
The traffic and processing capabilities of Network Device Interface (NDI) video-over IP technology and its surrounding ecosystem of products make it a suitable choice for many complex broadcast IP projects, writes Three Media CTO Craig Bury
By Contributor
Published: November 25, 2021
The traffic and processing capabilities of Network Device Interface (NDI) video-over IP technology and its surrounding ecosystem of products make it a suitable choice for many complex broadcast IP projects, writes Three Media CTO Craig Bury
target=_blank title=Share on LinkedIn class=share-linkedin>
My career in broadcast and media began back in 1971, and I've seen a lot of major technology changes since then: black and white to colour, mono to stereo, analogue to digital. Now we are in the middle of another massive shift - from SDI to IP - and while it is bringing plenty of benefits in making productions and operations more flexible and conducive to remote working, it is also presenting huge challenges as well.
Part of the problem on this occasion is that broadcast workflow needs are changing simultaneously in so many ways. Remote working and remote production were discernible trends before the pandemic - but have surely now accelerated as a result. This calls for more versatile access to content outside of the traditional studio environment, often using mobile connections or the domestic WiFi of reporters or producers. Meanwhile, the number of streaming platforms and services that content producers have to support is growing all the time.
It won't be a surprise to discover that the adoption of the cloud for production and managed services is already playing a big role in providing these more flexible workflows. Cloud services are maturing, and many broadcasters are in the process of implementing (at least) hybrid cloud/on-premises infrastructures. But the shift from SDI to IP networking is arguably proving more problematic as we haven't yet reached the stage where the interoperability issues have been resolved.
For example, there has been a lot of attention given to the SMPTE ST 2110 suite of standards, which have undoubtedly been a big catalyst for the IP movement. But at the moment our experience of it tells us that there are still some tricky areas. In particular, the support that vendors are offering for ST 2110 is variable - some are doing it very well, others less so. That means there is a serious possibility of interoperability issues between systems from different vendors - not something you want to have to contend with!
It's in this context that my team is currently looking towards NDI as a more capable and seamless route into broadcast IP. Developed as an open-source technology by NewTek, which was then acquired by Vizrt, it has more recently spun out into its own operational entity. Developed to allow real-time, ultra-low latency on existing IP networks, NDI offers several major advantages to broadcast users when compared to many other IP technologies.
Practical and cost-efficient Removing the need for costly networking and infrastructure investments, NDI is able to utilise standard Ethernet-based LAN networks, making it possible to connect every system in the MCR and related environments - including cameras, screens, production rooms, control and operational facilities. It also allows every enabled device and source to be visible on the network as a source or destination - giving MCR personnel a complete overview of the network at all times.
Moreover, in contrast to some technologies where the focus is on uni-directional transport, NDI enables multi-directional, two-way signal transmission over IP - to and/or from any NDI-enabled device. This makes the whole process much more efficient and a decisive step up from simply replacing SDI cabling with Ethernet. Other advantages of NDI include a codec that requires less processing power than many competitors, the ability to handle double-digit video streams using a Gigabit network connection, and the fact that it has already been tested extensively in real world' productions.
There are, however, two aspects in particular that we think will mean NDI truly goes the distance in broadcast. Providing a universal workflow, NDI is not beholden to resolution or format - meaning that it can continue to be used successfully as the industry moves from HD to 4K and even 8K. Of course, this also means that it can continue to be refined and augmented without affecting interoperability.
Indeed, with the increase in remote working and production on everyone's mind, the latest version, NDI 5, adds several significant new features, including NDI Bridge (for sharing NDI sources with others beyond your local network) and NDI Remote (sharing or receiving an NDI source over the web). The amount of production being done outside of the studio, and by smaller teams on-site and at home, will continue to increase - meaning that standardised technologies will become ever more critical. NDI provides precisely this kind of reassurance, and it's a key reason why we are supporting its roll-out in broadcast and in particular, the workflows that extend past production and into presentation, linear transmission and distribution. This is new territory for NDI.
The Three Media team have been very fortunate to engage directly with Dr Andrew Cross, the person responsible for bringing NDI to our industry and the wider world. He demonstrated just how comprehensive and flexible NDI is alongside deepening our understanding of the benefits that can be realised from the entire NDI developer and user community. It has been really exciting to work in partnership with Three Media to look how to innovate playout. Using NDI in the cloud we are putting together what is going to be the future of how production all the way through to presentation is pe
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
28/10/2026
SDI Failsafe IP Routing: Inside the UTAH-400 Series 2 Router A pure-IP routing core has no inherent fallback. When the ST 2110 network degrades, when the PTP gr...
28/10/2026
MLB Network is nearly all-day media day coverage across MLB Now, MLB Central, ML...
28/10/2026
Voyage Audio and Shure microphones are in the forefront of the sector's transition to digital
Microphones may have come late to the digital table, but they...
28/10/2026
Having long resisted the transition, broadcast audio's most fundamental element is finally entering the digital era
About 25 years ago, a microphone manufa...
28/10/2026
The Wireless Microphone Spectrum Alliance (WMSA), formed in 2025 to raise awareness with government entities about wireless microphone operations, has held meet...
28/10/2026
Telos Aliiance was at the recently held IBC in Amsterdam once again representing its brands which include Axia Audio, Omnia Audio, Telos Systems, 25-Seven Syste...
