
I've always been proud to be a life-long broadcaster, with my earliest exposure going back to a part-time after school job at the local television station in my small market hometown. Little did I know then that those teenage steps toward adult responsibility would lead me to invaluable experience in work and life, working for small, mid and large market broadcast companies, with the vast majority of experience at the ABC owned station in San Francisco. Traffic, inventory management, and coming up with reporting and workflow efficiencies for my team was both my passion and my challenge back in the day. Data was seemingly held hostage by disparate computer systems, none of which seemed to talk to one another and certainly didn't roll-up to corporate, resulting in endless redundancies.
I met Eric Mathewson in 1999 when he founded WideOrbit. I was both impressed and skeptical of his grand vision of an exchange to make is easier to buy and sell media. Central to this vision was the need to have a solid foundation where the data lived: traffic, sales and billing, and let's not forget reporting! With my colleagues from broadcasting and a group of start-up software engineers we set out to change the traffic world. It was a whirlwind experience that I wouldn't trade for anything. I vividly remember the day that I met Bill Offeman (now Will Offeman), when he showed us a prototype revenue report using this very cool feature called group panel . That feature changed everything in our approach to access data for our customers and was truly revolutionary at the time. Perhaps more pedestrian now, but no doubt it remains most customers' favorite feature, no matter the task.
Now many years removed from that WideOrbit start-up experience and concentrating on US local broadcast media, I am thrilled to be focused on building from those products to accommodate both linear and digital inventory types across any sales channel, all over the world. Over these 20 years, we've branched out well beyond our local television and radio roots, solving challenges for cable and broadcast networks, satellite services and international markets. But at the core of each solution is some form of the WO Traffic system that started it all. The nuances and the idiosyncrasies of the media world make ad operations tricky - not just how we store, access and manage the petabytes of data per client, but more so knowing how each step has to be executed in the most efficient manner in order to assure the next step is executed at the same level of efficiency.
To further complicate matters, our clients require workflow efficiency across linear AND digital media types, simultaneously. The workflows are not the same, nor are they executed at the same pace and content consumption is drastically different across mediums. We've had a fully comprehensive platform for digital audio in place for years now with our WO Streaming, WO On Demand and WO Programmatic Digital Audio products. A little-known fact: WideOrbit serves over 10 billion digital ad impressions each year! Currently, we are adding to that Digital Ad Solution in order to handle digital video inventory the way WO Traffic does for linear TV inventory. Starting with our existing Digital Orders and Multicast modules within WO Traffic, we are building ad decisioning and serving functionality in order to support live streaming, time-shifted podcasting, and advanced targeting of addressable ads for OTT and ATSC3.0. It's clear that our clients' need to monetize both linear & digital inventory are a priority for WideOrbit to address.
If the next 20 years at WideOrbit are anything like the past 20, we will be solving some sizeable hurdles for the media industry with regards to taking the best of digital and marrying it with the best of linear. That's easier said than done, and consumers will always be moving targets for advertisers. But if there's anything I can say about WideOrbit during my tenure - you can be sure we won't shy away from those challenges.
Arden Adair is Director of Product Management and she has been with WideOrbit since 2000. She is a former broadcast TV traffic manager who was recruited to leverage her real-life media operations experience in shaping WideOrbit's products. Visit https://www.wideorbit.com/products/#broadcast-traffic billing to learn more about WideOrbit's flagship traffic products.
Coming up next Part 4 of 5: Our Chief Technology Officer shares his thoughts on the various system architectures that can assure WideOrbit's software is optimized for performance.
For press inquiries, contact media@wideorbit.com.
North America Stories
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
COW Jobs: Editor de V deo - Direct Response, Performance Ads - Brazil, Remote
Brie Clayton March 11, 2026
0 Comments
Editor(a) de V deo (Direct Respon...
12/03/2026
Avatar: Fire and Ash Graded with DaVinci Resolve Studio
Brie Clayton March 11, 2026
0 Comments
Colorist delivers premium cinematic color across 2D, 3D...
12/03/2026
Boston Conservatory to Timoth e Chalamet: We Care About Ballet and Opera Boston Conservatory at Berklee students and faculty respond to the actors recent comm...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Matrox Video will showcase its vision for the future of live production at NAB 2026 in Las Vegas, April 19-22, highlighting how broadcasters and media organizat...
