Sony Pixel Power calrec Sony

Riot Games Keeps League of Legends Esports Rolling With Fully Cloud-Based Virtualized Workflow

28/03/2020

Riot Games Keeps League of Legends Esports Rolling With Fully Cloud-Based Virtualized Workflow Production model relies on vMix, AWS, NDI, Nimble, and other cloud-based tools By Jason Dachman, Chief Editor

Friday, March 27, 2020 - 3:14 pm

Print This Story | Subscribe

Story Highlights

Although the traditional sports world has come to a standstill due to the coronavirus pandemic, many major esports properties are soldiering on, hosting competitions with players competing remotely. In the case of Riot Games, which operates multiple League of Legends regional esports leagues across the globe, this meant creating new cloud-based virtualized live-production workflows that would allow both players and production crew to be located safely at home.

Riot Games NAET lead engineer's home setup for the new cloud-based LoL production workflow. Photo: Carlos Castillo, Riot Games North America

Fortunately for LoL fans, Riot has been embracing cloud-based and remote-production workflows for years. As a result, its global technology/engineering teams were able to quickly design and build out an at-home-production model that has allowed LoL competition to continue and live streams to reach fans at home during a period when they could sorely use a distraction.

We've been leveraging cloud-based workflows heavily for several years, says Scott Adametz, lead, Esports Technology Group, Riot Games, but this unfortunate situation certainly accelerated our plans quickly. The big-iron equipment that's in our data center obviously isn't very helpful when you can't bring your people to it, and they can't sit and [operate it]. So we knew we had to come up with an alternative remote workflow.

At the Core: vMix Virtual Switchers Running in Amazon EC2

The newly launched Riot production model is built around a pair of central vMix virtual video switchers running in Amazon Elastic Compute Cloud (EC2). AWS vMix 1 serves as the primary video switcher (for recording, host cams, observer feeds, and graphics), while AWS vMix 2 handles audio, record, and playout (including master audio mix, video packages, and recording).

An overview of Riot-Games' OPL remote studio architecture

We needed to incorporate a lot of different sources from all around the world in IP that are traditionally all in the same building and connected via SDI. vMix has been an awesome solution for that, says Adametz. We have now templatized the process of spinning up an environment so that it's a matter of just a couple of clicks and some configuration variables and it's ready to go.

Riot Games was able to connect all its casters and production crew remotely for the new LoL cloud-based workflow.

In addition, Riot is running vMix virtual switchers on its casters' home computers as they are calling the action. Riot's broadcast team needs to not only incorporate the casters' video from their streamer rigs and their audio, but they also need to provide the casters with all the observer feeds (in-game cameras) so that they can call the game action.

That's not something that is very easy to do unless you have something that is templatized and set up to control everything at the center, says Adametz. That's one of the unique caveats that vMix solved for us. The [vMix virtual switcher] is unbelievably full-featured for the challenge that we're working through, and it has performed really admirably.

Not surprisingly, all Riot casters have a robust gaming setup at their homes, which provided the extensive GPU power necessary for the vMix software.

We're not just remoting people into the same equipment they would use if they were sitting there, says Adametz. We've actually changed the workflow measurably.

Keys to Success: How Nimble Streamer, NDI Enable Cloud-Based Workflows

Once all the video sources have been connected to the vMix virtual switcher, the outputs are sent to Nimble Streamer media servers running in Amazon EC2, which handle distribution. Riot had previously used Nimble to distribute clean feeds to its regional partners when it produced live events in 18 languages plus English.

Riot Games' technology team was able to bring NDI into the public cloud for its new remote-production workflow. Photo: James Wyld/Riot Games Oceania

Nimble sends SRT inputs to the AWS vMix 1 virtual switcher and receives a mix of SRT and RTMP (Real-Time Messaging Protocol) outputs back. Nimble is responsible for streaming the RTMP output to viewers on Twitch, YouTube, and Facebook; the program feed to referees; and the program and multiview feeds to the production crew.