28/10/2026
SPORTEL Monaco 2026 wrapped up three days of high-level business, international ...
28/10/2026
By Ramona Flume
One of the most exciting things about the Sundance Film Festiva...
28/10/2026
By Jessica Herndon
One of the most exciting things about the Sundance Film Fest...
28/10/2026
Co-Presented by Letterboxd
BOULDER, Colorado, October 21, 2026 - The nonprofit Sundance Institute announced today the Legacy program for the 2027 Sundance Film...
28/10/2026
Two full-range, flat-response amps revealed
Moog's latest announcement may come as a bit of a surprise to many, as rather than introducing a new synth, ...
28/10/2026
Annual event returns for 12th year in Bristol, UK
Returning for its 12th year, the annual Audio Developer Conference is set to take place between 9-11 Novem...
28/10/2026
Automation updates, Dim Solo mode, multiple Marker Tracks, MIDI 2.0 support & much more
The latest version of Fender's DAW software has just arrived, de...
28/10/2026
Combines tuning & harmony generation
Klevgrand's latest release offers a simplified take on Altitude, the pitch-correction and harmony-generation plug-i...
28/10/2026
Digital Originals backs the next wave of Australian screen talent
28 October, 2026
Media releases
SBS, National Indigenous Television (NITV) and Screen Aus...
28/10/2026
Behind every jinx is a story: Comedian Ting Lim takes a light-hearted look at su...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Sift Clips Now Searches Frame.io Footage
Brie Clayton October 28, 2026
0 Comments
Frame.io search has now been added to Sift Clips. This new feature l...
28/10/2026
Choco Film Adopts DaVinci Resolve Studio and Blackmagic Cloud for Its Editing Wo...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Rise AV has announced the 23 women selected for its 2026 Elevate programme, bringing together professionals from 20 organisations across the UK, Ireland, German...
28/10/2026
MTV Oy, Finland's largest commercial broadcaster, has long been recognized for its ability to deliver fast, reliable and engaging content across news, curre...
28/10/2026
LA JOLLA, CA-The shifty hepatitis C virus (HCV) has a knack for outmaneuvering t...
28/10/2026
Digital Originals backs the next wave of Australian screen talent 28 October 2026
2026 Digital Originals cohort. Photo credit: Teniola Komolafe.
SBS, National...
28/10/2026
COW Jobs: Managing Video Editor - Remote
Brie Clayton October 27, 2026
0 Comments
Managing Video Editor
October 27, 2026COW Jobs: Production......
28/10/2026
COW Jobs: Production Manager
Brie Clayton October 27, 2026
0 Comments
Production Manager
October 27, 2026COW Jobs: Managing Video Editor -......
28/10/2026
Wednesday 28 October 2026
Claire Goodlass joins Sky as Commissioning Editor, Documentaries
Sky has appointed Claire Goodlass as Commissioning Editor, Document...
28/10/2026
Proximic by Comscore Expands Integration Across Magnites CTV Ecosystem First real-time contextual integration across Magnite SpringServe connects audience int...
28/10/2026
NVIDIA RTX Spark powers thin and light laptops built for everything that developers, creators and gamers do.
RTX Spark laptops are now available from ASUS, Del...
28/10/2026
RT is developing its next Statement of Strategy and wants to hear the views of people across Ireland the audience we serve. RT New Direction remains RT '...
27/10/2026
Satellite, bonded cellular, and IP- and cloud-based solutions. Those are three o...
27/10/2026
Eutelsat has renewed its partnership with Qatar Media Corporation (QMC), Qatar...
27/10/2026
PROTON Camera Innovations GmbH will show the PROTON FLEXY at SATIS 2026 (Booth A13-B12), after the camera won a Best in Market award in the ProAV category at IB...
27/10/2026
ATSC, the Broadcast Standards Association, has reported results from a laboratory validation and live demonstration in Brazil of interference cancellation and s...
27/10/2026
The PGA Tour announced Monday that Brian Gordon has joined PGA Tour Studios as executive producer and head of live content. He began with the Tour on Oct. 26 an...
27/10/2026
The NBA has announced agreements to establish a framework for NBA-related predic...
27/10/2026
Apple Music, the NFL and Roc Nation have announced that JAY-Z will perform at the Apple Music Super Bowl LXI Halftime Show at SoFi Stadium in Los Angeles on Sun...
27/10/2026
DIRECTV and DAZN have signed a multi-year distribution agreement for local telec...
27/10/2026
The NHL has announced NHL Monday Night Hockey, a new initiative that will bring 11 live NHL games to fans across Europe in local primetime windows on Monday nig...
27/10/2026
Telef nica Servicios Audiovisuales (TSA) has deployed Grass Valley AMPP for Movi...
27/10/2026
SES and CANAL have extended their partnership through 2040 with a multi-year agreement covering satellite capacity across Europe, Africa and the Caribbean.
Un...
27/10/2026
Gravity Media deployed a flypack production system and RF cameras for Red Bull R...
27/10/2026
Appear has announced that NSC TV, a TV Globo affiliate in Brazil, has selected t...
27/10/2026
MLB's Ryan Zander discusses the league's work to integrate the ABS Chall...
27/10/2026
Pictured: Filmmaker Vero Kompalic (Photo by Gia Rigoli)
By Vero Kompalic
This is the last picture I ever took in Venezuela.
I had seen the girl in the row ah...