TVBEurope sits down with editor Michael Brown to find out how he goes about constructing each 30-minute episode of the hit documentary series, and the technology that helps him do it
By Jenny Priestley
Published: September 27, 2023 Updated: September 28, 2023
TVBEurope sits down with editor Michael Brown to find out how he goes about constructing each 30-minute episode of the hit documentary series, and the technology that helps him do it
target=_blank title=Share on LinkedIn class=share-linkedin>
Welcome to Wrexham, the Disney Plus series following the fortunes of Wrexham AFC, recently returned for its second season.
The series follows co-owners Ryan Reynolds and Rob McElhenney as well as the manager, team, and various fans.
Season one is currently nominated for six Emmy Awards, including Outstanding Picture Editing for an Unstructured Reality Programme.
TVBEurope caught up with editor Michael Brown to find out how he goes about constructing each 30-minute episode, and the technology that helps him do it.
Michael Brown Can you tell us about your background and how you got into editing? I started with VHS tape editing, tape to tape at home with my parents' VCRs and camcorder. I would ask teachers if I could make a short video on a subject instead of writing papers in high school. I thought directing was going to be my future, but the technology changed as I was learning more and I feel like I was witnessing the industry change to digital as I grew along with it and learned software. I found a joy in editing that I didn't get from filming, the ability to match music with pictures and create emotion from those who watched.
When I was touring universities, the professors talked about an approach to teaching where all students had to learn all skills for several years before specifying a field. The technology at the universities seemed antiquated as the whole industry was moving to digital in a hurry, so I decided instead to move to Los Angeles at 18 years old in 2003. I attended and completed the Avid Certified Program, where I jumped into assisting professionally shortly after and then into editing short character segments for Texas hold em poker television tournaments on FOX TV as my first real editing job in 2005.
How did you get involved with Welcome to Wrexham? A colleague friend of mine recommended me to John Henion, the showrunner in season one. The series had been in edit for a bit of time, and it needed a fresh look. As with a lot of documentaries you have to find' the heart within the material, and luckily they chose me to come on at that time.
Ryan Reynolds and Rob McElhenney Are you a football fan? If so, who do you support? Wrexham of Course! I'm up most Tuesdays and Saturdays at 6am cheering way too loudly. I love football, I am a big Bar a fan as well. Having lived there for a short while in 2009 during the Messi reign, it was impossible not to fall in love with that club.
Why did you choose to cut Welcome to Wrexham on Media Composer? The project was already set up on Media Composer when I arrived. But I would always choose Media Composer for projects. It's just got a feel that presents the footage as the most important part of the programme. Being able to work collaboratively as well, they have had it figured out for so many years.
Why do you prefer it to other editing software? I prefer it because I know that when I'm working on an Avid project, the team is always top notch. There's a certain division of labour that often doesn't come with software that claims to do it all. Assistants can be working in the background seamlessly, transferring to online and mix; it's just sort of this sweet symphony that allows me to be as creative as possible. It always feels that way on Avid jobs.
How much footage are you given for each episode? I couldn't even begin to imagine! Each episode has at least one match, usually 7 or 8 cameras for the match alone. Pregame there are two running around, halftime there's one in the changing room; and post match. So just the matches alone maybe 14 hours? And then scene work- probably an hour each, add interviews. Maybe 30 hours total, best guess!
How do you decide which stories to follow how involved is the show's producer/director in the cut? Our field producers Milo Bala and Patrick McGarvey get major credit for that one. They formed great relationships with the Wrexham town characters and the team. They would uncover these amazing stories, and follow them as they experienced the season's ups and downs. It probably is a bit more organic than anything, which I think is why this series has touched so many people. It's really real and feels that way.
What's been the difference in terms of editing between season one and two? On season one we had to be aware that primarily, for our American audience, we had to always remember and assume they knew nothing about Wales, football, or the EFL. It was a balance of not spending so much time over-explaining that you were removed from the story. I think we worked really hard to establish a balance of tracking the football and character development.
In season two we aren't tracking characters over the arc of the whole season. We are introducing people more to the drama of the points chase that happened with Wrexham and Notts County, which set up a thrilling head-to-head late in the season.
We do introduce new characters but you learn about them in a more self-contained way.
What's been your favourite episode to edit? My favourite episode is Episode 205 Ballers. It highlights a whole separate part of the club and introduces a whole cast of new characters that will blow people away and steal their hearts.
What's been the biggest challenge of working on the show (other than learning about
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
13/11/2026
The UIM E1 Series wraps its third season this week with the Bombay Sapphire E1 Miami GP, Nov. 11-14, on Biscayne Bay at the Miami Seaplane Base on Watson Island...
13/11/2026
In-venue and creative video staffers at the professional and collegiate level ha...
13/11/2026
Singer-songwriter Benson Boone will headline entertainment for the Discover NHL Winter Classic between the Utah Mammoth and Colorado Avalanche at Rice-Eccles St...
