
SVG Sit Down: Endeavor Streaming President Fred Santarpia on a Noisy Marketplace, Quality User Experiences, and FAST Channels Sorting through streaming chaos and the patience and investment it takes for a client to find success By Ken Kerschbaumer, Editorial Director
Thursday, November 7, 2024 - 9:20 am
Print This Story | Subscribe
Story Highlights
Sportel in Monaco always provides a great opportunity for those involved with rights to mix with those who are involved with technology. SVG Co-executive Director Ken Kerschbaumer had a chance to sit down with Endeavor Streaming President Fred Santarpia who has had a career that put him at the center of the digital revolution in both the music industry (while at Universal Music) and publishing at Cond Nast. Ken and Fred discussed the state of the U.S. streaming market, what makes for a great service, and much more.
The U.S. streaming market is in a bit of chaos right now, with consumers griping, teams looking to have their own streaming services, and more. What do you make of this whole current state in 2024?
Fred Santarpia, Endeavor Streaming, president
The first thing I would say is it's very noisy, and what we tell prospects and clients is there really isn't a simple answer. In fact, a big part of our business is not just the technology and delivery, but really the business of streaming. And we'll talk to lots of rights holders who are thinking about a direct-to-consumer option, are thinking about streaming, and they have not done it before. We'll talk to them and start breaking it down so they can understand the rates of acquisition, what the churn rates look like, and what it's going to cost you based on your content and addressable market.
Ultimately the picture we want to paint is direct to consumer is not a flip of a switch to replace your traditional revenue. And we want to make sure that we're helping set those expectations for decision makers and stakeholders on what they're in for, which is really a multi-year period of investment. And while it can be profitable out of the gate, is it going to be profitable to the same extent to what you were receiving through your previous licensing model? Probably not. But it can be a very meaningful business model, and you've got to be committed to it over the next couple of years in terms of content, in terms of marketing, in terms of just general patience for what you've got to be able to do as a business. So that's number one.
But if we would call out a single issue, discoverability would be the single issue everyone is facing. We've seen it with all sorts of rights holders, and we've seen it with all sorts of demographics, particularly when someone's audience was on a predominantly linear experience. Those services have a large older demographic audience, and they are really handholding those people to understand how things work in streaming.
What about pricing? Some of the DTC services are expensive, in part to protect relationships with cable providers, but do you see a day when those services drop in price?
I don't see that happening. I really don't. I think one of the early reasons why streaming adoption was beneficial to the consumer was from an economic standpoint and over time the offering for the consumer is less and less, but pricing is up. For things like month to month we don't see prices going down and are priced excessively high. And I think the customer is going to have less options on when they can cancel a subscription. I think that's a challenge the industry needs to figure out and solve for the next couple years with the economic pressure so high.
When you start your conversation with a potential client, what are there any common misconceptions that you find when they come in? Or are they well-versed now in terms of what it takes to launch a service?
I think a few years ago it was more of a blank slate and people were unclear about the economics and the dynamics. But now most decision makers and organizations are more educated and knowledgeable about the economics and the space. So, what we try and do, more than anything else, is give them an objective third party view of what we think the opportunity looks like for them and things like how we see pricing evolving, how we see acquisition costs and pricing leveling out, and just providing that clarity and objectivity to our clients.
As for misconceptions, we don't really see that anymore as everybody at this point knows this is hard to get right. Anytime you're taking on a direct relationship with your customer there's a lot more operational concern than you would otherwise have. And that takes planning for everything from not just the technology but then the programming, the marketing, the data, and the analysis that needs to happen on the back end.
How do they do that?
Ideally you don't silo those things like previous industries have done and instead make sure it's an integrated part of the operation. And I think to the credit of a lot of organizations that we work with, they're being very methodical and cautious about their approach, and everybody wants to be careful, thoughtful, and make sure that when they do make these moves, they make them in the best way that they can and with the best information they have.
One of the challenges is that fans now expect a quality experience with quality coverage, even for niche sports.
Everybody's not just competing for attention of fans but you're competing for a share of the wallet. We have a lot of very successful niche content partners that we work with, and they have very nice profitable businesses. But yes, when you're asking somebody to pay, you've got to deliver a high-quality service, give them something that they're happy to receive.
Th
More from Sports Video Group
11/08/2026
Weekly immersive broadcasts will feature 8K 3D video, a 180-degree field of view...
11/08/2026
By Briana Brady, Social Media Manager, Production Hub
Sports content is having ...
11/08/2026
She addresses why media organizations need more than asset storage, how sports t...
11/08/2026
Remote commentary has improved significantly on these broadcasts
At a clip of ...
11/08/2026
A pair of LANTIME IMS M2000 PTP Grandmasters deliver resilient timing infrastruc...
11/08/2026
LTN has announced expanded capabilities for its Live Event Master Control offering, providing sports broadcasters, leagues, rights holders, and content owners w...
11/08/2026
WTA Ventures has appointed IMG as its managed production services partner in a multi-year agreement commencing with the 2027 season. The partnership is the late...
