
Five years since Covid-19 first arrived, TVBEurope hears from leading figures from across the media and entertainment industry to find out what has changed in the intervening period
By Matthew Corrigan
Published: March 24, 2025 Updated: March 25, 2025
Five years since Covid-19 first arrived, TVBEurope hears from leading figures from across the media and entertainment industry to find out what has changed in the intervening period
target=_blank title=Share on LinkedIn class=share-linkedin>
Five years ago this week, everything stopped. Countries across the globe quickly enacted plans to effectively close their doors in an attempt to defend against an advancing threat Covid-19. For weeks, the news had carried stories of a new and unknown virus tracking around the world. There was a real Eve of the War feeling abroad. We all knew it was coming, but nobody could possibly grasp the extent of the carnage it would bring.
March 23rd 2020 was unseasonably warm in the UK. That evening, as the Prime Minister began to address the nation, there was a palpable air of disbelief among the populace. Moments later, reality dawned. The first stay-at-home order was announced and the country was in lockdown.
What followed brought many changes: we all adapted to new ways of working, socialising, and living. The media and entertainment business was thrown into turmoil. Thankfully, the pandemic is now receding into the memory. But as we reach the fifth anniversary of our first Covid lockdown, TVBEurope has asked leading figures from throughout the industry to share their thoughts, answering a single question in their own words.
How has the media and entertainment industry changed since the Covid-19 crisis?
Michael Lantz, CEO, Accedo Today I think most industry insiders will reflect on the macro-economic challenges over the past few years which have impacted the industry a lot. Instead, I would like to reflect on how the average consumer has changed. Prior to Covid, streaming premium video was still largely an early adopter market. Now, just a few years later, streaming has penetrated almost all consumer segments and countries. Had it not been for Covid and consumers, desperate for entertainment, quickly embracing new technologies and user experiences the development would likely have been three to four years slower. We've seen record growth of mass market adoption of any technology, with Covid playing a significant role.
Andr Rosado, head of product, AgileTV The crisis reshaped the media and entertainment industry, accelerating shifts that were already in motion, while introducing new consumption patterns and business models, especially on the Ad-supported paradigm. As audiences turned to digital platforms in record numbers, companies had to rethink how content was produced, distributed and monetised. The result? A transformed landscape where flexibility, efficiency and diversification became the keys to success.
With lockdowns keeping people at home, streaming services saw explosive growth, solidifying on-demand consumption as the new norm. Binge-watching soared and the so-called streaming wars intensified as platforms fought for audience attention. Yet, live sports remained a major draw, with tech giants like Amazon and Apple investing heavily in sports rights to secure their place in the competitive streaming market.
Cost pressures pushed telco and media companies to optimise operations. Cloud-based workflows and automation became essential for content production and delivery, generating cost savings and enabling faster deployments, changes that are now permanent fixtures in the industry. Broadcasters and OTT providers embraced these tools to streamline everything from video editing to distribution, ensuring scalability and resilience in an increasingly competitive landscape.
ITV's Emmerdale enacted social distancing protocols As subscription fatigue set in, streaming platforms leaned into ad-supported tiers. Services like Netflix and Disney+ introduced lower-cost, ad-based options to attract price-sensitive audiences while diversifying revenue streams. This shift reflects a broader industry trend: finding new ways to monetise content without alienating consumers.
The proliferation of OTT platforms led to content fragmentation, pushing consumers to juggle multiple subscriptions and UI experiences. Now, the industry is shifting towards re-bundling, where partnerships and content aggregation efforts on the telcos and ISPs services mimic traditional cable, offering convenience without sacrificing choice. Telcos are experimenting with bundled packages that combine streaming services, mobile plans and even consumer utilities services
Social media platforms like TikTok thrived during the pandemic, driving a surge in short-form video consumption. Traditional media players adapted, producing snackable content to engage audiences in this fast-paced digital landscape. Even legacy broadcasters are now leveraging vertical video and AI-driven recommendations to stay relevant.
The pandemic didn't just disrupt the media. It accelerated its evolution. Streaming dominance, ad-supported models, cloud-driven efficiency and shifting content formats are shaping a future where adaptability is key.
Ben Grafchik, vice president of business development at BitFire The Covid-19 crisis forced instant change for broadcasters. Suddenly, the standard playbook - pack a truck full of gear, roll into a venue, and throw 30 people at the problem - wasn't an option. The industry had to adapt fast, and that meant embracing remote production in ways that had always been talked about but rarely implemented at scale.
At BitFire, we understood that this shift was more than a temporary workaround; it was the next step in the evolution of live production. Our IP-based transmission network helped broad
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
15/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/08/2026
Add rounded corners to mask in After Effects
Graham Quince August 14, 2026
0 Comments
Ever wished you could smoothly round the corners of a Mask Path ...
15/08/2026
Director Go Riju's Rhapsody Rhapsody Shot on Blackmagic PYXIS 6K
Brie Clayton August 14, 2026
0 Comments
Anamorphic cinematography and color gradi...
14/08/2026
AT&T returns as a sponsor of the DirtFish Women in Motorsport (WiM) Summit, which marks its fifth year Aug. 21-22 in Snoqualmie, WA. This year's event will ...
