
NHL Puck Drop 2021: ESPN Director Doug Holmes and Producer Jeff Dufine on What To Expect From the Reimagined NHL on ESPN The NHL vet and rookie are at the front bench for the league's return after 17 years By Jason Dachman, Chief Editor
Tuesday, October 12, 2021 - 4:29 pm
Print This Story | Subscribe
Story Highlights
When the NHL returns to ESPN tonight for the first time since 2004, fans will be greeted with a mix of nostalgia for the iconic NHL on ESPN coverage of yesteryear and new beginnings that go along with the launch of a new sports-broadcast era. It's fitting that the same will be true of the duo at the front bench producing ESPN's NHL coverage - one an NHL on ESPN veteran and one a rookie.
(Photo: Kelly Backus/ESPN Images)
Doug Holmes is back in the director's chair, having helmed NHL on ESPN broadcasts for more than two decades, from 1992 until the NHL rights package departed in 2004. Producer Jeff Dufine, on the other hand, will be making his NHL debut after overseeing ESPN's Sunday Night Baseball and Saturday Primetime College Basketball in recent years alongside Holmes.
Having spent the bulk of the past five years side by side on these properties, Holmes and Dufine now embark on a new chapter - for their partnership, for ESPN, and for the game of hockey in the U.S. SVG sat down with the pair to discuss their production strategy heading into the season, what new technologies and tools we can expect, and how much it means to the largely hockey-mad ESPN workforce to have the NHL back in-house.
Can you provide a sneak peek at some of the new cameras we'll be seeing for NHL coverage in ESPN's broadcasts?
Holmes: First off, aside from cameras, you're going to see more-aggressive cutting of the game. In hockey, there are a lot of purists that don't like to see much cutting, but one of our main goals is to speed up the game, and [aggressive cutting] is one way to do that.
Also, everyone talks about how great hockey is in person and why is it so different on television? Well, we want to get [viewers] closer to the ice because the energy is completely different when you get close to the ice. Those are two of our goals, philosophy-wise: to get close to the ice often and speed up the feel of the game. Not to the point of losing documentation, but to do it as much as we can and get as much energy in the games we possibly can.
The biggest thing is, you're going to see a camera on the ice, which is really exciting. There has been a camera on the ice for a long time, but it's almost exclusively just used for pregames. We're looking into different ways to exploit that camera and get more access on the ice throughout a game as opposed to just pregame ceremonies. We wouldn't have it [on the ice] during action, obviously, but we're hoping to have it during longer [stoppages in play], coming out of commercial breaks, intermissions, and things of that nature.
We are also playing around with a SupraCam. [Wired aerial cameras] are not necessarily new for NHL [coverage], but we've got some ideas in terms of how it can be used to get closer to the ice. That is something that we think can make a difference in how you see the game. One of the biggest problems we're always trying to solve in hockey is how to get the game camera closer. The near boards are a major blockage, so we want to get around that as best we can, and we think [SupraCam] is a great tool for that.
We also did a ton of innovation back when [we had the NHL], especially with robotics, and that's definitely going to continue. Robotics are counted on more than ever - especially for super-mos and all the new positions that have been created. So we're continuing to push forward on that front, and we will have a new robotic position on the reverse side in between the benches that will be on a lot of games.
And what about on the audio side of things? Will players and coaches be miked in the game, and what other strategies are you taking to boost the audio experience for viewers?
Dufine: When we say we're going to bring the viewer closer, it's not just about the video; it's about the audio as well. The league in the past has been understandably proactive with providing access to the players, and it's a great way to show their stars off. The league has been pretty receptive about [miking players]. Right now, our plan is to have at least one player miked as often as possible. We do have to go to each team and request a certain player and have them sign off on it, so obviously it's a process. But we plan to have a player miked for both of our games on Tuesday night. It's not something that we may do every game, but it's something that we're hoping to do as much as possible.
We will also have a pregame interview with an IFB for a particular player during the pre-skate that takes place about 15 minutes before we come on the air. That could be something really cool because you've never seen that kind of access before. It will obviously have to be rolled in whether it's in a pregame show or in the open to the game, but it's something that you very rarely see. So that's exciting.
We will also have access to the locker room on some games for the coach's pregame speech. We want to take the viewer somewhere that they very rarely go, and we think more access to the players and coaches is how to do that.
Holmes: We're also putting a lot of emphasis on getting more ice effects. We want to hear a lot more of the action on the ice - while being safe relative to profanity and whatnot. We're going to try to enhance the audio perspective at every game that we do. So, when we do take certain cameras or roll certain replays, you're going to be able to hear things like you've never heard them before.
For
More from Sports Video Group
20/10/2025
Inside TAMS: How Time-Addressable Media Stores could redefine sports workflows By Paul Markham
Friday, October 17, 2025 - 08:57
Print This Story
A penalty...
20/10/2025
Transformational production: Inside TVN's remote production push for the DFL...
20/10/2025
How NBC Sports Transitioned Stamford Facility to One Format: 1080p HDRMulti-year plan harmonizes workflows, simplifies operationsBy Ken Kerschbaumer, Editorial ...
20/10/2025
NBA on NBC' Studio Production Team Is Ready for Tip-Off With Coast-to-Coast...
20/10/2025
Under pressure: TVN CEO Markus Osthaus considers the German sports broadcasting ...
17/10/2025
NEP Group Receives New Equity Investment From 26North Partners LP, Co-InvestorsCarlyle remains the largest shareholder as the company prepares for the futureBy ...
17/10/2025
Apple Lands Five-Year Deal for F1 Distribution in the U.S.Besides airing on Apple TV, the sport will be amplified on other Apple servicesBy Ken Kerschbaumer, Ed...
17/10/2025
SVG Sit-Down: Marshall Electronics' Bernie Keach on the Future of PTZ Camera...
