
Magyar Telekom results for the fourth quarter of 2016
Budapest, February 22, 2017 18:00
Magyar Telekom today reported its consolidated financial results for the fourth quarter and the full year of 2016, in accordance with International Financial Reporting Standards (IFRS).
Highlights:
Total revenue for Q4 2016 declined by 13.2% year-on-year to HUF 158.8 billion , mostly as a result of the partial exit from the energy business along with lower SI/IT and fixed line revenues. Similar factors were behind the 8.2% fall in total revenue to HUF 602.7 billion for the full year 2016, alongside the sharp cut in the Mobile Termination Rate (MTR) that came into effect in Hungary on April 1, 2015 and negatively impacted like-for-like Q1 2016 results. In terms of breakdown by geography for the full year, revenues remained roughly stable in Macedonia whilst both the Hungarian and Montenegrin operations witnessed declines. Mobile revenues in Q4 2016 increased by 1.4% year-on-year to HUF 82.2 billion as higher mobile data and equipment revenues offset shrinking voice, SMS and other revenues. With regards to the full year 2016 results, mobile revenues increased by 1.9% to HUF 319.9 billion for similar reasons except that other mobile revenues were largely stable over the 12 month period. Fixed line revenues decreased by 7.2% year-on-year to HUF 52.0 billion in Q4 2016 as the sustained positive momentum in TV was offset by declines elsewhere (voice, broadband, equipment, wholesale and other revenues). The fall in fixed line revenues was most pronounced in Montenegro, with declines less marked in Hungary and Macedonia. With regards to the full year 2016, fixed line revenues were lower by 2.3% at HUF 207.2 billion (FY 2015: HUF 212.0 billion), with higher broadband and TV revenues unable to match the declines in revenues from voice retail, equipment (lower TV and laptop sales), data and wholesale along with the effects from the deconsolidation of Origo . SI/IT revenues declined by 30.2% and 15.1% to HUF 23.1 and HUF 68.7 billion for Q4 2016 and full year 2016, respectively. The principal factor behind the decline was a significant decrease in the number and size of public contracts awarded to Magyar Telekom, following the conclusion of a seven-year EU funding cycle in 2015 and the consequent temporary stemming of EU fund inflows into Hungary, which was only in part compensated for by new contracts (mainly related to the public sector). Furthermore, 2015 SI/IT revenues were also boosted by large one-off projects in both Macedonia and Montenegro that were not repeated in 2016. Energy Service revenues decreased by 88.0% year-on-year to HUF 1.5 billion in Q4 2016, due to transfer of the B2B energy business into the joint venture (E2) with MET Holding AG with effect from January 1, 2016. Full year 2016 energy service declined by 86.2% to HUF 6.8 billion (FY 2015: 49.3 billion) because of the same reason and also affected by the planned exit from the residential gas market as of August 1, 2015. It is still our intention to exit the residential electricity business, and we expect this will happen sometime in Q3 2017.
Direct costs decreased by 27.5% year-on-year to HUF 59.2 billion in Q4 2016, mainly due to a sharp decline in energy service related costs and lower SI/IT related costs, which compensated for the increase in other direct costs. The same drivers led to the 21.1% decline to HUF 196.9 billion for full year 2016 (FY 2015: HUF 249.4 billion). Gross profit decreased slightly versus Q4 2015 to HUF 99.6 billion in Q4 2016. Within Hungary, the improvement in SI/IT margins and bad debt expenses was more than matched by the decline in voice and fixed wholesale revenues, as well as higher other direct costs. In Macedonia, gross profit improved by 1.7% year-on-year to HUF 9.4 billion in Q4 2016 due mainly to significant direct cost savings; whilst in Montenegro, we witnessed a 10.5% decline, driven by the decreases in both voice and fixed broadband revenues coupled with higher cost of mobile equipment sale in line with increased equipment revenues, as well as higher commission costs. In terms of full year 2016, gross profit remained largely flat at HUF 405.8 billion (FY 2015: HUF 407.0 billion) as a result of the lower direct costs offsetting the 8.2% fall in overall revenues. Indirect costs improved by 2.9% year-on-year to HUF 55.8 billion in Q4 2016, mainly due to a decline in employee-related expenses partly offset by higher other operating expenses at our Hungarian operations. At the same time, indirect costs for full year 2016 declined by 5.0% to HUF 208.7 billion (FY 2015: HUF 219.7 billion) thanks to the same reasons, also supported by the one-off gains related to the Origo sale and the real estate transaction (Infopark Building G).
EBITDA remained unchanged year-on-year at HUF 43.8 billion in Q4 2016, as lower direct costs compensated for lower revenues, leading to broadly stable gross profit; whilst savings in employee-related expenses and lower severance payment more than offset the increase in other operating expenses. The improved level of EBITDA in Hungary was largely matched by declines in both Macedonia and Montenegro. On a full year 2016 basis, Group EBITDA improved significantly by 5.2% to HUF 197.0 billion (FY 2015: 187.3 billion) boosted by the one-off profits in other operating income.
