Blackmagic Design Used on More Than 50 Summer Films in 2026

Blackmagic Design Used on More Than 50 Summer Films in 2026

Brie Clayton September 25, 2026

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Hero image: Disclosure Day

Blackmagic Design products used on blockbusters like Obsession, Backrooms and Billie Eilish: Hit Me Hard.

Blackmagic Design today announced that many of the summer's biggest theatrical releases used a variety of its hardware and software. This includes Blackmagic PYXIS 6K digital film camera and Blackmagic Micro Studio Camera 4K G2 on Billie Eilish: Hit Me Hard and DaVinci Resolve Studio on dozens of domestic and international theatrically released films.

Mayday

Summer films that used Blackmagic Design products for production include:

Billie Eilish: Hit Me Hard and Soft used PYXIS 6K, Blackmagic URSA Broadcast G2 camera, Blackmagic Micro Studio Camera 4K G2, Blackmagic Cloud Store, HyperDeck broadcast deck, ATEM live production switchers and various Teranex converters;

The Breadwinner DIT Qais Karadsheh used DeckLink Quad 2 and DeckLink Duo 2 capture and playback cards, a variety of Blackmagic Micro Converters and DaVinci Resolve;

Carolina Caroline DP Jean-Philippe Bernier, CSC, and DIT Cody Jones used DaVinci Resolve Studio for the dailies and on set color workflow;

The Deb DIT Michael Easter used various UltraStudio and DeckLink capture and playback devices, Blackmagic Mini Converters, SmartScope Duo 4K monitor, DaVinci Resolve Studio, DaVinci Resolve Mini Panel, Blackmagic Video Assist 5 12G HDR monitor/recorder, Blackmagic Smart Videohub 20 20 router and Blackmagic Videohub Smart Control Pro;

The Devil Wears Prada 2 DIT Patrick Cecilian used UltraStudio 4K Mini capture and playback device and DaVinci Resolve on set;

Disclosure Day DIT Douglas K. Horton used DaVinci Resolve and various Blackmagic Micro Converters;

Is God Is behind the scenes DP Travis Henry shot using Blackmagic Pocket Cinema Camera 6K Pro digital film camera;

Is God Is DIT Matthew Richards used DeckLink Quad 2 capture and playback cards;

Mayday DIT Julie Garceau used various DeckLink capture and playback cards and DaVinci Resolve;

Mutiny DP Brendan Galvin used DaVinci Resolve on set to maintain visual continuity;

Obsession DIT Andrew Nibbi used DaVinci Resolve for LUT creation and dailies processing;

One Spoon of Chocolate DIT Chad Oliver used DaVinci Resolve and a variety of Blackmagic Mini Converters, Blackmagic Videohub routers and UltraStudio capture and playback devices;

Over Your Dead Body DP Matthew Weston used DaVinci Resolve on set for LUT creation and look management;

Power Ballad DIT Barry Doyle used DeckLink capture and playback cards and DaVinci Resolve for dailies processing;

Resident Evil DIT Ryan Nguyen used Blackmagic Videohub 20 20 12G, DaVinci Resolve and a variety of Blackmagic Mini Converters;

Saccharine Editor Sean Lahiff used UltraStudio 4K Mini for capture and playback;

The Sheep Detectives DIT Tom Gough used UltraStudio capture and playback devices;

Spa Weekend DIT Michael Easter used various UltraStudio and DeckLink capture and playback devices, Blackmagic Mini Converters, SmartScope Duo 4K, DaVinci Resolve Studio, DaVinci Resolve Mini Panel, Blackmagic Video Assist 5 12G HDR, Blackmagic Smart Videohub 20 20 and Blackmagic Videohub Smart Control Pro;

Stop!That!Train! DP Luka Bazeli used DaVinci Resolve for on set LUT creation and dailies transcoding;

Thrash DP Matthew Weston used DaVinci Resolve on set for LUT creation and look management; and

Zombucha! DIT Jackson McGahey used DaVinci Resolve, a variety of DeckLink capture and playback cards and Blackmagic Video Assist monitor/recorders.

Stop! That! Train!

Summer films that used DaVinci Resolve Studio for post production include:

Backrooms graded by Joseph Bicknell of Company 3;

Balls Up online editing and finishing completed by Future Associate;

Corporate Retreat Editor Alex Oppenheimer used it to create MXFs of reference QuickTimes received from VFX vendors;

The Death of Robin Hood graded by Tom Poole of Company 3;

The Deb graded by Jamie Hediger;

Deep Water graded by Senior Colorist Quique Ca adas of Cube Post;

The Dink graded by Tony Dustin of Company 3;

Dirty Hands graded by Ryan Croft of Periscope Post and Audio;

Evil Dead Burn graded by Fabien Pascal of Lux;

Gail Daughtry and the Celebrity Sex Pass graded by Charlie Tucker of Point 360;

Girls Like Girls graded by Ryan Croft and Michael Nehs of Periscope;

The Highest Stakes graded by Jivko Chakarov of Nu Boyana;

Hokum graded by Gary Curran of Outer Limits Post;

In the Grey graded by Finlay Reid of Goldcrest Post, with online editorial by Georgina Cranmer and Guilhem Coulibaly;

Insidious: Out of the Further graded by Mitch Paulson of Picture Shop;

Is God Is graded by Tim Masick of Company 3;

jackass: best and last graded by Alastor Arnold of FotoKem;

Carolina Caroline

Magic Hour online edited by Kyle Boston;

Masters of the Universe graded by Stephen Nakamura of Company 3;

Michael graded by Stefan Sonnenfeld, with additional color correction provided by Adam Nazarenko of Company 3;

Minions and Monsters graded by Jason Hanel of Company 3;

Mother Mary graded by Alex Bickel of Color Collective;

Normal conformed and online edited by Philip Stilman of Post Soup;

Normal graded by Senior Colorist Rob Pizzey of Goldcrest Post;

Obsession graded by Jake White of Company 3;

The Odyssey digital color graded by Senior Digital Colorist Kostas Theodosiou of FotoKem;

Outcome graded by Siggy Ferstl of Company 3;

Over Your Dead Body graded by Bill Ferwerda of Company 3;

Passenger graded by Walter Volpatto of Picture Shop;

Pizza Movie graded by Tony D'Amore of Picture Shop;

Power Ballad graded by Donal O'Kane of Screen Scene;

Magic Hour

Project Hail Mary graded by David Cole of Fo

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