
SVG Sit Down: Endeavor Streaming President Fred Santarpia on a Noisy Marketplace, Quality User Experiences, and FAST Channels Sorting through streaming chaos and the patience and investment it takes for a client to find success By Ken Kerschbaumer, Editorial Director
Thursday, November 7, 2024 - 9:20 am
Print This Story | Subscribe
Story Highlights
Sportel in Monaco always provides a great opportunity for those involved with rights to mix with those who are involved with technology. SVG Co-executive Director Ken Kerschbaumer had a chance to sit down with Endeavor Streaming President Fred Santarpia who has had a career that put him at the center of the digital revolution in both the music industry (while at Universal Music) and publishing at Cond Nast. Ken and Fred discussed the state of the U.S. streaming market, what makes for a great service, and much more.
The U.S. streaming market is in a bit of chaos right now, with consumers griping, teams looking to have their own streaming services, and more. What do you make of this whole current state in 2024?
Fred Santarpia, Endeavor Streaming, president
The first thing I would say is it's very noisy, and what we tell prospects and clients is there really isn't a simple answer. In fact, a big part of our business is not just the technology and delivery, but really the business of streaming. And we'll talk to lots of rights holders who are thinking about a direct-to-consumer option, are thinking about streaming, and they have not done it before. We'll talk to them and start breaking it down so they can understand the rates of acquisition, what the churn rates look like, and what it's going to cost you based on your content and addressable market.
Ultimately the picture we want to paint is direct to consumer is not a flip of a switch to replace your traditional revenue. And we want to make sure that we're helping set those expectations for decision makers and stakeholders on what they're in for, which is really a multi-year period of investment. And while it can be profitable out of the gate, is it going to be profitable to the same extent to what you were receiving through your previous licensing model? Probably not. But it can be a very meaningful business model, and you've got to be committed to it over the next couple of years in terms of content, in terms of marketing, in terms of just general patience for what you've got to be able to do as a business. So that's number one.
But if we would call out a single issue, discoverability would be the single issue everyone is facing. We've seen it with all sorts of rights holders, and we've seen it with all sorts of demographics, particularly when someone's audience was on a predominantly linear experience. Those services have a large older demographic audience, and they are really handholding those people to understand how things work in streaming.
What about pricing? Some of the DTC services are expensive, in part to protect relationships with cable providers, but do you see a day when those services drop in price?
I don't see that happening. I really don't. I think one of the early reasons why streaming adoption was beneficial to the consumer was from an economic standpoint and over time the offering for the consumer is less and less, but pricing is up. For things like month to month we don't see prices going down and are priced excessively high. And I think the customer is going to have less options on when they can cancel a subscription. I think that's a challenge the industry needs to figure out and solve for the next couple years with the economic pressure so high.
When you start your conversation with a potential client, what are there any common misconceptions that you find when they come in? Or are they well-versed now in terms of what it takes to launch a service?
I think a few years ago it was more of a blank slate and people were unclear about the economics and the dynamics. But now most decision makers and organizations are more educated and knowledgeable about the economics and the space. So, what we try and do, more than anything else, is give them an objective third party view of what we think the opportunity looks like for them and things like how we see pricing evolving, how we see acquisition costs and pricing leveling out, and just providing that clarity and objectivity to our clients.
As for misconceptions, we don't really see that anymore as everybody at this point knows this is hard to get right. Anytime you're taking on a direct relationship with your customer there's a lot more operational concern than you would otherwise have. And that takes planning for everything from not just the technology but then the programming, the marketing, the data, and the analysis that needs to happen on the back end.
How do they do that?
Ideally you don't silo those things like previous industries have done and instead make sure it's an integrated part of the operation. And I think to the credit of a lot of organizations that we work with, they're being very methodical and cautious about their approach, and everybody wants to be careful, thoughtful, and make sure that when they do make these moves, they make them in the best way that they can and with the best information they have.
One of the challenges is that fans now expect a quality experience with quality coverage, even for niche sports.
Everybody's not just competing for attention of fans but you're competing for a share of the wallet. We have a lot of very successful niche content partners that we work with, and they have very nice profitable businesses. But yes, when you're asking somebody to pay, you've got to deliver a high-quality service, give them something that they're happy to receive.
Th
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
11/05/2026
New production unit features not only wealth of Ross gear but also Sony cameras, Canon lenses, and a Calrec Argo S audio board...
11/05/2026
Solid State Logic (SSL) has announced TCA Tour, a portable fly-away audio production system built from System T components for broadcast, touring, and live prod...
11/05/2026
Riedel Communications has announced it will serve as Official Connectivity Integ...
11/05/2026
Guntermann and Drunck (G&D) and NETGEAR AV have announced a plugin that automates network configuration for G&D KVM-over-IP deployments on NETGEAR AV Line infra...
11/05/2026
The Famous Group (TFG) and Elite Edge, a production studio specializing in live-action production, show opens, set design, and fabrication for sports and live e...
11/05/2026
The native of S o Paulo, Brazil, will play a crucial role in the broadcaster'...
