In February 2019, director J.J. Abrams called Cut! for the last time during principal photography of the ninth chapter of the long-running Star Wars saga. Star Wars: Episode IX The Rise of Skywalker concludes the third trilogy in the series the trilogy that began with the Abrams-directed Episode VII The Force Awakens, released in December 2015. That film continued the story of Luke Skywalker (Mark Hamill), Leia Organa (Carrie Fisher) and Han Solo (Harrison Ford) while also introducing a new generation of heroes and villains, including Rey (Daisy Ridley) and Kylo Ren (Adam Driver), respectively.
Cinematographer Dan Mindel, ASC, BSC, SASC was behind the camera for both The Force Awakens and The Rise of Skywalker. Speaking with Panavision from his home on Kauai, Mindel clearly recalls Episode IX's last day, which took place on Stage 4 at Pinewood Studios, outside of London. Among other setups, the day's work included shots of Finn (John Boyega) as well as portions of a flashback involving Rey and her parents (Jodie Comer and Billy Howle).
No one wanted the day to end, Mindel recounts. It was an exciting day, but it was a sad day it was genuinely really emotional. Working on a couple of these movies with the same crew and cast made for a very cohesive family experience. Everyone was very close.
The conclusion of principal photography also brought one last gate check for the production's Panaflex Millennium XL2 cameras. The nine-film saga finished as it began, with 35mm film rolling through a Panavision camera fitted with Panavision anamorphic glass.
Production on the original Star Wars released in 1977 and subsequently given the longer title of Star Wars: Episode IV A New Hope commenced on the salt flats at Nefta, Tunisia. On Monday, March 22, 1976, writer-director George Lucas called Action! for the first time on Star Wars, and a Panaflex camera rolled to speed for a scene outside of Luke Skywalker's home on the desert planet Tatooine.
Cinematographer Gil Taylor, BSC had been tapped to shoot the original Star Wars. His camera package for the film included Panaflex No. 21, which had previously been used on such features as The Wind and the Lion, French Connection II, The Man Who Would Be King and The Secret Life of Plants. The filmmakers paired the cameras with C Series anamorphics.
After wrapping in Tunisia, the Star Wars production moved to the stages at EMI Studios-Elstree in Borehamwood, England, near London. That facility would also house the stages for the first sequel in the franchise, Episode V The Empire Strikes Back, for which Lucas handed the directing reins to Irvin Kershner, with cinematographer Peter Suschitzky later to join the ranks of the ASC behind the camera.
Suschitzky had interviewed for the original Star Wars, so he joined the sequel already knowing producers George Lucas and Gary Kurtz. They were very keen that we should get the best possible result on the screen, the cinematographer shared. They said, What do you want to test? Which cameras do you want to test?' So I had total freedom to bring in any anamorphic system I wanted.
Suschitzky's final choice echoed Taylor's, giving Episode IV and V a continuity of Panavision C Series anamorphic glass. We used a combination of the PSR and Panaflex-X cameras, Suschitzky explained. Toward the end of the filming for the last two or three months we switched over to a normal Panaflex. We then used the Panaflex-X as a second camera.
The original trilogy concluded in 1983 with the release of Episode VI Return of the Jedi, which saw Richard Marquand assume the director's chair, with Alan Hume, BSC serving as cinematographer. Following that film's release, the movie saga was widely considered to be complete, but that changed in 1997, when Lucas released Special Edition versions of each film in the original trilogy, with updated effects, new shots and even new scenes.
The Special Editions served as a technological testing ground for the long-rumored prequel trilogy, which jumped back in time to tell the story of Luke Skywalker's father, Anakin. Episode I The Phantom Menace premiered in 1999, Episode II Attack of the Clones followed in 2002, and Episode III Revenge of the Sith concluded the trilogy in 2005. Behind the scenes, all three movies saw Lucas resume his place in the director's chair, with David Tattersall, BSC serving as cinematographer.
Lucas initially hoped to be able to shoot all three prequel features digitally, but the production schedule for The Phantom Menace proved to be just ahead of the technological curve. The movie went into production with a traditional photochemical process, but behind the scenes, the race was on to make Lucas' digitally captured dream a reality in time for Attack of the Clones.
Panavision said they were interested in making the lenses, Lucas explained. So we got them together with Sony and said, We want to be able to shoot Episode II with this [digital system]. That gives you about two and a half years. Can you get it done in time?' And they replied, Yup, we'll do it.' And they did.
Panavision's involvement in the project included Panavising Sony's nascent HDW-F900 2/3 high-definition digital video camera, developing a new range of cine-style accessories for the camera, and designing and building the Primo Digital series of lenses, which were specifically conceived to offer double the resolving power of 35mm-format optics so that the 2/3 HD image would hold up on cinema screens. This was a giant experiment for everybody, and nobody knew if it was going to work, Lucas reflected. Both companies really went out on a limb.
