Sony Pixel Power calrec Sony

Finding the heart of Welcome to Wrexham: How the show's editor turns 30 hours of footage into each episode

27/09/2023

TVBEurope sits down with editor Michael Brown to find out how he goes about constructing each 30-minute episode of the hit documentary series, and the technology that helps him do it

By Jenny Priestley

Published: September 27, 2023 Updated: September 28, 2023

TVBEurope sits down with editor Michael Brown to find out how he goes about constructing each 30-minute episode of the hit documentary series, and the technology that helps him do it

target=_blank title=Share on LinkedIn class=share-linkedin>

Welcome to Wrexham, the Disney Plus series following the fortunes of Wrexham AFC, recently returned for its second season.

The series follows co-owners Ryan Reynolds and Rob McElhenney as well as the manager, team, and various fans.

Season one is currently nominated for six Emmy Awards, including Outstanding Picture Editing for an Unstructured Reality Programme.

TVBEurope caught up with editor Michael Brown to find out how he goes about constructing each 30-minute episode, and the technology that helps him do it.

Michael Brown Can you tell us about your background and how you got into editing? I started with VHS tape editing, tape to tape at home with my parents' VCRs and camcorder. I would ask teachers if I could make a short video on a subject instead of writing papers in high school. I thought directing was going to be my future, but the technology changed as I was learning more and I feel like I was witnessing the industry change to digital as I grew along with it and learned software. I found a joy in editing that I didn't get from filming, the ability to match music with pictures and create emotion from those who watched.

When I was touring universities, the professors talked about an approach to teaching where all students had to learn all skills for several years before specifying a field. The technology at the universities seemed antiquated as the whole industry was moving to digital in a hurry, so I decided instead to move to Los Angeles at 18 years old in 2003. I attended and completed the Avid Certified Program, where I jumped into assisting professionally shortly after and then into editing short character segments for Texas hold em poker television tournaments on FOX TV as my first real editing job in 2005.

How did you get involved with Welcome to Wrexham? A colleague friend of mine recommended me to John Henion, the showrunner in season one. The series had been in edit for a bit of time, and it needed a fresh look. As with a lot of documentaries you have to find' the heart within the material, and luckily they chose me to come on at that time.

Ryan Reynolds and Rob McElhenney Are you a football fan? If so, who do you support? Wrexham of Course! I'm up most Tuesdays and Saturdays at 6am cheering way too loudly. I love football, I am a big Bar a fan as well. Having lived there for a short while in 2009 during the Messi reign, it was impossible not to fall in love with that club.

Why did you choose to cut Welcome to Wrexham on Media Composer? The project was already set up on Media Composer when I arrived. But I would always choose Media Composer for projects. It's just got a feel that presents the footage as the most important part of the programme. Being able to work collaboratively as well, they have had it figured out for so many years.

Why do you prefer it to other editing software? I prefer it because I know that when I'm working on an Avid project, the team is always top notch. There's a certain division of labour that often doesn't come with software that claims to do it all. Assistants can be working in the background seamlessly, transferring to online and mix; it's just sort of this sweet symphony that allows me to be as creative as possible. It always feels that way on Avid jobs.

How much footage are you given for each episode? I couldn't even begin to imagine! Each episode has at least one match, usually 7 or 8 cameras for the match alone. Pregame there are two running around, halftime there's one in the changing room; and post match. So just the matches alone maybe 14 hours? And then scene work- probably an hour each, add interviews. Maybe 30 hours total, best guess!

How do you decide which stories to follow how involved is the show's producer/director in the cut? Our field producers Milo Bala and Patrick McGarvey get major credit for that one. They formed great relationships with the Wrexham town characters and the team. They would uncover these amazing stories, and follow them as they experienced the season's ups and downs. It probably is a bit more organic than anything, which I think is why this series has touched so many people. It's really real and feels that way.

What's been the difference in terms of editing between season one and two? On season one we had to be aware that primarily, for our American audience, we had to always remember and assume they knew nothing about Wales, football, or the EFL. It was a balance of not spending so much time over-explaining that you were removed from the story. I think we worked really hard to establish a balance of tracking the football and character development.

In season two we aren't tracking characters over the arc of the whole season. We are introducing people more to the drama of the points chase that happened with Wrexham and Notts County, which set up a thrilling head-to-head late in the season.

We do introduce new characters but you learn about them in a more self-contained way.

What's been your favourite episode to edit? My favourite episode is Episode 205 Ballers. It highlights a whole separate part of the club and introduces a whole cast of new characters that will blow people away and steal their hearts.

