
It's high time to debunk the myth that linear broadcast TV is dying. Broadcast TV remains the single most effective method for brands to reach their audiences, projected to generate a very healthy $65 billion in ad revenue annually through 2026. At this year's NAB Show New York, Tim Swift, WideOrbit President and COO, spoke on the evolution of buying and selling broadcast TV advertising and the importance of automated transaction processes to both address challenges and maximize revenue opportunities.
With TV reaching 96% of US households, and adults 25 and over still watching three or more hours of television per day, TV advertising has unparalleled reach, building the brand awareness that influences online behavior. Brands who advertise on TV experience an 11x increase in online engagement, while 85% of adults and 91% of millennials say TV advertising influences their online searches and consumer behaviors.
Even tech companies with access to the best digital attribution data available are choosing TV advertising. Meta (Facebook, etc.), Apple, Amazon, Microsoft, and Alphabet (Google) all spend two-thirds of their total ad budgets on TV. Combined, big tech is now the second largest TV advertiser in the industry, right on the heels of consumer goods giant Proctor & Gamble.
Why do the likes of Facebook and Google invest so heavily in TV advertising? Because digital leaders know that TV advertising works. They understand the power of mass audience reach over expensive targeting, and they know that broadcast TV offers premium inventory, uniquely effective at filling the top of the funnel by building trust and brand equity.
Digital leaders also know that 94% of people watching TV in the US are doing so with a smartphone in hand. Marketers shouldn't be looking at TV and digital as competing for their advertising dollars - they should see them as complimentary mediums that can work together to help them accomplish their marketing goals in novel ways.
So that begs the question: Why don't more brands and advertisers jump into TV with as much gusto as the big players in the digital space?
The answer is simple: Buying TV is hard. Buying broadcast TV advertising through traditional methods is inefficient and complicated. Since the inception of the 30 second spot back in 1971, the direct buying and selling of inventory hasn't changed a great deal. Traditional purchase transactions, from pitch to payment, can involve upwards of 30 back-and-forth steps that often take weeks to complete. And that's just for the initial buy, not including the makegood process.
Here at WideOrbit, we hear a consistent chorus demanding increased efficiency for direct sales processes, and we've made noteworthy progress in streamlining traditional sales workflows. But the fact remains: Traditional, direct deals are still complicated, and that complexity is pushing many current TV advertisers toward what they perceive to be more efficient advertising buying channels.
The complexity of direct buying also presents a barrier to entry for advertisers new to linear broadcast TV advertising.
Advertisers and agencies are increasingly demonstrating a shift toward automated, or programmatic, buying channels. They're attracted to marketplaces and newer, more efficient methods of buying digital TV/video advertising, including Over-the-Top (OTT) and Connected TV (CTV). Advertisers are looking for:
Ease of use
Access to inventory
Segmentation
Impression-based buying
Real-time measurement
Campaign optimization
Accuracy (no makegoods)
But if the digital TV space can offer all of that, why aren't more advertisers abandoning linear broadcast TV altogether?
Again, the answer is simple: OTT and CTV have significant challenges of their own. The audience experience is not good, with viewers served the same ads repeatedly, often during the same program, or during the same break, and sometimes even back-to-back. Frequently the ads also lack relevance, contextually speaking - in other words, the ad doesn't make sense based on what the viewer is watching and/or where they're located.
Advertisers question whether they're reaching the right audience and achieving the campaign results they're paying for, facing challenges associated with:
Disparate identity solutions
Co-viewing
Security and privacy, especially with respect to children's programming
Measurement and attribution issues, including cross-currency and cross-device measurement, audience duplication vs incremental reach, and fraud
Even though broadcast TV doesn't face the same challenges as digital - most notably with audience experience and the issue of fraud, which is non-existent in broadcast - broadcast TV still has much to learn from the automated, marketplace buying/selling model that dominates in the digital space.
Selling inventory through marketplaces helps broadcasters:
Better manage inventory
Maximize yield
Fulfill campaign audience commitments
Drive decisions with robust data
Automatically optimize rates
Back when automated marketplaces for broadcast TV were first introduced, there was a running joke that RTB didn't stand for real-time bidding but instead stood for race to the bottom'. WideOrbit data demonstrates that this is a misconception.
Marketplaces increase demand by making it easier for buyers to purchase local broadcast TV inventory. Greater demand means increased competition, and as in any marketplace, competition will often drive rates up.
WideOrbit has buy-side and sell-side marketplace solutions, to make the buying and selling of linear broadcast TV advertising easier. ZingX (buy side) and WO Marketplace (sell side) automate the direct-buy process. This is not a programmatic auction - it's an end-to-end, direct connection between buyers and sellers, removing the inte
North America Stories
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Oklahoma filmmaker Elijah Felkins launches crowdfunding campaign to shoot Kairat...
