Wayne Brinton, VFX Supervisor at Modus FX
The Importance of the Human Connection in the Digital Workflow
For visual effects supervisor Wayne Brinton, the secret to doing great work is great relationships. That means that the first task in every job is to put a face to the name. Not only does work move more smoothly that way, but for Brinton, even a short period of time together on set can save days of work back at the studio.
Everything starts and ends with people, said Brinton. Sure, you can talk about a project over the phone, but clients only really get to know you, and the skills you bring to their film, when they meet you and see you in action. The dynamic changes from a business relationship into a working partnership. That's why it's important for me to interact directly with our clients in Hollywood.
The most recent example of this came with Brinton's work on the set of Parker, starring Jason Statham and Jennifer Lopez. Until Brinton was able to visit the director, producers and editor in Los Angeles, he was just a voice on the other end of the line and Modus FX was a facility in a faraway place.
Click here for the making of Parker
I went down to LA and met with the director, Taylor Hackford, the postproduction supervisor, Lisa Dennis and their team. I introduced myself, told them about Modus, and explained how we'd approach the work. Once you've met, and are comfortable with each other, you can do anything.
Wayne's style of dealing with people captures the way Modus approaches work with our clients, said Yanick Wilisky, co-founder and VP production at Modus FX. They have to have faith, not only in the quality of work coming out of the studio, but in the people who work here. With Wayne, they quickly gain confidence that he will support them to do their job on set and that Modus will deliver the work the way they want it.
Being On Set Means Saving Time
On set, Brinton can see live what's being shot and what the CG artists will be working with. Since he knows the visual effects tasks exactly, he can anticipate challenges before they happen. Sometimes it might take five extra minutes to reshoot something, but it can save days of CG work. This happened with their work on Parker, where Modus worked with the second unit.
A few of the shots were bigger than they had anticipated, Brinton explained. I went to LA to set up shots with the director. We helped Taylor with camera set ups, angles and framing for the shots. I was only there for one day, but it made all the difference when we got to post.
One gruesome scene in Parker shows a hand being stabbed. The original plan called for doing the whole shot with a prosthetic hand, but Brinton could see it wasn't going to end up looking realistic enough without a real hand.
I explained that they could shoot the actor's hand instead and then use the prosthesis only to show the knife being pulled out, Brinton said. Then we could take the blade, the wound and blood spurting out, and comp it onto the real hand. I could only do this by being on set. I'm guessing we saved three days of compositing on this shot alone.
The Path to VFX Supervisor
Brinton started out as a junior compositor in Toronto in 1997, before beginning an eight year stint at Hybride in 1999. There he worked on such high-profile projects as Art of War, the Spy Kids franchise and 300. His supervising career began when he moved to the Montreal office of Mr. X where he provided on-set supervision for Beastly and was VFX supervisor for the facility's work on Source Code, which was nominated for a VES award. Then, in 2011, he joined Modus FX, where his first job was as VFX supervisor on Mirror Mirror.
Modus was called in to help out on Mirror Mirror and we had only eight weeks to do almost 200 shots, Brinton said. The most rewarding part of that job was turning out such a large number of shots in such a short time. We accomplished it all without any stress on the company. Everyone worked extra hours, but we came out of it smiling.
In addition to Parker and Mirror Mirror, Brinton served as VFX supervisor for Modus FX on The Avengers and several other Hollywood projects. When on set, Brinton is directly available to the director, watching the video feeds and ensuring that the visual effects shots are optimized for postproduction.
Generally, we let directors go where they need to go with the story. They're more comfortable and the process is more organic that way. It's my responsibility to make sure we get shots that we can work with and I use my judgment about when to step in. This is where the trust and the personal relationship come in. We're there to support the creative process.
If we present a new idea to a client, it's my job as VFX supervisor to show them how we can do it and why it will work, Brinton said.
We brought Wayne on board, not only for his technical gifts as a compositor, but for the way he deals with people, said Marc Bourbonnais, co-founder and president of Modus FX. He's able to bring his team with him to produce high-quality work and is supportive of our clients throughout the project.
As a facility Modus is moving quickly toward being in control of the visual effects for entire projects, which is the way I like to work, Brinton said. As we take on more and more of the visual effects supervision on projects, the studios and production companies are seeing how well it works, and how much more efficiently we can deliver their shots. We enjoy this level of interaction with the client, and the projects benefit greatly from having a better pipeline. Ultimately everyone wins that way.
Directed by Taylor Hackford, Parker stars Jason Statham, Jennifer Lopez and Nick Nolte. The film saw theatrical release on Jan. 25, 2013.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
07/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/04/2026
Frequency, the engine behind many of the world's leading streaming television channels, at NAB 2026 will be launching new Studio services to help content ow...
07/04/2026
Ikegami USA has chosen NAB 2026 in Las Vegas as the launch platform for new additions to its range of broadcast-quality television production equipment. These w...
