Phedon Papamichael, ASC, GSC has a long history with Panavision lenses, having used them on many of his best-known credits including 3:10 to Yuma, The Weather Man, Sideways, W., The Descendants, The Ides of March, The Huntsman: Winter's War, and Nebraska, the latter of which brought him an Oscar nomination. The range of styles, directors and stories on that list speaks to the cinematographer's versatility.
Now, with James Mangold's Ford v Ferrari, Papamichael has framed another completely different tale, this time set in the competitive world of 1960s automobile racing. The script presented fantastic visual opportunities in terms of the period, the design of the cars, and the depiction of speed. Still, the acting chops of Christian Bale and Matt Damon are at the heart of the film, which portrays the friendship between car builder Carroll Shelby and driver Ken Miles. In 1966, they achieved what was considered impossible beating Ferrari at Le Mans and to this day, their GT40s remain the only American-built car ever to win at the iconic road race.
Looking for inspiration to films like Grand Prix, shot in the late 1960s on the Super Panavision 70 anamorphic format by Lionel Lindon, ASC, Papamichael and Mangold devised an approach that depended on hard-mounted cameras to deliver a sense of what it's like to be in the cockpit. They avoided visual effects and the swooping, Russian-arm racing footage that has become common today, deeming them anachronistic to the period, and welcomed the vibrations and G-forces experienced at high rates of speed. Lenses were chosen with this aesthetic in mind, as was the ARRI LF camera, which offers a larger image area and different depth of field and other distinct optical characteristics.
The only hitch in the plan was that Papamichael's beloved C Series anamorphics didn't fully cover the LF's bigger sensor area. I like the painterly fall-off quality of medium format lenses, says Papamichael. I was looking for that quality, but I also wanted the characteristics of the Panavision C Series anamorphics. I asked Dan Sasaki at Panavision if he could adapt the C and T Series to cover the larger sensor. He said that he could expand them, and somehow, he managed to get them to us a day before our shoot! That meant no testing, but I instantly loved the result. Dan customized the T Series slightly to take the edge off their usual sharpness, and to match them to the C Series so we could intercut them smoothly.
Over the course of five feature films together, Papamichael and Mangold have developed a shooting style that prizes being physically close to the actors what Mangold calls being in the arena. The close-focus capability of the T Series Panavision lenses was an important advantage.
I would have been happy to shoot everything on the 30, the 35, and the 40mm, says Papamichael. With this combination of optics and sensor, even if youre in tight, youre not isolating your actors. You always feel the environment, and you're able to compose with all of their surroundings. You feel the proximity of the other cars, which are all being driven with intricate and precise choreography. In normal circumstances, I might avoid those focal lengths because of potential distortion. But something about the expansion that Dan did made them look great.
Papamichael says that the low-light capability of the cameras and the expanded Panavision lenses was a terrific combination. There's something there that's just beautifully cinematic, he says. I've seen a lot of DIs, mine and others, and this one really feels like it has a film quality the textures, and the grain, and the colors. The contrast is closer to that of a film stock. The flares are all natural and really beautiful.
Regarding Mangold, Papamichael says, Jim's strength is always to define these strong and human characters and make them feel true and not stylized. As we're trying to portray these characters, we keep the lighting simple, working with the natural light, embracing the limitations of the location, and not distracting with fancy camerawork. That doesn't mean it's not cinematic. We just work in a classic cinematic language that works in every genre.
Ford v Ferrari has been included on many shortlists for the Best Cinematography Oscar. Papamichael is currently shooting another period film, The Trial of the Chicago 7, with director Aaron Sorkin. On that film, he is using the same combination of ALEXA LF and expanded Panavision anamorphics.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/07/2026
Broadcast Management Group (BMG) has announced the appointment of Kathy Samuels ...
01/07/2026
Shade has announced Custom Objects and Automations, a platform expansion releasing June 29, 2026, that adds database and workflow automation capabilities direct...
01/07/2026
FOR-A America has announced the addition of Jaz Wray and Fernando Cruz to its U.S. sales team. Both report to Ernie Leon, Senior VP and Head of Sales and Strate...
01/07/2026
NBC Sports will air all 15 MLB games nationally on Sunday, July 5, across NBC, P...
01/07/2026
Clear-Com has announced a wireless communications upgrade for Jeopardy! and Wheel of Fortune, deploying FreeSpeak II and FreeSpeak Icon systems across both prod...
