
Deloitte Analysts Peter Giorgio and Michael Vovk: Sports Properties Need To Rethink Fan Engagement Younger fans, particularly, want to consume sports in a radically different way By Ken Kerschbaumer
Tuesday, May 7, 2024 - 7:00 am
Print This Story | Subscribe
Story Highlights
For sports properties, their media partners, and fans, the future promises personalization, virtual experiences, and new ways to produce and consume sports content. But what are the right steps to turn that promise into reality? Two leading industry analysts - Peter Giorgio, global and U.S. sports practice leader, Deloitte, and Michael Vovk, managing director, technology, media, and telecom industry practice, Deloitte - have some suggestions and recently shared them and current trends with SVG.
Their report 2023 sports fan insights: the beginning of the immersive sports era notes that 56% of fans prefer watching sports on streaming-video-on-demand (SVOD) services, 35% want real-time stats and analytics as part of those services, and 59% would pay extra for SVOD that offered access to all their favorite sports events. Deloitte's most recent research predicts that, this year, revenue generated by women's elite sports will surpass $1 billion for the first time, a 300% leap since 2021.
Understanding the Macro Issues Two things are happening at the macro level in sports-content distribution, Giorgio says. First is the recognition that sports properties need to think holistically when it comes to how they engage with fans.
Deloitte's Peter Giorgio: We're in the middle of a fundamental shift to create new and different types of experiences in the arena.
It's not okay to focus on the arena experience. You have to think about your brand interaction across a wide variety of these different touch points, he explains. How do you show up in social? How do you show up on fantasy? How do you show up on linear? It's an interesting shift because, historically, a lot of that had been outsourced by a lot of sports properties, like the NBA just letting Turner handle that or the NFL letting NBC and CBS handle it. But a lot of organizations are recognizing that [although] they want consistent relationship-building, it is hard and complicated.
Second, sports leagues are confronting the conundrum of catering to an older fanbase, willing to pay $150 to sit for two hours in an uncomfortable seat and eat traditional ballpark fare, while also trying to engage a younger generation that wants something different.
We're in the middle of a fundamental shift to create new and different types of experiences in the arena because that's what that next generation wants, Giorgio points out. They don't want to sit in their seat: they want to go to a fantasy lounge where they can keep up with their fantasy team, or they want a bar that has a view of the court so they can drink and hang out with their friends. They don't want assigned seats; they want a general-seating section where they can hang out with the people they met in the tailgate.
And yes, that conundrum changes the definition of what a viewer at home is. If you expand your definition of watching to people who engage on social during a game, the people who are watching clips today, and people who are talking about it and things like that, it becomes a very different number, he explains. Sports organizations need to rethink watching if they're going to get that next generation of fans to engage with their property.
Deloitte's Michael Vovk: The outlets to disseminate content have to be differentiated in a lot of different ways because you're addressing a market that is very, very tech-savvy.
The way the younger generation consumes media is radically different from what people have done in the past and will radically impact how media is delivered. They consume in short segments, they consume through social media, they consume in little bits and bites, says Vovk. You've got to cater to that, and the outlets to disseminate content have got to be varied and have to be differentiated in a lot of different ways because you're addressing a market that is very, very tech-savvy and comfortable with needing an app for this or an app for that.
The big issue, Vovk adds, is that the younger generation is putting pressure on pricing structures of streaming services. Pricing structures designed to prevent churn and bundling of more services will continue as apps and services look to become stickier.
Although the digital-rights landscape in increasingly sophisticated, with rights sliced and diced across multiple rightsholders, there are global exclusive deals like the one between MLS and Apple, Giorgio notes. Those rights are going to live and die by how much Apple cares about major-league soccer, both in the U.S. and globally, with all the eggs in one basket. At the other end of the spectrum. you've got the NFL, which now has Amazon, Google, NBC, etc. caring about them here and others caring about them overseas.