07/04/2026
April 19, 2026, Las Vegas Kiloview, an innovative provider of AV-over-IP technologies, will showcase its latest broadcast IP solutions at NAB 2026, presenting...
07/04/2026
Bitmovin has announced support for Server-Guided Ad Insertion (SGAI) across its playback products using HLS interstitials, enabling more advanced ad-supported s...
07/04/2026
Synamedia is unveiling AI by Quortex at The NAB show, a just-in-time AI plugin framework that applies intelligence only when needed across video processing, dis...
07/04/2026
Cuez will showcase four additions to its cloud-based newsroom, rundown and automation platform at NAB Show 2026 (April 18 22, Las Vegas, Booth N1867):
Cuez ...
07/04/2026
CueScript to Showcase Innovations at NAB that Add Mobility Options, Ease Editing...
07/04/2026
Barix Extends Transport Options for Multi-Engine IP Encoder
Brie Clayton April 7, 2026
0 Comments
New for NAB, Barix adds SRT and RIST support to Mult...
07/04/2026
Elite Media Technologies Selects Interra Systems' BATON File-Based QC Soluti...
07/04/2026
Tightrope Media Systems to Debut Cablecast LiveBridge for Simultaneous Streaming...
07/04/2026
Cuez Brings Four New Innovations to NAB 2026: From Story-Centric Newsroom to Ope...
07/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/04/2026
Designed for synchronized multi-stream playback, low-latency delivery, and real-time analytics, MATCH introduces a unified viewing experience for sports broadca...
07/04/2026
Berklee Students to Honor George Martin with Performance of Original Scores The orchestra, led by associate professor Xander Rovang, will perform several work...
06/04/2026
Michigan legends bring a new voice to the broadcast as TNT Sports and CBS Sports...
06/04/2026
From high school sports all the way up to the major leagues, building high-quali...
06/04/2026
Quickplay, an AI company for the media and entertainment industry, has been accepted into the Advanced tier of the TwelveLabs Ecosystem Partner Program. Quickpl...
06/04/2026
Grass Valley has announced the Future Playmakers Program, a global initiative to...
06/04/2026
El l der de operaciones impulsa la producci n en estudio mientras encuentra insp...
06/04/2026
The ops leader helps lead the charge in studio for the Spanish-language broadcas...
06/04/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
06/04/2026
The National Hockey League (NHL), in partnership with Verizon and the New Jersey Devils, today announced the opening of the NHL Innovation Lab powered by Verizo...
06/04/2026
Rock League, a new professional curling league, has announced that ESPN+ will stream its inaugural 2026 season for fans in the United States. The first Rock Lea...
06/04/2026
Advanced Systems Group has announced the appointment of Andrea (Andy) Cummis as Vice President of Systems Design and Engineering. In this role, she will lead de...
06/04/2026
Backed by Bolt Ventures, the venture brings Bryson DeChambeau, Grant Horvat, and...
06/04/2026
With this environment we can start that collaboration even earlier because we ca...
06/04/2026
Like the immortal lives of vampires, some stories never really end. That's t...
06/04/2026
As podcasting continues to evolve, growth increasingly means building beyond aud...
06/04/2026
Multiband dynamics plug-in enhanced
California-based developer FSK Audio have released a significant update for their innovative multiband dynamics processo...
06/04/2026
Share official & user-created full-rig presets
IK Multimedia's latest TONEX update makes it possible for users of the popular amp and effects modelling ...
06/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/04/2026
Dalet Showcases Dalia Agentic AI and End-to-End Media Workflows at NAB Show 2026
Brie Clayton April 6, 2026
0 Comments
Dalet, a leading technology and...
06/04/2026
OpenDrives Shows Off Sports Expertise in Sports Business Hub located in NAB Show...
06/04/2026
Proton to Demonstrate 3D Application at NAB 2026
Brie Clayton April 6, 2026
0 Comments
Yet further creative potential unleashed through innovation in ...
06/04/2026
Autoscript Highlights Voice-Driven Prompting and PTZ Solutions at NAB 2026
Brie Clayton April 6, 2026
0 Comments
Experience Autoscript Voice, PTZ prom...
06/04/2026
Mediaproxy Highlights Significant Enhancements to its LogServer suite at NAB Sho...
06/04/2026
Wayne, N.J., April 6th, 2026 Phantom High-Speed announces the release of PCC 4...
06/04/2026
April 6th, 2026
TRIBECA STUDIOS AND LILLY ANNOUNCE WINNERS OF INAUGURAL VITAL...
06/04/2026
Back to All News
Netflix Expands Kids Entertainment Lineup With Playground App ...
05/04/2026
Tackles all reported bugs!
SoundBridge have just announced the launch of a new update that introduces a couple of minor changes to their remote collaboratio...
Wayne Brinton, VFX Supervisor at Modus FX
