SVG Sit-Down: Pac-12 Enterprises' Michael Molinari Says State-of-the-Art Production Facility Is Open for Business' Besides producing OSU and WSU athletics events, the facility is seeking third-party clients By Jason Dachman, Editorial Director, U.S.
Thursday, September 19, 2024 - 3:21 pm
Print This Story | Subscribe
Story Highlights
In advance of the 2023-24 college sports season, Pac-12 Networks moved from its longtime home in downtown San Francisco to a new state-of-the-art production facility in nearby San Ramon, CA. The facility was planned prior to the shocking exodus that left just two schools in the Pac-12 Conference: Oregon State and Washington State. Today, the Pac-12 Enterprises operation in San Ramon is not only serving its two member schools (and potentially the four recently announced programs set to join in 2026) but is also seeking out third-party clients that can benefit from the robust production capabilities the fully SMPTE ST 2110 IP facility has to offer.
SVG sat down with Michael Molinari, who was named SVP of business development and studio operations for Pac-12 Enterprises in May, to get an idea of how the facility is being used today. Molinari also discusses potential production plans for additional Pac-12 Conference members, its partnership with The CW for OSU and WSU football, some of the common misconceptions around REMI production, how he's looking to grow the business beyond member-school productions, and what he's most excited about for the 2024-25 Pac-12 athletics season.
Pac-12 Enterprises' Michael Molinari: The charge for the past 12 years was to produce the 850 events for the conference network; now the charge is to create revenue for our schools. It's a more entrepreneurial model.
Let's start with this week's big news. With four schools joining the Pac-12 in 2026, will the Pac-12 Enterprises facility in San Ramon be handling those productions?
Future details will, of course, be determined by members of the Pac-12. What I can tell you is, after recently producing a Colorado State football game from our facilities in San Ramon, we are excited for the possibilities and confident that we can efficiently produce high-quality broadcasts from football to Olympic sports for our future new members.
How does the current Pac-12 Enterprises model differ from the previous Pac-12 Networks operation?
The biggest change is, we've switched from a 24/7 network model to a model where we produce programs for ourselves, our conference's schools, and [third-party clients]. The charge for the past 12 years was to produce the 850 events for the conference network; now the charge is to create revenue for our schools. It's a more entrepreneurial model.
I believe we can increase from those 850 annual events to closer to 2,000 events. First off, after the Pac-12 academic year, the building was closed during the summer for the most part. And the facility was not really operational on Monday and Tuesday because of the way the Pac-12 sports schedules were laid out.
During the pandemic, we had both FS1 and ESPN doing basketball out of our facility via a packager, so we've had a little bit of outside business prior to now. But, for the most part, we've produced our own events. That has all changed now, and we are officially open for business from anyone looking to produce live events efficiently and with high quality.
Pac-12 Enterprises' new San Remo, CA, facility produces traditional REMI shows, from five large-scale control rooms, and software-defined productions, from four SDP control rooms.
As of today, what events are being produced out of the facility?
Right now, we are scheduled to produce about 100 events each for Oregon State and Washington State this [academic] year. In addition, we are producing 11 of the Oregon State and Washington State home football games for CW. Nine of them will be REMI productions from our facility, and two of them will be full onsite-truck games: Purdue-Oregon State [on Sept. 21] and the Washington State-Oregon State matchup [on Nov. 23].
How does the San Ramon facility produce these events remotely?
We have two main types of productions: traditional REMIs, where we bring cameras and audio into a large control room to create the show, and software-defined productions [SDP], which have fewer cameras and use vMix [live-production] software to create the show. Approximately 25-30 of those 200 events for our schools will be full REMI, and the rest will be SDP.
In terms of REMI, we have five large-scale REMI control rooms that can do a production as small as a four-camera basketball game and as large as a 12-camera show with two SSMOs, which we did for the Pac-12 men's basketball tournament the last few years. In that case, we had another control room producing a three-person studio show so the entire event was taking place in Las Vegas with talent onsite, but the actual production was being done back here.
We have four SDP control rooms, and those shows typically have three or four cameras plus a lock off-camera onsite. We have a vMix operator doing the show in San Ramon plus a graphics person. The interesting thing is that the equipment, including the box that everything runs through, is actually onsite at the event. Essentially the entire operation is remoted in from San Ramon, and we get a full program signal from Oregon State and Washington State.
Four centralized control rooms are built around vMix, a software-based vision mixer. Shows run from these rooms can be produced by as few as two operators. (Photo: Pac-12 Networks)
You mentioned the Colorado State football-game production. Can you provide more detail on how that was handled?
Yes, that was really promising and exciting. We produced the Colorado State football game [against Northern Colorado on Sept. 7]
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
07/05/2026
In the first quarter 2026, SGL Carbon generated consolidated sales of 184.5 million, which was 49.8 million, or 21.3%, lower than in the prior year (Q1 2025: ...
07/05/2026
Rohde & Schwarz and Greenerwave achieve precise and fast ESA antenna characteriz...
07/05/2026
Two multi-role L3Harris products - the Red Wolf launched effects vehicle and SK...
07/05/2026
L3Harris will be developing key features of a secure and resilient digital infra...
