Claudio Del Bravo, colourist, Frame by Frame
Caroline Shawley November 5, 2024
0 Comments
Claudio Del Bravo is a senior colourist and head of long format at Frame by Frame in Rome, Italy. He has years of experience grading a variety of formats, including commercials, indie, film and TV.
Del Bravo has an ongoing and strong collaboration with talented Italian film director, Luca Guadagnino, having worked together on Challengers as well as his latest project, Queer (2024). Other projects include Amazon original by director Arnaldo Catinari, Citadel:Diana , Amanda , Aston Martin and Indivisibili (2016).
Can you tell us about your journey to becoming a successful colourist? My journey as a colourist began with a deep passion for the visual arts and cinema. I studied arts and entertainment at university, which gave me a solid foundation in the theory and history of moving cinema.
After finishing my studies, I started working at a post-production lab in Rome, initially as a conformer. It was during this time that I discovered my passion for colour grading. I experienced the industry transition from analogue to digital, which was a fascinating period, working with some of the earliest DI software. This period really shaped my understanding of both technologies, analogue and digital workflows, which has been invaluable throughout my career.
About 12 years ago, I joined Frame by Frame when the post-production department was newly formed. It was an exciting challenge to help build something from the ground up. My goal was to make it grow into a major player in the Italian film industry and compete on an international level. Over time, by focusing on quality and surrounding myself with talented professionals, I helped the company progress from working on commercials and smaller films to handling major international projects.
What sort of content do you work on at Frame by Frame? These days, I mostly work on long-form content like feature films and TV series, but I started out with commercials and indie films. The variety is part of what makes this job so exciting - the diversity keeps me on my toes and allows me to continuously grow as a person.
How long have you been grading on Baselight? And why Baselight?
I've been using Baselight for about nine years now. In Italy, Baselight isn't as widespread as in other countries, but I knew from the beginning that it was the right tool for us. Baselight has allowed us to distinguish ourselves with complex workflows and complete creative freedom.
The Base Grade feature is particularly brilliant as it provides incredible control, especially to touch highlight. I am also a huge fan of new tools such as Texture Equaliser (combined with paint, for example) and Texture Highlight.
Have you tried Baselight 6.0? If so, what are your thoughts?
Yes, I'm currently using Baselight 6.0 on Queer, Luca Guadagnino's latest film.
The new Chromogen tool has already become one of my favourites. It offers a new way to control the image and create unique looks.
Face Warp within the new Face Track feature is also remarkable - it's incredible how fast and accurate it is! What used to take hours can now be done in minutes - tasks like making shapes around the eyes for hundreds of shots.
Both these tools are impressive leaps forward in efficiency and creativity.
What's your career highlight to-date?
My career has grown alongside Italian cinema. I've had the privilege to work on some fantastic projects, which have received significant recognition here, like films by Edoardo De Angelis, Mario Martone and Riccardo Milani.
I have also had the opportunity to work on international projects like My Brilliant Friend , an HBO series, which allowed me to challenge myself with global standards and audiences. This series was also one of the first projects in Italy to be graded in HDR, which made it even more special.
That said, the highlight of my career has been my ongoing collaboration with film director, Luca Guadagnino. Starting with Bones and All , and now Queer (2024), these projects have taken me to new creative heights. Collaborating with Guadagnino has been a dream come true, and Challengers is probably the most important project I've worked on so far.
How would you describe your grading style?
I'd say my style is deeply respectful of the cinematographer's work. I usually choose a naturalistic and gentle style, gradually creating the desired result.
I approach each project with the belief that everything in the frame-the lighting, set design, costumes-is part of the cinematography. My job as a colourist is to bring all these elements together and help them serve the narrative. My goal is to serve the film's story and communicate its message through elegant colour choices.
How do you use colour to communicate with an audience? Can you provide an example?
Colour plays a vital role in enhancing the audience's emotional experience. For instance, in Bones and All, I had the pleasure of working with the talented DoP, Arseni Khachaturan, to create a contrast between the expansive, warm American landscapes and the darker, more intimate moments. Despite the gruesome theme of cannibalism, it's ultimately a love story, so the challenge was to balance horror with a sense of tenderness and poetry. Colour played a huge role in achieving that balance. The result was a mix of unsettling, beautiful visuals.
On Challengers, I took a different approach. The goal was to reflect the elegance of the tennis world while maintaining a sense of joy and vibrancy. The colours had to feel elegant, but also light-hearted, and that was a fun challenge. DoP Sayombhu Mukdeeprom's colour choices on set were the key in creating that sense of beauty.
Do you prefer to get involved with look development before/during the shoot of a m
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
04/06/2026
American Underground (AU), the Startup Hub of the South and a community of mor...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
NVIDIA and Microsoft Reinvent Windows PCs for the Age of Personal AI
Brie Clayton June 3, 2026
0 Comments
RTX Spark - a 1-Petaflop Superchip, the Full...
