TVBEurope sits down with editor Michael Brown to find out how he goes about constructing each 30-minute episode of the hit documentary series, and the technology that helps him do it
By Jenny Priestley
Published: September 27, 2023 Updated: September 28, 2023
TVBEurope sits down with editor Michael Brown to find out how he goes about constructing each 30-minute episode of the hit documentary series, and the technology that helps him do it
target=_blank title=Share on LinkedIn class=share-linkedin>
Welcome to Wrexham, the Disney Plus series following the fortunes of Wrexham AFC, recently returned for its second season.
The series follows co-owners Ryan Reynolds and Rob McElhenney as well as the manager, team, and various fans.
Season one is currently nominated for six Emmy Awards, including Outstanding Picture Editing for an Unstructured Reality Programme.
TVBEurope caught up with editor Michael Brown to find out how he goes about constructing each 30-minute episode, and the technology that helps him do it.
Michael Brown Can you tell us about your background and how you got into editing? I started with VHS tape editing, tape to tape at home with my parents' VCRs and camcorder. I would ask teachers if I could make a short video on a subject instead of writing papers in high school. I thought directing was going to be my future, but the technology changed as I was learning more and I feel like I was witnessing the industry change to digital as I grew along with it and learned software. I found a joy in editing that I didn't get from filming, the ability to match music with pictures and create emotion from those who watched.
When I was touring universities, the professors talked about an approach to teaching where all students had to learn all skills for several years before specifying a field. The technology at the universities seemed antiquated as the whole industry was moving to digital in a hurry, so I decided instead to move to Los Angeles at 18 years old in 2003. I attended and completed the Avid Certified Program, where I jumped into assisting professionally shortly after and then into editing short character segments for Texas hold em poker television tournaments on FOX TV as my first real editing job in 2005.
How did you get involved with Welcome to Wrexham? A colleague friend of mine recommended me to John Henion, the showrunner in season one. The series had been in edit for a bit of time, and it needed a fresh look. As with a lot of documentaries you have to find' the heart within the material, and luckily they chose me to come on at that time.
Ryan Reynolds and Rob McElhenney Are you a football fan? If so, who do you support? Wrexham of Course! I'm up most Tuesdays and Saturdays at 6am cheering way too loudly. I love football, I am a big Bar a fan as well. Having lived there for a short while in 2009 during the Messi reign, it was impossible not to fall in love with that club.
Why did you choose to cut Welcome to Wrexham on Media Composer? The project was already set up on Media Composer when I arrived. But I would always choose Media Composer for projects. It's just got a feel that presents the footage as the most important part of the programme. Being able to work collaboratively as well, they have had it figured out for so many years.
Why do you prefer it to other editing software? I prefer it because I know that when I'm working on an Avid project, the team is always top notch. There's a certain division of labour that often doesn't come with software that claims to do it all. Assistants can be working in the background seamlessly, transferring to online and mix; it's just sort of this sweet symphony that allows me to be as creative as possible. It always feels that way on Avid jobs.
How much footage are you given for each episode? I couldn't even begin to imagine! Each episode has at least one match, usually 7 or 8 cameras for the match alone. Pregame there are two running around, halftime there's one in the changing room; and post match. So just the matches alone maybe 14 hours? And then scene work- probably an hour each, add interviews. Maybe 30 hours total, best guess!
How do you decide which stories to follow how involved is the show's producer/director in the cut? Our field producers Milo Bala and Patrick McGarvey get major credit for that one. They formed great relationships with the Wrexham town characters and the team. They would uncover these amazing stories, and follow them as they experienced the season's ups and downs. It probably is a bit more organic than anything, which I think is why this series has touched so many people. It's really real and feels that way.
What's been the difference in terms of editing between season one and two? On season one we had to be aware that primarily, for our American audience, we had to always remember and assume they knew nothing about Wales, football, or the EFL. It was a balance of not spending so much time over-explaining that you were removed from the story. I think we worked really hard to establish a balance of tracking the football and character development.
In season two we aren't tracking characters over the arc of the whole season. We are introducing people more to the drama of the points chase that happened with Wrexham and Notts County, which set up a thrilling head-to-head late in the season.
We do introduce new characters but you learn about them in a more self-contained way.
What's been your favourite episode to edit? My favourite episode is Episode 205 Ballers. It highlights a whole separate part of the club and introduces a whole cast of new characters that will blow people away and steal their hearts.
What's been the biggest challenge of working on the show (other than learning about
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
06/04/2026
Michigan legends bring a new voice to the broadcast as TNT Sports and CBS Sports...
06/04/2026
From high school sports all the way up to the major leagues, building high-quali...
06/04/2026
Quickplay, an AI company for the media and entertainment industry, has been accepted into the Advanced tier of the TwelveLabs Ecosystem Partner Program. Quickpl...
06/04/2026
Grass Valley has announced the Future Playmakers Program, a global initiative to...