17/10/2025
L2 Productions' REMI Facility in Austin Can Produce Content From AnywhereMusic festivals, sports events are produced via flypacks and remote control roomsBy...
16/10/2025
SVG Sit-Down: FUJIFILM Execs on GFX ETERNA 55 Camera, Importance of Shallow-Dept...
16/10/2025
Squash's Most Ambitious Broadcast Production To Be Deployed at Comcast Busin...
16/10/2025
Main Street Sports Group Inks Deal With Omaha Productions, Launches Original-Con...
16/10/2025
A Historic Precursor? FIFA, HBS, DAZN Offer an Inside Look at Production of FIFA...
16/10/2025
Prime Video Offers Sneak Peak at New NBA on Prime StudioThe massive 13,000-sq-ft, two-story studio features a LED regulation half court and hoopBy Jason Dachman...
16/10/2025
SVG Remote Production Forum Draws Record Crowd for Visit to PGA TOUR Studios, De...
16/10/2025
BitFire's Ben Grafchik on How Growing Cloud Workflows Are Impacting the Live...
15/10/2025
St. Louis Blues Pay Tribute to Ozzy Osbourne in New Pregame Open VideoThe NHL franchise worked with production firms 2WEI and 4th Floor CreativeBy Mark J Burns,...
15/10/2025
Cobalt Digital, G3DVu, Proxima Vision, and Telos Alliance Renew Premier Sponsors...
14/10/2025
SVG Europe Summit 2025: All Sessions Now Available to Watch on SVG PLAYNetworking event that preceded IBC2025 shone a light on elite live sports innovation acro...
14/10/2025
SVG Sit-Down: Author Rich Podolsky on Writing Madden & Summerall: How They Revo...
14/10/2025
SVG All-Stars: Michael Reiners, Coordinating Producer, FloRacingThe Illinois State grad steers a vast schedule of motorsports events at tracks across the countr...
14/10/2025
Content protection: Getting the right management for your DRM By Neal Romanek
Friday, October 10, 2025 - 10:11
Print This Story
Eluvio power the EPCR'...
14/10/2025
As League Takes Over Ops, NBA TV and NBA App Add 60 Games, Weekday Studio Show, ...
14/10/2025
Time and effort: World's largest student-led broadcast prepares to go On Air...
13/10/2025
Spectrum Brings Selected L.A. Lakers Games to Apple Vision Pro With New Immersiv...
13/10/2025
Media Climate Accord aims to offer united approach to M&E industry sustainabilit...
13/10/2025
Riot Games streamlines production of Valorant Champions Paris with ST 2110 flypa...
13/10/2025
Feeling the NRG: Riot Games puts on a show for Valorant Champions Paris final By Jo Ruddock
Monday, October 13, 2025 - 09:17
Print This Story
After more t...
13/10/2025
FOX Sports MLB Postseason Audio Aims To Make Officials' Calls More AccurateA1 Joe Carpenter hopes to bring some baseball CSI' to the ABS ump-cam system...
11/10/2025
SVG New Sponsor Spotlight: TAB M Solutions' Joe Wire, Kevin Tucker on Guidin...
10/10/2025
SVG New Sponsor Spotlight: TAB M Solutions' Joe Wire, Jeff Tucker on Guiding...
10/10/2025
SVG Students To Watch: Vincent Macri, Monmouth University The Jersey local runs Camera 1 on Hawks games and is expanding into technical directing By Brandon Co...
10/10/2025
Flexible budgets: Inside the DFL's new customisable camera concepts for Bund...
10/10/2025
Facing the future: TVN on its technical services for the new Bundesliga season with remote production and all the bells and whistles By Heather McLean
Monday...
10/10/2025
Evolving in-house: Developing broadcast expertise and pushing the women's ga...
10/10/2025
Growing the game: The Deutscher Fu ball-Bund on pushing production innovation fo...
10/10/2025
Proximity and authenticity: DFL kicks off the new football season with more broa...
10/10/2025
Spectrum Brings Select L.A. Lakers Games to Apple Vision Pro With New Immersive ...
09/10/2025
International Island Games: Pop-up private 5G networks offer opportunity for sma...
09/10/2025
SVG Campus Shot Callers: Andrew Kurtz, Director for Broadcast Production, Monmou...
09/10/2025
SPORTEL Monaco Announces Final Conference LineupSVG, SVG Europe Lead Discussions on Fan Engagement, Generative AIBy Ken Kerschbaumer, Editorial Director
Thurs...
09/10/2025
With Soccer's Popularity on the Rise, U.S. Open Cup Rolls Out Largest Produc...
08/10/2025
NHL Faceoff 2025: Entering Its Fifth Year as League Partner, ESPN Captures the S...
08/10/2025
FOX Sports Inks Deal for 2026 World Baseball Classic RightsBy SVG Staff
Tuesday, October 7, 2025 - 4:00 pm
Print This Story | Subscribe
Story Highlights
...
08/10/2025
Tech Focus: AI & Production Music -Many Benefits for Broadcast Sports, but Uncer...
08/10/2025
WNBA Finals: ESPN Puts Stories on the Court' Front and Center, Debuts 3-Poi...
07/10/2025
SVG All-Stars: Ren e Riva, Senior Director, Game Presentation, NHLIn her role at the league, she brings together creativity, collaboration, execution to bolster...
07/10/2025
Piracy in live sports: How broadcasters, leagues, platforms and federations are ...
07/10/2025
NBC Sports Execs Lay Out Vision for October 21 Return of NBA on NBC'With broadcast and digital, today's production environment is more dynamic and comp...
07/10/2025
NHL Faceoff 2025: TNT Sports Goes Big in Vegas for Opener, Leans Into Multi-Feed...