
Chad Robertson Talks College Sports [Mixing] posted: 12/12/2019
Q: What's your current role and what does it involve?
A: I'm a freelance audio engineer and mixer, mainly working as an A1 on college sports for ESPN, though I've worked for many of the networks as well as other clients over my career. The majority of what I do is football, basketball, baseball and studio productions. I've also done the occasional high-profile non-sports event, including important political broadcasts. For instance, one highlight was my role as Head of Broadcast Audio for the 2013 George W. Bush Presidential Center Dedication Ceremony; with every living US President in attendance, it was a memorable event. I also do some work as location production sound mixing.
Q: How did you get into broadcast sound?
A: It all started at my church, when I was 14 years old. I was interested in the AV side and the head of the church AV (who was also a remote truck A2 at the time) added me to the volunteer crew. As it turned out, I had a knack for broadcast production. So, I got involved in everything from cameras to sound. I steered myself towards sound as I found it to be the most interesting.
After that, I secured some corporate work outside of the church. In college, I worked as an A2 on various events. After college, I started to get hired more and eventually moved into A1 roles. The A1 side really took off when ESPNU came online in 2005. The truck A1 role accounts for about 85-percent of my income now. ESPN has been a great client over the years, providing many opportunities to learn and grow.
Q: What was one of your most prominent experiences with Calrec?
The first time I worked on a Calrec Apollo was during the 2012 NATO Summit. In typical Calrec fashion, the console quickly revealed its flexibility and usefulness and showcased that they had significant resources and processing power. We had a multitude of paths coming in and out for a minimum of four languages, simultaneously. The flexibility of the platform, such as splitting the console, cloning faders and assigning VCAs, along with other features, made the project very easy to manage.
Q: How has the general approach to sports broadcast changed over your time at the console?
A: The amount of programming for college sports has grown tremendously. The delivery platforms have multiplied, too, with mobile phones and other digital devices added to the more traditional cable services. But, as delivery increases, the number of on-location production people continues to decrease. There's still always an audio person, but you won't always have the production or graphics teams.
On the production side, we're consistently being asked to manage more in less time. We're doing a lot more in terms of routing multiple audio paths, in addition to adapting the way intercoms are used between the remote location and the production control rooms. Every event and location is different, so every production must be set up and torn down. Luckily, I am typically on a Calrec, so I'm not concerned about set up time at the console. Calrec consoles are never part of my traffic-jam that's not where my time gets eaten up. There are many parts of the production that must be set up in addition to the console, including transmission and intercoms. Most of the time, Calrec is actually the solution to a problem. I know it's going to do what it's meant to do; it's going to work.
Chad Robertson Talks Sports Mixing
Q: And channel count has got bigger too, hasn't it?
A: Definitely; it's not unusual to be handling hundreds of paths at once now. For instance, in July, I was on a Calrec Artemis and we had three shows on three different networks ESPN, ESPN2 and SECN. All three shows were passing through that one board, simultaneously.
The mix of sources is constantly changing, too. We'll get multiple formats of signals coming in: analog, AES, MADI, Dante, etc. and those all vary in width. Some are mono or stereo, while others are surround sound or newer formats, such as Dolby Atmos. I know that Calrec can handle all of those.
Calrec's previous digital line, the Alpha series, was great, and those consoles (Alpha, Sigma, Omega, etc.) are still working solid on many events. When the Apollo and the Artemis first came out, I remember staring in wonder at the massive amount of power and flexibility especially the number of channels and paths they could handle. I was skeptical that we'd ever need that kind of power, but here we are. Honestly, now, when I'm not on a console with that sort of power and flexibility, I feel like my hands are tied together.
Q: How do you approach a standard' sports broadcast?
A: I'm normally on a different truck every day, so there's no default set-up on the console for me. Some trucks have a generic default, but I prefer to start from a completely blank desk. So, when it's my first time sitting down to a console that I haven't previously been on, erasing its surface is my first step.
Thankfully, Calrec consoles are very easy and efficient to set up; it's very straightforward and fast to rebuild it to my liking. As the project grows, it is easy to add or reallocate resources and rearrange the surface as needed which is a huge advantage since every project is different and unique.
Q: How much automation to use?
A: I use the built-in auto mixers for announcers, which is a really useful form of production automation, but live sports shows are all unscripted. Nobody knows if there's going to be an interception or an injury or touchdown, so I don't use the automation in the traditional sense. I might go to a commercial break in 30 seconds or in 10 minutes, depending on the play of the game so, besides using a few tallies to open auto-faders, live spor
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
08/07/2026
The end of the Big A' marks the demise of one more iconic sports venue and its signature sound
After 132 years as one of the preeminent horse-racing track...
08/07/2026
Memphis Athletics and Learfield have signed a long-term renewal to their 25-year relationship, which sees Learfield's Tiger Sports Properties continue repre...
08/07/2026
MLB All-Star Week returns to Philadelphia for the first time in 30 years as Amer...
08/07/2026
Former Wall Street Video event expanded to include all Enterprise sectors
SVG Enterprise has announced the inaugural Enterprise Video Summit, taking place Oct....
08/07/2026
An offseason project enhanced eight video displays around the venue in time for ...
