SVG Sit-Down: Pac-12 Enterprises' Michael Molinari Says State-of-the-Art Production Facility Is Open for Business' Besides producing OSU and WSU athletics events, the facility is seeking third-party clients By Jason Dachman, Editorial Director, U.S.
Thursday, September 19, 2024 - 3:21 pm
Print This Story | Subscribe
Story Highlights
In advance of the 2023-24 college sports season, Pac-12 Networks moved from its longtime home in downtown San Francisco to a new state-of-the-art production facility in nearby San Ramon, CA. The facility was planned prior to the shocking exodus that left just two schools in the Pac-12 Conference: Oregon State and Washington State. Today, the Pac-12 Enterprises operation in San Ramon is not only serving its two member schools (and potentially the four recently announced programs set to join in 2026) but is also seeking out third-party clients that can benefit from the robust production capabilities the fully SMPTE ST 2110 IP facility has to offer.
SVG sat down with Michael Molinari, who was named SVP of business development and studio operations for Pac-12 Enterprises in May, to get an idea of how the facility is being used today. Molinari also discusses potential production plans for additional Pac-12 Conference members, its partnership with The CW for OSU and WSU football, some of the common misconceptions around REMI production, how he's looking to grow the business beyond member-school productions, and what he's most excited about for the 2024-25 Pac-12 athletics season.
Pac-12 Enterprises' Michael Molinari: The charge for the past 12 years was to produce the 850 events for the conference network; now the charge is to create revenue for our schools. It's a more entrepreneurial model.
Let's start with this week's big news. With four schools joining the Pac-12 in 2026, will the Pac-12 Enterprises facility in San Ramon be handling those productions?
Future details will, of course, be determined by members of the Pac-12. What I can tell you is, after recently producing a Colorado State football game from our facilities in San Ramon, we are excited for the possibilities and confident that we can efficiently produce high-quality broadcasts from football to Olympic sports for our future new members.
How does the current Pac-12 Enterprises model differ from the previous Pac-12 Networks operation?
The biggest change is, we've switched from a 24/7 network model to a model where we produce programs for ourselves, our conference's schools, and [third-party clients]. The charge for the past 12 years was to produce the 850 events for the conference network; now the charge is to create revenue for our schools. It's a more entrepreneurial model.
I believe we can increase from those 850 annual events to closer to 2,000 events. First off, after the Pac-12 academic year, the building was closed during the summer for the most part. And the facility was not really operational on Monday and Tuesday because of the way the Pac-12 sports schedules were laid out.
During the pandemic, we had both FS1 and ESPN doing basketball out of our facility via a packager, so we've had a little bit of outside business prior to now. But, for the most part, we've produced our own events. That has all changed now, and we are officially open for business from anyone looking to produce live events efficiently and with high quality.
Pac-12 Enterprises' new San Remo, CA, facility produces traditional REMI shows, from five large-scale control rooms, and software-defined productions, from four SDP control rooms.
As of today, what events are being produced out of the facility?
Right now, we are scheduled to produce about 100 events each for Oregon State and Washington State this [academic] year. In addition, we are producing 11 of the Oregon State and Washington State home football games for CW. Nine of them will be REMI productions from our facility, and two of them will be full onsite-truck games: Purdue-Oregon State [on Sept. 21] and the Washington State-Oregon State matchup [on Nov. 23].
How does the San Ramon facility produce these events remotely?
We have two main types of productions: traditional REMIs, where we bring cameras and audio into a large control room to create the show, and software-defined productions [SDP], which have fewer cameras and use vMix [live-production] software to create the show. Approximately 25-30 of those 200 events for our schools will be full REMI, and the rest will be SDP.
In terms of REMI, we have five large-scale REMI control rooms that can do a production as small as a four-camera basketball game and as large as a 12-camera show with two SSMOs, which we did for the Pac-12 men's basketball tournament the last few years. In that case, we had another control room producing a three-person studio show so the entire event was taking place in Las Vegas with talent onsite, but the actual production was being done back here.
We have four SDP control rooms, and those shows typically have three or four cameras plus a lock off-camera onsite. We have a vMix operator doing the show in San Ramon plus a graphics person. The interesting thing is that the equipment, including the box that everything runs through, is actually onsite at the event. Essentially the entire operation is remoted in from San Ramon, and we get a full program signal from Oregon State and Washington State.
Four centralized control rooms are built around vMix, a software-based vision mixer. Shows run from these rooms can be produced by as few as two operators. (Photo: Pac-12 Networks)
You mentioned the Colorado State football-game production. Can you provide more detail on how that was handled?
Yes, that was really promising and exciting. We produced the Colorado State football game [against Northern Colorado on Sept. 7]
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
02/06/2026
blueCORE standalone processors headline solutions designed to simplify the trans...
