
Fernando Le n de Aranoa begins filming A perfect day, their international project Benicio del Toro, Tim Robbins, Olga Kurylenko, M lanie Thierrey y Fedja Stukan protagonizan esta pel cula producida por Reposado y Mediapro.
A perfect day, el proyecto con mayor vocaci n internacional de Fernando Le n de Aranoa comienza a rodarse el pr ximo 17 de marzo. Est producido por Reposado y Mediapro, y cuenta con la participaci n de TVE. La compa a WestEnd Films ser la responsable de las ventas internacionales.
Le n de Aranoa, director de pel culas como Los lunes al sol, Barrio o Princesas, contar esta vez con un reparto internacional, encabezado por los actores Benicio del Toro y Tim Robbins, ganadores de un Oscar por sus trabajos en Traffic and Mystic River, respectivamente, y por las actrices Olga Kurylenko (Oblivion, 007 Quantum of Solace ), M lanie Thierry (Babylon AD, The zero theorem ) y el actor Fedja Stukan (En tierra de sangre y miel).
Sophie (M lanie Thierry) quiere ayudar a la gente, Mambr (Benicio del Toro) quiere volver a casa, Katya (Olga Kurylenko) quiso una vez a Mambr . Damir (Fedja Stukan) quiere que la guerra termine, Nikola (Eldar Residovic) quiere una pelota, B (Tim Robbins) no sabe lo que quiere. Pero lo que quieres pocas veces coincide con lo que necesitas.
Un grupo de cooperantes trata de sacar un cad ver de un pozo en una zona de conflicto. Alguien lo ha tirado dentro para corromper el agua y dejar sin abastecimiento a las poblaciones cercanas. Pero la tarea m s simple se convierte aqu en una misi n imposible, en la que el verdadero enemigo quiz sea la irracionalidad. Los cooperantes recorren el delirante paisaje b lico tratando de resolver la situaci n, como cobayas en un laberinto.
El gui n est basado en la novela Dejarse llover, de Paula Farias, escritora y m dico que trabaja en emergencias humanitarias para M dicos Sin Fronteras desde 1999. El director se ha servido tambi n de su propia experiencia como documentalista junto a cooperantes en zonas de conflicto: Como ellos, esta pel cula utiliza el humor como forma de distanciamiento: las mejores ocurrencias, el humor m s salvaje y despiadado, el m s desesperado, se escucha a menudo en el centro mismo de la tragedia. Porque no hay otro lugar en el mundo donde sea m s necesario. R pida, directa, sin delicadeza, en permanente cuenta atr s, esta pel cula no encuentra tiempo para circunloquios. Como los coches en el barro, como los camiones de El salario del miedo, como los cooperantes en el terreno. Vibrante, luminosa, irreflexiva, malencarada y so adora, desesperada, divertida pese a todo as imagino yo esta pel cula .
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