SVG Sit-Down: E1's Laurence Boyd Shares the Tech Challenges of the 2025 Race SeasonSaturday's UIM E1 World Championship presented by PIF wrapped its 2025 SeasonBy Samantha Gabay, Digital Content and Social Media Manager
Thursday, November 13, 2025 - 9:00 am
Print This Story | Subscribe
Story Highlights
As Chief Content and Product Officer for the E1 Series - the world's first all-electric raceboat Championship - Laurence Boyd stands at the intersection of sport, technology, and sustainability. With more than 25 years of experience in sports broadcasting, he has helped shape how E1 presents its high-octane, environmentally conscious brand of racing to audiences around the globe.
SVG sat down with Boyd in Miami, site of the E1 Miami GP and season-concluding Series finale, to discuss what went into E1's production of the 2025 season, what he sees in the future of the sport, and what makes him the most proud of being a part of this team.
E1 stages races in coastal cities around the world, with a mission to minimize its environmental footprint while showcasing the beauty of each location. From a broadcast perspective, what have been the biggest production and logistical challenges in bringing these events to life?
Every location that we bring E1 races to presents different challenges. Because we are a remote production, we don't hire a local truck in each space. We bring our equipment with us, which means that we have the same technology backbone for every event, and that allows us to keep consistency and reliability.
Yet each location can provide different access for cameras and technology. For example, we were based in Venice last year, and Camera 1, the wide shot that captures all the action, had to be floated on a barge on the sea. We have a 50-meter hoist, which was floated on the barge for our Augmented Reality enhanced shots . That allows us to add branding to the shots but also allows us to show the entire racetrack.
Other challenges are unique to each location. In Lago Maggiore,Italy, this year, the challenge was about fiber connectivity. We are a fully remote production with 25 people working in the UK, two people working in Barcelona, three people working on the south coast of England. For Lago Maggiore, because there's no fiber internet there, we had to bring support onsite, and had to completely change the broadcast infrastructure for that race., Although we try to be as consistent with our broadcast-tech solutions every race, there are distinct challenges everywhere we go.
Walk us through how E1 has transitioned to a more remote production workflow and what that has meant for your onsite footprint, staffing, and sustainability goals.
We reduced the onsite footprint through Season 1. Since then, there has been a move to more and more remote production, and just an overall more sustainable production. Currently, there are Aurora Media and Timeline production teams in West London, where the show is mixed and the producer, director, and commentary team are. The Alkamel Systems graphics operators are located in Barcelona, and the remote camera operation for Cross-Shore Media is in Weymouth on the south coast of England. There are around 25 people working remotely.
In terms of new technologies, you mention the camera used for AR branding as well as showing the racetrack. What other new technologies were deployed this season to elevate the game?
I think that one of the most interesting tech advances we have is the use of agile cameras, which are gyro-stabilized cameras sitting on the top of each boat. Those are provided by one of our broadcast-facility partners, Cross Shore Media, who specializes in camera positions in difficult locations. They have basically reworked a cinematic camera to become stabilized on the boats, which gives us amazing low-angle tracking shots.
Last season, we had those cameras available on five boats simultaneously. This year, we've added chase boats, which gives us the opportunity to get more-dynamic low-angle tracking shots from different angles, not just from within the race course but outside the race course. Each boat has four onboard cameras on it. What we're looking to do is create the most dynamic content we can since fast-moving boats require fast-moving cameras to capture the drama of the action.
[Here in Miami,] we have two drones and four onboard cameras per boat, with five boats per race, so that's another 20. Then we have a super-slow-motion camera with a big lens; we also have three handheld cameras to capture the action on the shore. Those cameras will be covering the teams talking to one another, the celebrity team owners, the glamour of the ocean club, as well as the usual typical reaction shots that you would get from any sports event.
How are you balancing partnerships with traditional broadcast versus streamers? How are smaller, more-niche platforms getting access to E1?
Our contribution and distribution is managed by Timeline TV, our broadcast-facilities partner. We produce SRT feeds for most broadcasters, which is useful for both streaming and traditional broadcast. But we also distribute through BT Tower [in London] in the traditional way if required. Most of our broadcasters are now taking SRT feeds.
What do you enjoy most about being part of a broadcast like E1, one that combines cutting-edge technology, sustainability, and global storytelling? On a personal level, what was it about this sport and this production that first drew you in?
My background was being a producer, and a producer's job is to solve problems, right? That's what we do. The unique problems that we have to solve at each venue are exciting. It's also great to work with an engaged and creative group, from both an engineering and an editorial perspective. I'm proud that they love working on the
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
15/06/2026
Detach from Direct-Attached: How Remote Editing with EVO Keeps Creative Teams Mo...
14/06/2026
Library captures 1960s R&B/pop drum sound
Following on from their recent wave of plug-in effects, Iconic Instruments have just launched an all-new virtual d...
14/06/2026
HBO Comedy Rooster Shot with URSA Cine 17K 65
Brie Clayton June 14, 2026
0 Comments
Large format brings viewers intimately close to characters.
