
Every day, teams across Spotify leverage AI and machine learning to apply our personalization capabilities on a large scale, leading to the features, playlists, and experiences Spotify users have come to know and love. And when you spend your days working with emerging technologies, it's easy to get transfixed by complicated new advancements and opportunities. So how do our forward-thinking teams ensure they can tackle this technical work while also prioritizing the experience of our users?
That's a question constantly on the mind of Emily Galloway, Spotify's Head of Product Design for Personalization. Her team's role is to design content experiences that connect listeners and creators. This requires understanding our machine learning capabilities as they relate to personalization to leverage them in a way that is engaging, simple, and fun for our users.
Design is often associated with how something looks. Yet when designing for content experiences, we have to consider both the pixels and decibels. It's more about how it works and how it makes you feel, Emily explains to For the Record. It's about being thoughtful and intentional-in a human way-about how we create our product. I am a design thinker and a human-centric thinker at my core. People come to Spotify to be entertained, relaxed, pumped up, and informed. They come for the content. And my team is really there to think about that user desire for personalized content. What are we recommending, when, and why?
The Personalization Design team helps create core surfaces like Home and Search, along with much-loved features like Discover Weekly, Blend, and DJ. So to better understand just how to think about the design behind each of these, we asked Emily a few questions of our own.
How does design thinking work to help us keep our listeners in mind? When you work for a company, you know too much about how things work, which means you are not the end user. Design helps us solve problems by thinking within their mindset. It's our job to be empathetic to our users. We have to put ourselves in their shoes and think about how they experience something in their everyday life. A big thing to keep in mind is that when using Spotify, phones are often in pockets and people look at the screen in quick, split-second moments.
Without design, the question often becomes, How do we do something technically? For those of us working at Spotify, we understand how or why we're programming something technically in a certain way, but users don't understand that-nor should they have to. What they need is to experience the product positively, to get something out of it. We're accountable for creating user value. We really are there to keep the human, the end user, at the forefront.
Without this thinking, our products would be overcomplicated. Things would be confusing and hard to use, from a functionality perspective. Good design is about simplicity and should largely remain invisible.
But design is also additive: It adds delight. That's what I love about projects like DJ or Jam that are actually creating connection and meaning. Design is not afraid to talk about the emotional side-how things make you feel.
How does design relate to personalization? Personalization is at the heart of what we do, and design plays an important role in personalization.
Historically, Spotify's personalization efforts happened across playlists and surfaces like Home and Search. But over time we utilized new technologies to drive more opportunities for personalization. This started from a Hack Week project back in the day to become Discover Weekly, our first successful algorithmically driven playlist. It then gave way to Blend, which was designed for a more social listening experience. And more recently, to DJ, our new experience that harnesses the power of AI and editorial expertise to help tell artists' stories and better contextualize their songs. It utilizes an AI voice that makes personalization possible like never before-and it's a whole new way for our listeners to experience Spotify's personalization.
When designing personalized experiences like these, we must think content first, knowing people come to Spotify for the content. Design ultimately makes it feel simple and human and creates experiences that users love. If recommendations are a math problem, then resonance is a design problem.
But we also have to have what I like to call tech empathy -empathy for the technology itself. My team, which is a mix of product designers and content designers, has to understand how the technology works to design our recommendations for the programming. Personalization designers need to understand the ways in which we're working with complex technology like machine learning, generative AI, and algorithms. Our designers need to consider what signals we're getting that will allow our recommendations to get better in real time and overtime. And when a recommendation is wrong, or a user just wants a different mood, we need to design mechanisms for feedback and control. That really came into play when we developed our AI DJ.
Tell us the story of the inception of DJ. We're always trying to create more meaningful connections between listeners and creators in new and engaging ways. And we use technology to deliver this value. DJ is the perfect example of how we're driving deeper, more meaningful connections through technology.
Prior to generative AI, a trusted friend DJ would have required thousands of writers, voice actors, and producers to pull this off-something that wasn't technically, logistically, or financially possible. Now, new technologies have unlocked quality at scale. Xavier X Jernigan's voice and personality delivers on our mission of creating more meaningful connectio
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...
30/04/2025
Rohde & Schwarz pioneers the future of automotive Ethernet using Analog Devices&...
30/04/2025
Wuppertal April 30, 2025
Riedel Communications Expands Asia-Pacific Presence with New Office in Hong KongRiedel Communications, a global leader in real-time v...
30/04/2025
Back to All News
Mad Unicorn' Trailer Reveals a Riveting Rags-to-Riches Sa...
30/04/2025
Back to All News
Get Ready to Get Wild: Netflix Announces Mating Season, a New ...
30/04/2025
SAN JOSE, Calif. - April 30, 2025 - Harmonic (NASDAQ: HLIT) today announced that...