
SVG Sit-Down: Grass Valley CEO Andrew Cross Examines AMPP's Power, Evolution The long-time leader in hardware aims to be tops in software, too By Ken Kerschbaumer, Editorial Director
Tuesday, September 20, 2022 - 11:14 am
Print This Story | Subscribe
Story Highlights
Grass Valley had its own hall at IBC, and one can see why. The suite of applications and software making up the Grass Valley Agile Media Processing Platform (AMPP) continues to expand, and that requires space to show them in action. And then there are the hardware-based solutions that continue to be a big part of the Grass Valley portfolio. All told, at IBC Grass Valley rolled out 11 new products, 24 new applications for AMPP, and 80 new features for the platform. Grass Valley CEO Dr. Andrew Cross sat down with SVG during the show to discuss what it all means and what lies ahead for Grass Valley customers and the industry.
Grass Valley's Dr. Andrew Cross: We are going to build AMPP as an infrastructure that we let everybody use.
It has been three years since IBC 2019, and a lot of companies have been transformed. Can you encapsulate all the changes at Grass Valley?
Cross: What is new about us is that we've become a leader in software technology. And nobody should take that for granted: Microsoft has gone from Windows to Azure. We've always been in hardware, but we are now an expert in software. And everything you've seen here at the show is doing real-time processing in software. We've got almost all our products in software, and that is a fundamental shift and one that is very hard for companies to make.
That's what is different. But here's what's not different: we understand that hardware still plays a role, and we are not looking to be a leader in software to replace hardware. We want to be a leader in software and hardware. And we are probably the only company that truly can be a leader in both. I think that that is important because it's like Apple: they represent 75% of all the money made in the cellphone market, but, if they had just made hardware, they would be 50% of the market, and, if they just made the software piece, they would be Android. It's the fact that they can combine to be the best of both.
I think that that's what Grass Valley is becoming and needs to become. We clearly have become experts in software. We also understand software is great where things like computers get commoditized, because it is just far easier to use GPUs and CPUs for certain things.
The Grass Valley LDX135 camera with global shutter debuted at IBC 2022.
But certain parts of broadcast hardware have not been commoditized and won't get commoditized because they're not just general-purpose markets. If you can be good at both, that can make you truly unique in the market. I think that that's something that only we can do.
If someone comes to you and asks, Which way should I go, hardware or software? Is there a delineation on what workflows work best one way or the other?
Cross: I don't think they're distinct; I think they help each other. There are certain things where you are in a facility, and you can't avoid having some kind of routing right now. It might be SDI routing now, but even then, if you are running a big show, you're going to do it on a control service, even if it's software doing some of the video processing. That is why there are two sides to it in just the same way I couldn't use a cellphone if wasn't running an OS. You need both pieces, and they need to come together.
What's new here at the show in terms of products?
Cross: I can give you an answer, but what we have here is more than the sum of the parts. We've got great new features in our switchers that combine multiple hardware switchers to generate up to 16 mix effects; we've got the LTX 135 camera that is amazing; and we have AMPP management, which now has NMOS integration. All of those are huge, but the fact that it's all built on one platform and all works together is the real story. Our platform now allows you to have your cameras in one part of the world and the production gallery in another with IT management in the cloud. That's the real story here.
How to do you introduce AMPP to someone unfamiliar with what it can mean to their operations?
Cross: We're talking with all the tier-one broadcasters, so I do think they get the concept. They are all asking about cloud-based workflows, and they get it. But what they're worrying about, legitimately so, is what this big change means for them. How does this change the technology? How do you do this without risking the business? How do you do it to grow the business and try new things without risking the old things? What kind of events is it worth doing it in? And what is it? Those are really good questions. A lot of [the broadcasters] are running POCs and tests.
Grass Valley AMPP Edge provides on-premises I/O and processing power.
But a lot of them are now going to air as well. It is kind of astounding that every customer meeting covers next-generation platforms and the next-generation workforce, how they interact with hardware, and how private cloud can be used to augment shows, capabilities, and allow people to work remotely.
You hear a lot of discussion about private vs. public cloud. How do you simplify those concepts?
Cross: I say cloud because then everybody understands what I mean. The real revolution is simple: affordable compute running software. Cloud is just affordable compute running software somewhere else. And here you can have an affordable compute running locally, and that has become cheap enough that you can do anything you need.
How are the conversations you are having different for European broadcasters from other broadcasters?
Cross: My instinctual answer i
More from Sports Video Group
19/02/2026
The Canadian rightsholder deploys its most complex' Olympics setup an ever,...
19/02/2026
Suite Studios, a cloud-native platform that connects creative teams to their med...
19/02/2026
Guitar Center and the Tennessee Titans announce a first-of-its-kind partnership ...
19/02/2026
DAZN is reinforcing its leadership in global boxing through a new five-year deal with Matchroom Boxing in the United States and the United Kingdom. The deal ext...
19/02/2026
PTZOptics announces the launch of its visual reasoning initiative that makes vid...
19/02/2026
Influencer Positions, AI-driven vertical video, and platform-native creators res...