11/03/2026
Geneva-based technology company, GlobalM SA, is presenting its GMX Distributed Video Gateway, a software-defined IP media transport platform designed to replace...
11/03/2026
Backlight (booth #N2829), the company behind Iconik and Wildmoka, which power video workflows for large media and entertainment organizations, has released the ...
11/03/2026
QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, presents its latest StudioEdge models at The NAB Show ...
11/03/2026
Telestream, a global leader in media workflow technologies, today announced the expansion of Telestream Cloud Services with the introduction of UP, a new cloud-...
11/03/2026
Operative, the preferred advertising management provider for the world's leading media brands, today announced the launch of AOS for digital media, an AI-po...
11/03/2026
Calrec will be located in Central Hall, on Booth C6907
Choice without compromise
The broadcast industry is going through a rapid evolution that s signalling a...
11/03/2026
The new service is hosted and operated entirely in the Netherlands, combining data sovereignty, resilience, scalability, and predictable costs without relying...
11/03/2026
Ease Live, an Evertz company and leader in interactive graphical overlays, today announced the successful deployment of its platform on Red Bull TV for Premier ...
11/03/2026
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, is advancing its Semantic Intelligence cap...
11/03/2026
Emergent, a leading provider of AI-enhanced media production solutions, today announced the official launch of Fusion, a powerful, no-code application builder d...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Utah Scientific today announced the expansion of its Technology Partner Program with the addition of Audinate, Bitfocus, and Skaarhoj, three industry leaders wh...
11/03/2026
DigitalGlue, creator of the creative.space on-premise managed storage platform, today revealed plans to launch creative.space Intelligence (CSI) at NAB 2026 (Bo...
11/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, has annou...
11/03/2026
Composer and Re-recording Mixer Michael Phillips Keeley has built his career around immersive storytelling. Working from his Dolby Atmos-equipped studio, Sound ...
11/03/2026
Leading video software provider Synamedia today announced that YES, the pay-TV subsidiary of the telco Bezeq (TASE: BEZQ), has selected Synamedia Iris to delive...
11/03/2026
As media companies face increasing cost pressures and operational complexity, at the 2026 NAB Show in Las Vegas, Viaccess-Orca (VO), a global leader in OTT / TV...
11/03/2026
Digital Alert Systems, a global leader in emergency communications solutions for media providers, today announced the release of Version 6 software for its DASD...
11/03/2026
Foundry releases Nuke 17.0
Brie Clayton March 1, 2026
0 Comments
Native Gaussian Splat support, new 3D system based on USD, expanded machine learning ca...
11/03/2026
Preserving UNESCO World Heritage with URSA Cine Immersive
Brie Clayton March 1, 2026
0 Comments
The Explorers turned to France's cultural landmark...
11/03/2026
I Clicked This By Accident And It Made After Effects SO Much Faster
Graham Quince March 1, 2026
0 Comments
Discover how Region of Interest in Adobe A...
11/03/2026
Cine Gear Connect Brings a Focused All-Day Experience to Industry City, NY
Brie Clayton March 4, 2026
0 Comments
Registration is now open for Cine Gea...
11/03/2026
La Vor gine Edited and Finished with DaVinci Resolve Studio
Brie Clayton March 4, 2026
0 Comments
One of Colombia's most ambitious projects goes g...
11/03/2026
SoundMarket Launches 18,000 Tracks of Real Music by Award-Winning Composers for...
11/03/2026
Capta Center Supports NOVO19 Remote Production with Blackmagic Design
Brie Clayton March 5, 2026
0 Comments
The facility provides production and playo...
11/03/2026
DigitalGlue Ends the Post-Production Tax: creative.space Intelligence (CSI) Unif...
11/03/2026
Kochi Sun Sun Uses Blackmagic Replay for High School Volleyball Finals
Brie Clayton March 9, 2026
0 Comments
Versatile Blackmagic Replay system proves...
11/03/2026
Richard Bona Joins Berklee for Signature Series Concert The Grammy-winning Cameroonian bassist and vocalist collaborates with students and faculty in a progra...
11/03/2026
Launched today, NVIDIA Nemotron 3 Super is a 120 billion parameter open model with 12 billion active parameters designed to run complex agentic AI systems at sc...
11/03/2026
Scripps Research scientists awarded nearly $5 million by NIH to investigate cancer growth Researchers will investigate how a common dietary nutrient may control...
10/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...