Picking the Music: The A1 Gets To Play DJ Sports broadcasts give lead mixers leeway to express their inner A&R By Dan Daley, Audio Editor
Wednesday, December 4, 2024 - 7:00 am
Print This Story | Subscribe
Story Highlights
Sugar Magnolia by the Grateful Dead is an oft-heard choice as the ballgame slides from the end of an inning or a quarter to commercial break. An upbeat track that suggests more joy to come, it's also a regular pick by an A1 corps with a particular affinity for jam bands like the Dead and Phish. That track and dozens of others are on pre-approved lists managed by the broadcasters' music and clearance departments, who ready music dedicated to an upcoming broadcast, an effort intended to keep any uncleared music played in the venues off the air to avoid infringements. Often, the specific songs are chosen by A1s, some of whom came to broadcast after careers in music production or performing.
Jam Banders Although A1s know how to mix a song in the studio, they have been feeling out how music works for sports shows.
I've been playing jam bands since, like, 1991, says A1 Joe Carpenter, who mixes FOX Sports' MLB broadcasts. I've been playing the Grateful Dead and Phish for the past four or five years.
Sugar Magnolia is a favorite of many self-described Dead-Head A1s.
He notes that the genre's typical extended instrumental passages in songs is easier for announcers to talk over but acknowledges feeling a push for more-contemporary music in recent years. He adds that he has plenty of options in broadcaster-cleared choices, pulled from Sigma Broadcast's Spot On software, which offers the option for a sanitized version that won't incur additional use payments at re-air.
It's very situational, Carpenter explains. You want something that works situationally with the music and the title and what's happening on the screen - like sometimes a slo-mo replay - as we roll out to commercial.
Music choices that A1s make constitute a series of running observational puns, such as when A1 Florian Brown cues up the Rolling Stones' (I Can't Get No) Satisfaction after a penalty call during an NHL game.
The production and the music departments pick artists and music profiles for each league and show, he explains. From that bag, the A1 usually tries to match a song to a particular situation. The process for choosing and clearing music takes months and involves lots of [legal layers]. But sometimes people just pay the fine if it re-airs later. It can get expensive.
Carpenter concurs, acknowledging that, when mixing a game, the A1 can serve as program director, DJ, and paralegal. Until about 2005 or so, I would just free-wheel it and play whatever I wanted off my laptop. My producers all trusted me, and I would play whatever I wanted.
Broadcaster Music Teams Monitor Legal Issues Then came the Arcade Fire incident. The Canadian band's No Cars Go track aired in a post-halftime montage during FOX Sports' coverage of Super Bowl XLII in 2008 without, the band alleged, its permission. That spurred increased control over the process.
Now the music department is really, really [careful] about music and getting rights cleared, understandably so, says Carpenter, once a regular in the tapers section of the audience at Grateful Dead shows, where recording the shows was permitted and even encouraged by the band.
He works with FOX Sports colleagues, including FOX Sports Senior VP, Production and Talent Development, Jacob Ullman and Producer Jake Jolivette, both of whom are described by Billboard as fellow FOX Sports Deadheads who work on the broadcaster's MLB productions. FOX Sports VP, Music, Nicole de la Torriente-Nelson leads negotiations with publishers and labels, and Associate Director Yvonne Wagoner prepares approved playlists for broadcast teams. ESPN Music Operations Supervisor Joanne Strange leads the group responsible for all the music on that broadcaster's NFL and college-football shows.
Still Keeping It Loose It's not quite 1970s, West Texas, late-night DJs pulling deep cuts from a crate of cool LPs. Nonetheless, A1s continue to have considerable latitude on music choices within a game, although the assortments are narrower and more intensely pre-cleared by broadcaster music supervisors. Playlists are also sometimes limited by sport and genre.
Generally speaking, explains Dan Buddha Bernstein, senior A1, NHL and NFL, ESPN, we'll have a pool of theme and highlight cuts that are good for a particular sport, to use freely throughout the events, and a few commercial cuts' [for going into breaks] that [the broadcaster has] arranged to use for a certain length of time. Some sports, like the NFL on ESPN, tend to have a number of commercial cuts available throughout the season; other sports may be more [restricted] in terms of spending on music. [But] within that framework, the choice of what to play at any given time during the broadcast is usually mine.
It's not just personal taste but also keeping an ear tuned to what the audience has been listening to ahead of the show, seeking continuity. Says Bernstein, I'll try to use theme music to establish what show people have tuned into early on in a broadcast and a few more times over the course of the show to maintain that connection. The rest of the time, I'll try to play music that matches the energy of the situation.