Depreciation and amortization expenses increased by 2.7% year-on-year in Q4 2016 to HUF 32.6 billion,and by 3.2% for the full year 2016 to HUF 117.5 billion (FY 2015: HUF 113.8 billion). Software activation related to the new billing and CRM (customer relationship management) systems contributed to this rise in depreciation costs in both Hungary and Montenegro on both a quarterly and a full year basis. Furthermore, capitalization of the recently acquired mobile frequencies and content right
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
18/03/2026
Newly named chief product officer (CPO), Larissa G rner Meeus will return to Net Insight on May 4.
Larissa G rner Meeus will become CPO of Net Insight on May 4...
18/03/2026
SVG Europe's The Football Summit 2026 explored how the sports broadcasting i...
18/03/2026
The 2026 NAB Show kicks off one month from today and SVG is once again set to cover the show from every angle. SVG's SportsTech@NAB Show Blog is now live - ...
18/03/2026
(L-R) The cast and crew of Dead Lover at The Ray Theater for its premiere at the 2025 Sundance Film Festival. (Photo by Robin Marshall/Shutterstock for Sundan...
18/03/2026
Yamaha C7 captured in Nashville
Wiltone Productions have announced the release of Music Row Piano, a deeply sampled Yamaha C7 piano library that's been ...
18/03/2026
Bass-enhancement plug-in upgraded
Along with a steady stream of new releases, Techivation have recently been revisiting some of the older plug-ins in their ...
18/03/2026
Mix-reference plug-in overhauled
iZotope's powerful mix-referencing plug-in has just reached its third major version, and now boasts a new capture proce...
18/03/2026
Latest EZKeys 2 expansion arrives
Toontrack's staggering collection of EZKeys 2 expansions has grown once again, and the latest instalment delivers a on...
18/03/2026
Jess Ho explores the politics of food in new SBS Audio podcast For The Culture
18 March, 2026
Media releases
New SBS Audio podcast For The Culture, hosted ...
18/03/2026
Future-ready broadcasts with ATSC 3.0 and enhanced services from Rohde & Schwarz...
18/03/2026
London Calling - When The Industry Convened to Help Streaming Find its MoJo In this blog, Laura Rognoni reflects on key discussions from the Connected TV World...
18/03/2026
SMPTE Unveils 2026 NAB Show Educational Presentations
Brie Clayton March 18, 2026
0 Comments
SMPTE , the home of media professionals, technologists, a...
18/03/2026
Auditel Ad Campaign Shot on Blackmagic PYXIS 12K
Brie Clayton March 18, 2026
0 Comments
LED wall virtual production blends 12K open gate acquisition w...
18/03/2026
Brainstorm transforms productivity and sustainability with Suite 7 at NAB Show 2...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...
18/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...
18/03/2026
Digital Alert Systems
Preview
2026 NAB Show
April 19 - 22
Booth C3452
At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...
18/03/2026
Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...
18/03/2026
THIS ANNOUNCEMENT RELATES TO THE DISCLOSURE OF INFORMATION THAT QUALIFIED OR MAY HAVE QUALIFIED AS INSIDE INFORMATION WITHIN THE MEANING OF ARTICLE 7(1) OF THE ...
18/03/2026
COW Jobs: Seeking DP for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Director of Photography for Low Budget Dramedy Fe...
18/03/2026
COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Gaffer for Low Budget Dramedy Feature Film- I...
18/03/2026
COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Location/Sound for Low Budget Dramed...
18/03/2026
COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Child Wrangler for Low Budget Dramedy Fe...
18/03/2026
Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...
18/03/2026
Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio
Brie Clayton March 17, 2026
0 Comments
DaVinci Resolve Studio handle...
18/03/2026
Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...
18/03/2026
Charlie Puth Joins Switched on Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...
18/03/2026
X-Rite Pantone Demonstrates Advanced Color Management Solutions to Support Smart...
18/03/2026
Wednesday 18 March 2026
BAFTA winner James McAvoy to star in Sky Original serie...
18/03/2026
Wednesday 18 March 2026
Sky Sports and Zuffa Boxing announce multi-year agreement for the UK and Ireland
Sky Sports and Zuffa Boxing have announced a new mult...
18/03/2026
Wednesday 18 March 2026
Sky Unveils Poster and Trailer for Original Feature Fil...
18/03/2026
Wednesday 18 March 2026
UP NEXT: Sky presents a bold slate of new, premium acquired content
Sky reveals slate of newly acquired premium drama and comedy, as i...
18/03/2026
Wednesday 18 March 2026
UP NEXT: Sky unveils an unmissable genre-spanning slate...
18/03/2026
Back to All News
Preparatevi Alla Terza E Ultima Stagione De La Legge di Lidia ...
18/03/2026
Back to All News
Netflix Drops Teaser and First Look Images for The Chestnut M...
18/03/2026
New Playout-to-Delivery Capabilities Elevate ATSC 3.0 Experiences, Lower DTV In...
17/03/2026
NASA+'s Rebecca Sirmons and Brittany Brown offer unique look at live streami...
17/03/2026
The transition to IP has fundamentally reshaped professional media infrastructures. Video, audio, and increasingly metadata now circulate as independent, precis...