
SVG Sit Down: Endeavor Streaming President Fred Santarpia on a Noisy Marketplace, Quality User Experiences, and FAST Channels Sorting through streaming chaos and the patience and investment it takes for a client to find success By Ken Kerschbaumer, Editorial Director
Thursday, November 7, 2024 - 9:20 am
Print This Story | Subscribe
Story Highlights
Sportel in Monaco always provides a great opportunity for those involved with rights to mix with those who are involved with technology. SVG Co-executive Director Ken Kerschbaumer had a chance to sit down with Endeavor Streaming President Fred Santarpia who has had a career that put him at the center of the digital revolution in both the music industry (while at Universal Music) and publishing at Cond Nast. Ken and Fred discussed the state of the U.S. streaming market, what makes for a great service, and much more.
The U.S. streaming market is in a bit of chaos right now, with consumers griping, teams looking to have their own streaming services, and more. What do you make of this whole current state in 2024?
Fred Santarpia, Endeavor Streaming, president
The first thing I would say is it's very noisy, and what we tell prospects and clients is there really isn't a simple answer. In fact, a big part of our business is not just the technology and delivery, but really the business of streaming. And we'll talk to lots of rights holders who are thinking about a direct-to-consumer option, are thinking about streaming, and they have not done it before. We'll talk to them and start breaking it down so they can understand the rates of acquisition, what the churn rates look like, and what it's going to cost you based on your content and addressable market.
Ultimately the picture we want to paint is direct to consumer is not a flip of a switch to replace your traditional revenue. And we want to make sure that we're helping set those expectations for decision makers and stakeholders on what they're in for, which is really a multi-year period of investment. And while it can be profitable out of the gate, is it going to be profitable to the same extent to what you were receiving through your previous licensing model? Probably not. But it can be a very meaningful business model, and you've got to be committed to it over the next couple of years in terms of content, in terms of marketing, in terms of just general patience for what you've got to be able to do as a business. So that's number one.
But if we would call out a single issue, discoverability would be the single issue everyone is facing. We've seen it with all sorts of rights holders, and we've seen it with all sorts of demographics, particularly when someone's audience was on a predominantly linear experience. Those services have a large older demographic audience, and they are really handholding those people to understand how things work in streaming.
What about pricing? Some of the DTC services are expensive, in part to protect relationships with cable providers, but do you see a day when those services drop in price?
I don't see that happening. I really don't. I think one of the early reasons why streaming adoption was beneficial to the consumer was from an economic standpoint and over time the offering for the consumer is less and less, but pricing is up. For things like month to month we don't see prices going down and are priced excessively high. And I think the customer is going to have less options on when they can cancel a subscription. I think that's a challenge the industry needs to figure out and solve for the next couple years with the economic pressure so high.
When you start your conversation with a potential client, what are there any common misconceptions that you find when they come in? Or are they well-versed now in terms of what it takes to launch a service?
I think a few years ago it was more of a blank slate and people were unclear about the economics and the dynamics. But now most decision makers and organizations are more educated and knowledgeable about the economics and the space. So, what we try and do, more than anything else, is give them an objective third party view of what we think the opportunity looks like for them and things like how we see pricing evolving, how we see acquisition costs and pricing leveling out, and just providing that clarity and objectivity to our clients.
As for misconceptions, we don't really see that anymore as everybody at this point knows this is hard to get right. Anytime you're taking on a direct relationship with your customer there's a lot more operational concern than you would otherwise have. And that takes planning for everything from not just the technology but then the programming, the marketing, the data, and the analysis that needs to happen on the back end.
How do they do that?
Ideally you don't silo those things like previous industries have done and instead make sure it's an integrated part of the operation. And I think to the credit of a lot of organizations that we work with, they're being very methodical and cautious about their approach, and everybody wants to be careful, thoughtful, and make sure that when they do make these moves, they make them in the best way that they can and with the best information they have.
One of the challenges is that fans now expect a quality experience with quality coverage, even for niche sports.
Everybody's not just competing for attention of fans but you're competing for a share of the wallet. We have a lot of very successful niche content partners that we work with, and they have very nice profitable businesses. But yes, when you're asking somebody to pay, you've got to deliver a high-quality service, give them something that they're happy to receive.
Th
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
27/06/2026
Why CRAS Upgraded to Symphony I/O MK II When an audio school runs studios all day, every day, gear doesn't just need to sound good , it needs to survive rea...
27/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
27/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
27/06/2026
Krotos Video to Sound Plugin Now Available for Adobe Premiere Pro
Brie Clayton June 26, 2026
0 Comments
Editors can analyze footage, generate synchron...
27/06/2026
Mirai Media Elevates Digital and Broadcast Productions with Blackmagic Design
Brie Clayton June 26, 2026
0 Comments
Studio uses Ultimatte 12 HD and Po...
