
ARTICLE: Does the cloud have substance?
Just at the moment, every customer we talk to wants to move to the cloud. It is not just a techno-buzzword: people are really attracted by it. The idea of getting rid of all hardware and letting someone else worry about keeping machine rooms alive seems like a good plan.
And they sometimes feel a bit deflated when we talk quietly and calmly about what is practical, what the benefits are and where the drawbacks lie, and what they really need to make it work.
I should emphasise right at the start that we have proven, working cloud solutions which we can deliver today. StreamMasterTM provides full playout functionality with sophisticated graphics & DVE, from the public cloud if required. Pixel FactoryTM automates branding and cross-channel promotion.
But the typical broadcast facility needs more technology than these two, admittedly mission-critical, functions. And you need to be able to select the right tools and functionality for what your business needs. You have always chosen the best of breed: why should things change now?
On the surface what we have done is migrated audio and video functionality from software running on hardware we had to build ourselves because it was the only way to get enough power to software running on standard hardware. That in itself does not achieve very much: despite some of the lavish claims it does not save you a chunk of money.
The benefits come when you have a complete rethink the way you build the technology platform.
Thanks to initiatives like AIMS, we are fast approaching a situation where the software from different vendors can talk to each other, using open standards like SMPTE 2110. That is what lets you choose best of breed.
All those software applications can run on the same hardware, so the big leap is to run it on the same hardware while spooling up and down as and when required. When you need to create a package of trailers, Factory grabs as many processors as it needs. And when it is finished, it releases them and the next process takes them. That could be a non-linear transcoder for catch-up TV, or it could be the company payroll.
This is the paradigm shift. This is virtualization. You can rebuild your existing machine room to be a processor farm, or you can co-locate the broadcast functionality with your business's data centre, or you can rent processing resources from a specialist datacenter, which might be a private cloud or it could be an industry giant like AWS.
I mentioned the paradigm shift for broadcasters, but it is also a paradigm shift for vendors, too. Our customers tell us we don't want to buy your hardware, and we don't want to buy your software either. We want to rent your software, only when we need it, over a virtualized network.
That's right. The smart vendor should not be looking to take large sums out of your capital budget: they should be looking to rent you functionality, by the complexity and by the hour. If you need an hour a day of 4k graphics rendering, why should you have to go out and buy a big expensive box that most of the time is sitting there doing nothing except taking up rack space and air conditioning?
That ability to rent functionality as and when you need it is another part of the paradigm shift. Want to test the market with a new channel offering, or maybe an Ultra HD service? The capital cost of setting it up makes trials difficult and unfeasible. But if you just need to rent the branding and playout while the trial service is running, then it becomes a very attractive market-testing idea.
You could set up a pop-up channel for just a day or two, around a big sports or entertainment event. You could even run an occasional channel that test-marketed new content, offered to specific demographics to see if a pilot is worth taking into production. All you are doing is paying for the software while you need it, and the processing and storage in your data centre or in the cloud.
I have two pieces of advice to help you through the paradigm shift. First, our experience is that the biggest problems come not from the technology but from the organisation's ability to change. You have to create completely new workflows, and you have to take your people with you. The benefits are huge, but the challenges are not insignificant.
And linked to that is the need to work with a technology partner you can trust. Successful innovation in our industry relies on creativity, shared purpose, linked intelligence and trust. With 30 years dedicated to the broadcast industry, demonstrating and earning that trust is a central part of what we do. Through it, our customers know that if we say we can do something there is real substance there. Never smoke and mirrors, even if we are talking the cloud!
Click here to download
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...
30/04/2025
Rohde & Schwarz pioneers the future of automotive Ethernet using Analog Devices&...
30/04/2025
Wuppertal April 30, 2025
Riedel Communications Expands Asia-Pacific Presence with New Office in Hong KongRiedel Communications, a global leader in real-time v...
30/04/2025
Back to All News
Mad Unicorn' Trailer Reveals a Riveting Rags-to-Riches Sa...
30/04/2025
Back to All News
Get Ready to Get Wild: Netflix Announces Mating Season, a New ...
30/04/2025
SAN JOSE, Calif. - April 30, 2025 - Harmonic (NASDAQ: HLIT) today announced that...