ETC fos/4s LED Panels Add Polish to Shoeshine Homage data-src=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c562aaf4-bpthumb.jpg data-srcset=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c561c0e7-bpfull.jpg 2x class=lazyload avatar avatar-80 photo height=80 width=80 />
Brie Clayton June 9, 2021
0 Comments
ETC fos/4 LED panels prove perfect complement to natural light for cinematographer Lily Grimes during shooting of art film Horsepolish', an artist's response to de Sica's neorealist 1946 masterpiece Shoeshine'.
Lily Grimes is a freelance cinematographer working in film and television. Having enjoyed sixteen years working in international news and documentary as a filmmaker - shooting, editing, producing and directing Lily graduated the Cinematography Master's degree at NFTS in 2019. Since then she has shot a number of short films, a TV pilot, music videos, films with performance artists, and was runner-up BSC Emerging Cinematographer of 2019. An RTS short form award for a Kodak commercial was another well-deserved reflection of this highly talented professional.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/06/09165151/Liliy-Grimes-DoP-action-Portrait.jpeg alt= class=lazyload wp-image-2411516 data-srcset=https://gcs.creativecow.net/wp-content/uploads/2021/06/09165151/Liliy-Grimes-DoP-action-Portrait.jpeg 640w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165151/Liliy-Grimes-DoP-action-Portrait-300x225.jpeg 300w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165151/Liliy-Grimes-DoP-action-Portrait-624x468.jpeg 624w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165151/Liliy-Grimes-DoP-action-Portrait-50x38.jpeg 50w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165151/Liliy-Grimes-DoP-action-Portrait-100x75.jpeg 100w data-sizes=(max-width: 640px) 100vw, 640px />
A recent art film project saw Lily re-acquainted in a professional capacity with a familiar London-based artist none other than her mother, Oona. Oona Grimes, who also lectures in art, was awarded a Bridget Riley Fellowship in 2018 and has works held in the New Hall Art Collection, the British Museum and the New York Public Library. One of a series of film collaborations between Oona Grimes (who also performs) and eminent British screenwriter Tony Grisoni, Horsepolish is an artist's response to Vittorio de Sica's 1946 neorealist film Shoeshine, and was shot in and around the The Ragged School Museum on the Regent's Canal near Mile End in London.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/06/09164955/ETC_Lily_Grimes2.jpg alt= class=lazyload wp-image-2411512 data-srcset=https://gcs.creativecow.net/wp-content/uploads/2021/06/09164955/ETC_Lily_Grimes2.jpg 600w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09164955/ETC_Lily_Grimes2-300x225.jpg 300w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09164955/ETC_Lily_Grimes2-50x38.jpg 50w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09164955/ETC_Lily_Grimes2-100x75.jpg 100w data-sizes=(max-width: 600px) 100vw, 600px />
Lily argued for and succeeded in her quest to film in black and white Super 16mm, feeling it was the perfect medium to capture the rough landscapes favoured by neorealists. Her approach to lighting combined the use of a lot of natural light with supplementary fos/4 LED panels from ETC, as she explains:
The film was planned rather than written, leaving us many more creative decisions to take. As far as lighting was concerned, we used natural light on the canal towpath, and then as a result of a conversation with Barry Grubb at 3LR Lighting, decided to use two of ETC's beautiful fos/4 LED panels. The fos/4 PD8 and PD16 use daylight HDR 6 chip LEDs with high output, and so could augment sunlight, provide subtle fill or act as strong directional key. In keeping with De Sica's film, we wanted simple directional lighting, and often used the sun as our key back light with subtle fill from the fos/4s. When we lost December light at about 3pm, the PD16 stepped up as our sun' and the PD8 provided fill.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/06/09165023/ETC_Lily_Grimes1.jpg alt= class=lazyload wp-image-2411513 data-srcset=https://gcs.creativecow.net/wp-content/uploads/2021/06/09165023/ETC_Lily_Grimes1.jpg 600w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165023/ETC_Lily_Grimes1-300x300.jpg 300w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165023/ETC_Lily_Grimes1-150x150.jpg 150w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165023/ETC_Lily_Grimes1-50x50.jpg 50w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165023/ETC_Lily_Grimes1-100x100.jpg 100w data-sizes=(max-width: 600px) 100vw, 600px />
The fos/4s boast a deep red' in the fixtures, allowing for subtle nuances in skin tones, so we knew the tonal range was there. The lamps can run off DMX technology but we used their very intuitive control panel. We didn't get to explore the amazing range of colours and effects, so I'm now itching to use them on a colour project, and I'm also looking forward to using the new fos/4 fresnel.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/06/09165051/ETC_Lily_Grimes3.jpg alt= class=lazyload wp-image-2411514 data-srcset=https://gcs.creativecow.net/wp-content/uploads/2021/06/09165051/ETC_Lily_Grimes3.jpg 600w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165051/ETC_Lily_Grimes3-225x300.jpg 225w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165051/ETC_Lily_Grimes3-38x50.jpg 38w, https://gcs.creativecow.net/wp-content/uploads/2021/06/09165051/ETC_Lily_Grimes3-75x100.jpg 75w data-sizes=(max-width: 600px) 100vw, 600px />
At the conclusion of the filming, Horsepolish went
