Marcelo Dai's Live Session Captured with URSA Cine Immersive

Marcelo Dai's Live Session Captured with URSA Cine Immersive

Brie Clayton November 14, 2026

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Artist takes viewers on an immersive journey with music and stunning visuals at its core.

Blackmagic Design today announced that Kodesix Studio, a Brazilian production company offering high end immersive experiences, relied on the Blackmagic URSA Cine Immersive digital film camera to capture the latest live session from Brazilian artist Marcelo Dai. Combining scenes shot inside a professional studio environment at Est dio Sonast rio and the mountains of Minas Gerais, the team focused on creating diverse perspectives and immersive experiences for viewers by going beyond a standard live music session.

Kodesix Studio was founded in 2026 by Jorge Rabello, who is also director of video production company Est dio Jota Produtora, along with Audiovisual Producer Rodrigo Peixoto and Chief of Technology Daniel Diniz. Peixoto, who has worked with many musicians over the years, connected with Marcelo Dai, a versatile Brazilian artist, to produce his latest project. Working with Bruno Barros at Est dio Sonast rio, one of the largest music production companies in Brazil, the team saw an opportunity to shoot the video on location, taking advantage of the studio's carefully designed architecture and stunning natural surroundings. The project was also supported by the Brazilian Union of Composers (UBC).

This was Kodesix's first musical project, so one of our main objectives was to work with a great artist and test the immersive format in a professional studio environment and beyond, Rabello said. The URSA Cine Immersive was the piece of technology that made it possible for us to capture the performance at the quality level required for Apple Vision Pro.

He continued, The URSA Cine Immersive is perfectly designed for this type of content so we felt confident from the get go that the project would come to life as we envisioned. Of course, immersive video requires an understanding of specific technical aspects, such as focal length, exposure, and angles. However, once these nuances are understood, the camera allows you to capture content in a highly intuitive and straightforward way.

Kodesix's camera kit was fairly streamlined, as they paired the URSA Cine Immersive with a Zoom H3-VR Ambisonic microphone, a Core SWX Helix Max Ultra Dual-Voltage battery and a tripod.

Storytelling was a very important part of the project as Kodesix did not want the visual experience to be simply about watching Marcelo Dai perform. The main goal for the project was to create a timeline that would intuitively guide the viewer through different moments of the day.

Rabello explained, We shot the video in one day, but we didn't want the sequence to feel too obvious or linear, so we intercut different moments throughout the video to make it more dynamic. For example, the video starts with the band listening back to what they had recorded at the end of the day. The idea was to play with the timeline a little and create a sense of surprise for the person wearing the headset, while still keeping the experience intuitive and easy to follow.

The project was primarily shot in Sonast rio's live room, where the band performed, and in the control room, where the technical team monitored the recording and audio mixing. We also shot scenes outdoors, including a lounge space with an atmosphere and lighting quite distinct from the main studio environment, giving us a different visual perspective to work with, he added. Additionally, we used an equipment storage area to film an interview, adding another contrasting setting to the project. Sonast rio is a spacious and beautiful venue, and with the studio surrounded by the mountains of Minas Gerais, we had an opportunity to really immerse viewers and take them through the different settings. The URSA Cine Immersive's incredible dynamic range and built in ND filters were key factors in ensuring excellent results across these different environments.

For post, the team relied on DaVinci Resolve Studio editing, photo editing, color grading, visual effects (VFX) and audio post production software.

The entire post production process was carried out using DaVinci Resolve Studio, from media ingest and dailies, to final delivery. We started by backing up the footage using the Clone tool. Then, we reviewed the dailies and selected the material to work on. From there, the process flowed smoothly, just like any other project: editing, color grading, audio mixing, and final delivery. We also used Fusion within Resolve to add 3D titles. The final result was excellent, and we didn't need any additional software during the process, Rabello explained.

We are very proud to have produced Kodesix's first musical audiovisual project using the URSA Cine Immersive. We take pride in successfully translating the experience of being in the studio and outdoors into the Apple Vision Pro, giving viewers the feeling that they're in the same atmosphere as the artist, he concluded. We believe immersive projects will have a very positive impact on the music industry because artists are constantly looking for new ways to reach more people, reconnect with their fan base, and create new experiences that bring them even closer to their audiences. Immersive content will certainly be a huge part of that.

The video is set to premiere soon on an immersive video platform with details to be announced on Kodesix's Instagram, @kodesixstudio.

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