
SVG Sit Down: Endeavor Streaming President Fred Santarpia on a Noisy Marketplace, Quality User Experiences, and FAST Channels Sorting through streaming chaos and the patience and investment it takes for a client to find success By Ken Kerschbaumer, Editorial Director
Thursday, November 7, 2024 - 9:20 am
Print This Story | Subscribe
Story Highlights
Sportel in Monaco always provides a great opportunity for those involved with rights to mix with those who are involved with technology. SVG Co-executive Director Ken Kerschbaumer had a chance to sit down with Endeavor Streaming President Fred Santarpia who has had a career that put him at the center of the digital revolution in both the music industry (while at Universal Music) and publishing at Cond Nast. Ken and Fred discussed the state of the U.S. streaming market, what makes for a great service, and much more.
The U.S. streaming market is in a bit of chaos right now, with consumers griping, teams looking to have their own streaming services, and more. What do you make of this whole current state in 2024?
Fred Santarpia, Endeavor Streaming, president
The first thing I would say is it's very noisy, and what we tell prospects and clients is there really isn't a simple answer. In fact, a big part of our business is not just the technology and delivery, but really the business of streaming. And we'll talk to lots of rights holders who are thinking about a direct-to-consumer option, are thinking about streaming, and they have not done it before. We'll talk to them and start breaking it down so they can understand the rates of acquisition, what the churn rates look like, and what it's going to cost you based on your content and addressable market.
Ultimately the picture we want to paint is direct to consumer is not a flip of a switch to replace your traditional revenue. And we want to make sure that we're helping set those expectations for decision makers and stakeholders on what they're in for, which is really a multi-year period of investment. And while it can be profitable out of the gate, is it going to be profitable to the same extent to what you were receiving through your previous licensing model? Probably not. But it can be a very meaningful business model, and you've got to be committed to it over the next couple of years in terms of content, in terms of marketing, in terms of just general patience for what you've got to be able to do as a business. So that's number one.
But if we would call out a single issue, discoverability would be the single issue everyone is facing. We've seen it with all sorts of rights holders, and we've seen it with all sorts of demographics, particularly when someone's audience was on a predominantly linear experience. Those services have a large older demographic audience, and they are really handholding those people to understand how things work in streaming.
What about pricing? Some of the DTC services are expensive, in part to protect relationships with cable providers, but do you see a day when those services drop in price?
I don't see that happening. I really don't. I think one of the early reasons why streaming adoption was beneficial to the consumer was from an economic standpoint and over time the offering for the consumer is less and less, but pricing is up. For things like month to month we don't see prices going down and are priced excessively high. And I think the customer is going to have less options on when they can cancel a subscription. I think that's a challenge the industry needs to figure out and solve for the next couple years with the economic pressure so high.
When you start your conversation with a potential client, what are there any common misconceptions that you find when they come in? Or are they well-versed now in terms of what it takes to launch a service?
I think a few years ago it was more of a blank slate and people were unclear about the economics and the dynamics. But now most decision makers and organizations are more educated and knowledgeable about the economics and the space. So, what we try and do, more than anything else, is give them an objective third party view of what we think the opportunity looks like for them and things like how we see pricing evolving, how we see acquisition costs and pricing leveling out, and just providing that clarity and objectivity to our clients.
As for misconceptions, we don't really see that anymore as everybody at this point knows this is hard to get right. Anytime you're taking on a direct relationship with your customer there's a lot more operational concern than you would otherwise have. And that takes planning for everything from not just the technology but then the programming, the marketing, the data, and the analysis that needs to happen on the back end.
How do they do that?
Ideally you don't silo those things like previous industries have done and instead make sure it's an integrated part of the operation. And I think to the credit of a lot of organizations that we work with, they're being very methodical and cautious about their approach, and everybody wants to be careful, thoughtful, and make sure that when they do make these moves, they make them in the best way that they can and with the best information they have.
One of the challenges is that fans now expect a quality experience with quality coverage, even for niche sports.
Everybody's not just competing for attention of fans but you're competing for a share of the wallet. We have a lot of very successful niche content partners that we work with, and they have very nice profitable businesses. But yes, when you're asking somebody to pay, you've got to deliver a high-quality service, give them something that they're happy to receive.
Th
More from Sports Video Group
08/06/2026
The two execs discuss the goals and the challenges of building a huge multi-cult...
08/06/2026
This industry legend has been a road warrior since the early '90s and is, today, a lynchpin on College GameDay
The sports-production industry continues to ...
08/06/2026
DAZN has agreed a multi-year rights partnership with Extreme Fighting Championship (EFC), expanding its global combat sports portfolio.
DAZN will broadcast EFC...
08/06/2026
As fans move across broadcast, streaming, social, mobile and creator-led platforms, and they expect every angle, in real time, TVU Networks has released a new e...
08/06/2026
Infront has further strengthened the 2026 Diamond League's international bro...
08/06/2026
Grass Valley has announced the appointment of Sam Craig as Vice President, Global Pre-Sales. Based in the United States, Craig will lead Grass Valley's glob...
08/06/2026
SMPTE has announced its summer 2026 education lineup covering IP networking and SMPTE ST 2110, including two standalone courses, a 13-week boot camp, and a hand...