The risk brought reward, and Attack of the Clones became the first major theatrical release to have been captured entirely digitally with 24p HD cam
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
How Chris Bolte Builds the Sound of PlayStation Games Chris Bolte '16 is a technical sound designer at Sucker Punch Productions, where he helps create the...
18/03/2026
Newly named chief product officer (CPO), Larissa G rner Meeus will return to Net Insight on May 4.
Larissa G rner Meeus will become CPO of Net Insight on May 4...
18/03/2026
SVG Europe's The Football Summit 2026 explored how the sports broadcasting i...
18/03/2026
The 2026 NAB Show kicks off one month from today and SVG is once again set to cover the show from every angle. SVG's SportsTech@NAB Show Blog is now live - ...
18/03/2026
(L-R) The cast and crew of Dead Lover at The Ray Theater for its premiere at the 2025 Sundance Film Festival. (Photo by Robin Marshall/Shutterstock for Sundan...
18/03/2026
Yamaha C7 captured in Nashville
Wiltone Productions have announced the release of Music Row Piano, a deeply sampled Yamaha C7 piano library that's been ...
18/03/2026
Bass-enhancement plug-in upgraded
Along with a steady stream of new releases, Techivation have recently been revisiting some of the older plug-ins in their ...
18/03/2026
Mix-reference plug-in overhauled
iZotope's powerful mix-referencing plug-in has just reached its third major version, and now boasts a new capture proce...
18/03/2026
Latest EZKeys 2 expansion arrives
Toontrack's staggering collection of EZKeys 2 expansions has grown once again, and the latest instalment delivers a on...
18/03/2026
Jess Ho explores the politics of food in new SBS Audio podcast For The Culture
18 March, 2026
Media releases
New SBS Audio podcast For The Culture, hosted ...
18/03/2026
Future-ready broadcasts with ATSC 3.0 and enhanced services from Rohde & Schwarz...
18/03/2026
London Calling - When The Industry Convened to Help Streaming Find its MoJo In this blog, Laura Rognoni reflects on key discussions from the Connected TV World...
18/03/2026
SMPTE Unveils 2026 NAB Show Educational Presentations
Brie Clayton March 18, 2026
0 Comments
SMPTE , the home of media professionals, technologists, a...
18/03/2026
Auditel Ad Campaign Shot on Blackmagic PYXIS 12K
Brie Clayton March 18, 2026
0 Comments
LED wall virtual production blends 12K open gate acquisition w...
18/03/2026
Brainstorm transforms productivity and sustainability with Suite 7 at NAB Show 2...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...
18/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...
18/03/2026
Digital Alert Systems
Preview
2026 NAB Show
April 19 - 22
Booth C3452
At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...
18/03/2026
Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...
18/03/2026
THIS ANNOUNCEMENT RELATES TO THE DISCLOSURE OF INFORMATION THAT QUALIFIED OR MAY HAVE QUALIFIED AS INSIDE INFORMATION WITHIN THE MEANING OF ARTICLE 7(1) OF THE ...
18/03/2026
COW Jobs: Seeking DP for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Director of Photography for Low Budget Dramedy Fe...
18/03/2026
COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Gaffer for Low Budget Dramedy Feature Film- I...
18/03/2026
COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Location/Sound for Low Budget Dramed...
18/03/2026
COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Child Wrangler for Low Budget Dramedy Fe...
18/03/2026
Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...
18/03/2026
Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio
Brie Clayton March 17, 2026
0 Comments
DaVinci Resolve Studio handle...
18/03/2026
Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...
18/03/2026
Charlie Puth Joins Switched on Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...
18/03/2026
X-Rite Pantone Demonstrates Advanced Color Management Solutions to Support Smart...
18/03/2026
Wednesday 18 March 2026
BAFTA winner James McAvoy to star in Sky Original serie...
18/03/2026
Wednesday 18 March 2026
Sky Sports and Zuffa Boxing announce multi-year agreement for the UK and Ireland
Sky Sports and Zuffa Boxing have announced a new mult...
18/03/2026
Wednesday 18 March 2026
Sky Unveils Poster and Trailer for Original Feature Fil...
In February 2019, director J.J. Abrams called Cut! for the last time during principal photography of the ninth chapter of the long-running Star Wars saga. Star Wars: Episode IX The Rise of Skywalker concludes the third trilogy in the series the trilogy that began with the Abrams-directed Episode VII The Force Awakens, released in December 2015. That film continued the story of Luke Skywalker (Mark Hamill), Leia Organa (Carrie Fisher) and Han Solo (Harrison Ford) while also introducing a new generation of heroes and villains, including Rey (Daisy Ridley) and Kylo Ren (Adam Driver), respectively.