11/08/2026
The New York Jets and CBS New York have agreed to a multi-year extension of their partnership, keeping CBS New York as the official broadcast home of the team. ...
11/08/2026
Nielsen Holdings and DoubleVerify have announced a definitive agreement under which Nielsen will acquire DoubleVerify in an all-cash transaction with an enterpr...
11/08/2026
The Audio Engineering Society has announced the results of its 2026 Board of Dir...
11/08/2026
The CSN co-founder details its network and affiliate' model, how creator wi...
11/08/2026
Gravity Media is providing host broadcast operations for the Esports World Cup (EWC) 2026, supporting ESL FACEIT Group (EFG) in delivering the tournament to glo...
11/08/2026
TAG Video Systems has released a memory usage optimization for its MCM software that reduces the cost per channel by up to two-thirds for compressed workflows. ...
11/08/2026
SMT is expanding its technology partnership with the Cincinnati Open this year, adding new LED displays, production capabilities, and fan-facing experiences at ...
11/08/2026
The Pac-12 has announced that home Olympic sports broadcasts throughout the fall season will be available free on the conference's YouTube channel at youtub...
11/08/2026
Spreading a message of faith requires both widespread accessibility and uncompromising visual quality. Real Life Network (RLN), a free, faith-based digital stre...
11/08/2026
Taking the synergy of sports and entertainment a step further, the NFL venue in Nashville will house iterations of two iconic music clubs
The marriage of Taylo...
10/08/2026
Weekly immersive broadcasts will feature 8K 3D video, a 180-degree field of view...
07/08/2026
Diversified has appointed industry veteran Pete Emminger as global chief technology officer. Emminger will lead the company's global go-to-market technology...
06/08/2026
The broadcaster's 14-race schedule begins in Iowa and ends in November with ...
06/08/2026
In-venue and creative video staffers at the professional and collegiate level ha...
06/08/2026
As media organizations consolidate teams, technology platforms, and content libr...
06/08/2026
Firmware updates introduce Dolby's next-generation picture engine, content-aware optimization, and new motion and ambient-light tools...
06/08/2026
TNT Sports will have wall-to-wall coverage of the upcoming FIBA Women's Bask...
06/08/2026
swXtch.io (Stand 5.MR13) has unveiled groundSwXtch for Audio over IP (AoIP), a software application that lets broadcasters and media organizations move audio in...
06/08/2026
At IBC2026, Riedel Communications (Stands: 10.A24, 10.A31, 10.A38) will bring modern media production to life with the Live Production Experience - a connected ...
06/08/2026
The first live-sports director to receive the prestigious honor, eight-time Emmy...
06/08/2026
NBC Sports will continue to present the Preakness Stakes on NBC and Peacock thro...
06/08/2026
Cobalt Digital (Stand 8.F90) continues to reinforce its commitment to delivering...
06/08/2026
Wave Central has promoted promotion Jeff Daubert to Director of Sales, Americas.
In his expanded role, Daubert will lead Wave Central's sales strategy and ...
06/08/2026
KMH Integration is expanding its ability to serve media, broadcast, and IT organizations by adding Keith Hanadel, an accomplished architect with decades of indu...
06/08/2026
Advanced Systems Group (ASG) has promoted Michele Ferreira from Vice President of its Systems Integration team to the newly created position of Chief Business O...
06/08/2026
Demonstrations will include new JPEG XS, Dolby audio, cloud-gateway, stream-processing, and distribution capabilities...
06/08/2026
The deal includes three premium mobile units, engineering personnel, existing br...
06/08/2026
Broadcast Management Group produced Amazon Prime's inaugural Obsessed Fest a...
06/08/2026
Exhibit will feature new variable-ND functionality, OLED viewfinders, remote-camera tools, and UHD production monitors...
06/08/2026
Compact full-frame E-mount lens targets sports, wildlife, and other long-range shooting applications...
06/08/2026
Live broadcast will honor Roger Federer and Mary Carillo on Aug. 29, with onsite...
06/08/2026
End-zone board receives higher-resolution LED technology and an updated Show Control system ahead of the 2026 football season...
05/08/2026
RSNs, teams, leagues, and streamers explore the present and future of local spor...
05/08/2026
As sports-production workflows generate larger volumes of unstructured data and ...
05/08/2026
Three aspiring broadcasters will contribute on-camera and inside the production ...
04/08/2026
Live production in the cloud is a growing trend across the industry, and Major L...
04/08/2026
LAFC co-managing owner will succeed Don Garber on Jan. 1, 2027, as league prepar...
04/08/2026
In 2022, when the PGA TOUR was breaking ground on its new, state-of-the-art broa...
04/08/2026
Provided by POVORA, the new camera angle offers a dealer's-eye view of the c...
04/08/2026
Spiideo will provide the camera setup, with NEP handling broadcast integration and off-site video operations...
04/08/2026
Production team streamed more than 750 youth rugby matches using ATEM switchers,...
04/08/2026
Agreement gives KTC early access to NDI's Advanced SDK for integration across commercial displays, digital signage, and interactive panels...
04/08/2026
Twelve projects across four categories recognize collaborative work in productio...