08/06/2026
Sportradar Group AG has announced a multi-year global agreement with Kalshi, a p...
08/06/2026
FIFA and Gamefam have announced the launch of a FIFA World Cup 2026 event on Roblox, running June 5 through July 31, 2026. The event centers on FIFA Super Socce...
08/06/2026
A collaboration of NHL Productions, Monumental Sports, and Michael Levitt Produc...
08/06/2026
CBS Sports production staffer Bryce Adair has died at the age of 31 after sustaining injuries during a car accident on Wednesday while in Ohio working the the P...
08/06/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
08/06/2026
WMT Digital today announced the launch of WMT Fan Intelligence, designed to unif...
08/06/2026
The Heat are the seventh NBA team to air their games over-the-air next season...
08/06/2026
Paramount and UFC have announced an expansion of their media rights partnership making Paramount the exclusive home of UFC Numbered Event main cards in Canada ...
08/06/2026
The Qatar Football Association (QFA), in cooperation with Sponix and broadcaster...
08/06/2026
Project B has announced the appointment of Host Broadcast Services (HBS) as Offi...
08/06/2026
The Buckeyes now produce and stream upwards of 200 sports events annually with a...
05/06/2026
The university-wide initiative has pushed their creative content to a new level
Although collegiate athletics at a single institution can contain numerous spo...
05/06/2026
In-venue and creative video staffers at the professional and collegiate level ha...
05/06/2026
Synamedia has announced that Lumine Group has agreed to acquire its Video Network business. The company is positioning the transition as the start of a new phas...
05/06/2026
Ateme, Broadcasting Center Europe (BCE), and Scaleway have announced a strategic partnership to deliver a cloud-based media supply chain covering ingest through...
05/06/2026
Audinate has announced three new additions to its Dante AVIO Install adapter series: a 4-Channel Analog Input, a 4-Channel Analog Output, and a 2-Ch In/2-Ch Out...
05/06/2026
Sportradar Group AG has announced a multi-year extension of its exclusive global...
05/06/2026
The M6 Group will broadcast FIFA World Cup 2026 matches live and in Ultra High D...
05/06/2026
The Athletic has announced that PGA TOUR highlights will be integrated into its golf coverage beginning with the Memorial Tournament presented by Workday. PGA T...
05/06/2026
When the FIFA World Cup arrives in North America in 2026, it will bring more tha...
05/06/2026
FIFA and DAZN have announced the launch of FIFA exclusively on DAZN, consolidating FIFA's content portfolio within DAZN's sports platform. The move fol...
05/06/2026
Telemundo's exclusive Spanish-language coverage of the FIFA World Cup 2026 G...
05/06/2026
Dolby Laboratories and NBCUniversal have announced that Peacock will stream Tele...
05/06/2026
Formula 1 has announced a 10-year extension to keep the Las Vegas Grand Prix on the F1 calendar through 2037. Las Vegas Grand Prix, Inc., Clark County, and the ...
05/06/2026
The broadcast-engineering team overcomes wind, speed, and salt water - and dista...
05/06/2026
Deploying both onsite and remote crews, the company is providing calibrated-came...
05/06/2026
With Inter&Co Stadium unavailable, ESPN's UFL team rebuilt its broadcast pla...
05/06/2026
One of the most exciting and informative events on the SVG annual event calendar is the Regional Sports Production Summit, an annual gathering of industry profe...
05/06/2026
For the race's third year at the historic racetrack, the broadcaster has added cameras and will incorporate multiple drones
The 158th edition of the Belmon...
05/06/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
04/06/2026
Sony Electronics is introducing the SRG-AS10, a 4K 60p-compatible PTZ auto-frami...
04/06/2026
This recent grad from Spring, TX, led creative-video output for the Aggies' men's basketball team last season and has been producing video and creating ...
04/06/2026
For the first time at a women's golf major, every player in the field will r...
04/06/2026
Three Panasonic PT-RQ45 40,000-lumen 3-Chip DLP projectors made their first live...
04/06/2026
Bitmovin and Akamai have announced a collaboration with NRJ Group, a French mult...
04/06/2026
Telestream will exhibit at InfoComm 2026 (Booth N7952), demonstrating media work...
04/06/2026
Sony has announced the development of RIALTO 65, a 65mm format image sensor block for the VENICE 2 digital cinema camera, targeting release in the first half of...
04/06/2026
KOKUSAI DENKI Electric America will exhibit at InfoComm 2026 (Booth N8025, June ...
04/06/2026
Bell Media's TSN and RDS are the exclusive Canadian broadcasters of FIFA Wor...
04/06/2026
The Challenge: Receiving Heavy Media Files From Road Games Quickly and ReliablyT...
04/06/2026
MASV, a managed file transfer platform used in broadcast and live sports product...
04/06/2026
NESN has announced the appointment of Fahad Haider as Vice President of Operations and Engineering. Haider returns to NESN, where he previously served as Vice P...
04/06/2026
David J. Halberstam, who spent almost 50 years in sports as a broadcaster and an executive, died June 2 after a years-long battle with brain cancer.
Over his l...