07/05/2026
Alysa Liu and Shohei Ohtani Help Drive Viewership as 91 of the Top 100 Broadcast...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Cobalt Digital Wins Two Future Best of Show Awards at 2026 NAB Show
Manufacturer Recognized by TV Tech and TVBEurope for Innovation in signal processing
Cobal...
07/05/2026
Software and hardware platforms, AI power and user-friendliness on show...
07/05/2026
Intinor will demonstrate its latest technical enhancements for the Direkt series at BroadcastAsia 2026. With a continued focus on reliable contribution and remo...
07/05/2026
Bitmovin has announced that MUBI has chosen Bitmovin as its cloud VOD encoding partner, replacing MUBI's legacy on premises encoding setup to improve scalab...
07/05/2026
Meet Graduates from Berklees Class of 2026 Members of this years graduating class reflect on their proudest moments at Berklee and look ahead to whats next.
...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
At BroadcastAsia 2026, Interra Systems will demonstrate its latest innovations in automated quality control (QC), real-time monitoring, and captioning. The comp...
07/05/2026
At this year's Broadcast Asia, PlayBox Neo is set to unveil recent innovations across its PlayBox Neo Suite and integrated range of broadcast media solution...
07/05/2026
Strategic three-year partnership marks delivery phase of BFBS' next-generation media vision
Media organisation and military charity BFBS (British Forces Br...
07/05/2026
Amagi, the agentic industry cloud platform for unified broadcast, streaming, and monetization, today announced the availability of its In-Content Ads offering v...
07/05/2026
Lightware Visual Engineering has developed Rack Taurus for rack-based environments such as education and corporate training spaces. It enables clean and simple ...
07/05/2026
Jigsaw24, the UK's leading media equipment supplier and systems integrator, will showcase its expanded end-to-end workflow capabilities at MPTS 2026, signal...
07/05/2026
Ease Live, an Evertz company, today announced that it has been granted a US Patent for its proprietary graphical overlay technology, the foundation for interact...
07/05/2026
Test & measurement innovator Leader Electronics of Europe will present an extensive range of Leader, PHABRIX and LeaderPhabrix test and measurement solutions at...
07/05/2026
At Broadcast Asia 2026 (Stand 5H3 8), LiveU is redefining live production with its most powerful IP-video EcoSystem to date built to help broadcasters and con...
07/05/2026
January 8, 2024
Colorfront (colorfront.com), a leader in high-performance, on-s...
07/05/2026
February 9, 2024
Colorfront (colorfront.com), the multi-award-winning pioneer i...
07/05/2026
March 20, 2024
NAB 2024, Las Vegas - Colorfront (colorfront.com), the multi-awa...
07/05/2026
April 1, 2025
CINEMACON, APRIL 1, 2025 - Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming syste...
07/05/2026
June 15, 2025
Colorfront (colorfront.com), an Academy and Emmy Award-winning de...
07/05/2026
June 15, 2025
Colorfront participated in the ICTA Barcelona Cinema Technology Summit on Sunday, June 15, 2025. Held at The Phenomena Experience, the event feat...
07/05/2026
July 1, 2025
Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming systems for motion pictures, OTT,...
07/05/2026
July 1, 2025
Passion and dedication will take you places. Come with us on a short trip to the heart of India, where Annapurna Studios is living-up to the inspi...
07/05/2026
July 3, 2025
Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming systems for motion pictures, OTT,...
07/05/2026
September 1, 2025
IBC 2025, Amsterdam - Colorfront (colorfront.com) - the Acade...
07/05/2026
April 17, 2026
LOS ANGELES - April 17, 2026 - Colorfront today announced Colorf...
07/05/2026
April 23, 2026
NAB 2026, Las Vegas - the Academy and Emmy Award-winning develop...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Recreating the 1974 Doctor Who Time Tunnel in After Effects
Graham Quince May 6, 2026
0 Comments
The Time Tunnel from Doctor Who titles is one of th...
07/05/2026
Thursday 7 May 2026
Sky continues Sphere Abacus partnership with The Death of S...
07/05/2026
Thursday 7 May 2026
Sky Confirms Saturday Night Live UK will return this September for Series Two
Saturday Night Live UK will return for a second series, as S...
07/05/2026
Save 20% on the Sky Glass Gen 2 and Sky Glass Air TVsThursday 7 May 2026
How to watch the World Cup on Sky Glass
Tune into the World Cup on the BBC and ITV vi...
07/05/2026
Back to All News
Red Chillies Entertainment and Netflix Present the Trailer of ...
07/05/2026
Production sound mixer Dirk Sciarrotta has mixed Family Feud for 28 seasons. Thats up to 200 syndicated episodes per year, plus primetime celebrity specials - a...
07/05/2026
As audience expectations have evolved, Owen has stopped trying to hide microphones or excuse amplification. Instead, he treats sound as a fully immersive part o...
07/05/2026
Well known Irish faces pushed to the edge in new series of
Uncharted with Ray G...
07/05/2026
RT will premiere A Traveller Family, a compelling new documentary exploring the...
SVG Sit-Down: Pac-12 Enterprises' Michael Molinari Says State-of-the-Art Production Facility Is Open for Business' Besides producing OSU and WSU athletics events, the facility is seeking third-party clients By Jason Dachman, Editorial Director, U.S. 
