Chad Robertson Talks College Sports [Mixing] posted: 12/12/2019
Q: What's your current role and what does it involve?
A: I'm a freelance audio engineer and mixer, mainly working as an A1 on college sports for ESPN, though I've worked for many of the networks as well as other clients over my career. The majority of what I do is football, basketball, baseball and studio productions. I've also done the occasional high-profile non-sports event, including important political broadcasts. For instance, one highlight was my role as Head of Broadcast Audio for the 2013 George W. Bush Presidential Center Dedication Ceremony; with every living US President in attendance, it was a memorable event. I also do some work as location production sound mixing.
Q: How did you get into broadcast sound?
A: It all started at my church, when I was 14 years old. I was interested in the AV side and the head of the church AV (who was also a remote truck A2 at the time) added me to the volunteer crew. As it turned out, I had a knack for broadcast production. So, I got involved in everything from cameras to sound. I steered myself towards sound as I found it to be the most interesting.
After that, I secured some corporate work outside of the church. In college, I worked as an A2 on various events. After college, I started to get hired more and eventually moved into A1 roles. The A1 side really took off when ESPNU came online in 2005. The truck A1 role accounts for about 85-percent of my income now. ESPN has been a great client over the years, providing many opportunities to learn and grow.
Q: What was one of your most prominent experiences with Calrec?
The first time I worked on a Calrec Apollo was during the 2012 NATO Summit. In typical Calrec fashion, the console quickly revealed its flexibility and usefulness and showcased that they had significant resources and processing power. We had a multitude of paths coming in and out for a minimum of four languages, simultaneously. The flexibility of the platform, such as splitting the console, cloning faders and assigning VCAs, along with other features, made the project very easy to manage.
Q: How has the general approach to sports broadcast changed over your time at the console?
A: The amount of programming for college sports has grown tremendously. The delivery platforms have multiplied, too, with mobile phones and other digital devices added to the more traditional cable services. But, as delivery increases, the number of on-location production people continues to decrease. There's still always an audio person, but you won't always have the production or graphics teams.
On the production side, we're consistently being asked to manage more in less time. We're doing a lot more in terms of routing multiple audio paths, in addition to adapting the way intercoms are used between the remote location and the production control rooms. Every event and location is different, so every production must be set up and torn down. Luckily, I am typically on a Calrec, so I'm not concerned about set up time at the console. Calrec consoles are never part of my traffic-jam that's not where my time gets eaten up. There are many parts of the production that must be set up in addition to the console, including transmission and intercoms. Most of the time, Calrec is actually the solution to a problem. I know it's going to do what it's meant to do; it's going to work.
Chad Robertson Talks Sports Mixing
Q: And channel count has got bigger too, hasn't it?
A: Definitely; it's not unusual to be handling hundreds of paths at once now. For instance, in July, I was on a Calrec Artemis and we had three shows on three different networks ESPN, ESPN2 and SECN. All three shows were passing through that one board, simultaneously.
The mix of sources is constantly changing, too. We'll get multiple formats of signals coming in: analog, AES, MADI, Dante, etc. and those all vary in width. Some are mono or stereo, while others are surround sound or newer formats, such as Dolby Atmos. I know that Calrec can handle all of those.
Calrec's previous digital line, the Alpha series, was great, and those consoles (Alpha, Sigma, Omega, etc.) are still working solid on many events. When the Apollo and the Artemis first came out, I remember staring in wonder at the massive amount of power and flexibility especially the number of channels and paths they could handle. I was skeptical that we'd ever need that kind of power, but here we are. Honestly, now, when I'm not on a console with that sort of power and flexibility, I feel like my hands are tied together.
Q: How do you approach a standard' sports broadcast?
A: I'm normally on a different truck every day, so there's no default set-up on the console for me. Some trucks have a generic default, but I prefer to start from a completely blank desk. So, when it's my first time sitting down to a console that I haven't previously been on, erasing its surface is my first step.
Thankfully, Calrec consoles are very easy and efficient to set up; it's very straightforward and fast to rebuild it to my liking. As the project grows, it is easy to add or reallocate resources and rearrange the surface as needed which is a huge advantage since every project is different and unique.
Q: How much automation to use?
A: I use the built-in auto mixers for announcers, which is a really useful form of production automation, but live sports shows are all unscripted. Nobody knows if there's going to be an interception or an injury or touchdown, so I don't use the automation in the traditional sense. I might go to a commercial break in 30 seconds or in 10 minutes, depending on the play of the game so, besides using a few tallies to open auto-faders, live spor
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
15/07/2026
The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...
15/07/2026
As sports-media organizations manage rapidly growing content libraries and incre...
15/07/2026
HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...
15/07/2026
IBC has unveiled the conference program for IBC2026, with this year's event ...
15/07/2026
Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...
15/07/2026
New AI-powered module enables broadcasters and content owners to extract dialogu...
15/07/2026
Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...
15/07/2026
Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...
15/07/2026
USA Sports has announced an exclusive English-language agreement with the Bundes...
15/07/2026
ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...
15/07/2026
Program will provide professional camera kits, training, and technical support to participating local newsrooms...
15/07/2026
San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...
15/07/2026
Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...
15/07/2026
The Houston-based RSN is the live-game home of the Astros and Rockets...
15/07/2026
Launched alongside new FreqSoft installer
Designed to bridge the gap between hardware and software, Freqport's FreqInOut FO1 unit provides a simple way ...
15/07/2026
Save up to 55% on software until 23 July 2026
Expressive E have just launched their Summer Offer sale, with discounts of up to 55% now applied across their ...
15/07/2026
Real-time stem-separation tool updated
zplane have recently released a new and improved version of their real-time stem-separation plug-in which they say ma...
15/07/2026
A new benchmark in bass enhancement
Described as a new benchmark in bass enhancement , Baby Audio's latest release has been designed to augment the lo...
15/07/2026
DMC Production's AR 1 and AR 2 units reverse the conventional OB workflow, keeping all production-critical processing at the venue while operators work remo...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
GigaCloud, a leading Ukrainian cloud service provider, and Cubbit, the first geo-distributed cloud storage enabler, today announced a new Business Alliance Part...
15/07/2026
SMPTE, the global society for media professionals, technologists, and engineers, has announced the launch of the SMPTE 110th Anniversary Campaign, a fundraising...
15/07/2026
Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, unveils the new StudioComm Model 762 Stereo Level Control, ...
15/07/2026
COW Jobs: Producer, Virtual Events - Hybrid, Full Time, Salaried
Brie Clayton July 15, 2026
0 Comments
Producer, Virtual Events (Hybrid | Full-time | ...
15/07/2026
Brazilian media organization builds nationwide CDN with Broadpeak's high-performance software for low-latency streaming and new content distribution service...
15/07/2026
DHD announces a new utility designed to increase the efficiency of its audio mixing systems during initial installation and subsequent configuration.
Anyone w...
15/07/2026
BCNEXXT Brings Next-Generation Vipe to IBC2026, Breaking the 1:1 Channel-to-Server Ratio New innovations liberate broadcasters from legacy playout infrastructur...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Wednesday 15 July 2026
Screeners and press pack now available: Gomorrah: The Or...
15/07/2026
Trinity's Treasures features Ruth Negga, Eleanor McEvoy, and David Norris, a...
15/07/2026
Join geographer Dr Susan Hegarty, Engineer Tim Joyce and Architect Orla Murphy a...
15/07/2026
Home to leading manufacturers, robotics pioneers, infrastructure builders and gaming, of course, Japan is one of the world's centers of AI - building across...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
Chad Robertson Talks College Sports [Mixing] posted: 12/12/2019 