17/10/2026
Secret Weapon Post Powers New Remote Workflows with DaVinci Resolve Studio
Brie Clayton October 16, 2026
0 Comments
Going remote: redefining what post...
17/10/2026
Danilo P rez Premieres New Work Honoring Architect Frank Gehry Commissioned by the Herbie Hancock Institute, P rez performed The Ever-Changing World at its In...
16/10/2026
The LA Clippers have announced their local television plan for the 2026-27 seaso...
16/10/2026
At sports-media summit, he describes the success of the one-year-old agreement a...
16/10/2026
Parks Associates, in partnership with InterDigital, has published a white paper ...
16/10/2026
Cisco is expanding its work with the Atlanta Hawks, Cleveland Cavaliers, and Brooklyn Sports & Entertainment (BSE) as the 2026-27 NBA season gets underway, prov...
16/10/2026
Broadcast Management Group (BMG) has introduced Media Command, a private cloud broadcast platform that integrates recording, media asset management (MAM), chann...
16/10/2026
TNDV and GameTime Productions have expanded their remote production responsibilities for Team Boxing League (TBL) for the league's recently completed fourth...
16/10/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
16/10/2026
Broadcast and streaming are converging around live media. Traditional broadcasters increasingly distribute their linear services through streaming platforms alo...
16/10/2026
DAZN and Guardians League, a new professional franchise surf racing series, have announced a multi-year global broadcast partnership. Guardians League events wi...
16/10/2026
Sobatech Group is producing live coverage of the F4 Spanish Championship and Eur...
16/10/2026
The Walt Disney Company and Dude Perfect have announced an integrated creative partnership. Dude Perfect will develop original content for its own channels insp...
16/10/2026
Onsite studio show will accompany game productions in San Francisco and Atlanta
...
16/10/2026
Grass Valley s AMPP platform continues to grow in popularity, especially with th...
16/10/2026
FloSports and the National Lacrosse League (NLL) have entered a multiyear media partnership that makes FloSports the exclusive global streaming home of the NLL....
16/10/2026
At PBR Teams Series: Maverick Days at UBS Arena in Belmont Park, NY, PBR Executive Producer Jason Jacquette took a few minutes with SVG to discuss how his team ...
16/10/2026
(Suzanne Cordeiro/Shutterstock for Sundance Film Festival)
By Patty Consolazio
...
16/10/2026
The launch of the autumn programming schedules on traditional TV channels translated into a noticeable increase in total video viewership. Poles spent an averag...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Globecast, a leading provider of media integration and managed services for the sports broadcast industry, will showcase the latest developments in Content Exch...
16/10/2026
Boston Conservatory Wind Ensemble Presents America at 250 The free event, taking place at Samuel Adams Park at Faneuil Hall, features a program of inspiring A...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
ON Creative Visual Tech Provider has completed the audiovisual design and integration for Nubank Arte Lab, Brazil's largest permanent immersive art space. T...
16/10/2026
Beam Dynamics has appointed Brian Mauger as Regional Sales Manager, North America, strengthening its commercial team as the company expands across media, broadc...
16/10/2026
Secret Weapon Post Uses DaVinci Resolve Studio for Gregg Araki Films
Brie Clayton October 15, 2026
0 Comments
Remote post house delivers I Want Your ...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
The Stand that started it all in a matched pair of the industry-trusted C-Stands The 2-Pack provides both in a choice of chrome or black finish...
16/10/2026
New lineup brings professional rigging, lens support, power, and mounting flexibility to Sony's compact cinema camera
Wooden Camera today announced a new p...
16/10/2026
Cinematographer John Matysiak ( Old Henry, Winning Time, Big George Foreman ) brings a vivid breathlessness to the near-wordless film Motor City. An actio...
16/10/2026
Next Jazz Legacy Celebrates Five Years of Mentorship and Impact Across the Jazz ...
15/10/2026
E! and USA Sports will air Live from the Orange Carpet: WNBA Finals, a one-hour live special hosted by Lilly Singh, on Monday, October 19 at 6 p.m. ET / 3 p.m. ...
15/10/2026
Eutelsat has renewed its partnership with Antik Sat, the direct-to-home (DTH) television platform operated by Antik Telecom, and A1, a communications provider i...
15/10/2026
FOR-A America continues to expand its product portfolio in new directions, moves which are also giving the company more stickiness when it comes to a North Amer...
15/10/2026
Cerberus Tech has introduced Livelink Studio, an integrated cloud production and master control environment that provides redundant live production engines on d...
15/10/2026
USSI Global has promoted Amanda Flynn to Chief Operating Officer (COO). Flynn, who has served as Chief Revenue Officer (CRO) since March 2024, will focus on exp...