11/05/2026
Cobalt Digital will exhibit its IPMX/ST 2110 product lineup at BroadcastAsia 2026 (Stand 5D2-4), anchored by the COBALT blueCORE family of standalone signal pro...
11/05/2026
Interra Systems will exhibit at BroadcastAsia 2026 (Stand 5C1-10), demonstrating...
11/05/2026
T-Mobile is serving as a technology partner for the 2026 PGA Championship at Aronimink Golf Club in Newtown Square, Pennsylvania, deploying 5G connectivity and ...
11/05/2026
Vizrt has announced it has been named an Official Technical Supplier of the Eurovision Song Contest 2026, in partnership with host broadcaster ORF. The 70th edi...
11/05/2026
The WNBA and Amazon Web Services (AWS) have announced a multi-year partnership making AWS the Official Cloud and Cloud AI Partner of the WNBA. AWS is also joini...
11/05/2026
Austrian private broadcaster kronehit publicly awarded SLG Broadcast AG and Lawo...
11/05/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
11/05/2026
As Eurovision fans gear up to celebrate the 70th anniversary of the iconic song ...
11/05/2026
Pela primeira vez na hist ria, o Brasil figura entre os oito maiores mercados de...
11/05/2026
New desktop instrument focused on tactile performance
Bastl Instruments have announced the Kalimba, a new desktop instrument that combines physical modellin...
11/05/2026
Compact sampling workstation gains new features
1010music have announced the blackbox 2, a new version of their compact standalone sampler designed for DAWl...
11/05/2026
Performance-focused sequencer with microtonal control
Berlin-based KOMA Elektronik have announced Monoplex, a new 42HP Eurorack sequencer designed for hands...
11/05/2026
Boasts wireless control from mobile devices
The latest iteration of IK Multimedia's compact amp and effects modelling pedal expands on the capabilities ...
11/05/2026
Spans traditional orchestral and experimental sounds
Sonora Cinematic have recently released the third instalment in their Transfigured Orchestra series, de...
11/05/2026
Our exhibition coverage
Watch all our SUPERBOOTH 2026 video coverage in one place. Check back to this page regularly as we will be updating with more video ...
11/05/2026
You're not meant to look at an Eclipse, but you won't be able to take yo...
11/05/2026
L3Harris has completed more than 50% of a nationwide effort to rebuild the invisible backbone of America's airspace....
11/05/2026
aconnic AG (ISIN: DE000A0LBKW6), Munich, is participating in the Equity Forum Ge...
11/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/05/2026
As Asia Pacific's streaming market continues to evolve, operators across the region are rebalancing their strategies and shifting their focus from subscribe...
11/05/2026
LONDON, MAY 11, 2026 QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, will showcase its latest innovat...
11/05/2026
Cobalt Digital's BroadcastAsia Line-up Highlights Flexible End-to-End IPMX/ST 2110 Ecosystem
Award-winning blueCORE standalone signal processors at the he...
11/05/2026
Encompass Digital Media, in partnership with VideoMagic International, announced at NAB 2026 the launch of Altitude Intelligence, an AI-powered platform designe...
11/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/05/2026
Alfalite, the only European manufacturer of LED screens, has completed a major new corporate installation in Spain with the upgrade of the auditorium at Torre I...
11/05/2026
11 May 2026
VEON Shareholders Re-elect Board and Chairman, Reaffirming Confiden...
11/05/2026
Fox Corporation Reports Third Quarter Fiscal 2026 Financial Results NEW YORK, NY, May 11, 2026 - Fox Corporation (Nasdaq: FOXA, FOX; FOX or the Company ) t...
11/05/2026
Arvato Systems Becomes a Member of InsurLab Germany
Collaboration in the insurance industrys leading innovation network
G tersloh - Arvato Systems has joine...
11/05/2026
Pirate Predator uncovers new information from victims and survivors of abuse on ...
10/05/2026
Berklee Honors Jacob Collier, Jill Scott, and Vinnie Colaiuta at 2026 Commenceme...
10/05/2026
RT ALL-IRELAND DRAMA FESTIVAL WINNERS ANNOUNCED DURING GALA AWARDS STREAMED LIVE ON RTE.IE/CULTURE
Kilmeen Drama Group hailing from Rossmore, Co. Cork Scoops ...
09/05/2026
New desktop instrument focused on tactile performance
Bastl Instruments have announced Kalimba, a new desktop instrument that combines physical modelling, F...
09/05/2026
Compact sampling workstation gains new features
1010music have announced blackbox 2, a new version of their compact standalone sampler designed for DAWless ...
09/05/2026
New SoundApp ARA Plugin Transforms Boris FX CrumplePop
Jessie Electa Petrov May 9, 2026
0 Comments
CrumplePop 2026.5 streamlines music, voice, and cin...
09/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
NBC's 9:16 live-production workflows power Courtside Live, Rinkside Live, Vi...
08/05/2026
Native 1080p HDR productions will rely on a mix of remote workflows from Bristol and Los Angeles
Despite another prosperous WNBA season in 2025, there was no g...