Black...
13/06/2026
Latest expansion pack includes 252 presets
Devious Machines have recently introduced another expansion for their powerful multi-effects plug-in, Infiltrator...
13/06/2026
Create custom DAW/plug-in controllers using prompts
MetaGrid have recently introduced an all-new AI Builder function to their touchscreen-based control surf...
13/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
YES Network and The Gotham Sports App will air seven Athletes Unlimited Softball...
12/06/2026
The United Football League will host its FAST Innovation Suite at the 2026 United Bowl presented by Credit One Bank on Saturday, June 13 at 3:00 p.m. ET at Audi...
12/06/2026
PTZOptics and LayerJot will present live demonstrations at InfoComm 2026 showing how natural-language AI prompting, robotic camera control, and on-device comput...
12/06/2026
MultiDyne Video and Fiber Optic Systems will exhibit at InfoComm 2026, featuring...
12/06/2026
Ateme has announced that Eurovision Services is using Ateme's software-based frame-rate conversion technology for international live event workflows. The de...
12/06/2026
Bitmovin and Simplestream have announced a partnership with Xperi to simplify the launch of OTT streaming services on TiVo OS smart TVs and devices. The collabo...
12/06/2026
Net Insight has announced that a multinational technology company is deploying a...
12/06/2026
MLB Players Inc., the business arm of the MLB Players Association, has announced a partnership with Athletes First to develop and sell brand partnerships across...
12/06/2026
Guntermann and Drunck (G&D) and VuWall have announced the CommandKeyboard-Advanc...
12/06/2026
Comcast Smart Solutions announces a new smart technology deployment with Major L...
12/06/2026
Elevation Worship completed the initial leg of its Elevation Nights 2026 tour ...
12/06/2026
AJA Video Systems has announced KONA IP25 support for Colorfront Transkoder and ...
12/06/2026
Audinate Group Limited (ASX: AD8) will exhibit at InfoComm 2026 (Booth C7321, Ce...
12/06/2026
Pac-12 Commissioner Teresa Gould has announced the appointment of Scott Adametz as Chief Technology Officer. The Pac-12 describes the hire as the first CTO appo...
12/06/2026
Grass Valley has announced AMPP Edge Live, a production system combining Grass Valley hardware, NVIDIA Blackwell GPU acceleration, and AMPP OS in a single platf...
12/06/2026
At one time a trailblazer with the launch of the Longhorn Network, the Universit...
12/06/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
12/06/2026
Chyron has announced PAINT 10.4, an update to its illustrated replay and sports ...
12/06/2026
SVP, Production, Mark Gross: With the new schedule, with not having every Sunday night, it has given us an opportunity to take a step back and reimagine what o...
12/06/2026
For Televisa Technical Engineering Manager Roberto N nez Ibarra and the small team of 12 technicians and two production personnel at the IBC things are already ...
12/06/2026
Simple Steps to Better Acoustics - Taming The Small Room
Most of us mix in spare rooms and small spaces, where the acoustics fight us at every turn. At Gear...
12/06/2026
Latest addition expands vintage-inspired effects palette
Meris' Ottobit pedal range draws its inspiration from vintage gaming consoles, and the latest a...
12/06/2026
Soundbox-based chamber strings series expanded
Sonora Cinematic have just announced the launch of the second instalment in their Soundbox-based chamber stri...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
AJA Announces KONA IP25 Integration with Colorfront Software
Brie Clayton June 12, 2026
0 Comments
Collaboration enables uncompressed SMPTE ST 2110 I/O ...
12/06/2026
URSA Cine 12K LF Used to Create Visuals for STUTS' K-Arena Concert
Brie Clayton June 12, 2026
0 Comments
Organic visuals projected on a giant scre...
12/06/2026
MTI FILM Acquires Mango New Edit, Expanding its Global Post-Production Services ...
12/06/2026
AI Point Tracking Speeds Up Complex VFX Tracks in Mocha Pro
Jessie Electa Petrov June 12, 2026
0 Comments
The 2026.5 release adds automatic point trac...
12/06/2026
Bitmovin, a provider of video streaming solutions, has partnered with Simplestream, a provider of OTT and broadcast solutions, and technology provider Xperi, to...
12/06/2026
Leostream Corporation, creator of the world-leading Leostream Remote Desktop Access Platform, today announced Jigsaw24, a leading B2B IT solutions provider wit...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
How Aussie indie games and screen are levelling up with IP 11 June 2026
Ari Harrison, Pro Jank Footy
Head of Games Joey Egger and Ari Harrison of Umbrella sha...
12/06/2026
AgentPerf from Artificial Analysis, the industry's first agentic AI benchmark, gives developers, enterprises and infrastructure providers a clear way to com...
SVG Sit-Down: E1's Laurence Boyd Shares the Tech Challenges of the 2025 Race SeasonSaturday's UIM E1 World Championship presented by PIF wrapped its 2025 SeasonBy Samantha Gabay, Digital Content and Social Media Manager 