To enable this cloud-based workflow, Riot's OCE engineering team was able to crack a tough technological challenge: allowing NewTek's NDI IP video-transport protocol to function within an Amazon EC2 environment.

That was the big breakthrough that came courtesy of our Oceania team, says Adametz. They were able to get NDI working inside EC2 without multicast, so it still requires a little bit of configuration but was still a major breakthrough. That is how we're able to share these video streams between multiple instances and re-create the show that we would normally do in an SDI environment completely virtually in EC2.

Riot's LoL communications infrastructure is a mix of the gaming-centric Discord VoIP app and proprietary Riedel remote VoIP solutions. The production crew, observers, referees, casters, players, and various other personnel are all connected via Unity cloud comms.

We are truly replicating the control room - from front bench on - so that crew members at home are participating just as they did before, says Adametz. We're not trying to change the show, and we understand that this is not the time to force new workflows on [the production team]. We're just trying
LINK: https://www.sportsvideo.org/2020/03/27/riot-games-keeps-league-of-lege...
See more stories from svg

More from Sports Video Group

09/11/2026

Reinvigorated AES Show Nashville Debuts in Music City

In a new home, the show had its traditional focus on music production, but broadcast themes received significant emphasis The Audio Engineering Society (AES) c...

09/11/2026

Sportel Panel Recap: How AI Is Impacting Everything Private Equity to Broadcasters, Streamers, Federations

Content creation and rights, YouTube archive, production workflows, investment, ...

09/11/2026

Building the REMI Hub of Today (and Tomorrow): Broadcasters and Vendors Share Their Strategies

Industry leaders from Prime Video, NASCAR, FOX Sports, and more discuss the tech...

09/11/2026

SMT Provides Broadcast Graphics and Shot Data for Inaugural WTGL Season

SMT (SportsMEDIA Technology) is delivering on-air graphics and shot data for the Women's Team Golf League (WTGL), which made its debut Sunday, Nov. 8, at So...

09/11/2026

BKB Names Michael Ridout Managing Director, UK

BKB Bare Knuckle Boxing has appointed Michael Ridout Managing Director, UK. He will lead BKB's operations in the United Kingdom and take on wider operationa...

09/11/2026

SMPTE Media Technology Summit 2026 Set for Nov. 16-19 in Pasadena

SMPTE's Media Technology Summit (MTS2026) takes place Nov. 16-19 at the Pasadena Convention Center. The schedule: Media Tech Business Forum (Monday, Nov. 1...

09/11/2026

AES Show Nashville 2026 Draws Nearly 3,000 Registrations

The Audio Engineering Society (AES) held AES Show Nashville 2026 Oct. 30-Nov. 1 at the Gaylord Opryland Resort & Convention Center. AES reports nearly 3,000 reg...

09/11/2026

Devoncroft Partners To Present Enterprise Video Survey Findings at Silicon Valley Video Summit

Analyst Josh Stinehour will share results Jan. 26 in Mountain View, Calif. Devo...

09/11/2026

Behind The Mic: Tirico Misses SNF Due to Health Issue; Wilbon Takes Leave of Absence From PTI

Behind The Mic provides a roundup of recent news regarding on-air talent, includ...

09/11/2026

Cleveland Cavaliers Boost In-Venue Energy With The Famous Group's Virtual Camera Tech

Permanent mixed-reality activation debuted against the Brooklyn Nets at Rocket A...

09/11/2026

The College Football Playoff Will Expand to 24 Teams in 2027; ESPN Secures Rights to 12 Additional Games

The new agreement brings the Playoff to 23 games, including 16 on-campus matchup...

09/11/2026

SMT Supports All Three NASCAR National Series Championship Broadcasts at Homestead-Miami Speedway

SMT provided production technology and graphics support for all three NASCAR nat...

06/11/2026

Gravity Medias JockeyCam at Center of Melbourne Cup Carnival Busy Week of Horse Racing

It's been a big week in Australia horse racing as the Victoria Racing Club (...