Increasingly, fans complain in social media about how some of the packages that are spread far and wide make it too difficult (or expensive) to find the content they want, but Giorgio believes that someone, someday, will end that confusion: Somebody's going to aggregate that experience at some point so that you and I don't have to go to 17 different places to find something. You will be able to make a request for, say, women's soccer available right now, and it will just happen.
But how do you align marketing techniques? he continues. How do you create this sort of one-stop shop? How do you aggregate media rights into one place so they can sort of build on each? I don't think it's the final destination, but I think it's a step on that journey.
Think Small, Big Results A
More from Sports Video Group
20/04/2026
At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...
20/04/2026
At the 2026 NAB Show, Canon is doubling down on its commitment to live sports pr...
20/04/2026
Fujifilm is sharpening its focus on core broadcast production with a new wave of...
20/04/2026
This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...
20/04/2026
Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...
20/04/2026
Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...
20/04/2026
Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...
20/04/2026
Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...
20/04/2026
International Association of MediaTech (IAMT), formerly known as IABM, announced...
20/04/2026
Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software.
The deployment is...
20/04/2026
Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...
20/04/2026
EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...
20/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
20/04/2026
Skyline Communications announced the availability of its DataMiner xOps platform...
20/04/2026
Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...
20/04/2026
Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...
20/04/2026
Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...
20/04/2026
At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...
20/04/2026
At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...
19/04/2026
Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...
19/04/2026
Grass Valley is finding the right balance between its hardware heritage with an ...
19/04/2026
Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...
19/04/2026
Program Productions, the live sports production industry's leading crewer, i...
19/04/2026
At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...
19/04/2026
At its 2026 NAB Show keynote event, Ross Video came out swinging with one of its...
19/04/2026
Evertz (Booth N817) is set to present new services within its evertz.io platform...
19/04/2026
Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...
19/04/2026
Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...
19/04/2026
Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...
19/04/2026
Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...
19/04/2026
Cobalt Digital (Booth N1340) will introduce the blueCORE family of standalone si...
19/04/2026
Chyron and Asport (Booth N2441) will demonstrate an integrated sports video work...
19/04/2026
MediaKind (Booth W1743) provided an update on its Multiview deployments at NAB S...
19/04/2026
Calrec (Booth C6907) and Grass Valley (Booth C2408) announced a long-term broadc...
19/04/2026
Oracle is bringing a multi-partner demonstration of Media over QUIC (MoQ)-based live streaming to NAB Show 2026, showcasing how independent systems from multipl...
19/04/2026
Encompass Digital Media announced an expanded partnership with Oracle Cloud Infr...
19/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
19/04/2026
Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...
18/04/2026
MultiDyne Video & Fiber Optic Systems has begun shipping the C16-AM-12G audio mo...
18/04/2026
FOR-A America is set to detail AI functionality for its software-defined IMPULSE...
18/04/2026
Cobalt Digital and SineSix Media have announced a partnership to integrate the v...
18/04/2026
The ATSC, the broadcast standards association, is highlighting the status of the ATSC 3.0 internet protocol-based broadcast standard at the 2026 NAB Show. The e...
18/04/2026
Bolin Technology has introduced a new range of hardware for live production envi...
18/04/2026
KMH Integration is participating in the 2026 NAB Show, focusing on its AV Casti...
18/04/2026
Appear has appointed Mike Burk as vice president of business development for North America. Burk brings over two decades of experience in the broadcast and live...
18/04/2026
Skyline Communications is showcasing its DataMiner platform and the new DataMine...
18/04/2026
Telos Alliance is exhibiting its portfolio of broadcast audio products at the 20...
18/04/2026
TAG Video Systems has announced an integration with the AWS Elemental MediaConne...
18/04/2026
Blackmagic Design has announced DaVinci Resolve 21, with a public beta available now for download. The update will be demonstrated at NAB Show 2026 (Booth N2502...
18/04/2026
Calrec (Booth C6907) and Grass Valley (Booth C2408) have announced a long-term broadcast audio technology partnership at NAB Show 2026, integrating Calrec's...