2026
0 Comments
The accompanying image shows the rear panel of the ...
04/04/2026
Macnica Redefines ST 2110 Flexibility with Two Speeds on One Card
Brie Clayton April 3, 2026
0 Comments
New for NAB Show 2026, MEP100 SmartNIC now sup...
04/04/2026
Unified Media Workflows for Story-Centric Production
Brie Clayton April 3, 2026
0 Comments
Framelight X unifies field capture, editing and publishing ...
03/04/2026
Michigan's Fab Five will reunite for an alternate presentation of the Mich...
03/04/2026
Avid will exhibit at NAB Show 2026 (April 18-22, Booth N2226, Las Vegas Convention Center), demonstrating its Content Core platform and new AI-driven workflow c...
03/04/2026
Mark Roberts Motion Control (MRMC) has announced the appointment of Nick Barthee as Chief Operating Officer.
The announcement follows MRMC's transition fro...
03/04/2026
Interra Systems has announced that Elite Media Technologies has selected its BATON file-based QC solution for media workflows. Elite Media Technologies speciali...
03/04/2026
Ateme has announced that Moldtelecom has deployed Ateme technologies across its streaming workflow, covering encoding, delivery, operations, and analytics.
Mol...
03/04/2026
Grass Valley will demonstrate Framelight X, its content management platform, at NAB Show 2026. The platform connects capture, ingest, editing, and publishing in...
03/04/2026
Encompass Digital Media and Techex have announced a cloud-native Master Control ...
03/04/2026
Live Vertical Video automatically track the action on the court via AI technology and delivers a fully optimized, 9 16 live feed for viewers...
03/04/2026
As the Illini make their first trip to college basketball's biggest stage si...
03/04/2026
After last summer's Softball National Championship victory and last week'...
03/04/2026
The University of Arizona's Men's Basketball team has only loss twice th...
03/04/2026
Eight games across four tournaments will be played in three venues; accommodatio...
03/04/2026
The Ottawa Senators and Bell Media have announced a long-term rights extension for regional Ottawa Senators games on TSN and RDS. TSN Radio 1200 remains the exc...
03/04/2026
Massive production in Phoenix running out of Flagship Mobile unit, Features 50+ ...
03/04/2026
Iconic guitar pedals now available in plug-in form
Guitar effects experts Electro-Harmonix have teamed up with MixWave to turn a collection of their most pr...
03/04/2026
New multi-band AUv3 plug-in announced
Fred Anton Corvest (FAC) offer an extensive range of AUv3 plug-ins and iOS/iPadOS Apps, and their multiband effects pr...
03/04/2026
Just 84 units to be released in the US
Experimental synthesizer and sound-machine extraordinaires SOMA Laboratory have revealed an upcoming special-edition ...
03/04/2026
Emulates the input section of an Ampex 350
One of the latest arrivals to the Iconic Instruments range delivers a new tube preamp plug-in inspired by the cir...
03/04/2026
New York April 2, 2026 TelevisaUnivision, the world's leading Spanish-la...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
CVP, one of Europe's leading suppliers of professional video and broadcast solutions, today announces the launch of its new German operation and the formati...
03/04/2026
Mark Roberts Motion Control (MRMC) today announces the appointment of Nick Barthee as Chief Operating Officer, strengthening its leadership as the company conti...
03/04/2026
Net Insight introduces programmable Trust Boundaries that make live media interconnection predictable as traffic moves between facilities, networks and cloud en...
03/04/2026
Winning in the new media economy: Avid showcases AI-powered, connected intellige...
03/04/2026
NUGEN Audio CEO Dr. Paul Tapper to Lead Presentation About Dialog Intelligibilit...
03/04/2026
NAB Show 2026: PlayBox Neo Highlights Workflow, Security, and IP Advances
Brie Clayton April 2, 2026
0 Comments
PlayBox Neo will showcase the latest i...
03/04/2026
For Taku Hirano, Everything Is Connected From touring and composition to teaching and instrument design, the in-demand percussionist sees it all as one body o...
03/04/2026
Berklee Honors Humberto Ramirez with Master of Latin Music Award The alumnus and acclaimed trumpeter is honored for his influence as a performer, composer, an...
03/04/2026
VIZ Media Lands Rumiko Takahashi's MAO, Sets April 4 Premiere on Hulu in the...
03/04/2026
Back to All News
Competition Heats Up with Intrigue and Spices: Netflix Unveils...
03/04/2026
Back to All News
Radioactive Emergency Ranks #1 On Netflix's Global Top 10 ...
02/04/2026
HBO and NFL Films have announced Hard Knocks: Training Camp with the Seattle Sea...
02/04/2026
Haivision has announced the Makito ONE, a single-blade video encoding and decoding platform, at NAB Show 2026. The platform combines dual-channel video encoding...
02/04/2026
Telestream has introduced UP.Lens, a cloud-based multiviewer and monitoring serv...