What's been the biggest challenge of working on the show (other than learning about
LINK: https://www.tvbeurope.com/production-post/finding-the-heart-of-welcome...
See more stories from tvb

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

02/05/2026

Dalet Flex LTS Delivers Smarter Search, Faster Editing, and an AI-Ready Foundation for Modern Media

Dalet, a leading technology and service provider for media-rich organizations, t...

01/05/2026

NBCUniversal's Peacock to Be First Streamer to Integrate Dolby's Full Suite of Premium Picture and Sound Innovations

January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...

01/04/2026

DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION

January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION Douyin Users Can Now Create And Share Videos With Stun...

18/03/2026

SMPTE Unveils 2026 NAB Show Educational Presentations

SMPTE Unveils 2026 NAB Show Educational Presentations Brie Clayton March 18, 2026 0 Comments SMPTE , the home of media professionals, technologists, a...

18/03/2026

Auditel Ad Campaign Shot on Blackmagic PYXIS 12K

Auditel Ad Campaign Shot on Blackmagic PYXIS 12K Brie Clayton March 18, 2026 0 Comments LED wall virtual production blends 12K open gate acquisition w...

18/03/2026

Brainstorm transforms productivity and sustainability with Suite 7 at NAB Show 2026

Brainstorm transforms productivity and sustainability with Suite 7 at NAB Show 2...

18/03/2026

Neutrik To Showcase opticalCON ADVANCED Connectors At 2026 NAB Show

Share Copy link Facebook X Linkedin Bluesky Email...

18/03/2026

SMPTE Details 2026 NAB Show Educational Sessions

Share Copy link Facebook X Linkedin Bluesky Email...

18/03/2026

Ben Bradshaw Joins PSSI as Director, Product and Network Development

Share Copy link Facebook X Linkedin Bluesky Email...

18/03/2026

Peter Thordarson Joins ASG as Technical Account Executive

Share Copy link Facebook X Linkedin Bluesky Email...

18/03/2026

Survey: Voters Trust TV News Over AI, Social and Search

Share Copy link Facebook X Linkedin Bluesky Email...

18/03/2026

2026 NAB Show Exhibitor Insight: Amazon Web Services (AWS)

Share Copy link Facebook X Linkedin Bluesky Email...

18/03/2026

SMPTE Unveils 2026 NAB Show Educational Presentations

SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...

18/03/2026

Maxon Marks Its Official Entry Into the AEC Market With I...

Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...

18/03/2026

Digital Alert Systems NAB Preview 2026

Digital Alert Systems Preview 2026 NAB Show April 19 - 22 Booth C3452 At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...

18/03/2026

Setplex Transforms Video Streaming with AI and Super Aggr...

Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...

18/03/2026

SES Announces Extension of Tender Offer

THIS ANNOUNCEMENT RELATES TO THE DISCLOSURE OF INFORMATION THAT QUALIFIED OR MAY HAVE QUALIFIED AS INSIDE INFORMATION WITHIN THE MEANING OF ARTICLE 7(1) OF THE ...

18/03/2026

COW Jobs: Seeking DP for Low Budget Dramedy - Chicago

COW Jobs: Seeking DP for Low Budget Dramedy - Chicago Brie Clayton March 17, 2026 0 Comments Seeking Director of Photography for Low Budget Dramedy Fe...

18/03/2026

COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago

COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago Brie Clayton March 17, 2026 0 Comments Seeking Gaffer for Low Budget Dramedy Feature Film- I...

18/03/2026

COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago

COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago Brie Clayton March 17, 2026 0 Comments Seeking Location/Sound for Low Budget Dramed...

18/03/2026

COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago

COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago Brie Clayton March 17, 2026 0 Comments Seeking Child Wrangler for Low Budget Dramedy Fe...

18/03/2026

Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware, Virtual and Hybrid Audio Lineup Yet

Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...

18/03/2026

Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio

Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio Brie Clayton March 17, 2026 0 Comments DaVinci Resolve Studio handle...

18/03/2026

Boston Conservatory Presents Celebrated Musical Satire Urinetown

Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...

18/03/2026

Charlie Puth Joins Switched On Pop at Berklee NYC

Charlie Puth Joins Switched on Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...

17/03/2026

NASA+ Prepares To Live Stream Historic Artemis II Mission, Bringing Deep-Space Exploration to Global Audiences

NASA+'s Rebecca Sirmons and Brittany Brown offer unique look at live streami...