13/11/2026
Blackmagic Design has announced the Blackmagic Ambisonic Microphone, a 7th order ambisonic microphone array that captures spatial audio for immersive video prod...
13/11/2026
SMPTE has announced that The Studio B&H and Riedel Communications will provide the video infrastructure and communications technology for the Solutions Hub at t...
13/11/2026
The Hollywood Professional Association (HPA) has announced the theme and program focus for the 2027 HPA Tech Retreat, which takes place Feb. 14-18, 2027, in La ...
13/11/2026
Football Manager 27 Touch is available on Apple Arcade starting today. The game ...
13/11/2026
MotoGP has announced a two-year media rights agreement with ESPN covering the Un...
13/11/2026
Apple Sports, the free iPhone app, has added the Ultimate Fighting Championship (UFC) to its lineup of supported sports, in time for Saturday's UFC 334. The...
13/11/2026
The NBA and Fanatics Studios, the joint venture between Fanatics and entertainme...
13/11/2026
ESPN held its annual EDGE Innovation Conference last night and offered up an ove...
13/11/2026
Regional sports network gives Ithaca College, SUNY Cortland students a platform to thrive
One of the biggest games in Division III college football will be pla...
13/11/2026
Studer-inspired 500-series PWM compressor unveiled
The HLabs range already includes a couple of Studer-inspired offerings in the form of the PRE169 and EQ16...
13/11/2026
Download Now!
To view the white paper, please enter the following details:
--
First Name* First Name
Company*
Country* Please select your countryA...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Blue Lucy, the workflow orchestration and integration platform for broadcasters, rights owners and localisation companies, today announced an integration with c...
13/11/2026
Krotos announces Black Friday offers on Studio Pro and Studio Max
Brie Clayton November 12, 2026
0 Comments
First-year annual plans start at US$195.99...
13/11/2026
Blackmagic Design Announces Blackmagic Ambisonic Microphone
Brie Clayton November 12, 2026
0 Comments
New 7th order ambisonic microphone with 108 MEMS...
13/11/2026
Meet the Berklee Student Setting Planetary Motion to Music With his compositional platform SoniKosmos, Javier Roqueni aims to make the universe the ultimate i...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , er...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , er...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Share
{alert(Link copied)}).catch(err => {console.error(Failed to copy: , err)}) data-platform=copy_link data-action= class=font-ui-heading py-2 text-sm tex...
13/11/2026
Amagi, the media industry cloud company, today announced a partnership with Golden Times Media Technology (stock code 920021.BJ), a Beijing-based media and tech...
13/11/2026
CGI (TSX: GIB.A) (NYSE: GIB), one of the largest independent IT and business consulting services firms in the world, together with its Malaysian partner, Cedar ...
13/11/2026
SMPTE, the home for media professionals, technologists and engineers, today announced that The Studio B&H and Riedel Communications will provide the video infra...
13/11/2026
iWedia, a global leader in connected TV software solutions, will present its software-first approach to DRAM optimization at Android TV APAC Summit 2026 in Bang...
13/11/2026
Beginning today, November 13, Apple HomeView is available for purchase at Apple Store locations, on the Apple Store online, and in the Apple Store app in select...
13/11/2026
From pediatric research to smart hospitals, AI is helping care teams spend less time on routine tasks and more time with patients.
Health systems and startups...
12/11/2026
Industry leaders examine how Dynamic Media Facility, Media eXchange Layer, and c...
12/11/2026
The junior Tar Heel is embracing the technical and creative challenges of live production while emerging as a leader and mentor in the control room...
12/11/2026
Gracenote, Nielsen's content intelligence business, has released its fifth a...
12/11/2026
RTL Deutschland will bring the NHL to free-to-air TV in Germany starting Nov. 30...
12/11/2026
Clear-Com supported On Air 2026, a 24-hour student-led broadcast connecting 45 u...
12/11/2026
uniqFEED has opened a Remote Operations Center (ROC) in Madrid, Spain. It is already operational, delivering virtual advertising for LaLiga matches. The ROC is ...
12/11/2026
Disney, ESPN and the NBA will present Dunk the Halls, the third real-time animated NBA game using Sony's Beyond Sports data visualization technology, on Chr...
12/11/2026
Van Wagner has launched Van Wagner RELAY, a digital platform for official athlet...
12/11/2026
Deal brings together two of the industry's most established graphics brands and significantly expands Vizrt's footprint in U.S. sports and regional broa...
12/11/2026
Euro TV Production GmbH of Austria has upgraded its outside broadcast vehicle with Lawo technology. The mc 36 Classic console in service since 2019 was replaced...
12/11/2026
Tagboard has launched Spark Resize, an AI-assisted tool now in beta that takes an existing graphic and produces a new version for a different aspect ratio or sc...
TVBEurope sits down with editor Michael Brown to find out how he goes about constructing each 30-minute episode of the hit documentary series, and the technology that helps him do it