27/06/2026
DURHAM, N.C. - JUNE 26, 2026 - Lutra Cafe & Bakery has opened its first brick-and-mortar location at American Tobacco Campus after owner Chris McLaurin operated...
26/06/2026
In-venue and creative video staffers at the professional and collegiate level ha...
26/06/2026
Strike Fighter League (SFL), a professional air combat digital sport combining f...
26/06/2026
Wisycom has announced three new additions to its professional wireless ecosystem...
26/06/2026
Eurovision Services inaugurated an expanded Master Control Room (MCR) in Madrid on June 1, 2026, building on a broadcast hub the company has operated in the cit...
26/06/2026
Midco Sports and the University of North Dakota (UND) have announced a two-year ...
26/06/2026
Guntermann and Drunck (G&D) and VuWall, both part of the Panoptec Technologies Group, have appointed Vutec (Pty) Ltd as exclusive distributor for their KVM and ...
26/06/2026
Visit Seattle, the official destination marketing organization for Seattle and King County, has launched what it describes as the world's first drone scoreb...
26/06/2026
CP Communications provided RF video, audio, and crew communications support for ...
26/06/2026
Produced by longtime partner Echo Entertainment, the action-sports property is now a team-based year-round league
The inaugural season of the MoonPay X Games L...
26/06/2026
The deal establishes MultiDyne Robotics and Motion Control, maintaining the well-known MRMC brand.MultiDyne Video & Fiber Optic Systems has acquired the assets ...
26/06/2026
PX1 will debut at Sonoma as TNT leans into super-slo-mo, drones, SMT data integr...
26/06/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
26/06/2026
Virtual session musician plug-in gains new percussion options
Celemony's latest update for their virtual session musician platform complements the exist...
26/06/2026
Half-size model joins Console 1 line-up
Shortly after the release of their new Flow Studio controller, Softube have announced the launch of another new surf...
26/06/2026
ELT Group and Rohde & Schwarz sign a cooperation agreement to explore commercial...
26/06/2026
For Teddy Swims sold-out I've Tried Everything But Therapy tour, event technology specialists, PRG, provided video, automation and lighting across 19 date...
26/06/2026
Modern exhibition and event venues face the challenge of seamlessly integrating traditional conference technology, professional broadcast workflows and IP-based...
26/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
26/06/2026
Neko Oji: The Guy That Got Reincarnated as a Cat Edited with DaVinci Resolve Stu...
26/06/2026
Adobe to Acquire Topaz Labs
Brie Clayton June 25, 2026
0 Comments
Adobe has seen strong demand for its AI products for creatives, including Adobe Fire...
26/06/2026
Berklee Students Earn Dedicated Section at Raindance Film Festival in London Five documentary short films produced in the Africana Studies Department screen a...
26/06/2026
Flicker Productions to produce five-part docu-reality series following women who have fallen for men in prison and have become TikTok sensations, with brands an...
26/06/2026
Catch up on the latest developments across Baselight and Daylight v7, Nara and F...
26/06/2026
26. June 2026 News
DFT is pleased to announce that a second Polar HQ film s...
26/06/2026
New documentary Freedom Founder: Thomas McKean and the American Revolution airs ...
25/06/2026
Launching a Career in Broadcast Engineering: Academic Paths and Essential Certif...
25/06/2026
This superstar shooter/storyteller from Central Indiana hopes to make his mark in the blossoming sports-documentary and -features space
In the live-sports-vid...
25/06/2026
Presidio and the National Hockey League have announced a multiyear renewal of their North American partnership. Presidio will remain an Official Technology Inno...
25/06/2026
Strike Fighter League (SFL) is the world's first professional air combat digital sport that combines elite human performance and physical immersion with cut...
25/06/2026
Rise, the award-winning advocacy group for gender diversity in the broadcast and media technology sector, is pleased to announce the global mentoring cohort for...
25/06/2026
The 2026 American Association of Professional Baseball (AAPB) All-Star Game will...
25/06/2026
Mediaproxy has named Heartland Video Systems (HVS) as its exclusive partner for US television broadcasting. The Wisconsin-based systems integrator will represen...
25/06/2026
Backblaze has formed an agreement with CoreWeave to create The Essential Cloud for AI.
Under the multi-exabyte, $335 million agreement, Backblaze will provide...
25/06/2026
Clear-Com has announced the successful deployment and testing of FreeSpeak Cell by RTL Deutschland during a live event production at the N rburgring race circui...
25/06/2026
Mobile TV Group (MTVG) has announced the launch of the MTVG Production Platform,...
25/06/2026
Sony Pictures Entertainment (SPE) has announced a $100 million strategic investment in Cosm as lead investor in the company's Series C financing round, acqu...
25/06/2026
FOX Sports and Concacaf have announced a multi-year media rights agreement making FOX Sports the U.S. English-language home of the Concacaf Gold Cup and Concaca...