
FAST Channels Part One: Samsung, ATP Media, Telstra Discuss Ins and Outs of Launching, Managing Free Ad-Supported Streaming Sportel Monaco session dives deep into the elements of FAST success By Ken Kerschbaumer, Editorial Director
Monday, December 4, 2023 - 10:14 am
Print This Story | Subscribe
Story Highlights
The rise of FAST (free ad-supported streaming) has been undeniable in the past two years, and a recent Sportel Monaco panel, moderated by SVG Co-Executive Director Ken Kerschbaumer, featured three key entities either involved in or seriously investigating a FAST sports service: Samsung (represented by Chris Gregory, strategic content partner, lead, Samsung TV Plus); Telstra Broadcast Services (Anna Lockwood, head of EMEA/Americas, Telstra Broadcast Services); and ATP Media (Alan Bruno, head of broadcast development, ATP Media). Below is Part 1 of a two-part edited transcript from that conversation, which examines what FAST channels are, how to get started, and more.
FAST Channels will also be front and center at SVG's Digital Engagement Workshop on Dec. 11 as part of the 2023 SVG Summit in New York City (click here to register today!).
FAST panel at Sportel: (from left) ATP Media's Alan Bruno, Samsung's Chris Gregory, Telstra Broadcast Services' Anna Lockwood, and moderator SVG's Ken Kerschbaumer
Chris, can you walk us through what FAST is from the Samsung-platform perspective?
Gregory: Sure. So, what is FAST? Free ad-supported streaming television. And Samsung, which is the number-one TV manufacturer in the world, was the very first adopter of the FAST platform, launched in the U.S. in 2015. My remit is Europe, [with] 16 countries in the European service and around 1,300 channels across 250 partners. That's a lot of partners to look after, and they range across all genres.
I think what we're looking at now is more broadcast-quality partners, moving into that space rather than potentially digital first. Sport is a big driver at a television-sales level as we know from the data that we see whenever there's a World Cup. Whether that be male or female football or even the recent Rugby World Cup, there are big sales at a device level. We want to flow that down into our own service as well.
Can you explain the user experience if you own a Samsung TV?
Gregory: The service runs on 2016- to 2023-year TV models, and we're also available on selected Galaxy mobile and tablet devices. We sit prominently on the home screen next to the biggest SVOD and BVOD players as well. We're taking FAST very seriously. It's our own service, and whilst there has been huge progress over the last three, four years, there's still more to come.
Alan, you are with ATP Media, and you are looking at FAST. Please give us a sense of the rights landscape, your current offerings around apps and streaming, and where you see FAST fitting into that equation.
Bruno: We look at FAST as a potential additional vertical of our wider content strategy. We are not a channels business, we're in broadcast. We monetize 60-plus tournaments across the ATP Tour each year and also operate an SVOD service, Tennis TV. We also have short-form content across social and a publisher network as well. We are looking at FAST as potentially an additional vertical, maybe using some archive content, potentially looking at dark-market solutions for some of our tournaments. We don't have many dark markets left, but we are looking at that as a potential option.
But we are also looking at it as a way potentially to find a more general audience, a different audience. We're certainly super-serving the tennis fan. Could we perhaps use this as a way of reaching the wider, more general sports fan or general entertainment fan? We're looking at it closely and, obviously, speaking to guys like Chris around the distribution solutions. But what we need to make sure is, we are looking at it probably on a market-by-market basis with the broadcast partner in a market or with our SVOD platform in mind.
What are some of the questions that pop up when your internal team discusses FAST?
Bruno: We want to make sure it's got the right brand identity. We didn't want to launch just an archive channel. I think, a few years ago, the FAST landscape was very focused on people monetizing their archive, the content that was sitting on the shelf. We want it to form part of our wider content strategy. Yes, it would utilize some of the archive, but we also want it to connect with our other touchpoints with our fans.
Gregory: When it comes to sport, live is a big push, and I think the launch of the DAZN FAST Plus, which happened last December, gave us premium football content that we never thought we were going to get from three of the biggest leagues in the world. We also had an exclusive Champions League highlight show. This is the kind of thing that we speak to partners about. We don't expect partners just to launch blindly into this space; we're very hands-on, and we'll see what's working, what's not and advise from there.
Chris, how did the DAZN deal come about?
Gregory: The initial conversation started about two years ago. We've got a very strong relationship with DAZN because they've got the app business that's prominent in Germany as well as on our home screen and other markets. They've got loads of archive, but, at the same time, because DAZN looked to disrupt the market, they had carved out live rights to add into their FAST channels. It was just making sure that they weren't necessarily impacting their day-to-day business. And then we worked together on the Champions League show. I don't think there's any free-to-air highlights package for the Champions League in Germany and Austria, so it was, How can we make this channel someth
North America Stories
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Oklahoma filmmaker Elijah Felkins launches crowdfunding campaign to shoot Kairat...
