Picking the Music: The A1 Gets To Play DJ Sports broadcasts give lead mixers leeway to express their inner A&R By Dan Daley, Audio Editor
Wednesday, December 4, 2024 - 7:00 am
Print This Story | Subscribe
Story Highlights
Sugar Magnolia by the Grateful Dead is an oft-heard choice as the ballgame slides from the end of an inning or a quarter to commercial break. An upbeat track that suggests more joy to come, it's also a regular pick by an A1 corps with a particular affinity for jam bands like the Dead and Phish. That track and dozens of others are on pre-approved lists managed by the broadcasters' music and clearance departments, who ready music dedicated to an upcoming broadcast, an effort intended to keep any uncleared music played in the venues off the air to avoid infringements. Often, the specific songs are chosen by A1s, some of whom came to broadcast after careers in music production or performing.
Jam Banders Although A1s know how to mix a song in the studio, they have been feeling out how music works for sports shows.
I've been playing jam bands since, like, 1991, says A1 Joe Carpenter, who mixes FOX Sports' MLB broadcasts. I've been playing the Grateful Dead and Phish for the past four or five years.
Sugar Magnolia is a favorite of many self-described Dead-Head A1s.
He notes that the genre's typical extended instrumental passages in songs is easier for announcers to talk over but acknowledges feeling a push for more-contemporary music in recent years. He adds that he has plenty of options in broadcaster-cleared choices, pulled from Sigma Broadcast's Spot On software, which offers the option for a sanitized version that won't incur additional use payments at re-air.
It's very situational, Carpenter explains. You want something that works situationally with the music and the title and what's happening on the screen - like sometimes a slo-mo replay - as we roll out to commercial.
Music choices that A1s make constitute a series of running observational puns, such as when A1 Florian Brown cues up the Rolling Stones' (I Can't Get No) Satisfaction after a penalty call during an NHL game.
The production and the music departments pick artists and music profiles for each league and show, he explains. From that bag, the A1 usually tries to match a song to a particular situation. The process for choosing and clearing music takes months and involves lots of [legal layers]. But sometimes people just pay the fine if it re-airs later. It can get expensive.
Carpenter concurs, acknowledging that, when mixing a game, the A1 can serve as program director, DJ, and paralegal. Until about 2005 or so, I would just free-wheel it and play whatever I wanted off my laptop. My producers all trusted me, and I would play whatever I wanted.
Broadcaster Music Teams Monitor Legal Issues Then came the Arcade Fire incident. The Canadian band's No Cars Go track aired in a post-halftime montage during FOX Sports' coverage of Super Bowl XLII in 2008 without, the band alleged, its permission. That spurred increased control over the process.
Now the music department is really, really [careful] about music and getting rights cleared, understandably so, says Carpenter, once a regular in the tapers section of the audience at Grateful Dead shows, where recording the shows was permitted and even encouraged by the band.
He works with FOX Sports colleagues, including FOX Sports Senior VP, Production and Talent Development, Jacob Ullman and Producer Jake Jolivette, both of whom are described by Billboard as fellow FOX Sports Deadheads who work on the broadcaster's MLB productions. FOX Sports VP, Music, Nicole de la Torriente-Nelson leads negotiations with publishers and labels, and Associate Director Yvonne Wagoner prepares approved playlists for broadcast teams. ESPN Music Operations Supervisor Joanne Strange leads the group responsible for all the music on that broadcaster's NFL and college-football shows.
Still Keeping It Loose It's not quite 1970s, West Texas, late-night DJs pulling deep cuts from a crate of cool LPs. Nonetheless, A1s continue to have considerable latitude on music choices within a game, although the assortments are narrower and more intensely pre-cleared by broadcaster music supervisors. Playlists are also sometimes limited by sport and genre.
Generally speaking, explains Dan Buddha Bernstein, senior A1, NHL and NFL, ESPN, we'll have a pool of theme and highlight cuts that are good for a particular sport, to use freely throughout the events, and a few commercial cuts' [for going into breaks] that [the broadcaster has] arranged to use for a certain length of time. Some sports, like the NFL on ESPN, tend to have a number of commercial cuts available throughout the season; other sports may be more [restricted] in terms of spending on music. [But] within that framework, the choice of what to play at any given time during the broadcast is usually mine.
It's not just personal taste but also keeping an ear tuned to what the audience has been listening to ahead of the show, seeking continuity. Says Bernstein, I'll try to use theme music to establish what show people have tuned into early on in a broadcast and a few more times over the course of the show to maintain that connection. The rest of the time, I'll try to play music that matches the energy of the situation.
That could be a lyrical connection: for instance, playing Hold the Line by Toto after a big defensive stand in a Monday Night Football game. Sometimes it's instrumental music to provide a smooth musical bed under announcers' patter, such as an instrumental version of Joker and the Thief by Wolfmother, which he recently dropped during a series of goal replays in an NHL broadcast. In all case
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Bitmovin, a leading provider of video streaming infrastructure, and Akamai, the cybersecurity and cloud computing company that powers and protects business onli...
04/06/2026
American Underground (AU), the Startup Hub of the South and a community of mor...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
NVIDIA and Microsoft Reinvent Windows PCs for the Age of Personal AI
Brie Clayton June 3, 2026
0 Comments
RTX Spark - a 1-Petaflop Superchip, the Full...