01/07/2026
England's performance team will use Sony's STATSports APEX GPS tracking system to monitor player physical data in real time during FIFA World Cup 2026 m...
01/07/2026
Adder Technology has announced the appointment of Neil Hillier as Chief Executive Officer, effective July 1, 2026. Hillier succeeds Adrian Dickens, who transiti...
01/07/2026
Bitcentral, Inc. has announced a strategic transaction creating two separate companies. The Production and Playout business will continue as Bitcentral, now own...
01/07/2026
DAZN has announced results from DAZN48, its creator initiative for the FIFA World Cup 2026. Launched in April 2026, the program received thousands of applicatio...
01/07/2026
Sarah Rose, VP, global services, Daktronics (NASDAQ: DAKT), will be inducted into the Information Display and Entertainment Association (IDEA) Hall of Fame at t...
01/07/2026
Gravity Media and the World Economic Forum's production team provided broadc...
01/07/2026
Insight Productions has announced the launch of Insight Storm, a 53-foot mobile broadcast unit built for esports production. The truck is built around a Ross Vi...
01/07/2026
ESPN has announced several content initiatives marking America's 250th anniversary, as part of The Walt Disney Company's Disney Celebrates America pro...
01/07/2026
Eleven production kits, REMI workflows, and cloud distribution bring 40 World Cu...
01/07/2026
The conference also discussed the opportunities offered an industry that is endu...
01/07/2026
The Mountain West Conference has announced the launch of MW , a direct-to-consumer streaming platform powered by Kiswe. The platform will carry live Mountain We...
01/07/2026
New AI Assistant, Multi-channel Audio, ARA2 improvements & more
Tracktion's DAW software has just received its latest major update, gaining a selection ...
01/07/2026
Stammering, stuttering, strangulated tones
The Crow Hill Company's latest creation promises to be the most original sound set they've produced to d...
01/07/2026
Exclusive run of limited-edition modelling pedals
Sweetwater and Andertons M...
01/07/2026
The National Film and Video Foundation (NFVF) is pleased to announce that the ca...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Manfrotto Introduces UNCOVER, the new premium camera bag collection for modern h...
01/07/2026
Blackmagic Design Powers Houston Tamil Sangam Literacy Competition
Brie Clayton July 1, 2026
0 Comments
Volunteers use ATEM Mini Pro, Blackmagic Desig...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
PlayBox Technology has published State of Broadcast Infrastructure 2026, an in-depth industry research report examining the technologies, operational challenges...
01/07/2026
LONDON, UK, 1 JULY Jigsaw24 has appointed Alan Henry as Head of Sales for Media and Entertainment, reinforcing its continued investment in helping broadcaster...
01/07/2026
Content Vault, the patent-pending secure content distribution platform protecting high-value media from disclosures, theft and unauthorised access, today announ...
01/07/2026
Bitcentral, Inc. a leading provider of enterprise software and digital media solutions for news, sports and entertainment broadcasters, as well as streaming pla...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Groundbreaking First Nations Screen Business Accelerator launched through nation...
01/07/2026
Chyron Launches the All-New Chyron Academy: A Reimagined, Hands-On Learning Expe...
01/07/2026
Amplium Captures Kawasaki Brave Thunders Game with Blackmagic URSA Cine Immersiv...
01/07/2026
Boris FX Optics Expands Plugin Support to Apple Photos, Capture One, and Affinit...
01/07/2026
UKTV has today announced the appointment of Matt Berry to the newly created role of General Manager - Marketing, effective 1 July.
Matt will take on this senio...
01/07/2026
Sky Zero Footprint Fund-backed TV campaign featuring Deborah Meaden challenges consumers to rethink everyday bathroom wasteWednesday 1 July 2026
Fussy asks Bri...
01/07/2026
Constituency-level analysis reveals where girls miss out most on sport - and where targeted action could unlock more than £640 million in economic and health be...
01/07/2026
Wuppertal July 1, 2026
Riedel and SKAARHOJ Expand Collaboration With SimplyLive IntegrationRiedel Communications today announced an expanded collaboration wit...
01/07/2026
Apple today introduced power-packed updates to Apple Creator Studio, a groundbre...
Phedon Papamichael, ASC, GSC has a long history with Panavision lenses, having used them on many of his best-known credits including 3:10 to Yuma, The Weather Man, Sideways, W., The Descendants, The Ides of March, The Huntsman: Winter's War, and Nebraska, the latter of which brought him an Oscar nomination. The range of styles, directors and stories on that list speaks to the cinematographer's versatility.