19/02/2026
Host broadcaster evolves from world-feed producer to global content orchestrator, unlocking hidden moments for every platform...
19/02/2026
Custom drones raise expectations for bringing viewers closer to the action in new ways
2026 is not the first time OBS has used drones or event First Person Vie...
19/02/2026
Comcast's Xfinity announces record-setting performance from its new RealTime4K technology during Super Bowl LX, delivering the game to customers' homes ...
19/02/2026
The Women's Monobob turned out to be a historic event: Team USA's Elana Meyers Taylor captured the gold at age 41, making her the oldest Bobsleigh gold ...
19/02/2026
The senior from Georgia has found his calling as a technical director and video engineer
In the live-sports-video industry, the future is bright. Our series SV...
19/02/2026
Cosm announces the appointment of two new leaders - Jeff Hughes (President, Sports and Entertainment) and Rob Laycock (Vice President, Head of Venues Marketing)...
19/02/2026
Two main sets feature Unreal Engine environment, LED architecture, camera-tracked virtual windows; a third, in the TV Tower,' overlooks the Duomo...
18/02/2026
Audio quality control (QC) is becoming ever more crucial for Olympic Broadcastin...
18/02/2026
The Olympic Games are not only a showcase of athletic excellence, they are also ...
18/02/2026
Netflix is entering the MMA game with a matchup between two of the biggest names ever to compete on the women's side.
Most Valuable Promotions and Netflix ...
18/02/2026
Grass Valley announces that Network18 Media & Investments Ltd., one of India'...
18/02/2026
Cobalt Digital Inc., a designer and manufacturer of video and audio conversion, ...
18/02/2026
Production is divided between a studio in the mountains and a brand-new studio i...
18/02/2026
At the Winter Games IBC in Milan, NBC Sports and Olympics' director of audio...
18/02/2026
The Women's Alpine events at the Tofane Alpine Skiing Center, about a 10-minute drive from Cortina d'Ampezzo, featured some of the most exciting Olympic...
18/02/2026
At the Broadcast Center, 14 audio-control rooms handle the sound in a complex routing and processing regimen
We are exactly where we want to be, Karl Malone,...
18/02/2026
With 300 hours of curling competition in two weeks, it's a safe bet that even the most curling-hungry fan will be satiated. It also requires a production te...
18/02/2026
Always seen as one of the more crazy Olympic events, Bobsleigh is a sport in which athletes must have nerves of steel and pilots must navigate high-tech sleds...
18/02/2026
A typical Winter Olympics day - or should I say evening - inside the Warner Bros...
18/02/2026
The Netherlands has dominated Milan's ice rinks, scooping six speed skating ...
18/02/2026
At the Broadcast Center in Stamford, three discrete intercom systems combine into a centralized infrastructure
Into the second week of Milan Cortina 2026, eigh...
18/02/2026
AI is reshaping operations, capital is scaling ownership, sports are converging with media and entertainment, and venues are evolving into year-round platforms...
18/02/2026
DNA Inc. specializes in crafting next level digital experiences in the Media, St...
18/02/2026
Conflicts have increased, but so have solutions, driven chiefly by pragmatism and the threat of AI music
The only persons on the Figure Skating ice at the 2026...
18/02/2026
Canadian rightsholder deploys its most complex setup at an Olympics ever with ...
18/02/2026
A crew of 1,685 people and 13 control rooms produce nearly every on-air minute f...
17/02/2026
Eutelsat announces the renewal of multiple capacity agreements with Viewsat, rei...
17/02/2026
At Milano Cortina 2026, one statistic stood out across industry reporting: 70% of global signal distribution is now happening over public cloud. What began as e...
17/02/2026
CP Communications provided broadcast support for Super Bowl LX in Santa Clara, Calif. at Levi's Stadium, marking 27 years of working around the Big Game. Th...
17/02/2026
Street-level images of iconic Los Angeles landmarks are incorporated into the regular-season look
With NBC Sports just months into its return to NBA coverage a...
16/02/2026
The production infrastructure scaled seamlessly from regular-season games to the...
16/02/2026
The operations team reimagined traditional workflows were reimagined and built a...
16/02/2026
Once again an in-house operation, the league's network is producing shows fr...
16/02/2026
The league is producing its first All-Star with NBC, Intuit Dome, and, once agai...
16/02/2026
When a customer in London needed a 4K video wall that could take 12G input, the media company found no video wall suppliers that could meet their specs and time...
16/02/2026
Grass Valley, a media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO's main broadc...
16/02/2026
Comcast Business announces it is again partnering with NBCUniversal to architect and manage critical components of the linear and digital broadcast for three of...
16/02/2026
Week two of the 2026 Milano Cortina Winter Olympics are underway and crucial to the NBC Sports efforts has been the NEP Group which is providing a full range of...
15/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
15/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
15/02/2026
New to NBA coverage, the viewer experience offers several angles in addition to ...
15/02/2026
Coverage features 4X-slo-mo Supracam and Steadicam, Nucleus 4K cameras, closer play-by-play angle, 10 player mics
NBC Sports is in the midst of its first NBA A...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...