17/10/2026
Secret Weapon Post Powers New Remote Workflows with DaVinci Resolve Studio
Brie Clayton October 16, 2026
0 Comments
Going remote: redefining what post...
17/10/2026
Danilo P rez Premieres New Work Honoring Architect Frank Gehry Commissioned by the Herbie Hancock Institute, P rez performed The Ever-Changing World at its In...
16/10/2026
The LA Clippers have announced their local television plan for the 2026-27 seaso...
16/10/2026
At sports-media summit, he describes the success of the one-year-old agreement a...
16/10/2026
Parks Associates, in partnership with InterDigital, has published a white paper ...
16/10/2026
Cisco is expanding its work with the Atlanta Hawks, Cleveland Cavaliers, and Brooklyn Sports & Entertainment (BSE) as the 2026-27 NBA season gets underway, prov...
16/10/2026
Broadcast Management Group (BMG) has introduced Media Command, a private cloud broadcast platform that integrates recording, media asset management (MAM), chann...
16/10/2026
TNDV and GameTime Productions have expanded their remote production responsibilities for Team Boxing League (TBL) for the league's recently completed fourth...
16/10/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
16/10/2026
Broadcast and streaming are converging around live media. Traditional broadcasters increasingly distribute their linear services through streaming platforms alo...
16/10/2026
DAZN and Guardians League, a new professional franchise surf racing series, have announced a multi-year global broadcast partnership. Guardians League events wi...
16/10/2026
Sobatech Group is producing live coverage of the F4 Spanish Championship and Eur...
16/10/2026
The Walt Disney Company and Dude Perfect have announced an integrated creative partnership. Dude Perfect will develop original content for its own channels insp...
16/10/2026
Onsite studio show will accompany game productions in San Francisco and Atlanta
...
16/10/2026
Grass Valley s AMPP platform continues to grow in popularity, especially with th...
16/10/2026
FloSports and the National Lacrosse League (NLL) have entered a multiyear media partnership that makes FloSports the exclusive global streaming home of the NLL....
16/10/2026
At PBR Teams Series: Maverick Days at UBS Arena in Belmont Park, NY, PBR Executive Producer Jason Jacquette took a few minutes with SVG to discuss how his team ...
16/10/2026
(Suzanne Cordeiro/Shutterstock for Sundance Film Festival)
By Patty Consolazio
...
16/10/2026
The launch of the autumn programming schedules on traditional TV channels translated into a noticeable increase in total video viewership. Poles spent an averag...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Globecast, a leading provider of media integration and managed services for the sports broadcast industry, will showcase the latest developments in Content Exch...
16/10/2026
Boston Conservatory Wind Ensemble Presents America at 250 The free event, taking place at Samuel Adams Park at Faneuil Hall, features a program of inspiring A...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
ON Creative Visual Tech Provider has completed the audiovisual design and integration for Nubank Arte Lab, Brazil's largest permanent immersive art space. T...
16/10/2026
Beam Dynamics has appointed Brian Mauger as Regional Sales Manager, North America, strengthening its commercial team as the company expands across media, broadc...
16/10/2026
Secret Weapon Post Uses DaVinci Resolve Studio for Gregg Araki Films
Brie Clayton October 15, 2026
0 Comments
Remote post house delivers I Want Your ...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
The Stand that started it all in a matched pair of the industry-trusted C-Stands The 2-Pack provides both in a choice of chrome or black finish...
16/10/2026
New lineup brings professional rigging, lens support, power, and mounting flexibility to Sony's compact cinema camera
Wooden Camera today announced a new p...
16/10/2026
Cinematographer John Matysiak ( Old Henry, Winning Time, Big George Foreman ) brings a vivid breathlessness to the near-wordless film Motor City. An actio...
16/10/2026
Next Jazz Legacy Celebrates Five Years of Mentorship and Impact Across the Jazz ...
15/10/2026
E! and USA Sports will air Live from the Orange Carpet: WNBA Finals, a one-hour live special hosted by Lilly Singh, on Monday, October 19 at 6 p.m. ET / 3 p.m. ...
15/10/2026
Eutelsat has renewed its partnership with Antik Sat, the direct-to-home (DTH) television platform operated by Antik Telecom, and A1, a communications provider i...
15/10/2026
FOR-A America continues to expand its product portfolio in new directions, moves which are also giving the company more stickiness when it comes to a North Amer...
15/10/2026
Cerberus Tech has introduced Livelink Studio, an integrated cloud production and master control environment that provides redundant live production engines on d...
15/10/2026
USSI Global has promoted Amanda Flynn to Chief Operating Officer (COO). Flynn, who has served as Chief Revenue Officer (CRO) since March 2024, will focus on exp...