04/06/2026
Inside the Peaky Blinders: The Immortal Man Grade
Brie Clayton June 3, 2026
0 Comments
Simone Grattarola discusses shaping the look in DaVinci Resolve...
04/06/2026
Cine Gear Expo Announces 2026 Awards of Excellence Recipients
Brie Clayton June 3, 2026
0 Comments
Ed Lachman ASC, Caleb Deschanel ASC, and M. David M...
04/06/2026
St. Vincents Live with Orchestra Tour to Feature Berklee Alum Ruby Plume Berklee alumni St. Vincent and Ruby Plume will appear on the same bill across seven d...
04/06/2026
BackStory follows four Irish young people as they travel back to their parents' homelands
Modern Irish identity is enriched by cultures and influences from...
04/06/2026
June's forecast with GeForce NOW: 100% chance of gaming.
GeForce NOW is lining up new adventures for the month, from big-name blockbusters to quirky indies...
03/06/2026
SES and Viva, Mexico's ultra low-cost airline, have launched multi-orbit satellite inflight connectivity on Viva's Airbus aircraft. A total of 60 A320s ...
03/06/2026
The College Football Playoff, ESPN, and TNT Sports have announced kick times and...
03/06/2026
RED Digital Cinema will exhibit at Cine Gear Expo 2026 (Booth 33, June 5-6, Universal Studios Lot), hosting three panels and hands-on product demonstrations.
P...
03/06/2026
Roku has announced the Soccer Zone, a dedicated hub for FIFA World Cup 2026 content available across the United States, Canada, Mexico, Brazil, Colombia, Argent...
03/06/2026
Liverpool FC and Wasabi Technologies have announced a multi-year extension of their partnership, with Wasabi continuing as the club's official cloud storage...
03/06/2026
Grass Valley has announced that Australian News Channel (ANC), operator of Sky News Australia, has deployed Grass Valley AMPP as part of the relocation of its n...
03/06/2026
The Riedel Group has announced the appointment of Gudrun Scharler as CEO of Riedel Networks. She succeeds Michael Martens, who has led Riedel Networks since 201...
03/06/2026
Clear-Com has announced the deployment of its intercom solutions at Itaka Arena ...
03/06/2026
Scott Coker has announced six senior executive appointments for his new global MMA promotion, which launched earlier this year with $60 million in financing. Ad...
03/06/2026
Telemundo, the exclusive Spanish-language home of the FIFA World Cup 2026, has announced its digital and social media programming for the tournament, running Ju...
03/06/2026
The Bundesliga has announced the launch of Captain, an AI assistant built into t...
03/06/2026
Anthony James Partners (AJP) is serving as technology consultant for a moderniza...
03/06/2026
Audio-Technica has announced the recipients of its annual sales rep firm awards for the 2025-26 fiscal year. The awards were presented by Jim Schanz, Executive ...
03/06/2026
iodyne will exhibit at Cine Gear Expo 2026 alongside RED Digital Cinema and Adob...
03/06/2026
The broadcaster will deploy 39 cameras for game coverage, six cameras for studio...
03/06/2026
The 2026 FIFA World Cup is providing a great opportunity for not only Fox Sports...
03/06/2026
Sony Electronics is introducing the SRG-AS10, a 4K 60p compatible PTZ Auto Framing camera that uses Sony's proprietary AI to automatically recognize and tra...
03/06/2026
Game Creek Video's Flagship A, B, C, and D unit will wind up its first year ...
03/06/2026
According to Caretta Research, the sports-rights market may be hitting the brake...
03/06/2026
Retrieval still courtesy of Tribeca.
By Jessica Herndon
This year, the Tribeca...
03/06/2026
Step sequencer-style panning tool revealed
Alongside their flagship self-titled sound-design platform, Sound Particles offer an array of creative effects an...
03/06/2026
Now features full H90 algorithm library
Eventide have announced the upcoming launch of the H9 Harmonizer Gen 2, a new and improved version of their hugely p...
03/06/2026
Significant discount available until 1 October 2026
Aim Audio have just announced a promotion that sees a significant discount applied to their Essence micr...
03/06/2026
Clarification: SBS's position on definitions of antisemitism
3 June, 2026
Media releases
Statement by Mandi Wicks, SBS Director of News and Current Aff...
03/06/2026
Rohde & Schwarz to supply CERTIUM advanced communications system to Memmingen Ai...
03/06/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({...
03/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/06/2026
For more than three decades, Re-recording Mixer Andrew Wilson, AMPS, CAS, has helped bring the natural world to the screen with exceptional audio enjoyed by mil...
Claudio Del Bravo, colourist, Frame by Frame 