08/07/2026
Kaseya Center has a ton of new features that weren't available to the indust...
08/07/2026
The International Federation of Film Critics (FIPRESCI) and the Sundance Film Festival are pleased to announce the establishment of a FIPRESCI jury beginning wi...
08/07/2026
Latest analogue-emulation plug-ins revealed
Universal Audio have just added two new analogue-emulation plug-ins to their DSP-powered UAD line-up. Developed ...
08/07/2026
Turn any audio loop into a playable kit
Pitch Innovations have recently introduced an interesting new tool that's capable of creating playable kits from...
08/07/2026
Adds new keyboard-split function
MonkeyC have recently launched an update that overhauls their powerful software sampler. Described as the sampler that mad...
08/07/2026
Four new delay algorithms & dual-engine functionality
Strymon have just announced that the much-anticipated MX version of their hugely popular delay pedal i...
08/07/2026
Well over half of Australia have tuned in to watch the FIFA World Cup on SBS
7 July, 2026
Media releases
Australia's Round of 32 match against Egypt a...
08/07/2026
SBS and Koorie Heritage Trust announce three-year partnership to celebrate First...
08/07/2026
Rohde & Schwarz and China Mobile Research Institute jointly demonstrate generati...
08/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/07/2026
Collaboration demonstrates how managed IP distribution and cloud-based syndication workflows can support live television at national scale
Fox Television Stati...
08/07/2026
New ARRI ALEXA 35 Live Xtreme camera seamlessly delivers up to 8x HFR via SDI fo...
08/07/2026
Did You Know? Redshift for Cinema 4D: The Power of the Distance Node
Marc Potocnik July 8, 2026
0 Comments
The Did You Know? Redshift for Cinema 4D ...
08/07/2026
Lightware is introducing the biggest update yet to the LARA Wizard Touchpanel configuration experience, designed to help integrators work faster while deliverin...
08/07/2026
DMC Production has turned to Calrec in its quest to redefine outside broadcasting with a flexible approach to live production that reverse engineers the convent...
08/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/07/2026
Foundry today announced that Reel FX Animation Studios has adopted Flix to standardize their pipeline and streamline processes across departments. Flix is a vis...
08/07/2026
The right team. The right time.' How The Killings at Parrish Station stuck t...
08/07/2026
Australians in Film and Screen Australia launch FUTURE VISION Forward to elevate...
08/07/2026
Film follows the courageous fight for justice by survivors of Ireland's Magdalene Laundries & Mother and Baby Homes
TESTIMONY airs Wednesday 22 July at 9...
08/07/2026
NVIDIA Nemotron 3 Ultra is offering leading performance at lower cost than top c...
07/07/2026
Applications are now open for the Validation Booster, a six-month acceleration programme supporting journalists, media organisations, content creators, media in...
07/07/2026
The Universal Talent Identifier (HAND) has issued HAND IDs to 50 top prospects ahead of the 2026 MLB Draft, including consensus top-ranked players Roch Cholowsk...
07/07/2026
Cisco and the McLaren Mastercard Formula 1 Team have announced an extension of their partnership, expanding the scope from networking and communications to incl...
07/07/2026
LucidLink has announced a workflow integration with Adobe Frame.io that gives production teams unified access to Frame.io projects alongside supporting producti...
07/07/2026
Chyron has announced the appointment of Ahmed Magd as Sales Director for the Middle East. Magd joins from previous senior commercial roles at Riedel Communicati...
07/07/2026
Leader Electronics of Europe has announced that its PHABRIX Qx rasterizer and Le...
07/07/2026
eCLUTCH has announced it has acquired broadcast rights to the Esports World Cup 2026 for EMEA and MENA, covering the Middle East, Africa, the Balkans, Sweden, a...
07/07/2026
Riedel Communications and ARRI supported ORF's host broadcast of the Eurovis...
07/07/2026
ARRI has announced the ALEXA 35 Live Xtreme, a camera that adds high frame rate ...
07/07/2026
LiveU will exhibit at IBC 2026 (Stand 7.C24), showcasing the LU900Q Intelligent Production Unit, expanded Sony collaboration, and additions to its open IP-video...
07/07/2026
Telemundo's coverage is packaged with Multiview, Catch Up with Key Plays, in...
07/07/2026
The Australian Rugby League Commission (ARLC) has announced a seven-year media r...
07/07/2026
Produced onsite at The Star in Frisco, TX, live coverage of the
two-day event airs on ESPN platforms
The season for Football Media Days is here, and the Big ...
07/07/2026
Rogers Communications Inc. has announced an agreement to acquire the remaining 25% ownership stake in Maple Leaf Sports and Entertainment (MLSE) from Kilmer Spo...
07/07/2026
End-to-end broadcast solution includes fleet of mobile units, Cloud Control, and...
07/07/2026
Sports-production-tech experts sound off on the state of the industry...
07/07/2026
New mixer aimed squarely at instrument-level sources
Heritage Audio have clearly been busy recently, as alongside their all-new Tubestrip, they've also ...
07/07/2026
New channel strip combines popular hardware designs
The latest arrival to the Heritage Audio line-up brings together a selection of their praised hardware d...
07/07/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......