17/03/2026

BBright's TTML & SMPTE ST 2110-43: One Single Stream For the Whole World

The transition to IP has fundamentally reshaped professional media infrastructures. Video, audio, and increasingly metadata now circulate as independent, precis...

17/03/2026

Op-Ed: How Generative AI Is Transforming Live Sports Streaming Optimization

Live sports streaming can push every element in your video delivery chain to its limit, exposing every potential weakness in seconds. When the Super Bowl, the O...

17/03/2026

Dell Case Study: Powering the Future of Sports Media One Experience at a Time at UT Austin

Texas Athletics sought to modernize its media production, enhance fan experience...

17/03/2026

NAB 2026: Ikegami to Showcase Latest Generation TV Production Cameras, Controllers and Monitors

Ikegami USA will demonstrate the latest additions to its wide range of broadcast...

17/03/2026

TNA Wrestling and iHeartMedia Announce Major Multi-Platform Collaboration

TNA Wrestling and iHeartMedia announces a new multi-platform collaboration that will integrate iHeartMedia across TNA's premium live events, weekly televisi...

17/03/2026

The Miami Dolphins and Dell Boost Fan Experience, Safety, and Efficiency at Hard Rock Stadium

The goal was to transform Hard Rock Stadium into a global leader in sports and e...

17/03/2026

Spectrum Launches Multiview for NCAA Basketball Tournaments

Spectrum has announced the launch of its new Multiview feature in the Spectrum TV App, giving customers the ability to watch up to four NCAA men's or women&...

17/03/2026

Pac-12 Inks Integrity/Data Deals With Genius Sports, IC360

Genius Sports deal also covers data technology, AI, fan engagement, and performance analysis....

17/03/2026

Rede Massa Chooses Net Insight to Enable State-Wide Centralized Operations

Net Insight is supporting the rollout of a new state-wide centralized operation with Rede Massa, which is an SBT affiliate, the Brazilian regional television ne...

17/03/2026

F1 The Movie' Wins the Academy Award for Best Sound

Featuring audio from practice sessions, qualifying races, and Grand Prix races, the film represents Apple's sports-media ambitions At Sunday night's Ac...

17/03/2026

SVG New Sponsor Spotlight: Oracle's Mark Ramberg on the Future of Live Broadcast in the Cloud with OCI

Live broadcast has always been one of the most demanding environments in media a...

17/03/2026

DIRECTV Adds Multiview and Sports Central Features Ahead of NCAA Tournament

DirecTV is introducing several new viewing features, including a multi-screen March Madness Mix channel and an updated Sports Central mobile app hub, ahead of...

17/03/2026

Deltatre and ATP Media Announce Multi-Year Broadcast Graphics/Data Partnership

Deltatre has announced a multi-year partnership with ATP Media, the media arm of the ATP Tour, covering broadcast graphics, data, and production across the 2026...

17/03/2026

Detroit Pistons, Scripps Sports To Air Five Games Free Over the Air on TV-20 Detroit

The Detroit Pistons have announced a third consecutive season partnering with Sc...

17/03/2026

How Fresh Finds Africa Propelled Rapper Zaylevelten to a Breakout Year

Fresh Finds Africa spotlights emerging artists and movements across the continent and its global diaspora, with listeners tuning in to discover new Afro-forward...

17/03/2026

Spotify Sparked Viral Moments at G27: genie fest, Driving the Discovery of Thai Rock

Last month, more than 60,000 fans piled into Bangkok's Rajamangala National ...

17/03/2026

Black Rooster Audio release VWB-1X

Vintage-inspired channel strip joins line-up Black Rooster Audio's latest plug-in provides an all-in-one mixing tool inspired by classic analogue consol...

17/03/2026

Accentize unveil dxSplit

Level and EQ voice, reverb and noise independently The latest plug-in to join Accentize's collection is said to take a new approach to dialogue processi...

17/03/2026

RF Spectrum Threat: OFCOM Survey

UHF radio mic & IEM bandwidth at risk Once again, the UHF bandwidth that is currently allocated to RF audio gear is at risk of being reassigned to high-spee...

17/03/2026

SGL Carbon hosts Bavaria's first pilot training course for prospective plant fire department squad leaders

Last Friday, the first Plant Fire Department Training Week in Bavaria successf...

17/03/2026

New campaign from NAATI and SBS CulturalConnnect highlights how we all deserve to be understood'

New campaign from NAATI and SBS CulturalConnnect highlights how we all deserve ...