
WNBA Draft 2025: ESPN's Onsite Effort Fits Into NYC Grid for National Telecast From The Shed at Hudson Yards At new venue, broadcaster overcomes inclement weather during setup, traffic congestion By Kristian Hern ndez, Senior Editor
Monday, April 14, 2025 - 2:56 pm
Print This Story | Subscribe
Story Highlights
If I can make it there, I'll make it anywhere. The Kander and Ebb song made famous by Frank Sinatra referred to New York City, but the phrase certainly describes ESPN's preparations for tonight's 2025 WNBA Draft in the Big Apple. Beginning at 7:30 p.m. ET, the event will take place in The Shed at Hudson Yards. To make the event possible, the broadcaster's operations team put in many long shifts, enduring freezing temperatures and heavy rain, broadcast-compound setup on 11th Avenue, and a speedy turnaround to dismantle the infrastructure.
Load-in began just after midnight on Friday morning with construction of a 50-ft.-long cable bridge across Hudson Boulevard between The Shed and The Vessel in Hudson Yards, says Jarrett Baker, senior manager, remote operations, ESPN. Game Creek Video's Varsity arrived early Saturday morning. ESU [equipment setup] began in earnest a few hours later, and rehearsals started Sunday afternoon.
In the Very Heart of It: GCV Varsity Parks on 11th Ave. To handle the immense production, more than 100 staffers across various divisions will be onsite. Some will be working from inside the venue, but others will be housed in the broadcast compound, which is centered on GCV Varsity A and B units. Before their arrival near The Vessel at Hudson Yards, the operations team got started on the grunt work both outside and inside The Shed. Working with the league and Related Companies, the building's property manager, ESPN needed to do its job while not disrupting the overall aesthetics of the venue or Hudson Yards. This meant taking more time to construct the cable bridge and find ways to blend into the surroundings during a busy week in Manhattan.
Game Creek Video Varsity is parked on 11th Avenue near Hudson Yards in New York City.
Heavy, cold rains overnight on Friday into Saturday made exterior cable runs challenging as well, says Baker. It's also interesting to park dual expandos on New York City streets, but Game Creek's skilled drivers made it look easy.
With space at a premium on the island's West Side, there were no parking lots or areas where the mobile units could be parked. In a congested city, the only choice was to obtain permits that would allow two lanes of 11th Avenue to be closed over the weekend as the crew set everything up. Because of the tight quarters along the Hudson River and the only option to park on the thoroughfare, there is a sizable gap between the production truck and the entrance to The Shed.
The closest place to park is about 600 ft. from where cable enters The Shed, says Baker. We have limited access to the cable route during the day, so we installed a 168-channel fiber trunk between the truck and venue.
The caveat in the permit is that, once the event ends tonight, the crew will have to work quickly to strike the equipment, pack up, and be ready to go before New Yorkers' their morning commute tomorrow.
Inside the venue, the crew had to get accustomed to a new setting. With the event habitually changing venues - last year's WNBA Draft was hosted at Brooklyn Academy of Music - ESPN needed to understand the potential logistics and production challenges of its current home.
We're used to working in venues with retractable roofs, notes Baker, but The Shed is unique in part because it's a 120-ft.-tall retractable event space. The McCourt, the room where the WNBA Draft is taking place, can be an open-air patio or enclosed, as it is for tonight's show. It's very flexible but doesn't regularly host nationally televised events, so we surveyed several times to ensure there would be no operational challenges once onsite.
With so much room for error and so many obstacles to sidestep, Baker and his crew are grateful for a high-octane production truck that will allow creative to shine on the production side and minimal hiccups to occur on the operations side.
Our production requires significant technical firepower, he adds. GCV Varsity fits the bill perfectly.
Remote's a Part of It: REMI Elements Play a Role in Bristol and Los Angeles Although the Draft will be covered by a full onsite team, ESPN's pre-Draft coverage from the Orange Carpet will be a REMI production. The show will be put together by control rooms in the broadcaster's facilities in Bristol, CT, and Los Angeles. Communications between teams on the two coasts can be done quickly to keep programming on track.
Studio programming will be live from The Shed, including WNBA Countdown and SportsCenter.
In addition, SportsCenter at 6 p.m. with host Elle Duncan will be in New York City but remotely produced from Bristol. WNBA Countdown with Duncan and analysts Chiney Ogwumike and Andraya Carter at 7 p.m. will be located at The Shed and remotely produced from Los Angeles.
The entire operation will have 14 outbound transmission paths, including five studio REMI paths, and 14 inbound transmission paths, including feeds from five club Draft Rooms and two feeds of team watch parties. Peak Uplink and The Switch are providing transmission services.
In a new twist this year, graphics operations are once again onsite after having been a REMCO element on previous WNBA Drafts.
Tech at the Top of the List: Additional RF Handheld, 24 Ft. Jib Highlight 18-Camera Show Inside The Shed, ESPN will deploy a total of 18 cameras to spotlight the biggest moment in the lives of some of the best women's basketball players in the world. To provide more coverage of the event, four RF handhelds
More from Sports Video Group
12/11/2026
Industry leaders examine how Dynamic Media Facility, Media eXchange Layer, and c...
12/11/2026
The junior Tar Heel is embracing the technical and creative challenges of live production while emerging as a leader and mentor in the control room...
12/11/2026
Gracenote, Nielsen's content intelligence business, has released its fifth a...
12/11/2026
RTL Deutschland will bring the NHL to free-to-air TV in Germany starting Nov. 30...
12/11/2026
Clear-Com supported On Air 2026, a 24-hour student-led broadcast connecting 45 u...
12/11/2026
uniqFEED has opened a Remote Operations Center (ROC) in Madrid, Spain. It is already operational, delivering virtual advertising for LaLiga matches. The ROC is ...