06/11/2026

PBR Expands Production of Teams Championship With Third Mobile Unit, More Cameras

Additional gear includes a second, outside drone; a second slo-mo unit; and a wi...

06/11/2026

University of Alabama Installs Daktronics Displays at Coleman Coliseum

The University of Alabama has installed a new Daktronics display system at Coleman Coliseum in Tuscaloosa. It includes a 360-degree centerhung with four underbe...

06/11/2026

NEP Adds IP-Based Flypack Production Kits in the U.S.

NEP Americas, part of NEP Group, has expanded its remote production offering with new IP-based flypack production kits deployed from the U.S. and available to c...

06/11/2026

Telestream Appoints Joseph Hopkins Chief Revenue Officer

Telestream has appointed Joseph Hopkins Chief Revenue Officer. He has more than two decades of executive experience in media technology. In the role, he will fo...

06/11/2026

SVG GameDay, Ep. 38: Texas Rangers Chris DeRuyscher - Livin the Life at Globe Life Field

In-venue and creative video staffers at the professional and collegiate level ha...

06/11/2026

Soaring in Stamford: Major League Soccer's Seth Bacon Details the Growth of MLS Productions

It's been nearly two years since MLS Productions made the move to WWE's ...

06/11/2026

With Decision Day on Deck, MLS Productions' Stamford Hub Prepares for 15 Matches in Five Hours

All 30 clubs take the field Saturday, and every camera, graphic, and feed runs t...

05/11/2026

SVG Students To Watch: Hunter Tempel, Marquette University

The Chicago native has emerged as a leader at Marquette's student-run production operation, directing broadcasts, mentoring peers, and building toward a car...

05/11/2026

Sky Sports to Show Exclusive Live Coverage of WTGL and Two More Years of TGL

Sky Sports will broadcast the inaugural 2026 and 2027 seasons of the women's TGL (WTGL) exclusively in the UK, as part of an expansion of its golf rights th...

05/11/2026

CP Communications Rigs Gravity Media SMARThead Robotic Cameras Over TCS New York City Marathon Start

CP Communications worked with Gravity Media to bring Gravity's SMARThead rob...

05/11/2026

Gravity Media Runs Remote Production of UCI Gravel World Championships From Melbourne

Gravity Media developed a remote production solution for Beyond Productions'...

05/11/2026

Canon Releases Firmware Update for Cinema EOS Cameras, Launches Camera Control Center

Canon U.S.A. has announced a firmware update for its Cinema EOS cameras, includi...

05/11/2026

Canon Marks 15 Years of the Cinema EOS System

Canon Inc. is celebrating the 15th anniversary of the Cinema EOS System this month, Canon U.S.A. announced. Launched in 2011 for professional video production, ...

05/11/2026

Canon Announces Cinema EOS Lens Kits and EOS C50 Videographer Kit

Canon U.S.A. has announced new Cinema EOS Lens Kits and an EOS C50 Videographer Kit. Sales are scheduled to begin in mid-November 2026. The lens kits pair the ...

05/11/2026

2026 Sports Broadcasting Hall of Fame: Dick Stockton, a Play-by-Play Announcer With a Journalistic Bent

Dick Stockton's broadcasting career was marked by longevity, versatility, an...

05/11/2026

Registration Open to Attend UFL 2027 Draft in St. Louis on Nov. 18

The United Football League Draft is set to take place at Ball Park Village in St. Louis on beginning on November 18 and the UFL today announced that players fro...

04/11/2026

SVG Sit-Down: Telstra's Amanda Leighton on Dynamic Connect and the Future of Managed Services

The company's chief revenue officer shares its new messaging emphasizing its...

04/11/2026

Gravity Media Debuts SMARThead Robotic Cameras in U.S. at TCS New York City Marathon

Gravity Media has brought its SMARThead robotic camera technology to the United ...

04/11/2026

WWE and Disney Expand Partnership With Two-Day ESPN Wide World of Sports Takeover

WWE and The Walt Disney Company have announced a two-day takeover of ESPN Wide W...