02/06/2026
If you've kept up with this article series, you know by now where to start w...
02/06/2026
With new DSP configurations and flexible licensing options, Calrec is removing the barriers to virtualised audio, giving broadcasters the freedom to scale produ...
02/06/2026
The TV agency was one of the earliest adopters of Nielsen's local television...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Grass Valley today announced that Australian News Channel (ANC), operator of Sky News Australia, has deployed Grass Valley AMPP to transform its newsroom produc...
02/06/2026
Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, announces its new Model 385 Mic/Intercom Beltpack. The Mode...
02/06/2026
The Riedel Group today announced the appointment of Gudrun Scharler as CEO of Riedel Networks. She succeeds Michael Martens, who has led Riedel Networks since 2...
02/06/2026
More signals, higher quality, and outstanding ingest and streaming flexibility deliver professional results in a small, all-in-one footprint...
02/06/2026
farmerswife will be featured on the Modena Media & Entertainment stand at this year's Mediatech Africa 2026, giving visitors an opportunity to explore the l...
02/06/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17 19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Trust has become a commercial issue With global advertising spend forecast to exceed US$1 trillion this year*, the commercial consequences of weak governance co...
02/06/2026
June sees Ireland's cultural calendar in full bloom, as RT Supporting the Arts showcases a vibrant and wide-ranging programme spanning music, theatre, visu...
02/06/2026
After The Traitors Ireland launched in 2025, Irish audiences proved to have a taste for the global hit reality show. This Bank Holiday Monday fans can indulge e...
01/06/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
01/06/2026
Designed to solve a common problem in broadcasting, the automated workflow detects, identifies, removes, and documents copyrighted music
AudioShake has introdu...
01/06/2026
The sports-analytics company combines its data with proprietary AI to help leagu...
01/06/2026
Category line-up & sponsors announced
Photo: Paul Clarke
The Production Music Awards (PMA) have announced that submissions are now officially open ahead of...
01/06/2026
New hybrid sample/synthesis instrument revealed
Excite Audio have just released the latest instalment in their Evolve series, which has been developed in co...
01/06/2026
Latest TONEX expansion captures three rare vintage amps
The newest addition to IK Multimedia's ever-growing TONEX line-up introduces a set of three incr...
01/06/2026
Musically intelligent soft synth gets upgraded
Scaler Music will be probably be best known to many for their music theory tools, but their product range al...
01/06/2026
SBS confirms its broadcast sponsors for FIFA World Cup 2026
1 June, 2026
Media releases
SBS has secured Hyundai, Hisense, Macca's, Rexona, bet365, Com...
01/06/2026
Rohde & Schwarz Satellite Industry Days 2026 guided by the motto From Earth to ...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Marshall Electronics is showcasing a comprehensive lineup of next-generation POV cameras, purpose-built to power today's connected AV environments, at InfoC...
01/06/2026
Adobe Announces Concept to Vector
Deepa Subramaniam June 1, 2026
0 Comments
One of the biggest frustrations we hear from designers is how difficult it...
01/06/2026
Vampire Feature Night Patrol Graded with DaVinci Resolve Studio
Brie Clayton June 1, 2026
0 Comments
Colorist shapes dark, gritty tone for horror thri...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Luxembourg, June 1, 2026 - SES, a leading space solutions company, and Viva, Mexico's ultra low-cost airline, launched fast and reliable multi-orbit satelli...
01/06/2026
Agentic AI is getting physical.
At COMPUTEX on Tuesday, NVIDIA announced NVIDIA JetPack 7.2 and NVIDIA NemoClaw support on NVIDIA Jetson.
JetPack 7.2 brings a...
01/06/2026
Financial institutions have spent years building AI: fraud models, credit models...
01/06/2026
Mardi 2 juin 14h00
FilmLight (ARRI), 10 rue Ren Boulanger, 75010 Paris
Rejoignez-nous pour d couvrir comment FLAPI (l'API FilmLight) peut transformer e...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
31/05/2026
Olivia P rez-Collellmir to Premiere Original Work at Gaud Centennial in Barcelona The Berklee graduate and faculty member will debut her choral symphony with...
31/05/2026
Back to All News
Netflix Wins 15 Awards at the Canadian Screen Awards - See Pho...
31/05/2026
Taiwan is home to more than 500 NVIDIA ecosystem partners. More than 1 million N...
SVG Sit-Down: Pac-12 Enterprises' Michael Molinari Says State-of-the-Art Production Facility Is Open for Business' Besides producing OSU and WSU athletics events, the facility is seeking third-party clients By Jason Dachman, Editorial Director, U.S. 