12/11/2026
Disney, ESPN and the NBA will present Dunk the Halls, the third real-time animated NBA game using Sony's Beyond Sports data visualization technology, on Chr...
12/11/2026
Van Wagner has launched Van Wagner RELAY, a digital platform for official athlet...
12/11/2026
Deal brings together two of the industry's most established graphics brands and significantly expands Vizrt's footprint in U.S. sports and regional broa...
12/11/2026
Euro TV Production GmbH of Austria has upgraded its outside broadcast vehicle with Lawo technology. The mc 36 Classic console in service since 2019 was replaced...
12/11/2026
Tagboard has launched Spark Resize, an AI-assisted tool now in beta that takes an existing graphic and produces a new version for a different aspect ratio or sc...
12/11/2026
Ben Winston, Glenn Weiss, and FIFA's Jenni-Lee Van Gelder headlined a day fo...
12/11/2026
Free interactive platform visualizes team tendencies, formations, and schemes, updated weekly...
12/11/2026
Sports Broadcasting Hall of Famer Charlie Jablonski's broadcasting career is...
11/11/2026
Hornets Sports & Entertainment (HSE) and Spectrum have installed WiFi 7 as part of Spectrum's Managed WiFi solution within Charlotte's recently renovate...
11/11/2026
As 4K displays normalize in living rooms and economy flights, aging minor league...
11/11/2026
Northwestern University has deployed Grass Valley production switching and camera technology at its new Ryan Field stadium in Evanston, Illinois. The installati...
11/11/2026
Central Christian Church has transformed communication across its live productio...
11/11/2026
Monumental Sports & Entertainment developed the new Cisco Command Center for all of the building's technology
Prior to the start of the busy October schedu...
11/11/2026
The new Manhattan set is the latest addition to a network of studios, home setup...
11/11/2026
With a remodeled set, an expanded camera package, and a Steve Aoki performance, MLB Network's production team raises the bar again at The Chelsea...
10/11/2026
ENCO provided live stage captioning, multilingual translation and new audio pass-through services at NAB Show New York, held Oct. 21-22 at the Javits Center, an...
10/11/2026
Vizrt has built a proof-of-concept integration with the Story Object Model (SOM), shown at IBC 2026 in Amsterdam as part of the Smart Stories Accelerator projec...
10/11/2026
Gravity Media's Creative and Managed Services team produced a dedicated live 9:16 vertical broadcast workflow for Meta Connect 2026. Meta asked for more tha...
10/11/2026
Blue Stream Fiber has standardized its OTT streaming services on Ateme's end-to-end video platform for its high value linear channels, providing more effici...
10/11/2026
Haivision has opened the survey for its 2027 Broadcast Transformation Report, inviting broadcast, media, and production professionals worldwide to share their p...
10/11/2026
The League of Live Stream Theater (LOLST), the nonprofit organization partnering...
10/11/2026
USA Sports and The Horse Racing League (HRL) has announced a partnership to air ...
10/11/2026
Matrox Video has launched The Sync, a new video podcast series bringing together Matrox Video experts, customers, and partners to explore the technical and busi...
10/11/2026
The CW Network and Professional Bull Riders (PBR) have announced a new multi-yea...
10/11/2026
There is a certain irony that Chip Adams was turned down when he first looked in...
10/11/2026
Pliant Technologies' CrewCom Flex product line is now shipping in the United States. As a frameless matrix intercom system and complete matrix IP-based inte...
09/11/2026
In a new home, the show had its traditional focus on music production, but broadcast themes received significant emphasis
The Audio Engineering Society (AES) c...
09/11/2026
Content creation and rights, YouTube archive, production workflows, investment, ...
09/11/2026
Industry leaders from Prime Video, NASCAR, FOX Sports, and more discuss the tech...
09/11/2026
SMT (SportsMEDIA Technology) is delivering on-air graphics and shot data for the Women's Team Golf League (WTGL), which made its debut Sunday, Nov. 8, at So...
09/11/2026
BKB Bare Knuckle Boxing has appointed Michael Ridout Managing Director, UK. He will lead BKB's operations in the United Kingdom and take on wider operationa...
09/11/2026
SMPTE's Media Technology Summit (MTS2026) takes place Nov. 16-19 at the Pasadena Convention Center. The schedule:
Media Tech Business Forum (Monday, Nov. 1...
09/11/2026
The Audio Engineering Society (AES) held AES Show Nashville 2026 Oct. 30-Nov. 1 at the Gaylord Opryland Resort & Convention Center. AES reports nearly 3,000 reg...
09/11/2026
Analyst Josh Stinehour will share results Jan. 26 in Mountain View, Calif.
Devo...
09/11/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
09/11/2026
Permanent mixed-reality activation debuted against the Brooklyn Nets at Rocket A...
09/11/2026
The new agreement brings the Playoff to 23 games, including 16 on-campus matchup...
09/11/2026
SMT provided production technology and graphics support for all three NASCAR nat...
06/11/2026
It's been a big week in Australia horse racing as the Victoria Racing Club (...
06/11/2026
Additional gear includes a second, outside drone; a second slo-mo unit; and a wi...
06/11/2026
The University of Alabama has installed a new Daktronics display system at Coleman Coliseum in Tuscaloosa. It includes a 360-degree centerhung with four underbe...
06/11/2026
NEP Americas, part of NEP Group, has expanded its remote production offering with new IP-based flypack production kits deployed from the U.S. and available to c...
06/11/2026
Telestream has appointed Joseph Hopkins Chief Revenue Officer. He has more than two decades of executive experience in media technology. In the role, he will fo...
06/11/2026
In-venue and creative video staffers at the professional and collegiate level ha...