04/11/2026

RT Mixes 2026 World Football Championship Commentary With Calrec Type R

RT combined Calrec's Type R system with its SMPTE ST 2110 network to change how it mixed commentary for the 2026 World Football Championship. Where six com...

04/11/2026

Bildquadrat Adds Riedel Virtual SmartPanel to Production Intercom

D sseldorf-based production company Bildquadrat is using Riedel's Virtual SmartPanel (VSP) to expand its intercom infrastructure for mobile and geographical...

04/11/2026

Verizon Details Network Upgrades and Connected Tech Across the 2026 NFL Season

Verizon, an official NFL partner since 2010, has outlined its network and connected-technology work for the 2026 NFL season, spanning officiating, coach communi...

04/11/2026

Crowd Control: How the International Dance League Builds Its Broadcast Around the Audience

It's not just the video. The in-venue sound and noise also bring the energy ...

03/11/2026

Grass Valley Wins Tender to Support France Tlvisions' Move to IP Production for Franceinfo

Grass Valley has announced that France T l visions has completed the first phase...

03/11/2026

WELT TV and SES Extend Satellite Distribution Agreement in Germany

SES and WELT TV have renewed their partnership under a new multi-year agreement for satellite distribution in Germany. The agreement runs into the next decade a...

03/11/2026

Eutelsat OneWeb to Provide LEO Connectivity for SES's Multi-Orbit Finnair Service

Eutelsat's OneWeb low Earth orbit (LEO) network will provide connectivity as...

03/11/2026

CONMEBOL Renews GRUP MEDIAPRO Partnership Through 2030

CONMEBOL has renewed its agreement with GRUP MEDIAPRO, which will continue to run the CONMEBOL Hub's end-to-end operation through 2030. The Hub handles prod...

03/11/2026

Aggreko Returns as Official Temporary Power Partner for 2026 Las Vegas Grand Prix

Aggreko has returned as Official Temporary Power Partner for the FORMULA 1 HEINE...

03/11/2026

Gravity Media Debuts IP-Based Nova 110 OB Truck in Belgium

Gravity Media has deployed its fully IP-based OB truck, Nova 110, in Belgium for the first time. It made its operational debut supporting a UEFA Europa League m...

03/11/2026

NFL and TMRW Sports Unveil Premier Flag, Professional Flag Football League Launching Summer 2027

The NFL and TMRW Sports have unveiled Premier Flag, the brand identity for a new...

03/11/2026

Stephen Arnold Music Creates Atlanta Hip-Hop-Influenced Sonic Branding for Gray Media's Hawks Broadcasts

Stephen Arnold Music has developed the original musical theme and sonic branding...

03/11/2026

Monumental Sports Network Rolls Out Monumental+ App Enhancements

Monumental Sports Network (MNMT), the local media rights holder for the NHL's Washington Capitals, NBA's Washington Wizards and WNBA's Washington My...

03/11/2026

Gravity Media SMARThead Robotic Cameras Make U.S. Debut at NYC Marathon via CP Communications

Able to provide unique views from inaccessible positions, the in-house-built tec...

03/11/2026

FOX LATAM Builds Mexico City Facility Into Roaring Production Hub for Latin America and FOX Deportes

In under two years, a seven-person startup has grown to more than 270 staffers, ...

03/11/2026

Youth Olympics in Dakar Make History, and Samsung Is There To Capture It

The company's mobile technology is intended to enhance digital storytelling and turn young athletes into content creators Olympics history is currently bei...

03/11/2026

Sinclair Broadcast Groups Paul Spinelli on the Impact of Upcoming C-Band Repack

There are many challenges in the sports-video-production industry that keep personnel up at night, and one that's currently on the minds of individuals in b...

03/11/2026

SVG Sit-Down: Telstras Amanda Leighton on Dynamic Connect and the Future of Managed Services

Telstra Broadcast Services may call Australia home but this year it continued to...