That could be a lyrical connection: for instance, playing Hold the Line by Toto after a big defensive stand in a Monday Night Football game. Sometimes it's instrumental music to provide a smooth musical bed under announcers' patter, such as an instrumental version of Joker and the Thief by Wolfmother, which he recently dropped during a series of goal replays in an NHL broadcast. In all case
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
How Chris Bolte Builds the Sound of PlayStation Games Chris Bolte '16 is a technical sound designer at Sucker Punch Productions, where he helps create the...
18/03/2026
Newly named chief product officer (CPO), Larissa G rner Meeus will return to Net Insight on May 4.
Larissa G rner Meeus will become CPO of Net Insight on May 4...
18/03/2026
SVG Europe's The Football Summit 2026 explored how the sports broadcasting i...
18/03/2026
The 2026 NAB Show kicks off one month from today and SVG is once again set to cover the show from every angle. SVG's SportsTech@NAB Show Blog is now live - ...
18/03/2026
(L-R) The cast and crew of Dead Lover at The Ray Theater for its premiere at the 2025 Sundance Film Festival. (Photo by Robin Marshall/Shutterstock for Sundan...
18/03/2026
Yamaha C7 captured in Nashville
Wiltone Productions have announced the release of Music Row Piano, a deeply sampled Yamaha C7 piano library that's been ...
18/03/2026
Bass-enhancement plug-in upgraded
Along with a steady stream of new releases, Techivation have recently been revisiting some of the older plug-ins in their ...
18/03/2026
Mix-reference plug-in overhauled
iZotope's powerful mix-referencing plug-in has just reached its third major version, and now boasts a new capture proce...
18/03/2026
Latest EZKeys 2 expansion arrives
Toontrack's staggering collection of EZKeys 2 expansions has grown once again, and the latest instalment delivers a on...
18/03/2026
Jess Ho explores the politics of food in new SBS Audio podcast For The Culture
18 March, 2026
Media releases
New SBS Audio podcast For The Culture, hosted ...
18/03/2026
Future-ready broadcasts with ATSC 3.0 and enhanced services from Rohde & Schwarz...
18/03/2026
London Calling - When The Industry Convened to Help Streaming Find its MoJo In this blog, Laura Rognoni reflects on key discussions from the Connected TV World...
18/03/2026
SMPTE Unveils 2026 NAB Show Educational Presentations
Brie Clayton March 18, 2026
0 Comments
SMPTE , the home of media professionals, technologists, a...
18/03/2026
Auditel Ad Campaign Shot on Blackmagic PYXIS 12K
Brie Clayton March 18, 2026
0 Comments
LED wall virtual production blends 12K open gate acquisition w...
18/03/2026
Brainstorm transforms productivity and sustainability with Suite 7 at NAB Show 2...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...
18/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...
18/03/2026
Digital Alert Systems
Preview
2026 NAB Show
April 19 - 22
Booth C3452
At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...
18/03/2026
Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...
18/03/2026
THIS ANNOUNCEMENT RELATES TO THE DISCLOSURE OF INFORMATION THAT QUALIFIED OR MAY HAVE QUALIFIED AS INSIDE INFORMATION WITHIN THE MEANING OF ARTICLE 7(1) OF THE ...
18/03/2026
COW Jobs: Seeking DP for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Director of Photography for Low Budget Dramedy Fe...
18/03/2026
COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Gaffer for Low Budget Dramedy Feature Film- I...
18/03/2026
COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Location/Sound for Low Budget Dramed...
18/03/2026
COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Child Wrangler for Low Budget Dramedy Fe...
18/03/2026
Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...
18/03/2026
Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio
Brie Clayton March 17, 2026
0 Comments
DaVinci Resolve Studio handle...
18/03/2026
Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...
18/03/2026
Charlie Puth Joins Switched on Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...
18/03/2026
X-Rite Pantone Demonstrates Advanced Color Management Solutions to Support Smart...
18/03/2026
Wednesday 18 March 2026
BAFTA winner James McAvoy to star in Sky Original serie...
18/03/2026
Wednesday 18 March 2026
Sky Sports and Zuffa Boxing announce multi-year agreement for the UK and Ireland
Sky Sports and Zuffa Boxing have announced a new mult...
18/03/2026
Wednesday 18 March 2026
Sky Unveils Poster and Trailer for Original Feature Fil...
Picking the Music: The A1 Gets To Play DJ Sports broadcasts give lead mixers leeway to express their inner A&R By Dan Daley, Audio Editor 