04/06/2026
Inside the Peaky Blinders: The Immortal Man Grade
Brie Clayton June 3, 2026
0 Comments
Simone Grattarola discusses shaping the look in DaVinci Resolve...
04/06/2026
Cine Gear Expo Announces 2026 Awards of Excellence Recipients
Brie Clayton June 3, 2026
0 Comments
Ed Lachman ASC, Caleb Deschanel ASC, and M. David M...
04/06/2026
St. Vincents Live with Orchestra Tour to Feature Berklee Alum Ruby Plume Berklee alumni St. Vincent and Ruby Plume will appear on the same bill across seven d...
04/06/2026
Back to All News
All the Truth in My Lies Coming to Netflix on August 28
Entertainment
04 June 2026
GlobalSpain
Link copied to clipboard
Download the imag...
04/06/2026
Back to All News
Larry Tanz, VP of Content, EMEA, Delivers a Keynote Speech at ...
04/06/2026
Back to All News
Turn Your Living Room into a Stadium With the New FIFA World ...
04/06/2026
Keeping conversations real on LinkedIn Published on Jun 4, 2026 Categories: Product News
LinkedIn Corporate Communications
Share
LinkedIn
Facebook ...
04/06/2026
BackStory follows four Irish young people as they travel back to their parents' homelands
Modern Irish identity is enriched by cultures and influences from...
04/06/2026
June's forecast with GeForce NOW: 100% chance of gaming.
GeForce NOW is lining up new adventures for the month, from big-name blockbusters to quirky indies...
03/06/2026
SES and Viva, Mexico's ultra low-cost airline, have launched multi-orbit satellite inflight connectivity on Viva's Airbus aircraft. A total of 60 A320s ...
03/06/2026
The College Football Playoff, ESPN, and TNT Sports have announced kick times and...
03/06/2026
RED Digital Cinema will exhibit at Cine Gear Expo 2026 (Booth 33, June 5-6, Universal Studios Lot), hosting three panels and hands-on product demonstrations.
P...
03/06/2026
Roku has announced the Soccer Zone, a dedicated hub for FIFA World Cup 2026 content available across the United States, Canada, Mexico, Brazil, Colombia, Argent...
03/06/2026
Liverpool FC and Wasabi Technologies have announced a multi-year extension of their partnership, with Wasabi continuing as the club's official cloud storage...
03/06/2026
Grass Valley has announced that Australian News Channel (ANC), operator of Sky News Australia, has deployed Grass Valley AMPP as part of the relocation of its n...
03/06/2026
The Riedel Group has announced the appointment of Gudrun Scharler as CEO of Riedel Networks. She succeeds Michael Martens, who has led Riedel Networks since 201...
03/06/2026
Clear-Com has announced the deployment of its intercom solutions at Itaka Arena ...
03/06/2026
Scott Coker has announced six senior executive appointments for his new global MMA promotion, which launched earlier this year with $60 million in financing. Ad...
03/06/2026
Telemundo, the exclusive Spanish-language home of the FIFA World Cup 2026, has announced its digital and social media programming for the tournament, running Ju...
03/06/2026
The Bundesliga has announced the launch of Captain, an AI assistant built into t...
03/06/2026
Anthony James Partners (AJP) is serving as technology consultant for a moderniza...
03/06/2026
Audio-Technica has announced the recipients of its annual sales rep firm awards for the 2025-26 fiscal year. The awards were presented by Jim Schanz, Executive ...
03/06/2026
iodyne will exhibit at Cine Gear Expo 2026 alongside RED Digital Cinema and Adob...
03/06/2026
The broadcaster will deploy 39 cameras for game coverage, six cameras for studio...
03/06/2026
The 2026 FIFA World Cup is providing a great opportunity for not only Fox Sports...
03/06/2026
Sony Electronics is introducing the SRG-AS10, a 4K 60p compatible PTZ Auto Framing camera that uses Sony's proprietary AI to automatically recognize and tra...
03/06/2026
Game Creek Video's Flagship A, B, C, and D unit will wind up its first year ...
03/06/2026
According to Caretta Research, the sports-rights market may be hitting the brake...
03/06/2026
Retrieval still courtesy of Tribeca.
By Jessica Herndon
This year, the Tribeca...
03/06/2026
Step sequencer-style panning tool revealed
Alongside their flagship self-titled sound-design platform, Sound Particles offer an array of creative effects an...
03/06/2026
Now features full H90 algorithm library
Eventide have announced the upcoming launch of the H9 Harmonizer Gen 2, a new and improved version of their hugely p...
03/06/2026
Significant discount available until 1 October 2026
Aim Audio have just announced a promotion that sees a significant discount applied to their Essence micr...
03/06/2026
Clarification: SBS's position on definitions of antisemitism
3 June, 2026
Media releases
Statement by Mandi Wicks, SBS Director of News and Current Aff...
03/06/2026
Rohde & Schwarz to supply CERTIUM advanced communications system to Memmingen Ai...
Picking the Music: The A1 Gets To Play DJ Sports broadcasts give lead mixers leeway to express their inner A&R By Dan Daley, Audio Editor 