14/08/2026
A six-camera flypack production will anchor Sunday's game while Perfect Game...
14/08/2026
Latest instalment delivers disco-inspired grooves
The latest addition to UJAM's virtual drum line-up has been designed with contemporary pop, disco, dan...
14/08/2026
Elite range gains giant 24-inch powered sub
The latest expansion of Yorkville's Elite range introduces what the company say is the world's first act...
14/08/2026
The National Film and Video Foundation (NFVF), an agency of the Department of Ar...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
Leading Brazilian Broadcaster Will Use Triveni Digital's TV 3.0 Broadcast Chain and Service Quality Assurance Solutions to Support Next-Generation Televisio...
14/08/2026
Beam Dynamics will make its IBC debut this September, marking a major step in the company's growth. Beam helps broadcast, live production and professional A...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/08/2026
amaran, pioneer of lighting tools for creators, today announced the amaran Mic, a 99 wireless desktop microphone that brings the brand into audio for creators ...
14/08/2026
Creative COW Roundtable: Introduction to the New After Effects Assistant - AEAI
Brie Clayton August 13, 2026
0 Comments
On August 23, 2026 at 9am PDT/...
14/08/2026
Life on Waves Posted with DaVinci Resolve Studio
Brie Clayton August 13, 2026
0 Comments
Collaborative editing and color grading workflow supported by...
14/08/2026
Why Bulletproof Video Project Archiving Is Non-Negotiable
John Carboni August 13, 2026
0 Comments
In video production, the work is far from over when ...
14/08/2026
Stacked with Boston Conservatory Talent, Shakespeare on the Common Celebrates It...
14/08/2026
Indonesia is taking charge of its AI future.
This week, the Ministry of Communi...
14/08/2026
Friday 14 August 2026
Breaking news! Sky releases trailer for The Paper, return...
14/08/2026
It's been one year since our client, Cotswolds Designer Outlet, opened its doors and we've loved seeing the scheme come to life. Together, we've hel...
13/08/2026
LaLiga has renewed broadcast agreements with ESPN and DSports covering Spanish-l...
13/08/2026
Three days of skateboarding competitions, live music, and other programming will...
13/08/2026
Matrox Video will showcase its portfolio of IP and software-defined technologies at IBC2026 (Booth 7.B15, RAI Amsterdam, September 11-14).
The portfolio includ...
13/08/2026
SMPTE will present expert-led sessions, professional workshops, and networking events at IBC2026. The organization will be located in the IBC2026 Owner Pavilion...
13/08/2026
Clear-Com will exhibit at IBC2026 (Stand 10.D29, September 11-14, Amsterdam), showcasing FreeSpeak Cell, Avalon IP Station, updates to Arcadia Central Station, ...
13/08/2026
Advanced Systems Group (ASG) has appointed Eran Binyamin Zeitoun as Senior Techn...
13/08/2026
Miami HEAT, Florida Panthers, Orlando Magic, University of Miami join leading vendors for a day of gameday-production talk in South Florida
The 2026 SVG Venues...
13/08/2026
NBC Sports is producing the Twins-Phillies game alongside the streamer, which is...
13/08/2026
Oracle Cloud Infrastructure (OCI) will exhibit at IBC2026 (Hall 5, Booth 5.A21, September 11-14, Amsterdam), demonstrating cloud-based workflows across low-late...
13/08/2026
Dalet will participate in the IBC2026 Accelerator Media Innovation Programme, co...
13/08/2026
Cox Media Group (CMG) has announced multi-year local broadcast rights agreements...
13/08/2026
J nger Audio will join Fraunhofer IIS and industry partners to showcase a cloud-based, DTV+-compliant workflow at SET Expo 2026 in S o Paulo, August 17-20. DTV+...
13/08/2026
IBC has announced that Olympic Broadcasting Services (OBS) will receive the Inte...
13/08/2026
NESN has partnered with WSBK-TV38 to broadcast Boston Red Sox games on August 17 and 18 over the air, extending the reach of the 24th annual WEEI/NESN Jimmy Fun...
13/08/2026
LiveU and Panasonic LUMIX have announced the Live Anywhere workflow, demonstrated at NAB 2026 and InfoComm 2026 in collaboration with Social180Group. The work...
13/08/2026
Chyron will demonstrate its sports analysis, graphics, remote production, virtual production, and venue control solutions at IBC2026 (Booth 7.A23). This year...
13/08/2026
Ratings Roundup is a rundown of recent ratings news and is derived from press re...
13/08/2026
Season tips off Oct. 20 and runs through April 11; Christmas Day, NBA Cup, All-S...
13/08/2026
Company preview bio-interactive' synthesizer
VAEMI have announced the upcoming launch of a new standalone bio-interactive' generative synthesizer....
13/08/2026
Plug-in host gains new Slot Scenes feature
Ravine DSP have recently updated their innovative plug-in host, kitting it out with a new feature that brings yet...
13/08/2026
New Agreement Aims to Leverage Gracenote Infrastructure to Create More Relevant ...