06/04/2026
El l der de operaciones impulsa la producci n en estudio mientras encuentra insp...
06/04/2026
The ops leader helps lead the charge in studio for the Spanish-language broadcas...
06/04/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
06/04/2026
The National Hockey League (NHL), in partnership with Verizon and the New Jersey Devils, today announced the opening of the NHL Innovation Lab powered by Verizo...
06/04/2026
Rock League, a new professional curling league, has announced that ESPN+ will stream its inaugural 2026 season for fans in the United States. The first Rock Lea...
06/04/2026
Advanced Systems Group has announced the appointment of Andrea (Andy) Cummis as Vice President of Systems Design and Engineering. In this role, she will lead de...
06/04/2026
Backed by Bolt Ventures, the venture brings Bryson DeChambeau, Grant Horvat, and...
06/04/2026
With this environment we can start that collaboration even earlier because we ca...
06/04/2026
Like the immortal lives of vampires, some stories never really end. That's t...
06/04/2026
As podcasting continues to evolve, growth increasingly means building beyond aud...
06/04/2026
Multiband dynamics plug-in enhanced
California-based developer FSK Audio have released a significant update for their innovative multiband dynamics processo...
06/04/2026
Share official & user-created full-rig presets
IK Multimedia's latest TONEX update makes it possible for users of the popular amp and effects modelling ...
06/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/04/2026
Dalet Showcases Dalia Agentic AI and End-to-End Media Workflows at NAB Show 2026
Brie Clayton April 6, 2026
0 Comments
Dalet, a leading technology and...
06/04/2026
OpenDrives Shows Off Sports Expertise in Sports Business Hub located in NAB Show...
06/04/2026
Proton to Demonstrate 3D Application at NAB 2026
Brie Clayton April 6, 2026
0 Comments
Yet further creative potential unleashed through innovation in ...
06/04/2026
Autoscript Highlights Voice-Driven Prompting and PTZ Solutions at NAB 2026
Brie Clayton April 6, 2026
0 Comments
Experience Autoscript Voice, PTZ prom...
06/04/2026
Mediaproxy Highlights Significant Enhancements to its LogServer suite at NAB Sho...
06/04/2026
Wayne, N.J., April 6th, 2026 Phantom High-Speed announces the release of PCC 4...
06/04/2026
April 6th, 2026
TRIBECA STUDIOS AND LILLY ANNOUNCE WINNERS OF INAUGURAL VITAL...
06/04/2026
Back to All News
Netflix Expands Kids Entertainment Lineup With Playground App ...
05/04/2026
Tackles all reported bugs!
SoundBridge have just announced the launch of a new update that introduces a couple of minor changes to their remote collaboratio...
04/04/2026
The University of Arizona's Men's Basketball team has only loss twice th...
04/04/2026
1080p HDR arrives, a new generation of storytelling tools takes center stage, an...
04/04/2026
Michigan legends bring a new voice to the broadcast as TNT Sports and CBS Sports...
04/04/2026
Faster, cleaner and more intuitive than ever
The control software for Flock Audio's digitally controlled patchbay systems has just been treated to an up...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
DHD Introduces AI-Based Audio Noise Reduction to XD3 IP Core
Brie Clayton April 3, 2026
0 Comments
The accompanying image shows the rear panel of the ...
04/04/2026
Macnica Redefines ST 2110 Flexibility with Two Speeds on One Card
Brie Clayton April 3, 2026
0 Comments
New for NAB Show 2026, MEP100 SmartNIC now sup...
04/04/2026
Unified Media Workflows for Story-Centric Production
Brie Clayton April 3, 2026
0 Comments
Framelight X unifies field capture, editing and publishing ...
03/04/2026
Michigan's Fab Five will reunite for an alternate presentation of the Mich...
03/04/2026
Avid will exhibit at NAB Show 2026 (April 18-22, Booth N2226, Las Vegas Convention Center), demonstrating its Content Core platform and new AI-driven workflow c...
03/04/2026
Mark Roberts Motion Control (MRMC) has announced the appointment of Nick Barthee as Chief Operating Officer.
The announcement follows MRMC's transition fro...
03/04/2026
Interra Systems has announced that Elite Media Technologies has selected its BATON file-based QC solution for media workflows. Elite Media Technologies speciali...
03/04/2026
Ateme has announced that Moldtelecom has deployed Ateme technologies across its streaming workflow, covering encoding, delivery, operations, and analytics.
Mol...
03/04/2026
Grass Valley will demonstrate Framelight X, its content management platform, at NAB Show 2026. The platform connects capture, ingest, editing, and publishing in...
03/04/2026
Encompass Digital Media and Techex have announced a cloud-native Master Control ...
TVBEurope sits down with editor Michael Brown to find out how he goes about constructing each 30-minute episode of the hit documentary series, and the technology that helps him do it
